$45.00
This cleverly named product came in a diminutive tube measuring 3.5 inches long with its carton a mere 4 inches long. Supposedly, by following directions and using "at the right time", this ointment would measure up to its full potential.
Dates to the 1950's - 1960's era and is in very good condition.
This antiquated medicine with inert contents is meant for display ONLY and NOT meant for use.
A GREAT conversation piece!
$65.00
The double gutta-percha case measures 2.5 inches wide x 3 inches long x .75 inches deep when closed, and 5 inches wide when opened. The case appears to be in excellent condition!
The two cased tin types are each further framed within different press-molded, thin, ornate, brass frame and behind a little pane of glass. Each tin type is labeled with the name of the woman: the bonneted woman is Sarah Lavinia Piquet, and the long-haired woman is Maria Rogere.
Mid-19th century age is an approximation based on clothing style as well as decorative art in photo and style of double case.
Condition of tin types is excellent- **ANY white marks seen in photographs are caused by light reflection and are NOT damage.**
$110.00
The first club is stamped on the back "SPALDING - GOLD MEDAL" and measures 39.5" from the heel to the top of the shaft. The Gold Medal line was first introduced in 1905 and offered till 1919. The complete grip shows mild separation and is in good condition. The shaft on this long club (likely a #2 iron) has a modest bend near the grip.
The second club, a putter, is stamped on the upper shaft "THE CRAWFORD MACGREGOR & CAMBY CO - DAYTON, OH" and measures 32.5 inches from the top of the club to the heel. The sheepskin grip is worn and the face of the club is heavy by design.
The third club is likely a MASHIE, has a straight shaft and good grip. The name of the maker is not discernible due to a partially worn stamped label. It measures almost 36 inches from the end of the club to the heel.
All three clubs show various, small, leading edge dings, original patina and mild wear commensurate with the clubs' use and 110+ years of age. A delightful trio!
$135.00
The 1st smooth face club is stamped on the back "R.B.WILSON - OK SPECIAL - MADE IN SCOTLAND". The lambskin grip is in good condition, and the hickory shaft sports a nice aged patina. It measures 38.5 inches from heel to top of shaft and is likely a MASHIE although it is not marked as such. There are various small dings, faint pitting to the metal surface and examples of wear commensurate with this club's use and 110+ years of age.
The 2nd club is marked "MORRISTOWN" on back and is very nice with minimal signs of use. There is a "sheen" seen in the sweet spot that is of unknown origin. Of note: Spalding produced a line of clubs marked 'Morristown', so this club may well be one of their earlier examples as there are no other maker marks present...an excellent club, indeed!
$225.00
Mammy sports hand-stitched facial features, and all original, machine-stitched clothing. Mammy’s hands and arms are made of fabric-coated pipe cleaners allowing for flexibility and movement. Her corn cob body has been neatly encased in muslin. Mammy's costume is complete and quite brightly colored and even features a tiny apron pocket in which a teeny hankie is tucked!
Mammy has been well cared for over the years- no fading to clothing, no rips, tears or other blemishes! A most interesting and very seldom found Mammy doll in utterly excellent condition!
$165.00
1) A C1870, American, very appealing, rather primitive IRON SQUARE measuring 24 inches in length on the long side and 12 inches in length on the shorter side. This solid tool shows the worn appearance of a well-used tool with moderate pitting and loss yet still displays its hand-stenciled numerals and measurement points.
2) A C1870, English, impressively-constructed MORTISING CHISEL that is in very good, usable condition. The durable hand-wrought, hardwood handle supports a hearty steel chisel that is stamped, "WR BUTCHER", along with the image of the English crown. English tools are well-noted to be of high caliber construction. This 9.5 inch long has a lovely, warm patina with a slight, 1 inch hairline where the handle joins the metal.
3 & 4) Two, mid-19th century, Pennsylvanian, iron, BENCH HOOKS. This hand-wrought pair sports a twisted iron design and measure 6 and 10 inches in length, respectively.
5) A C1860, American, elegantly formed WOODWORKER’S OPEN SCORP designed to shave away thin slices of wood. This handsome, 17 inch long tool beckons the skilled craftsman’s and designer’s eye, as it is in working condition and sports a lovely, rich patina. A 2 inch long split near the steel does not impact the integrity of the tool or its workable strength.
6) This circa late 19th century, American, 3 inch diminutive bicycle WRENCH retains most of its chrome plating and shows minimal wear. Made by Mossberg Co. of Attleboro, MA., this "Junior No.1" embossed tool is fully functional as it easily opens and closes.
