The box is mildly worn commensurate with age and use, with some tape holding the top sides together. It measures 5.5"L x 3.75"W x 3.5"H.
Twenty three of the 24 bottles retain their contents, with the one bottle displaying a dark cork being empty and broken (parts of the glass from this broken vial are stuck to the box interior compartment). The vials measure just over 3 inches tall including corks and sport handwritten labels, most of which are legible (a few are faded and illegible).
Overall a very unusual find when you consider that the contents remain.
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician, Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook describing the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China, and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the traditional medical establishment systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
A tiny bisque black boy holding a watermelon slice is seated on a throne of sea shells. The name of the location that this sea shell souvenir was meant to commemorate is worn and is no longer readable.
Two very minor chips are present as shown in photos which do not detract from the beauty of this piece!
The oddly-shaped, hand-wrought shackles each have two lateral "pockets" that contain pieces of metal or balls that “rattle” as the wearer moves about, thus indicating the wearer's location. This type of shackle is noted in historical references as a Crab Rattler Shackle due to its visual similarity to that sea animal. Each shackle has a pair of small chain links attached at the top. One shackle would have been placed on each leg, and a metal chain would have then been threaded through the attached rings and secured with a lock.
The age of these shackles is formally listed as 19th century, but could very well be older, dating to the last quarter of the 18th century. Condition is quite good given age and use. Please note the small hole present on the side of one shackle as noted in photo. All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its small size!
Also currently offered for sale and priced separately is a very diminutive child rattle shackle in an unusual form out of a South Carolina estate. Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.
This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
This amazing club sports its original varnish surface and is offered in "as found" condition. The darkening of the finish results a wonderful patina. The club displays an enchanting elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 42 inches from the heel.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of gentle use.
A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!
This piece was actually created to serve as an ashtray! It depicts a delightful image of a young black boy in a wide-brimmed straw hat!
In wonderful condition, this piece is stamped "LL" on back.
An uncommon piece of Black Americana that should not be overlooked!
The double gutta-percha case measures 2.5 inches wide x 3 inches long x .75 inches deep when closed, and 5 inches wide when opened. The case appears to be in excellent condition!
The two cased tin types are each further framed within different press-molded, thin, ornate, brass frame and behind a little pane of glass. Each tin type is labeled with the name of the woman: the bonneted woman is Sarah Lavinia Piquet, and the long-haired woman is Maria Rogere.
Mid-19th century age is an approximation based on clothing style as well as decorative art in photo and style of double case.
Condition of tin types is excellent- **ANY white marks seen in photographs are caused by light reflection and are NOT damage.**
The third tin type is of an unnamed woman; it is quite tiny, measuring 6/8 of an inch wide x 1 inch long.
Given away as a premium for opening a bank account, this still bank advertises the Mechanics Savings Bank of Hartford, Connecticut.
The bank is complete with the famous Liberty Bell crack down its front as well as this slogan etched around its top, "Proclaim Liberty Throughout All the Land Unto All The Inhabitants Thereof. LEV XXV 10".
Manufactured by the Bankers S & C System Company, Cleveland, Ohio, this bank bears a patent date of February 18, 1919, as inscribed on its base.
Made of metal and wood. The whereabouts of the original key is unknown but it is likely that any flat metal key of the period and appropriate size would open it.
A fine decorative piece for either the still bank collector or Revolutionary War buff!
This scarce doctor's set is missing 13 vials and contains both CANNABIS INDICA & OPIUM medicines. The cases also contain labelled medicines such as: Agaricos musc., Aranea diadema., Berberis vulgaris, Glonoinuum, Kali carb, Uranum nitric, Variolinum, Mercur. sol., Kreosot plus many more vintage vials.
The majority of the 1.75 inch long vials sport tiny labels and corks which are also labeled. Choice examples such as these are quite scarce considering the inclusion of narcotics vials as well as the sheer number of total vials contained within.
The leather cases house 100 vials each and have folding sides and functional metal clasps. One folding flap from one case is missing, and in the same case, three flaps have separated due to honorable wear commensurate with age. The other case retains all of its flaps although there is some partial separation of all four flaps noted, again commensurate with the item's age and use.
The 2 cases measure approximately 7.5 inches wide x 1 inch deep x 3.75 inches high. The cases are a pebbled-grained leather. One case front closure flap is decorated with a fancy corner embossing.
A very nice find!
The fancy and highly-stylized, Art Deco, aluminum frame cradles an equally highly-stylized, classically-ribbed, clear glass show globe and finial. If so desired, the show globe will hold water. The frame is embellished with a buffed matte finish with design details outlined in contrasting black to further enhance the fabulous, Art Deco styling. The chain link is also painted black, echoing the black detailing of the frame, and it retains most of its gorgeous, original finish, with absolutely no pitting. This fabulous apothecary showpiece measures 29 inches from the top of its fancy hanger to the base.
