Catalog (460)

Manufactured circa 1920's by the Wurts Creation Company, this scarcely-found, Black Chef, kitchen collectible doubles as both a string holder and a grocery list memo board!

Constructed of painted wood that is nailed and glued together, this vintage collectible retains quite a few of its original but yellowed-with-age grocery shopping list pages. The holder/board retains a ball of string and a stub of an older, red pencil. It also has an inkwell cut-out that would have accommodated a bottle of ink; presumably, an inkwell pen once resided beside it versus the current pencil.

The holder/board remains in all original condition with no repaint or repair. The black chef is not painted on but is a decal--all original. The pale blue paint has appropriate, minor, age-related wear as noted in photos.

Has great visual appeal and displays wonderfully!

Measuring 3 3/4 inches tall, this rarely found, bisque, black baby doll rests in a 6 inch long Peanut!

The little black doll retains its original cloth diaper and swaddling blanket with arm holes. The blanket shows spotted soiling. The baby doll features a nicely hand-painted face with the bisque in excellent condition with the exception of the right foot. The top front of the right foot appears to have been chipped during production as it retains the original paint that is applied over the white bisque during the manufacturing process. The doll is marked on its upper back: "made in Japan".

The 2 piece peanut shell is quite lightweight and appears to be made of layers of heat-pressed paper that was fashioned into a peanut via a mold. The two peanut shells retain the original hinges. A 1 inch long piece of the interior paper liner has separated from the peanut shell, but the separated piece remains (see photo). These delicate peanut shells are in fine condition overall!

Perhaps originally intended as an ornament, the peanut shell still retains a hanging string at its top edge. A rarely found piece of Black Memorabilia!

This charming grouping of FOUR vintage, wooden, Black Railroad Porter and Mammy clothes brushes were all made in the 1930's by the Rhody Brush Company of Woonsocket, Rhode Island.

All of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.

The two railroad porter brushes are priced at $85 each. The two smaller 4.5", green and red-dressed mammy brushes are priced at $60 each.

The black and cream railroad porter brush and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Black and Cream Railroad Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.

The following brushes are also in very nice, barely used condition with minor imperfection as described below:
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Red and Cream Railroad Porter brush: has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's wear is consistent with where one would hold onto the brush while using it.

Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.

Enter "BRUSH" into the SEARCH BOX to find other Black Americana brushes for sale.

Measuring 7.5 inches long x 10 inches high, this rarely-found, circa 1930's, wooden pull toy depicting a Smiling Black Boy is fully functional! He was manufactured by Wood Commodities Corporation, New York, and was called, not the typical Sambo as one might expect, but "Little Jasper"!

Little Jasper was created by George Pal, a cartoonist who worked for Paramount Studios and who created the Puppetoons, a popular cartoon series played in movie theaters of the era prior to the screening of the feature film.

Push or pull him along, and he twirls around while the two present wooden flowers spin along with him! (One wooden flower top is, unfortunately, missing--the only imperfection to this fabulous toy!)

Overall condition is rated as excellent, barely-used condition! There is very insignificant edge wear to paint here and there, but the four wheels don't show even the tiniest trace of wear from use, suggesting that this toy quite likely sat either in a display cabinet or was packed away for its entire existence! Even the original, paper manufacturing sticker remains intact and in pristine condition!

"Little Jasper" is very RARELY found, and the opportunity to acquire him should not be overlooked!

Offered is a scarce, vintage, boxed case of SS White Dental Burs from the 1920 era.

This awesome tool-of-the-trade includes many unused burs housed in their original, individual boxes! A detailed, complete label is pasted on the interior lid and is in good condition.

The hardwood case measures 11" L x 5.5" W x 3" H and has wear to the finish commensurate with age and use. A visually-appealing display piece that would enhance any dental instrument and artifact collection!

Offered are two, decorative, late 19th century, English, porcelain, dental, toothpaste, pot lid containers. They are priced separately with the ORIENTAL TOOTH PASTE pot lid offered at $115.00, and the WOODS CHERRY TOOTH PASTE pot lid offered at $75.00.

The ORIENTAL TOOTH PASTE pot lid measures about 3 inches in diameter, sports a marbled exterior and is in very nice condition with a few faint edge chips to the base. There is a slight variance in color between the top and base.

The WOODS CHERRY TOOTH PASTE pot lid measures over 2.5" in diameter, sports red printing on top and is in very good condition. This container has some small chips on the interior edge of the base.

