1) Paperback Autobiography by Dick Gregory, “Nigger”,12th printing, 1969. Cover wear, browning of pages, no missing pages,tight binding.
2) Paperback “Three Negro Classics”: “Up From Slavery” by Booker T. Washington, “The Souls of Black Folk” by William E. DuBois, and “The Autobiography of an Ex-Colored Man” by James Weldon Johnson, 9thprinting, 1970. Very little wear evident!
3) Paperback “Black Boy” by Richard Wright, 6thPrinting, 1964. Slight cover wear, light browning of pages, no missing pages,tight binding.
4) Paperback “Look Out, Whitey! Black Power’s Gon’ Get Your Mama” by Julius Lester, 1st Printing, 1969. Slight cover wear, browning of pages, no missing pages, tight binding.
5) Paperback “Tales” by LeRoi Jones, 6thPrinting, 1967. Subtle cover wear.
6) Hard Cover “Race and Reason, A Yankee View” by Carleton Putnam, 1st Printing, Public Affairs Press, Washington DC, 1961. Very good condition.
The graphics are fabulous, the titles are creative! Condition of all ten pieces is good to very good and is consistent with the expected wear of paper items 80+++ years of age!
1920 "Green River, The Snappy Trot", sheet music published by Van & Schenck, Chicago
1923 "The Path Across the Hill", a short play by Lillian Mortimer, Denison & Co. Publishers, Chicago
1926 "Two Days to Marry" by Walter Richardson, BugBee's Popular Plays, Syracuse, NY
1928 "Laffalot Minstrel Book" by Arthur LeRoy Kaser, Paine Publishing, Dayton,Ohio
1929 "Denison's Make-Up Guide for Amateur and Professional (Very Interesting!!!), by Denison Publishers, Chicago
1930 "The Burnt Corkers Jamboree", by Arthur LeRoy KaserPaine Publishers, Dayton, Ohio
1932 "Underneath the Harlem Moon" by Mack Gordon & Harry Revel, DeSilva, Brown & Henderson Publishers, NY
1934 "Happy School Days Minstrel" by Arthur LeRoy Kaser, BugBee's Minstrel Plays, Syracuse, NY
1935 "Ignorant Mama- Papa's Gonna Educate You" by Harold Dixon - Words, Music & Publishing NY
1936 "30 Songs-Tip Top Entertainment & Minstrel Album" made Famous by Outstanding Radio and Record Artists, NY
Please see our other Aunt Jemima items!
No chips, cracks, or repairs with only minor, subtle paint loss as noted in photos. Retains its original notepad but is missing its pencil.
Please see our other Aunt Jemima items!
Measuring 12 inches tall and 7 inches wide at the widest point of her skirt, Aunt Jemima is in quite wonderful condition with just very minimal and subtle paint loss, most prominently to her white apron (see photos).
Some slight superficial rubbing to the finish here and there as expected in a nearly 70 year old collectible. Marked on the base " F & F Mold & Die Works, Dayton Ohio Made in the USA".
Quite difficult to find in this condition! Please view our other Aunt Jemima offerings!
All six Aunt Jemima, 4 inch tall spices bottles are marked on the base "Aunt Jemima F & F Mold & Die Works, Dayton Ohio Made in the USA".
Condition is wonderful with just some very, very minimal paint loss here and there as noted in photos. Each spice bottle separates at Aunt Jemima's waist to reveal the plastic grated shaker which is also removal for easy refilling of spices.
The 12 inch long spice rack is also in wonderful condition with only the expected age-related cloudiness here and there to the nearly clear plastic, as well as minute surface scratches from use. The rack is marked on the inside beneath the last "S", "Lustro Ware Stock No. L-51, Patent Pend, Made in the USA".
Difficult to find complete set in this wonderful condition! Please view our other Aunt Jemima items also available.
The can sports vibrant colors and a very engaging graphic making this display piece quite visually appealing!
Measures just 3.5 inches high x 2.5 inches in diameter. Still retains a bit of paint.
The back side of the can makes for an interesting read as it describes the various metallic items common in the 1930s that were suitable for the paint's use as well as the suggestion that if the paint should become too thick, it can be thinned with benzine--- today considered a highly toxic compound!
The well-appointed Black Chef sports a very wide grin and holds a bowl of eggs in his right arm and a wooden mixing spoon in his left. He is in very fine condition with a very subtle suggestion here and there of a remnant of his original gold paint. There are subtle dings to the backside as well as evidence of superficial surface rust. The following is imprinted on the CHef's backside: “Compliments The Toledo Stove And Range Co”, although the striking of the "O" and "L" are very faint. This imprint documents the spoon rest’s original function- continuous promotional advertising presented as a free giveaway to buyers purchasing the company’s products!
