Little Black Sambo is the featured story in this book with the short stories, "The Gingerbread Man" and Titty Mouse and Tatty Mouse", added in as extras. While the illustrator in unnamed in the book's credits, all illustrations are executed by the same hand and are either initialed MEP" or signed "Margaret Evans Price".
A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was soon converted to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!
The book exterior has seen much wear as evidenced in the photos, with significant wear to all edges, which amazingly, has had no effect on the sturdy structure of this book! The interior of the book remains in absolutely perfect condition, with an undamaged, very tight binding, and not an imperfection to be found-- no rips, stains, creases--only the inked inscription of the last name, "Meyere" on the upper right corner of the title page (see photos).
Illustrations are lovely and have that timeless yet nostalgic look of fine work produced in the Art Deco era!
Little Black Sambo books from this period are infrequently found!
These highly-colorful, lithographed paper labels are all UNUSED, NEW OLD STOCK in wonderful condition. The E. E. Dickinson Company made "off-branded witch hazel products" sold to a variety of vendors. The labels offered here all advertise the very same witch hazel product manufactured by E.E. Dickinson but which was then sold to and marketed by these other companies: S.X.BRAND.N.F., BAILEY'S, and MERRIMACK. Dickinson sold its witch hazel under its own name as well.
At the time of the auction, all remaining company stock was removed from storage for the factory-closing sale. We believe these labels predate the 1930s, and would look quite wonderful framed!
The 4 large size labels, measuring 10 inches in diameter, were for use on 50 gallon barrels or drums and are offered at $15.00 each. The 3 smaller labels are 8.5 inches in diameter and are offered at $12.00 each.
A framed display of ALL 7 barrel labels together would be quite visually-stunning! With this decorative thought in mind, all 7 labels can also be purchased a single group, offered at $75.00.
A much-beloved children's classic written in the early 1900's by Helen Bannerman for her two daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was soon converted to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!
Condition is a 9.5 out of 10! This book has seen very little use with just a teeny bit of wear to book edge points. The front and back inside covers appear to have 2 tape mark-like, rectangular stains that occurred during manufacture and were not the result of anyone placing clear tape inside the book as this "stain" spans front and back at the binding seam.
Each individual globe sports ground glass construction and each fits into position with perfection. The interior of all sections is sparkling clear with almost no trace of staining, a problem which is often seen in such pieces, but not here.
The only flaw is a very small surface crack in the large globe as seen in the photos. This does not effect structural integrity as the globe holds water with no leakage whatsoever. This imperfection, in fact, is not visible when the globe is filled with water. It can also be easily hidden by positioning this side of the globe facing towards the back of one's display. Simply a faulous piece!
Pill machines were designed to enhance the productivity of the early pharmacist, and this design was, indeed, popular for many, many years. This pill machine is designed with 24 tubes for medicine-making.
The condition is very good, sporting a nice patina commensurate with its age and use. It is constructed of walnut and embellished with brass edge guards as well as brass grooved molds. The base measures approximately 11.5" L x 7" W x 1.5" H including the footed base. The paddle is 15.25"L x 2.25"W.
An apothecary classic, ready for your collection!
This piece is quality-made of heavy, stamped aluminum formed in the shape a shield and embellished with brass letters "MD" and a caduceus emblem. The topper, quite importantly in emergency situations, identified the driver of the vehicle as a doctor.
This measures 5.5"W x 3.5"H not including the mounting bracket. The topper is in very nice condition and sports a patina commensurate with age. Not often found in this lovely condition.
Ready for your collection!
This diminutive kit was designed to be portable and most useful for scrapes and scratches. The case measures 6" x x 3" x 1.25" and is in very nice condition with minor surface scratches and stains commensurate with age. The contents are near perfect.
Distributed by FOREST CITY PRODUCTS, INC. Cleveland, Ohio.
A wonderful kit for your medical, nursing or emergency-care student or professional in your life!
An additional tube of Ophthalmic ointment and a few early Band-aids are included!