Displayed together as a pair or individually, these dental pot lids will add visual interest and appeal to your collection!

Offered is a very nice, vintage, drug store, BROMO SELTZER Dispenser with a patent date of 1930.

This popular and very recognizable, pharmacy collectible is constructed of a cobalt blue glass base with an aluminum stand that sports an old bottle of Bromo Seltzer retaining a label dating to 1987. The stand measures just over 15 inches high including the bottle.

The condition is commensurate with a used pharmacy device. The base shows wear with various scratches, and the metal is tarnished. The dispenser mechanism rotates and functions properly. The piece was in storage for many years and retains its original, "as-found" patina. A very nice find!

Some history:
The Bromo Seltzer product takes its name from a component of the original formula, sodium bromide. Bromides are a class of tranquilizers that were withdrawn from the U.S. market in 1975 due to their toxicity. Their sedative effect probably accounted for Bromo-Seltzer's vast popularity back in the day as THE go-to remedy for hangovers!

Offered are two, circa 1930's, Japan, colorfully decorated, Black Americana Tea Pots in pristine condition! A darling and diminutive, novelty elephant piece with riding black native completes the trio! All three elephants proudly point their trunks upward, awarding "Good Luck" (according to superstition) to anyone who displays them (or drinks their tea)!

Cleverly designed, the elephants themselves, serve as the body of each tea pot, while the turbaned Black Natives lift off the elephants' backs revealing their function as tea pot lids. A wicker handle facilitates handling on the two large tea pots. The base of all three pieces are marked "JAPAN".

The largest tea pot measures 7 inches high by 8 inches long; the middle-sized tea pot measures 6 inches high by 7 inches long; the tiny novelty piece measures a diminutive 3.25 inches long by 2.75 inches high.

Condition is excellent on all three pieces with the exception of the wicker handle on the middle-sized tea pot. One end of the handle is missing its looped section of the wicker that would have wrapped around the ceramic loop to secure the handle to the tea pot. As is noted in the photos, that end of the handle can be propped against the ceramic loop to maintain its proper appearance for display purposes.

Handsome and difficult-to-find pieces of vintage Black Memorabilia! All three Good Luck Elephant pieces are offered as a single group, priced at $245.00!

Measuring 21 inches in length, this very handsomely attired, gentleman golliwog doll hails from the early 1950's and remains in near pristine condition. Displayed under glass all of these years, his clothing retains good color and is free of soiling with the exception of his white cotton vest which has one small spot on either side that are both nicely concealed when his jacket is set properly in place. (Clothing is removable if the new owner wishes to launder.)

The golly's clothing is machine stitched; his red mouth and white eyeballs are constructed of felt. His body is tightly stuffed with cotton batting allowing him to be displayed either in a sitting position or standing with the support of a doll stand.

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

A very sweet piece!

Offered is a hard-to-find survivor of 1930s - 1940s medicine!

This handsome cabinet is constructed of a hardwood (perhaps walnut) and sports an eye-appealing, front-facing, bakelite, control panel. The cabinet is rather heavy and measures 15"W x 14" H x 12.5" with a canted front panel and two wooden handles for transport.

The bottom drawer stores all of the wires and connections noted in the photo. The condition of the cabinet is very good with wear commensurate with age. One wire is brittle and non functional. There are 2 wires included that plug into the device as seen in photo. From the Philadelphia Hospital Supply Co.

An awesome piece of medical instrumentation - fusing both form and function not often found in today's market!

Offered is a very nice set of brass weights manufactured by Fisher Scientific Co., dating to the turn of the 20th century.

The weights are housed in a fitted, hard wood case that appears to be maple, and it includes a brass tweezers for securing the six individual milligram weights. Also included are eight of the nine brass matching weights, with only the 1mg weight missing.

The wooden case measures 6 inches long x 2.5 inches wide x 1.5 inches high and sports a metal label on top. Condition is very good with the finish and wear commensurate of a used antique collectible.

Offered separately are 2 complete sets of cased, OHAUS, brass PHARMACY weights dating to the 1950-60s.

The weights are housed in plastic, fitted cases and include tweezers for securing the various milligram weights. Each cased set offers a total of sixteen gram and ounce brass weights - 1 metric, small, coin-size weight and various, metal, gram and grain weights.

The cases measure 4.5 inches long x 4 inches wide x 1.75 inches high.