The well-dressed Mammy sports a wide grin and holds an iron in her right hand and other household implements in the left. She is in very fine condition with a smattering of some very subtle superficial rusting here and there. Evidence of the original gold paint is also subtle but can be seen. The back side of the spoon rest is perfect and looks as though it came right out of the factory just yesterday with a very solid and clear imprinting of the Toledo Stove Company advertising.
A very rare find!
The smaller print featuring a little baby sitting in a pie, measures 7.25 inches wide x 9.50 inches long. It is complete with original black wooden frame, glass, and paper backing. Copyright by Morris & Benden NY is noted without a date. The phrase, "If you could lub like I lub pie - oh me, oh my - oh me, oh my!" is printed at the bottom. Very nice condition and ready to hang!
The larger print featuring a teeny black baby tucked between pillows in a very large fluffy bed bears a penciled inscription on the paper backing indicating that the piece was given as a gift in 1925! Measuring 7 6/8 inches wide x 10.50 inches long, this print retains its original black wooden frame and paper backing but requires replacement glass, an inexpensive investment for this small frame. These two sweet prints would look lovely hanging together given their common sweet black baby theme and with their coordinating black frames!
As a doll collector myself, I just LOVE this doll. I love it as his composition head is in just flawless condition. I love it as he is completely original including the light soiling to and single broken button on his machine-stitched, renowned Stifel-Brand denim overalls! (see photo---the overall's bib is stamped with the trademark cowboy boot logo encasing the word "STIFEL" and the words, "Reg US Pat Office" above the boot.). I love it as his compo hands are in nearly perfect condition with the exception of the tip of his pointer finger on his right hand. And I love it as he has three tiny little holes in his left black sock! He obviously was very well cared for over these past 99 years!
In addition to his overalls, he wears a cream-colored, machine-stitched cotton shirt that comes complete with two button holes, but no buttons. His shirt has been carefully and competently sewn via both machine and hand. His black cotton stockings travel all the way up to his hip where they meet a pair of cream-colored silk underwear! He has no shoes!
His body, arms and legs are stuffed with cotton batting and covered in muslin. With the exception of his stamped Stifel overalls, this sweet boy is unmarked.
These two folk art pieces came straight from the 93 year old great grandma who played with them as a child!
While the heads were constructed from dried apples painted black, the bodies were cut from various pieces of sponge which were then hand-sewn together. Hands were cut from pink--- and not brown or black felt--very interesting---while the teeth were formed from tiny white beads, and the white fuzzy hair fashioned from nothing more than small, cotton batting pieces. Eyes are glued-on googly eyes.
The homemade clothing is nicely constructed via a combination of hand and machine sewing. Mammy's green, teal and rust flowered dress is embellished with a bit of lace at the sleeves, and she also wears a fancy, white eyelet petticoat and a soft pink crocheted shawl. She is barefoot. Pappy's light blue shirt features 3 button detailing, and he wears denim pants and black felt shoes and hat with a red felt vest.
Condition is quite fine with no observable issues! No odors, rips, stains or missing parts. A very sweet pair!
The neck opening, arm openings and the hem of her cream and red flowered dress are all hand-stitched. Her head and torso, cut from a piece of wood, are completely hand-painted, and the facial details and head scarf details were executed with a very fine-tipped paintbrush and were very nicely done! Mammy's dress contains a ball of old cotton string which is allowed exit through a small circular hole cut into her mouth.
Paint condition is very good with only slight edge wear and a couple of very subtle, tiny surface scratches. There are no rips, tears or wear to Mammy's dress, but some small staining splotches on the left side edges of her dress in front and in back are evident. A small eyelet was screwed into the top of Mammy's head with a string attached to allow for hanging and easy access.
The walking stick is constructed of a single piece of wood. The staff is painted with black stripes, and at the very top, the stripes switch to polka dots to simulate the man's shirt. A handle has also been carved out which apparently represents the man's arm, painted with the same polka dots.
The head carving features distinctive full lips and a strong, protruding chin. A mustache and goatee are painted in black under the nose and bottom lip. The hair is also simply painted in black with a crude nose drawn in. The eyes are also hand-done and feature pupils and numerous full eyelashes. The left eye is slightly faded while the right eye is quite distinct.
The carver/artisan is unknown as is the walking stick's origin. A unique Folk Art Black Americana piece!