The condition is absolutely excellent. The globe glass is clean and clear with a perfectly fitting, ground-glass stopper. The interior globe rim has an extremely shallow, minute, surface chip that is insignificant and is very difficult to see and photograph. The finial base has two practically undetectable, teeny, flea bites that cannot be seen when the finial is inserted into the globe rim, and which also, are too tiny to photograph.
The take away of this offering, this outstanding piece of nearly 100 year old, American pharmacy history, is both its exquisite Art Deco styling with extraordinary visual appeal, and its utterly excellent condition, making it a true rarity among extant Apothecary antiques and collectibles!
Measuring 1.5 inches long x 1 inch wide, this sharpener depicts a derogatory caricature of a Black Man. The glaring eyes are painted a stark white with teeny black pupils, while the red painted lips surround the pencil sharpener blade which takes the place of the man's teeth. Curly molded hair and eyebrows are painted black, while the face is painted brown- inside and out.
The pencil sharpener is stamped GERMANY on the back inside.
Condition is very good with approximately 75% (a conservative estimate) of the original paint remaining. There is no repaint! The paint is worn in expected areas, with the majority of paint wear seen on the sides of the face and bottom of the chin where one would grasp the sharpener. Facial feature paint is strong.
Germany apparently made a good steel blade as the sharpener still works!
Mammy or Aunt Jemima is wearing a white dress and head scarf with red trim. Her dark brown skin is flawless (any white spots or marks seen in photos are the result of light reflection and do not represent flaws of any kind.)
While she is unmarked, there is a very small black "X" on the bottom of the backside of her dress.
An incredibly hard to find piece! These very functional pieces were, more often than not, actually used in the home on ironing day, and thus were subject to damage or breakage and ended up in pieces at the local landfill! This wonderful Black American collectible was acquired from the original owner where it rested safely on a display shelf all these many years!
The box is in very nice condition with some wear from age and storage. Measures 2.5" high x 2.2" wide x 1.5" deep and contains 12 individually boxed vials all in very nice condition.
This fabulous early tool of the medical trade sports a visually-interesting, graphic, brass face with a scale delineating increments from 0 to 1400 pounds. There are 2 dials - one that notes the actual pressure achieved, and the second stationary dial that serves as the reference.
This instrument enjoys wonderful, rich patina on both the metal and wooden sections. It measures 13 inches at the widest point and 10 inches at the wooden handles.
A fabulous device which has great visual appeal and displays wonderfully! Sure to spark some interesting conversation at your next gathering!
The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.
Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.
Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.
These two folk art pieces came straight from the 93 year old great grandma who played with them as a child!
While the heads were constructed from dried apples painted black, the bodies were cut from various pieces of sponge which were then hand-sewn together. Hands were cut from pink--- and not brown or black felt--very interesting---while the teeth were formed from tiny white beads, and the white fuzzy hair fashioned from nothing more than small, cotton batting pieces. Eyes are glued-on googly eyes.
The homemade clothing is nicely constructed via a combination of hand and machine sewing. Mammy's green, teal and rust flowered dress is embellished with a bit of lace at the sleeves, and she also wears a fancy, white eyelet petticoat and a soft pink crocheted shawl. She is barefoot. Pappy's light blue shirt features 3 button detailing, and he wears denim pants and black felt shoes and hat with a red felt vest.
Condition is quite fine with no observable issues! No odors, rips, stains or missing parts. A very sweet pair!
The graphics on the cover of this box feature a smiling, happy, young African-American boy (the company's trademark) who is peering through a rip in the paper, unknowingly about to be pounced down upon by a very ugly and venomous-looking spider!
The box is in amazingly near-perfect condition despite its 100+ years of age with very insignificant soiling present as well as rubs and abrasions to box edges, all of which are more than perfectly reasonable given the age of the piece.
A very seldom-seen advertising piece featuring a Black Americana theme! The first that I have had from this company! is in excellent, all-original, perfect condition!
An absolutely wonderful addition to one's School or Artist Memorabilia collection!
Offered is an absolutely fabulous group of early 1900, Merck & Co., amber glass, dispensing pharmacy bottles. Each bottle measures 5.5 inches tall, sports a ground glass stopper and comes with 2 labels. Many of the bottles have contents and are in undamaged condition. Only the "Pepsin" bottle has condition issues - (a big chip at the back side of the mouth not seen from the front when displayed).
Don't miss this rare opportunity to acquire a quality pharmacy collection! Select one or more bottle - your choice $40.00 each!
****SODIUM BENZOATE, CALAMINE, AMIDOPYRINE, ACETPHENETIDIN, GUAIACOL and ACETANILID bottles are SOLD ****