Condition of the BRISTOL-MEYERS case is very good with wear commensurate with use and age and is priced $45.00.

Case #2 marked OHAUS on the top is in excellent condition and is priced $60.00. This set comes with its original shipping box and appears unused.

Offered is cased, high-quality, vintage microscope slide stage. Precision manufactured by the Spencer Lens Company of Buffalo N.Y., this scientific instrument is in excellent condition. The stage fits perfectly into a velvet lined mahogany case and dates to the early 20th century.

The case measures 5.5" L x 5' W x 3" H. Hard to find microscope / laboratory tool of the trade.

The Spencer Lens Company was founded in 1895, but was actually a continuation of the earlier business originally established by Herbert Spencer in the 1840s.

Offered is a set of three tubes of C1900, unused, new-old-stock, M. Stein's theatrical grease paint makeup, rarely found in today's collectible market. Stein's theater makeup was extremely well-known throughout New York City's Broadway Theater District and was manufactured locally in New York.

The tubes bear the Stein's Trademark seal which is quite detailed and ornate and consists of a horseshoe labeled "Semper Fidelis" (Always Faithful), which encircles a stylized and entwined "M" and "S". Below the horseshoe is placed a Mortar and Pestle, all of which rests on a laurel wreath.

The tubes are labeled "Stein's Grease Paint" "Money Back for Unsatisfactory Purchases" "Manufactured By The M. Stein Cosmetic Company New York" "Made in U.S.A.". Each tube is labeled with the color code of the makeup - "No. 1 Pink", "No. 4 Medium Gray". The third tube's labeling is faded and difficult to read -"No.? ???Sallow Young Man???".

The grease paint makeup is contained in individual cardboard, push-up style tubes, they are all unused, and all three are 5 1/8" tall. Two of the tubes measure 1 1/8" in diameter and one, 5/8" in diameter.

The labeling on two of the tubes, while faded, is completely readable; one tube's labeling is rather faded and in some areas, completely unreadable.

The cardboard tubing of two of the makeup paints is, amazingly, completely intact; the No 1 Pink tube is also intact with the exception of the top cover which remains but is detached from the tube.

Interesting and early vintage finds for the theater enthusiast!

Measuring 11.5" wide x 15.75" long, this lovely, circa 1930, crosstitch cross stitch sampler depicts the history of a New York City and New Jersey family with multiple cultural nationalities displayed as well as a variety of early family occupations, significant streets, town, and structures.

Interestingly, whomever wrought this very detailed, family-history sampler omitted just one significant detail- the family surname!

On the left side of the sampler, the Scotch nationality is wrought along with the occupations of Parson and Doctor, with a 1725, antique salt box style home the domicile of the parson (?) wrought below the later 1930s domicile of the doctor (?) at New York City's Park Avenue address.

The right side of the family sampler depicts French origins with a 1777 mentor (teacher) and his red schoolhouse wrought below the 1861 farmer residing in the town of Morrisania (Morristown, NJ?).

The central aspect of the sampler depicts a number of images: a very stylish horse drawn carriage with driver and a sun umbrella--holding, female occupant, a well-landscaped, bright yellow homestead dated 1777, the nationality of "English" stitched out, and finally, a tall-spired village church with accompanying date of 1752.

The French Fleur de Lis is wrought into the sampler as well as the very ancient, stylized, so-called-today "swastika" cross, a symbol of peace and prosperity that can be traced back to ancient Byzantine times and which was frequently featured in early Native American culture as a symbol of abundance.

The sampler hem is completely hand-stitched. The sampler, itself, is in very fine condition retaining bright coloration and an absence of holes, tears or discoloration of any kind. Background color of the linen is an even, mellow, tannish-off-white.

A well-executed cross stitch sampler, an example of fabulous Americana Folk Art, which is shrouded in mystery as to family origin!

Measuring 11 inches wide x 6.25 high x 1.25 deep, this circa 1920's, architectural, children's, wooden block set made by the W. C. Hoag Company of Burlington, Vermont, is in near perfect condition!

The set appears to have never been used! All blocks are present and are in wonderful condition! The paper label attached to the sliding, wood cover is intact with very minor, age-appropriate edge wear and scuffing. What a fabulous, graphic image that would certainly command presence when displayed on a shelf! The integrity of the all-wooden box remains strong and sturdy.

Sets such as these could be found in the more affluent home as well as in early elementary level classrooms, as such toys or learning manipulatives, promoted the development of eye-hand coordination and visual-spatial reasoning skills.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.

This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.

The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.

A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!

To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

19thC English instruments are noted for their high quality craftsmanship, and this suppository mold certainly meets this very high standard. Constructed of brass, this footed mold sports 5 tubes for making 2 grain suppositories.

This fine example measuring 6"L x 1.5"W x 1"H, sports a warm patina commensurate with an instrument of this age.

The mold is marked "S. MAW & SONS, THOMPSON - LONDON", a noted manufacturer of quality medical instruments and tools for many years).

**Frames are PRICED separately. The large rectangular frame: $175.00. The small rectangular frame: $65.00. The oval frame: $95.00.**

Offered are three utterly fabulous, vintage, Victorian-era, brass-plated photo frames, each with original shelf stands on back. Please see cover photo #1 for truest representation of overall appearance of all three frames.

De-accessioned from our personal stock as we sadly no longer have the place to display them-- and our Wedding photo was displayed in the larger frame--, the frames are in all-original condition, complete with original shelf stands attached on the rear side as well as original movable pins on back that secure the photos in the frames.

In the larger frame, the brass plating is in very fine condition with very minor, minuscule scratches and pitting commensurate with its 125+ years of age. Some very minor silvering of the brass on the front of the frame is also evident, but as seen in photos, is extremely minor. This fabulous larger frame is a truly stunning piece!

The larger frame comes complete with glass and measures 17" high x 13"; the inside measures are 9.5" x 7.5", readily accommodating an 8"x 10" photo with slight trimming. This larger size is actually very uncommon compared to the many, many smaller-sized brass frames that were produced in the Victorian era. The larger frame is truly quite stunning and commanding.

The smaller rectangular frame has a similar amount of very tiny scratches and minor pitting, with some wear to the brass plate at the base of the frame where the color appears more coppery. This frame measures 12" x 9" and easily accommodates today's 4 x 6 photographs. This frame has not retained its glass, but just like the photo size it can accommodate, the frame will readily accept the glass from any modern, standard 4x6 frame.

The oval frame measures 10.75" x 8.5" and is in very fine condition with very minor, minuscule scratches, pitting or wear commensurate with its 125+ years of age. The oval opening accepts an approximate 3.75" x 5" photo and retains its oval-cut glass.

These frames display beautifully together or separately and lend a elegance to any photo displayed within!

Measuring 44.50" in length x 42.75" wide, this delightful Folk Art, completely hand-sewn, unused, wool, Pennsylvania Amish, Crib Quilt is in excellent, all-original, perfect condition!

It was constructed in the basket design by Anna Beiler in the late 1970s. Its provenance is from the Robacher personal catalog of collections--- a renown, Pennsylvania husband and wife team who became the published, indisputable American experts in Pennsylvania Dutch decorative art and culture. Over their multiple decades of marriage, they collected an utterly massive number and wide variety of Pennsylvania Dutch artifacts before both passing away in the early 1980's.

Colors are bright orange-red, navy blue, royal blue, forest green, pink and standard green. Please note that all colors are quite striking and brilliant, and remain even in color and tone throughout. Any photos that appear to suggest to the contrary, are a result of lighting issues and do not in any way reflect condition.

This piece was never used and was purchased new in the 1970s by the Robachers, and placed in careful storage in a cedar-lined trunk. It has remained in storage in a cedar chest since its purchase from the Robacher Estate Auctions held in 1989 by Horst Auctioneers of Ephrata, PA.

Measuring 5.50" in long x 8" wide, this delightful, C1910 cardboard box once held typewriter ribbons produced by the A.P. Little Company, manufacturer of typewriter ribbons and carbon paper.

The graphics on the cover of this box feature a smiling, happy, young African-American boy (the company's trademark) who is peering through a rip in the paper, unknowingly about to be pounced down upon by a very ugly and venomous-looking spider!

The box is in amazingly near-perfect condition despite its 100+ years of age with very insignificant soiling present as well as rubs and abrasions to box edges, all of which are more than perfectly reasonable given the age of the piece.

A very seldom-seen advertising piece featuring a Black Americana theme! The first that I have had from this company! is in excellent, all-original, perfect condition!

This delightful Black Boy Rag Doll has a face with a story to tell! What an expression!