Pepsodent product users would collect box tops and along with a small sum for shipping, would mail all into the Pepsodent Company in return for Amos n Andy's "Eagle's Eye View of Weber City, Inc." lithograph map!
The litho itself is just extraordinary---very brightly colored, original and mint condition, measuring 20 inches wide x 15 inches long. No rips, bends, or creases. This has been stored for years inside two clear plastic bag-type casings using a 16" x 20" art canvas for support. The litho is not attached to the canvas. The original fold creases which occurred when the litho was first mailed out in the 1930s remain. This litho would be absolutely fabulous framed given all of its bright, visually-striking detailing!
Also included are the Amos n Andy mailing envelope and promo letter from them that accompanied the litho asking their fans to buy Pepsodent products. The aforementioned, 9 x 12 inch, complete, all original, Amos n Andy sheet music package additionally comes with this offering. The cover features a fabulous, visually-appealing graphic of Amos n Andy and their dog that also would look wonderful framed right beside this fabulous litho!
All pieces are in absolutely amazing condition! I have not seen this litho before in my many years collecting and selling Black Americana. Its scarcity and superb condition make this offering a Black Memorabilia must-have!
Please note: some photos show shadows. These are a function of lighting conditions and NOT any discrepancy in lithograph coloring.
The banks may be purchased as a pair for $425.00, or they may be separately purchased as follows: Mammy with Spoon $295.00 and Black Man Darkey Sharecropper $225.
The Mammy with a Spoon measures 5 7/8 inches high and was produced between 1905 and 1930. She retains much of her original paint and exudes a warm, rich patina commensurate with a well-loved antique of approximately 100 years of age. She wears a blue dress, black shoes, a silver apron and a red kerchief that still retains some of its white polka dots. Mammy holds a gold-colored spoon in her right hand while placing her left hand firmly on her hip. Mammy means business!
The Black Man Darkey Sharecropper measures 5 1/2 inches high and was manufactured from 1901 to 1930. He retains most of his original paint showing less paint wear than Mammy and also exudes a very warm, rich patina. He wears black pants with red suspenders and a gold hat and gold shirt with red collar. He wears black shoes; however, his left black shoe is worn through at the toes, resulting in all five toes peeking out! He stands casually with his hands in his pocket. His back screw, while an old one, is a replacement.
Mammy and the Darkey Sharecropper were clearly manufactured as companion pieces given their similar size and stance. Both stand freely and would make wonderful additions to the well-curated, antique, Black Americana collection.
Detailing in construction sets this sweet black doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. She was lovingly dressed in machine-stitched clothing made from old red, pink, cream and rose-patterned scraps of cloth, while her body was hand-sewn and constructed of old, black stockings stuffed with cotton batting.
This young girl's nose and mouth are hand-embroidered, while her eyes are represented by small, black buttons. Her hand-applied and stitched hair is made of black wool yarn and has been fashioned into braided pigtails edged with faded red ribbon bows with fluffy bangs topping her forehead. Her hands are carefully hand-stitched to delineate fingers.
This sweetie is in near perfect condition with the exception of some fading to her clothing as well as two age-related, small holes to her stocking-constructed left foot and lower leg. (This wear and fading to the fabrics and stockings used in her construction may well be the very reason they were used, as they may have been discarded from personal use. Please refer to photos to view wear.)
Purchased in Charleston, South Carolina. Simply full of charm with lovely touches! A quite difficult-to-find-in-this condition, 90+-year-old, cloth rag doll!
Measuring 13 inches tall, he is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive and are exceedingly well done. His hair has been styled in tightly wound little ringlets.
His brown-patterned, machine-stitched shirt and pants are also vintage 1930-40's fabric, accented with two miss-matched buttons holding up cute red suspenders.
A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Artist who is now deceased.
Please take a moment to view his big sister by typing the words "Maine Doll" into the SEARCH box.
Both of these colorful brushes have natural bristles with the Porter measuring 7.5 inches high and the Mammy measuring 6.5 inches high.
The Railroad Porter brush has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's ear is consistent with where one would hold onto the brush while using it.
The Mammy brush is in near excellent condition with little evidence of having ever been used. Love the expression on her face! If one carefully separates the natural bristles, it is evident that at one time they were dyed green to match her bodice, but have lost their applied color with the passing of time.
Please note that the white spots seen in the photos are lighting reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
The Mammy brush is priced at $85, the Porter priced at $70.
Please take the time to peruse our second grouping a Mammy and Porter brushes, listed separately.