The dental instruments are housed in a 19thC box with a lift-out compartment and a drop-down tray, as well as a hidden compartment, all of which are found in the top lid. While not a "labeled" dental item, the box and tools were paired together as a single unit upon discovery, and the combination box and tools actually display quite nicely! The photographs note other miscellaneous items which are original to this collection and are in fairly good, as found condition.
The 3 TOOTH KEYS include 2 with bone handles and are complete and in very good condition. The dark wood handled TOOTH KEY is complete, but its KEY needs to be re-pinned. The 3 keys measure approximately 6 inches long.
The bone-handled instruments are all intact and functional except for two, which appear to have their tips missing. There are a few tools with minor handle splits and two with an ancient wire repair to the handle. The tools show honorable wear such as faint surface wear and imperfections including original patina on the handles and some faint pitting and minute surface rust on the metal components.
The hardwood-handled dental tools are in good condition commensurate with early, used, dental tools.
The handsome, cloth-lined, 19thC, wood case sports a worn, leather and tack-embellished surface and includes a removable, interior tray plus an additional compartment in the top. It measures 19.5" L x 10"W x 5.5"H and is worn but is in structurally, quite good condition. There is no key, and the latches are a bit difficult to open.
The NEY'S GOLD SHELL INSTRUMENT is in very good condition. The S.S.W. COPPER AMALGAM box is complete but worn.
Overall, a very comprehensive and interesting collection of dental tools once used by a rural, Virginia dentist, perfect for your dental artifact museum display!
The perfectly polished brass lamp has an attractive, easy-on-the-eye finish consistent with the warm look of vintage brass. The frosted glass shade sports hand-painted floral and leaf embossing all along the lower edge of the shade.
The lamp measures about 9 inches from the base of the wall mount to the top of the shade. (That is the distance the lamp would be "sticking out" from the wall once installed.) The shade is about 4.25 inches in diameter at its widest point and is about 5 inches in length.
The condition is quite fine noting a desirable, lightly-aged, brass patina. The shade is near-excellent save for various, barely noticeable, faint edge flecks commensurate of an antique shade.
Completely rewired to modern code standards and ready for enjoyment in your home. Would be quite excellently used as a bed-side reading lamp!
She wears a green headscarf with white polka dots and a grouping of five, cream-colored, choker-style necklaces around her neck. Her lips are painted a bright red and her dark eye(s) is large and luminous.
The headscarf is constructed of fabric that has been coated with a stiffener--it almost feels like a very soft leather. The necklaces appear to be wire; the woman's head and neck are constructed from some sort of a composite material.
Very nicely done!
Author: Heyward, DuBose.
Title: JASBO BROWN AND SELECTED POEMS.
Subject: African-American Experience and Culture of Charleston, South Carolina Publication: New York: Farrar & Rinehart, (1931)
Edition: First Edition
Description: First edition. Hardcover, gilt-stamped brown cloth. First printing. 96 pages. A tight very good plus copy with a partial, former ownership bookplate with minor writing, some tiny chipping to the spine ends. No dust jacket.
Farrar & Rinehart, Inc. indicated their First Editions by the small oval logo forming the letters F an R immediately above the copyright line on the back of the title page.
The 1924 date is for the copyright date of the poetry, the 1931 is the date of first publication in book form.
Edwin DuBose Heyward (August 31, 1885 – June 16, 1940) was an American author who was born and raised in Charleston, South Carolina. He is best known for his 1925 novel Porgy. He and his wife Dorothy, a playwright, adapted it as a 1927 play of the same name. The couple worked with composer George Gershwin to adapt the work as the 1935 opera Porgy and Bess. It was later adapted as a 1959 film of the same name. Heyward also wrote poetry and other novels and plays, and this book of selected poems reflected his observations of and experiences with black culture in Charleston during his childhood.