Measuring 13 inches tall, he is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive and are exceedingly well done. His hair has been styled in tightly wound little ringlets.

His brown-patterned, machine-stitched shirt and pants are also vintage 1930-40's fabric, accented with two miss-matched buttons holding up cute red suspenders.

A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Artist who is now deceased.

Please take a moment to view his big sister by typing the words "Maine Doll" into the SEARCH box.

Offered is a more diminutive example of a late 19thC Pharmacy "tool of the trade" known as a pill machine but often referred to as a pill roller.

Pill machines were designed to enhance the productivity of the early pharmacist, and this design was, indeed, popular for many, many years. This pill machine is designed with 24 tubes for medicine-making.

The condition is very good, sporting a nice patina commensurate with its age and use. It is constructed of walnut and embellished with brass edge guards as well as brass grooved molds. The paddle has a number of early small dings and a small, faint hairline split on the top edge. The base measures approximately 12" L x 7" W x 1.75" H including the footed base. The paddle is 16.5"L x 3"W.

An apothecary classic, ready for your collection.

This is a very nice example of a Lowell, Massachusetts, patent medicine complete with box.

The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.

This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.

Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'

This is a scarce collection of 22 Homeopathic Medicine bottles complete with contents, corks and labels dating to the turn of the 19th century. Each vial sports an applied label that indicates the contents plus a cork with hand-written ingredients noted. The vials measure between 2 - 2.5 inches high x 1/2" including the cork. Hard to find in any condition.

*****Group #1*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.

This is a scarce collection of 22 Homeopathic Medicine bottles complete with contents, corks and labels dating to the turn of the 19th century. Each vial sports an applied label that indicates the contents plus a cork with hand-written ingredients noted. The vials measure between 2 - 2.5 inches high x 1/2" including the cork. Hard to find in any condition.

*****Group #2*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.

This is a scarce collection of 22 Homeopathic Medicine bottles complete with contents, corks and labels dating to the turn of the 19th century. Each vial sports an applied label that indicates the contents plus a cork with hand-written ingredients noted. The vials measure between 2 - 2.5 inches high x 1/2" including the cork. Hard to find in any condition.

*****Group #4*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.

Offered is a C1900, artistically-executed, hand-painted and hand-stenciled, wooden veterinary medicine advertising sign entitled "TRY VARNUM'S SPAVIN CURE".

The term Bone Spavin refers to the development of arthritic or degenerative changes that create bony growths effecting the lower joints of a horse and often resulting in lameness.

This very unusual sign measures 42" L x 6"W and is in very good condition. The wood demonstrates a few faint hairline, length-wise splits that do not go through the wood, and thus, do not effect sign integrity. Two hooks on the top of the sign facilitate hanging.

Measuring 15.5 inches long, this delightful, folk-art styled, cloth and stocking-constructed rag doll was made circa 1920's.

Detailing in construction sets this sweet black doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. She was lovingly dressed in machine-stitched clothing made from old red, pink, cream and rose-patterned scraps of cloth, while her body was hand-sewn and constructed of old, black stockings stuffed with cotton batting.

This young girl's nose and mouth are hand-embroidered, while her eyes are represented by small, black buttons. Her hand-applied and stitched hair is made of black wool yarn and has been fashioned into braided pigtails edged with faded red ribbon bows with fluffy bangs topping her forehead. Her hands are carefully hand-stitched to delineate fingers.

This sweetie is in near perfect condition with the exception of some fading to her clothing as well as two age-related, small holes to her stocking-constructed left foot and lower leg. (This wear and fading to the fabrics and stockings used in her construction may well be the very reason they were used, as they may have been discarded from personal use. Please refer to photos to view wear.)

Purchased in Charleston, South Carolina. Simply full of charm with lovely touches! A quite difficult-to-find-in-this condition, 90+-year-old, cloth rag doll!

Offered is a very appealing pair of Mid Century Modern, vintage-design-decorated, apothecary jars that once embellished the shelves of a Claymont, Delaware pharmacy.

Dating to the 1950s - 1960s era, this beautiful, white and cobalt blue colored pair are in excellent condition. The large jar measures 10.75 inches tall x 6 inches in diameter. The small jar measures 7.5 inches high x 4.75 inches in diameter.

Ready for display in your vintage drug store collection!

Offered is a one-of-a-kind, hand-painted sign from the 1940s era. This eye-appealing and visually-graphic sign is constructed of metal, has two-toned, colored lettering and sports the Newark, New Jersey Traffic Club's shield-shaped emblem.

This professionally executed, rare sign measures 29 inches long x 9 inches wide and is in good condition. Areas of light paint loss as seen in the photos and a few minor crimps in the metal, most noted by the corners, are commensurate with age.

An internet search revealed that the club was established over 100 years ago in 1909, although this sign appears to be from the 1940s. A neat find!

Offered is a nice example of a Pharmacist tool of the trade. Dating from the 1940s to 1950s, this pharmacy pill tile is constructed of durable glass and sports a numerical cutting scale to accurately determine the dosage of compounded medicines.

From the GLASCO Glass Company, this pill tile is in nice condition, with 2 edge dings and various faint glass scratches acquired as a result of use, resulting in a fine, vintage patina.

Offered is a very difficult-to-find grouping of twelve, matching, 19th century, porcelain, apothecary cabinet drawer pulls.

Each pull measures about 2"W x 1 3/4"H x 1 1/2" front to back (not including bolt).

The condition of the pulls is very good with only a few minor manufacturing imperfections that add to the desired patina of an antique of this age and period.

Most of the pulls sport the following, sometimes illegible, maker's mark on the bottom of the knob: "PAT. FEB 12, 89 - M.D.B. CO. - ST. LOUIS, MO".

The pulls are priced at $540 for the matching set of twelve or can be purchased individually at $45.00 PER PULL. Ready for display in your apothecary collection or for retro-chic decorating use on an actual cabinet, be it antique or contemporary!

Offered for your consideration is a fabulous set of three, 1910, Anatomical Charts of the Skeleton, Muscles, and the Circulatory system.

Complete, National American Red Cross anatomical charts of this early 20th Century time period are quite an unusual find in today's market. Charts such as these were a frequently referenced visual aide for both the medical and nursing student, and due to this frequent educational use, not many have survived.

These wonderfully detailed teaching charts each measure 28.25" high x 20" wide and (to the best of our knowledge) are made of a wax-coated, heavy-weight, linen canvas. The top and bottom only of each chart are framed by black painted, wooden supports designed to facilitate the hanging of each chart.

The condition of each chart demonstrates mild crackling of surface and light wear and tear, as well as discoloration consistent with their 100+ years of age. Slight, unobtrusive loss of fabric is also apparent. Overall, the condition and patina of these charts are commensurate with vintage teaching tools that had been frequently referenced.

The charts are published by P. BLAKISTON'S SON & CO., Philadelphia, Pennsylvania. In 1880, this company focused its production upon the publication of high quality medical and scientific books, charts, and graphs.

Offered are two fabulous Arlington Chemical Company Diagnostic Allergen Test Kits which were used to test skin sensitivity or allergy to a wide variety of potential allergans. The two boxed sets date to the 1940s - 1950s era and are in very nice condition. Both boxes are covered in a grained, leather-like material. The larger box shows wear as seen in the photograph.

The larger boxed set contains 38 vials which are nearly empty and sport complete paper labels. There are 2 missing vials from this kit. It measures 6" long x 5" wide x 1.5" high. The inside cover of this larger boxed set lists the names of the 38 allergens contained in the kit.

The small boxed set contains 28 corked top vials which have the same type paper labels as found in the larger kit. This kit measures 5" long x 2" wide x 1.5" high and is missing (or never had) 8 vials.

These skin sensitivity testing kits contain vials which are specific to the southern California area.

A scarce duo indeed!

Offered is a very scarce, quite interesting, California, Folsom State Prison document that includes the Mug Shot and Fingerprints of a 23 year old convict.

The 8" x 8" heavy paper document presents pertinent, highly-detailed, personal data including: name, race, age, date of birth, occupation, county of residence, height, weight, fingerprints, unusual identifying physical marks or scars, and physical description, as well as crime committed and length of sentence. The prisoner was required to sign the completed document in the lower right corner.

The convict's sepia-colored mug shot of front and profile views is presented on the reverse side. He was convicted of embezzlement, and interestingly, his previous criminal record and time served in San Quentin Prison is also noted on this document!

This official prison record is marked on the reverse side with a circular, red-colored stamp reading: Rec'd June 14 1941 Bureau of Crim. Ident.

This prison record comes encased in a glass-fronted, plastic frame.

The condition, including the two photos, is very good.