Ready for framing, this unusual piece of history would be a fabulous addition to one's collection of slavery or medical artifacts. It measures approximately 7 inches wide x 1.34 inches high and would look fabulous double-matted in an exquisite frame.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
Included are: Instruction Sheet, Sheet with choice of glasses available with prices, pictures and list of satisfied customers, greeting letter, Special Notice, Mailing Label, Guarantee, Order Blank, Tester with Original Shipping Box. The Original Shipping Price Shown on the Box is 3¢.
The Tester is made of wood, sports a lens and a tiny metal eye chart. The condition is very fine except for a small scratch to the chart and minor wear to the paper inserts.
Very unusual home eye exam tester!
This fabulous beauty salon collectible comes with its original box, a bottle of “FABROL” lotion with original paper label, 4 metal rod CURLERS, 2 metal with wood handle DRYING TUBES, wires, and a group of curling papers. Looking at the apparatus in this kit, it is a wonder any woman was brave enough to perm her hair!!
The paper-covered cardboard box has wear and tear at seams and edges typical of a 80+ year old piece, but it displays wonderfully and sports a highly decorative label on the inner cover featuring the image of a lovely lass curling her hair.
From “Mons. Antoine Fabre – 11 Hills Place – Oxford Circus, London, W.”.
Dates to the early 1920s.
Colors are extraordinarily vivid, a fabulous display piece -retains original cardboard backing and original stand, but, alas, no game darts! The darts are extraordinarily rare and are seldom found!
Present are minor surface blemishes, surface scratches, some surface rust specks, as well as minor edge crimps that one would expect of a 90+ year old toy -all of which fail to detract from the fabulously bold visual imagery of this piece! (The most prominent scratch is on Sambo's target.)
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!
Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.
This display is one of a series entitled "The History of Pharmacy in Pictures" produced by Parke Davis in the late 1950's to early 1960's honoring the story of American Pharmacy.
This scene depicts Craigie providing aid during the June 17, 1775, Revolutionary War, Battle of Bunker Hill, Charlestown, Boston, Massachusetts.
This self-framed, white-bordered artwork is constructed of a quality, thick, card board and has a built-in easel on back for displaying. The picture can also be easily framed.
Perfect, intense color throughout - no fading - any glare seen is due to lighting conditions during photography. Measures approximately 21" long x 17.75" wide.
Unmarked, the toy was likely produced in post WWII Germany. It is in wonderful, barely-used condition with just the tiniest degree of scratching wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the woman to hit the poor monkey on the head with a mallet!
A RARE toy with crisp color and which displays wonderfully!
This club actually presents a number of qualities that indicate it may, in fact, be an example of pre-1860s craftsmanship: : LENGTH of the face is 6 inches. The DEPTH of the face is 1 1/8 inches max. The face is SMOOTH and CURVED, and the club head is shaped in the form of a TEARDROP. The club is UNMARKED. The neck is slightly thin at just over 3/4 inches--- all indicators of an early, pre-1860s club!
This amazing club sports most of its original varnish surface and is offered in "as found" condition. The darkening of the finish results in a wonderfully rich patina. The club displays an enchanting presence owing to the gently-sculpted angling of the face. The sole of the club is without the usual ram's horn which was the typical norm, making this particular club that much more intriguing and quite unusual!!! I have not been able to find reference to clubs that were made in this fashion. RARE!!!
The early golfer must have been quite robust and sturdy as this heavy club face is one that most folks today would have a difficult time keeping "square" at impact. Long spoon clubs were used off of grassy surfaces which accounts for the very nice condition of this beauty. Besides the unobtrusive, expected scuff marks on the sole, there is only one tiny, barely-noticeable chip on the leading edge of the club face at the bottom, consistent with hitting something other than a grassy surface!
The lead on the back of the club has been partially removed to customize it for the golfer, and the original twine adds to the club's character. The slightly warped hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of honorable wear.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, UK club makers of the 19th century. According to author and golf history expert, Jeffrey B. Ellis, unsigned, long-nosed golf clubs were the norm in the pre-1870 era.
This rare, antique, hand-wrought, golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
A phenomenal, rarely-found example of 19th century craftsmanship, and a tangible example of exemplary golfing history.
This wonderful piece is unmarked but is documented in numerous guides as the Black Chef cookie jar made in the 1940's by the National Silver Company. It likely once had a "NASCO" foil label on its base which dried up and fell off over the course of the jar's lifetime.
Fabulous cobalt blue accenting makes this cookie jar quite striking in its appearance. A great display piece!
As stated, the cookie jar remains in all original condition-- a rarity for a cookie jar of this vintage! Please take the time to view all photos as they represent condition quite nicely. Glaze crazing typical to the age of this 60+ year old piece is evident as well as small surface flakes present here and there along lid cover edge- a very common site for flakes/chips on any lidded ceramic piece given that the lid was continually taken on and off during use and thus easily subject to damage. A single superficial hairline occurring during firing can be seen on the interior base; it does not go through to the exterior.
It is quite rare to find a vintage cookie jar in such fine overall condition! Reproductions abound on today's market, but authentic pieces such as this are quite scarce and are truly collecting treasures when discovered!
Measures 8 inches long x 3 inches wide x 5 inches high (including the knob). The embossed label is marked "MADE IN USA - CASTLE- STERILIZER". The lid is attached to the interior tray and articulates backwards to open or can be lifted off as seen it the photo. Please note that the electric cord was cut by the good doctor to fit inside his display cabinet.
Offered are two utterly fabulous, vintage, Victorian-era, brass-plated photo frames, each with original shelf stands on back.
De-accessioned from our personal stock as we sadly no longer have the place to display them-- and our Wedding photo was displayed in the larger frame--, the frames are in all-original condition, complete with original shelf stands attached on the rear side as well as original movable pins that secure the photos in the frames.
In the larger frame, the brass plating is in very fine condition with very minor, minuscule scratches and pitting commensurate with its 125+ years of age. Please note that in my effort to take crisp closeup shots, the silvering of the brass on the front of the frame in the larger photo appears to be quite pronounced, while in reality, it is quite subtle, and virtually un-noticable. Please see cover photo #1 for truest representation of overall appearance.
The larger frame comes complete with glass and measures 17" high x 13"; the inside measures are 9.5" x 7.5", readily accommodating an 8"x 10" photo with slight trimming. This larger size is actually quite uncommon compared to the many, many smaller-sized brass frames that were produced in the Victorian era. The larger frame is truly quite stunning and commanding.
The smaller frame has a similar amount of very teeny scratches and minor pitting, with more some wear to the brass plate where the color appears more coppery. Again, close-up photos make the wear appear much more prominent on the front than it actually is, so please view photo #1 for truest representation of coloring. This fame measures 12" x 9" and easily accommodates today's 4 x 6 photographs. This frame has not retained its glass, but just like the photo size, the frame will readily accept the glass from any modern, standard 4x6 frame.
Constructed of painted wood that is nailed and glued together, this vintage collectible retains quite a few of its original but yellowed-with-age grocery shopping list pages. The holder/board retains a ball of string and a stub of an older, red pencil. It also has an inkwell cut-out that would have accommodated a bottle of ink; presumably, an inkwell pen once resided beside it versus the current pencil.
The holder/board remains in all original condition with no repaint or repair. The black chef is not painted on but is a decal--all original. The pale blue paint has appropriate, minor, age-related wear as noted in photos.
Has great visual appeal and displays wonderfully!
The golly's clothing is machine stitched; his red mouth and white eyeballs are constructed of felt. His body is tightly stuffed with cotton batting allowing him to be displayed either in a sitting position or standing with the support of a doll stand.
A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
A very sweet piece!
Measuring 13.25 inches wide x 9.25 inches high x 1 inch thick, this wonderful piece patented February 16, 1886, is in very fine condition with a warm, rich patina and color as well as all 56 of its original wooden letters! To spell a word, one slides the letters along cut out tracks in the board.
Quite visually appealing!
Condition: three of the 1/8th inch thick, round, wooden letters suffered partial breakage at one point in time, but these letters continue to remain quite structurally sound and "readable". Some tiny edge chips to the wood- quite reasonable given its age.
A seldom found vintage, early School House item!
This exquisite sewing basket was made by Native Americans residing in Canada near the Maine border for the purpose of selling to the tourist trade--- the wealthy New Englanders who frequented the Maine Coastline towns during the summers!
The basket is truly in near perfect condition with two tiny breaks to the delicate splint --- hardly noticeable to the eye and certainly not affecting the structural integrity of the piece in any way. Lovely construction!
When the lid is removed and the interior of the basket and underside of the lid is visible, one sees that some of the splint was at one time dyed blue with vegetable dye. The exterior side of this once dyed splint, has long since returned to its natural color due to years of exposure to the light of day.
Vintage Native American baskets are becoming exceedingly scarce! An especially desirable example due to its fine construction and condition!
While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear! The six comical cartoon postcards are much more brightly and vividly colored than the photos depict. The four photo postcards also feature titles describing their subjects.
A delightful grouping that would be much-appreciated framed!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
Measures 5 inches long x 3.5 inches wide x 4 inches high (including the knob). A sweet diminutive size for easy display!
The embossed label on the base is marked "AMERICAN SUNDRIES Co. – BROOKLYN, N.Y. - PATENTED". The lid articulates backwards to open and appears to be missing the interior tray. Priced accordingly.