7) A late 19th century/early 20th century, handsomely-shaped, brass and steel, PLUMB BOB measures 4 inches tall, sporting a nice patina and is ready to use. This American piece is embossed "GENERAL HARDWARE MFG CO, NY, NY, USA”, and shows minimal wear.
8) A high-quality, delightfully-designed, American steel, CALIPER made by the Starrett Co., sports a patent date of June 2, 1895, measures 4.75 inches long and remains usable.
9)This cute, 4 inch long, hardwood-handled GIMLET is in very good condition, dates to the 19th century and also remains usable if chosen. The tip terminates in a tiny screw shape to help initiate the boring of holes for screws.
10)The final tool of this grouping is a very lovely, 19th century, steel and brass, adjustable, COMPASS with plenty of life left. It is marked "P.S. & W Co.", measures 6.25 inches long, and is in very good condition.
$50.00
The green colored tins date to the 1910 - 1923 time period and measure about 3.25" long x 2 inches wide.
The tin with paint loss especially on the bottom is priced @ $70.00. .The better tin is $90.00
The covers and hinges work well. Made by "METAL PKGE CORP. BKLYN, NY".
****The brown colored tin is sold****
Some History: Henry Clay Glover started practicing veterinary medicine sometime prior to 1877. In 1888, his medicines were awarded the medal of superiority by the American Institute of New York. He identified himself as a “Specialist in Canine Diseases". As a personal testimonial, he stated that as of 1897, he had been the Veterinarian to the Westminster Kennel Club for 20 years.
The first known address for Dr. Glover is 1293 Broadway, New York City. Tins with this address state “H. Clay Glover,V.S. Prop", and appear to be the earliest-known. Some time prior to 1914, the company moved to 118 West 31st Street. Glover was still sole proprietor, but by 1917 the company was incorporated, and the tins stated “H. Clay Glover Co” while retaining the West 31st Street address. The company moved to 127-129 West 24th Street in 1923.
$45.00
From the GLASCO Glass Company, this pill tile is in nice condition, with 2 edge dings and various faint glass scratches acquired as a result of use, resulting in a fine, vintage patina.
$195.00
This lovely advertising sign sports an eye-catching robin's egg blue border that encapsulates J&J's iconic infant image.
The painted sign measures 33.5"L x 7"W x .35" Thick and is constructed of wood. The back has two wood support brackets attached as seen in the photo. The condition is very good with a few scratches and light surface wear.
An absolute must-have sign with fabulous "visual presence" that's sure to add energy to your collection!
$85.00
The two larger brushes have natural bristles, while the small red Mammy has solid red "plastic" brushes. They range in height from the Mammy at 6.5 inches and the Railroad Porter at 8 inches tall, to the smaller Mammy at 4.5 inches tall.
The two larger brushes are priced at $85 each. The small red 4.5" Mammy, is priced at $60.
All three brushes are in very good condition with evidence of having been very lightly used as described below:
Red Railroad Porter(A): small, superficial "dings" to paint here and there, with three teeny specks between the eyes. The majority of paint wear is seen around the bottom of the pedestal that the porter is standing on. The brush bristles are a mix of faint red and natural coloring.
Small Red Mammy(C): paint in excellent condition with only one superficial ding to the paint on her left side. An unusual feature: the black bow painted atop her hat!
Large Green Mammy(B): --paint in very good condition with tiny dings here and there and subtle paint wear to her hat on the right side. Slight bend to bristles, likely due to storage conditions at some point in time. Has a bit of faded green string around her neck which once may have been tied into a bow.
Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
Enter "BRUSH" into the SEARCH BOX to find other Black Americana brushes for sale.
$25.00
This handsome wooden beauty is embellished with a fancy decorated mortar and pestle on top, stylized, Victorian-look lettering spelling out "PHARMACY" in the center, and vintage-look advertising for "LOG CABIN EXTRACT" at the bottom.
The condition is good with slight areas of paint lifting or loss, primarily on the edge.
A tiny "MADE IN JAPAN" label and the original price tag are present on back. Ready to hang!
$2,450.00
This club actually presents a number of qualities that indicate it may, in fact, be an example of pre-1860s craftsmanship: : LENGTH of the face is 6 inches. The DEPTH of the face is 1 1/8 inches max. The face is SMOOTH and CURVED, and the club head is shaped in the form of a TEARDROP. The club is UNMARKED. The neck is slightly thin at just over 3/4 inches--- all indicators of an early, pre-1860s club!
This amazing club sports most of its original varnish surface and is offered in "as found" condition. The darkening of the finish results in a wonderfully rich patina. The club displays an enchanting presence owing to the gently-sculpted angling of the face. The sole of the club is without the usual ram's horn which was the typical norm, making this particular club that much more intriguing and quite unusual!!! I have not been able to find reference to clubs that were made in this fashion. RARE!!!
The early golfer must have been quite robust and sturdy as this heavy club face is one that most folks today would have a difficult time keeping "square" at impact. Long spoon clubs were used off of grassy surfaces which accounts for the very nice condition of this beauty. Besides the unobtrusive, expected scuff marks on the sole, there is only one tiny, barely-noticeable chip on the leading edge of the club face at the sole, consistent with hitting something other than a grassy surface!
The lead on the back of the club has been partially removed to customize it for the golfer. The slightly warped hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of honorable wear.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, UK club makers of the 19th century. According to author and golf history expert, Jeffrey B. Ellis, unsigned, long-nosed golf clubs were the norm in the pre-1870 era.
This rare, antique, hand-wrought, golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
A phenomenal, rarely-found example of 19th century craftsmanship, and a tangible example of exemplary golfing history.
$3,895.00
One prominent feature of this piece to be considered is the excellent condition of all brass components including the hanger! Nearly all of this wonderful brass plating remains, retaining its original glossy sheen enhanced with a rich, aged patina.
Of course, the attention to the detailing and design of all of the brass components of this globe are second to none, pushing this show globe into a class by itself. Note the intricacy and the elegance of design incorporated into both the show globe collar and the finial - simply outstanding! The gargoyle hanger typifies the Victorian era embrace of elaborate detailing with its combination of curves and curlicues, ending with the head of a fierce, warrior-like gargoyle with wide open jaws- quite capable of supporting this gorgeous show globe.
The show globe measures 22 inches tall from the top of the crown to the tip of finial. The hand blown glass globe condition wise is near perfect on the exterior, while the interior notes a mild, unobtrusive haze which will not be visible when the globe is filled with the colored water of your choice. The haziness should clean up if desired.
The elegantly sculpted wall bracket measures 10.25 inches high x 2.75 inches wide, while the ornately and richly detailed gargoyle hanger is 14.75 inches wide x 9.5 inches high.
Acquisition of this rarely found and beautifully stunning show globe is an opportunity not to be missed, absolutely the best apothecary show globe I have had the privilege of offering in over 40 years!
$165.00
Measuring 13.25 inches wide x 9.25 inches high x 1 inch thick, this wonderful piece patented February 16, 1886, is in very fine condition with a warm, rich patina and color as well as all 56 of its original wooden letters! To spell a word, one slides the letters along cut out tracks in the board.
Quite visually appealing!
Condition: three of the 1/8th inch thick, round, wooden letters suffered partial breakage at one point in time, but these letters continue to remain quite structurally sound and "readable". Some tiny edge chips to the wood- quite reasonable given its age.
A seldom found vintage, early School House item!
$145.00
Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the graphic remaining free of scratches and abrasions. The mirrored back shows evidence of subtle, minor scratching. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
A delightful piece of early Black Memorabilia!
$25.00
Condition is wonderful- no rips or creases. The full view photo appears faded or lighter on the right hand side, but this is camera flash glare only- tones/coloration are uniform throughout as seen in close-up photo.
A delightful and early schoolhouse collectible!
$495.00
The image, itself, measures 32" long x 24" wide, while the framed artwork in total measures 41" long x 32.5" wide. The giclee print was framed using museum-quality, acid-free double-mat board and backing materials, within a fine quality solid wood frame and topped with non-glare glass. This artwork was purchased directly from artist, Kelvin W. Henderson, it was signed by him at the time of our purchase, and it cheerily hung in our dining room for ten years!
The artwork is actually brighter in color than my camera was able to capture- closeups appear a bit "darker" than reality. Condition is absolutely perfect! And its presence---well, it will command one's attention hanging on an entire wall-space all by itself! It is, as stated earlier, a Limited Edition giclee lithograph-- Number 18 of a 150 Limited Edition series, with an additional 50 canvas editions. The provenance of this piece with all details is attached on the back side of the artwork as seen in one of our photos. A buoyant and effervescent piece of art!
As this piece exceeds typical shipping criteria in terms of dimensional size and weight, we regret that we cannot offer free shipping. We will provide a $25 shipping credit, but the remaining cost of shipping will rest upon the purchaser.
$55.00
*****Group #4*****
Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.