The box measures 7.5 inches high and is in very good condition with only the usual scuffs, minor crimps and wear from age. The glass nebulizer and parts are complete and appear unused. The orange bulb is flexible and can be squeezed but the brown hose is brittle where it attaches to bulb. The only issue is that the small black cap that fits over the tiny cork has separated from the cork.
Nebulizers such as these were used to provide inhaled medicinals primarily for respiratory ailments.
A neat device for your collection.
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
The female figure is known as the Praline Seller as her business was to sell freshly made Pralines, a candy confection composed of Louisiana cane sugar and pecans. Her straw, woven basket contains four Praline cookies or flatbreads.
The male figure is known as the grapevine and/or alligator seller. The grapevines are tied in a large bundle on his back which he also supports using the rope in his right hand, while leading a young alligator along in his left.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features.
The Praline Seller wears a vividly colorful array of different pattern fabrics which work to comprise her eye-catching costume. Atop her head, she wears a large, green and red polka dot bandanna that allows a bit of her wildly-curly, dark hair to peek through, with a solid yellow bandanna tied around her neck. Her her red, cream and blue patterned blouse and skirt are partially protected by a rather sedate, cream-colored apron. All of her clothing is constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen it. She carries her basket of pralines on her right arm, while holding a piece of paper in her right hand. A written price list, perhaps? In her left hand she carries a reed duster to keep the flies off of her confections!
The Grapevine/Alligator also wears fabric clothing coated in wax. His pink, white and blue patterned bandanna is tied around his neck and worn over a red, blue and yellow plaid shirt and blue denim pants. He is missing his hat-- perhaps, the alligator ate it?! He holds onto the gator's rope in his left hand while trying to balance the huge mound of grapevine on his back via a rope end clutched in his right hand.
The figures' wax bodies are internally supported by wire frames through which the figures are securely attached to the wooden base. The bottom of each base retains its original stamp which reads, "Genuine VARGAS New Orleans, LA".
These wonderful figures are in near mint condition for their 75+ years of age. The Praline Seller perhaps has lost a couple of her pralines from her basket over the years, an insignificant detail, or perhaps her basket was never meant to be filled to indicate that she had already successfully made some sales! The Grapevine/Alligator is missing his hat as noted earlier, as well as two of his fingers on his left hand, a common injury as they are so very, very thin and inherently fragile. The young Alligator is missing the tip of his tail and the tip of the top of his mouth, again, two very thin pieces of wax which were vulnerable to easily breaking off.
Please note that the Vargas figures are priced $795.00 EACH.
Following the conclusion of World War II, the American Tobacco Company of Virginia changed its product name from Nigger Hair to Bigger Hair, seeking to broaden the product's marketing appeal as well as viewing the latter label as the more-socially acceptable one. (The earlier Nigger Hair moniker was used by the American Tobacco Company from the 1890's through the early, pre-WWII 1940s; the lithographed can was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.) Interestingly, the company DID NOT change the image of the African woman, but merely added the words Fiji Islander to the left of her face in its indifferent and weak attempt to move further away from the earlier, severely derogatory label.
Measuring 7 inches high x 5 3/4 inches wide, the container is in good condition, perhaps a 7 out of 10, with one side exhibiting minor surface scuffing, while on the other side more scuffs and rubs are evident. Some minor wear around the edge of the top of the container likely occurred from simply taking the cover on and off; however, this is completely concealed by the cover. The original cardboard cover was lost with the passage of time; the replacement tin cover shown was in place when this container was acquired.
The original brownish orange color of the container remains consistent throughout, and the structural integrity of the cardboard is quite sturdy. Superficial rust is evident on the inside and outside of the metal base; this rust does not impact integrity of the tin base. The container retains partial remnants of its paper Federal Revenue Tobacco seal on both sides.
This very rare tobacco container is just a wonderful example of latter Black Americana advertising. The container looks better "in person" than in the photos as the camera actually accentuated the appearance of the scuffing, especially on the "better" side!
If the Nigger Hair Tobacco container is currently in your collection, the addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective!