The cute and colorful box is slightly worn and will fit anywhere in your collection.
Marked on the side of the box: “Mifflin Chemical Corp. Phila. PA”.
This particular tin hails from the latter period. Although it no longer retains its paper tax stamp, it must be noted that after World War II, the name "Nigger Hair" was changed to "Bigger Hair", so this tin can be assumed to be dated no later than 1945. Additionally, due to significant metal rationing during WWII, production of this tin was markedly reduced, making it more than likely that this tin falls within the 1920-1930's manufacturing time period.
This image was used by The American Tobacco Company of Wisconsin to sell their product; the lithographed tin was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.
Measuring 7 inches high x 5 ¾ inches wide, the condition of the tin is an 8.5 out of 10--- sporting a lovely lithograph on the front side with minor and superficial scratches and abrasions along with tiny areas of paint loss on the sides and back (please see photos for condition). Some very faint evidence of very superficial rust is noted on the cover, on the back side of the tin near the base, and on the bottom of the tin with absolutely no impact to structural integrity. The inside of the tin is clean with some minor tarnish evident.
The original orange color of the tin remains consistent. Any imperfections are reasonable and expected given the age of this piece--- 80+ years!! This tin is just a wonderful example of early Black Americana advertising and looks so much better "in person" than what the camera was able to capture with its lens! Please note that any "white" areas in photos are flash reflections and are not imperfections to the tin.
Following the end of World War II, the American Tobacco Company changed the name of its product from NIGGER HAIR to BIGGER HAIR tobacco as it was felt that the previous moniker had become much less socially acceptable, and additionally, the company was quite motivated in broadening the product's marketability and appeal. At that time, the material out of which the tobacco container was constructed was changed from tin to heavy cardboard.
Truly an extraordinarily RARE piece of Black Memorabilia seldom found in this great condition complete with bail handle and lid! (Soft tissue paper has been wrapped around the bail handle to prevent any further scratching to the tin exterior.)
***For the ultimate collector of Nigger Hair Tobacco tins, an extraordinarily rare, 1949, Bigger Hair Tobacco container is also offered for sale- separately- and is featured in one of the photos beside the currently available Nigger Hair tin. The addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective! *** Type "tobacco" in our web cover page SEARCH box to locate it.
Both the nigger hair and the bigger hair pieces may be purchased for the single price of $1195 with no further discounts applicable.
The female is clothed in a green felt dress and head piece that are decorated with tiny blue and white beads. She wears double strand white beaded bracelets and anklets and also wears a double stranded white beaded necklace with a large red bead center. Underneath her dress in back a tiny head peeks out- a little plastic baby that she is carrying!
The male is clothed in a brown and red polka dotted skirt with 2 fur pouches, and a fur headdress. He is swathed in longer strings of beads that encircle his waist and also run diagonally across his chest. He, too, wears a double stranded beaded anklet and necklace. Larger Red beads hang from the sides of his dress as well as from the 2nd fur pouch that hangs behind him.
The arms and legs are movable at hip and shoulder joints of each doll. The Male has the following in raised lettering on his back: P. M. and J. H. B. The remainder of the marking is obscured by beading and clothing. No other markings are visible.
A visually striking pair!
The set appears to have never been used! All blocks are present and are in wonderful condition! The paper label attached to the sliding, wood cover is intact with very minor, age-appropriate edge wear and scuffing. What a fabulous, graphic image that would certainly command presence when displayed on a shelf! The integrity of the all-wooden box remains strong and sturdy.
Sets such as these could be found in the more affluent home as well as in early elementary level classrooms, as such toys or learning manipulatives, promoted the development of eye-hand coordination and visual-spatial reasoning skills.
This fabulous early tool of the medical trade sports a visually-interesting, graphic, brass face with a scale delineating increments from 0 to 1400 pounds. There are 2 dials - one that notes the actual pressure achieved, and the second stationary dial that serves as the reference.
This instrument enjoys wonderful, rich patina on both the metal and wooden sections. It measures 13 inches at the widest point and 10 inches at the wooden handles.
A fabulous device which has great visual appeal and displays wonderfully! Sure to spark some interesting conversation at your next gathering!
Would personally love to keep this cool-looking piece because it has such interesting visual appeal while being functional! (Ideal for rooting small plant specimens!)
Measurements are 17"L x 8"H x 3"W and condition is very good with no damage. It has an appealing patina commensurate with age. Very hard to find in this size and condition.
Buy it before I decide I just have to keep it!!!
Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
The decorative and delicate detailing of this piece is at odds with its most gruesome history! Scalloped copper edge guards and the appealing pattern in which the drainage holes in the laminated wood tabletop were laid out contribute to visual appeal. The softwood table frame stands on nicely turned hardwood legs.
When opened and extended to its maximum dimensions, the table measures 72" long X 18.5" wide X 22" high. To facilitate ease of traveling, this portable table slides and folds to 40" long X 18.5" wide X 4" high. A leather carrying handle is attached to the table edge; legs, when folded, are secured in place with hooks.
Very fine original condition: expected overall wear (patina) with one hook missing and minor unobtrusive loss of laminate along lower table top edge measuring approximately 1/3” wide by 7”.
This circa 1920-30's Johnny Griffin letter opener is constructed in solid brass. It remains functional for such use today or may be simply used as an attractive desk paperweight!
It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 10 1/4 inches long. Remnants of green paint are visible on Johnny's shirt. Interestingly, this piece also doubles as an advertising piece as on the reverse side it is impressed, “I. C. Herman + Co., 507-9 Broadway, NY (New York)”.
Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
The diminutive metal case with scale inside measures approximately 1.5" wide x 2.75" long x .75" deep and is in very nice, original condition. The scale's capacity is 1/2 to 20 grains. It was manufactured by the N.V. Randolph Paper Box Company, Richmond, VA.
****NOTE****There is no damage to the scale or case and no missing components! The original spatula, which is sometimes lost over the years, is present and completes this very handsome, visually-appealing piece!
Some history: Joseph Williamson Randolph (1815-1893) established his business as publisher, bookseller, and stationer in Richmond, Virginia, in 1831. By the early 1840s, he had formed a partnership with Joseph J. English, and the firm became one of the leading book dealers in the South by the time of the Civil War. After Randolph's death, his son, Norman Y. Randolph, operated the business until it passed into receivership. Norman Randolph was, at various times, president of the Randolph Paper Box Company, the Virginia State Insurance Company, and the Warwick Park Transportation Company. He also served as secretary-treasurer of the Virginia and North Carolina Wheel Company.
Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia is in lovely, all-original condition with very light, superficial surface wear as seen in photos; this wear is reflective of less-than-typical use. A bonus--the original recipe cards remain inside! Fabulous color and condition contribute to the wonderful visual appeal of this delightful and essential, vintage piece of early 50’s Black Americana!
Please see the YELLOW Aunt Jemima Fosta Recipe Box available as separate purchase.
Measuring 10.75 inches wide x 8.25 inches long, the book has seen gentle use as evidenced by the fairly good condition of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, neck creasing and edge wear is expected and evident. Corner and edge wear of front and back boards is present, as is a brown oval stain on the front board near the word "little". Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence age discoloration and some foxing, and a bit of vintage staining from handling on the back board.
The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. I did not have sufficient space to post photos of all pages, but those present are representative of overall condition. Some pages evidence foxing, but all pages are free of rips and creasing. The binding is tight and the book retains its original, red, binding spiral.
Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of villainizing freed black males while simultaneously allowing violence acts to befall the black characters portrayed in the rhyme.
This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.
To view other versions of this book presently available for separate purchase, please type the words "ten little" into the SEARCH box on our home page.
It features a vintage, EARLY HOLOGRAM IMAGE, a “moving” Court Jester or Clown, who in a gallant sweeping motion, removes his broad-rimmed hat and takes a grand bow. (Tilt pin slightly to make Jester move.)
Colors: bright, buttery yellow background, jester in dark fuchsia, green and white, and lettering and metal pin back frame in red.
Condition: quite nice for its 60 years of age with light, expected wear to red paint at rim edges and back. NOTE: The piece of tape shown in pics is not part of the pin or attached to it, but was used to prop the piece up to display the moving images.
Featuring wonderful, vivid colors, this slide is titled "Two Old Chums" on the paper label attached to the back of the slide. The slide depicts an older black gentleman standing, hat in hand, beside a seated, very despondent-looking, white gentleman- who appears to have been drinking.
The slide has wonderful detailing--In particular, please note the print of a Black Child playing the Banjo which hangs on the wall at the far right side of the room!
Very hard to find Black Memorabilia in fabulous condition!
This vintage piece of Black Americana is in wonderful condition absent a very tiny break at the tip of the base (see photo); it is not easily evident that the very extreme edge of the right base is missing a tiny piece.
The frame easily dissassembles into 3 parts for safe shipping and/or storage (see photo).
Text indicates that the certificate was awarded to Emma Shannon on June 12, 1885 (Or 1883--difficult to read as the date is partially concealed under the frame edge). The certificate recognizes that Emma excelled in Latin, Arithmetic, History of France, Rhetoric, and English Literature. Signed by W. P. Dickinson, President of the Faculty.
With the exception of early fold lines, a water stain in the upper left corner, and two small circular age stains on the lower left and within the word "distinction", condition is quite nice! Measures 16.25 inches X 12.25 inches framed. The piece is framed in wood and is grain-painted in brown and black tones with cream-toned, chip-carved stems and leaves at each of the four corners. Original wood backing remains in place.
George Thompson’s missionary service to Africa occurs approximately 7 years after the MENDI natives of the AMISTAD were accompanied by missionaries on their return to Africa. He serves this very same mission, now in the of colony Sierra Leone, a colony which was established to serve as refuge for the liberated Africans taken from slave ships. 356 pages long, this journal provides a fascinating account of all aspects of the Mendi culture seen through the eyes, however biased in his mission to convert the Africans to Christianity, of a genuinely well-meaning gentleman of his time. Condition: complete, tight binding, foxing throughout, spine wear as shown in picture.
Thompson states, “It is hoped that the following narrative may, in the hands of GOD, awaken a desire in many hearts to go to Africa, for the purposes of preaching, teaching, farming, building houses, mills, manufactories, etc., and thus assist in making long despised and neglected AFRICA, what it is capable of becoming, THE GARDEN OF THE WORLD.”