Labeled #298, "Native Cane Grinders in Sunny Florida", the scene depicts 7 young Black men either chewing on a sugar cane stalk or holding a sugar cane cutting implement.
Printed on the back of the card is a brief history of sugar cane cultivation from its origins in 500 AD China to its introduction in the US in 1675 by the Jesuits. The harvesting process is also discussed.
There are traces of chrome plating on the faces of this handsome 36 inch club. The hickory shaft sports a light toned color and the long ago replaced brushed leather grip give this club a regal feel and appearance.
The undamaged shaft has some mild bending and club faces show honorable wear with a warm, aged patina. There is a tiny wiggle at the club hosel that is unobtrusive in nature.
Deep grooved clubs such as this gem first appeared in 1914 and later outlawed in 1925. They were designed to promote more backspin to control distance and they apparently worked so well that in 1921 Jock Hutchinson won the British Open. <
I was unable to find any information on the manufacturer of this club as the only identifying mark is the letter (F) in a diamond shaped stamp.
Measuring 18 inches tall, Mammy is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive, and are exceedingly well done. Her hair has been styled in six pigtails adorned with bows.
Mammy's red, machine-stitched dress is also vintage 1930-40's fabric and features the classic Grecian Key design in white.
A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Art crafts-person who is now deceased.
Please take a moment to view her little brother by typing the words "Maine Doll" into the SEARCH box.
This fine example measuring 6"L x 1.5"W x 1"H, sports a warm patina commensurate with an instrument of this age.
The mold is marked "S. MAW & SONS, THOMPSON - LONDON", a noted manufacturer of quality medical instruments and tools for many years).
The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.
Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.
Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.
The sign advertises the office of "James H. Groom. Dentist.", and remains in fine condition with deep-toned, original patina and with some very minor warping due to its many years of age. The lettering is actually impressed into the surface and is painted black. Any white marks appearing on the front of the sign are due only to light/sun reflection---the sign has a very even-toned coloration.
The sign has a hole at each corner to facilitate hanging, or it may be easily displayed upon a shelf!
A fabulous , rich-looking display piece with great "eye appeal"!
The bowl sits upon a one inch high foot and has glaze crazing typical of an 85+ year old piece of pottery. No chips, cracks, or hairlines. One teeny, tiny fleabite on rim too small to be photographed with any clarity.
An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this outstanding condition!
Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.
First is a robust 8" size early 1900s Powers-Weightman-Rosengarten POTASSIUM SALICYLATE stock bottle.
Bottle #2 is a 7 inch high Merck ANTIMONY CHLORIDE formerly used in veterinary medicine as a dehorning agent.
Bottle #3 CALCIUM CHLORIDE, is 6 inches tall and was used as a source of calcium in foods, paper manufacture and chemistry to mention a few.
Item #4 ACID PICRIC was used in medicine as an antiseptic and for the treatment of burns. It measures 3.5 inches.
Bottle #5 GUAIACOL CARBONATE from Powers & Weightman measures 5 inches high and was used as an expectorant and disinfectant.
Bottle #6 HYDROCYANIC ACID measures 4.5 inches and was used as a pesticide. Empty.
Bottle #7 EMETINE from Sharpe & Dohme measures a mere 2 inches tall and is an emetic.
Finally, a 5 inch bottle #8 LEAD OXIDE was used in the building trade.
All the bottles are in fine shape and sport labels that show wear, stains or fading commensurate with age. Most are circa early 1900 with EMETINE being from the 1920 era. A very interesting group!
Vividly colored, this Black Memorabilia themed piece features a smiling black girl seated on a large straw basket while holding 2, smaller-sized, flower-filled straw baskets in each arm. The young girl is nicely attired in a ruffled blue and yellow dress and wears red sandals, white lacy gloves, and a rose-accented, straw bonnet!
The diecut is in excellent condition! An unusual find!
The larger boxed set contains 38 vials which are nearly empty and sport complete paper labels. There are 2 missing vials from this kit. It measures 6" long x 5" wide x 1.5" high. The inside cover of this larger boxed set lists the names of the 38 allergens contained in the kit.
The small boxed set contains 28 corked top vials which have the same type paper labels as found in the larger kit. This kit measures 5" long x 2" wide x 1.5" high and is missing (or never had) 8 vials.
These skin sensitivity testing kits contain vials which are specific to the southern California area.
A scarce duo indeed!
Featuring wonderful, vivid colors, this slide is titled "Two Old Chums" on the paper label attached to the back of the slide. The slide depicts an older black gentleman standing, hat in hand, beside a seated, very despondent-looking, white gentleman- who appears to have been drinking.
The slide has wonderful detailing--In particular, please note the print of a Black Child playing the Banjo which hangs on the wall at the far right side of the room!
Very hard to find Black Memorabilia in fabulous condition!
Offered is an absolutely fabulous group of early 1900, Merck & Co., amber glass, dispensing pharmacy bottles. Each bottle measures 5.5 inches tall, sports a ground glass stopper and comes with 2 labels. Many of the bottles have contents and are in undamaged condition. Only the "Pepsin" bottle has condition issues - (a big chip at the back side of the mouth not seen from the front when displayed).
Don't miss this rare opportunity to acquire a quality pharmacy collection! Select one or more bottle - your choice $40.00 each!
****SODIUM BENZOATE, CALAMINE, AMIDOPYRINE, ACETPHENETIDIN, GUAIACOL and ACETANILID bottles are SOLD ****
The folder is undated and was never mailed. Some edge wear evident at corners and some slight separation at the seams of individual cards. While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear!
The Real Photo postcard folder features the lyrics of "Dixieland" and 18 full color scenes of industry common in the South during this period: cotton picking and production, tapping pine trees for turpentine production, watermelon farming, Razorback Hog farming and sugarcaning. All photos feature African-American laborers.
The fancy and highly-stylized, Art Deco, aluminum frame cradles an equally highly-stylized, classically-ribbed, clear glass show globe and finial. If so desired, the show globe will hold water. The frame is embellished with a buffed matte finish with design details outlined in contrasting black to further enhance the fabulous, Art Deco styling. The chain link is also painted black, echoing the black detailing of the frame, and it retains most of its gorgeous, original finish, with absolutely no pitting. This fabulous apothecary showpiece measures 29 inches from the top of its fancy hanger to the base.
The condition is absolutely excellent. The globe glass is clean and clear with a perfectly fitting, ground-glass stopper. The interior globe rim has an extremely shallow, minute, surface chip that is insignificant and is very difficult to see and photograph. The finial base has two practically undetectable, teeny, flea bites that cannot be seen when the finial is inserted into the globe rim, and which also, are too tiny to photograph.
The take away of this offering, this outstanding piece of nearly 100 year old, American pharmacy history, is both its exquisite Art Deco styling with extraordinary visual appeal, and its utterly excellent condition, making it a true rarity among extant Apothecary antiques and collectibles!
This cute size display measures 4.5" x 3.75" closed and is in very nice condition. The top lifts up to facilitate advertisement of the product and would have been placed on the counter top of a pharmacy in this fashion. A neat find!
GOLD DUST Trolley Signs are a very rare find in today’s market as they were made of cardboard, a material much less likely to withstand the test of time as opposed to tin advertising signs which were much sturdier!
This Gold Dust trolley sign features the Gold Dust Twins dressed in ruffled, red skirts emblazoned with the words “GOLD DUST”, busily scrubbing the front porch and the kitchen in a vigorous attempt at “Spring Cleaning”. The colors featured in this trolley sign are just stunning—greens, pale peachy-colored orange, pale blue, and yellows with white apple blossoms and red tulips flowering in profusion!! To the left of the Gold Dust Twin scrubbing the front porch, sits a large box of Gold Dust Washing Powder. The advertisement proclaims in black-outlined, peachy-orange lettering: “For Spring House Cleaning”.
The condition of this trolley sign is truly quite fine. Colors are very strong and consistent throughout; please ignore the various glass reflections seen in some of the photos- they were unavoidable and do appear to make the colors appear a bit faded—which is inaccurate! The sign is free of rips or tears although it does have two, early, fold-creases – one running from top to bottom of the sign along the left side of the pail and between the “O” and “L” in “GOLD” and the other vertical crease on the very right edge of the sign, running through the stove in the kitchen to the “T” in “DUST”. The creases are very unobtrusive and do not detract from the wonderful, colorful imagery this sign conveys.
An unusual opportunity to acquire a very RARE piece of Black Americana!!
Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.
A brief history of the Negro League:
African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.
In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.
In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.