This hand blown, 12 inch tall bottle has a deep pontilled base and is in fine condition. The ground glass stopper has a few unobtrusive interior edge chips.
The label under glass (LUG) applied label is in very good condition, complete and some minor ‘crackling’ of the painted surface.
When viewing the glass label "in person", it is quite appealing and displays beautifully. Please note that the elongated, reddish mark seen on the label is a function of poor photography - it is only a reflection of another object in the room- and not a stain!
This fabulous beauty salon collectible comes with its original box, a bottle of “FABROL” lotion with original paper label, 4 metal rod CURLERS, 2 metal with wood handle DRYING TUBES, wires, and a group of curling papers. Looking at the apparatus in this kit, it is a wonder any woman was brave enough to perm her hair!!
The paper-covered cardboard box has wear and tear at seams and edges typical of a 80+ year old piece, but it displays wonderfully and sports a highly decorative label on the inner cover featuring the image of a lovely lass curling her hair.
From “Mons. Antoine Fabre – 11 Hills Place – Oxford Circus, London, W.”.
Dates to the early 1920s.
The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through his neck (see photos).
Condition is mint, and the piece is signed on the bottom of his right foot: “Hand Painted Lenwile China Ardalt Japan 6530 A”.
Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!
Please see the companion pieces also available (pictured here as well) - the Black Girl Child Nodder and the Bending Over Black Girl by Ardalt, Japan!!!
The medicines are all in very good condition, sport original labels including a Narcotic tax stamp on the Morphine bottle.. The BLUE OINTMENT tin is almost mint, has a great skull and crossbones image and is from Memphis, TN. The Lilly STRYCHNINE SULFATE poison bottle and SILVER NITRATE bottle have ribbed embossing indicative of a poison bottle. The corked bottles date to the early 1900s. The screw capped examples are around the 1940 period and the ointment tin appears to be from the 1940-1950 era. For perspective, The STRYCHNINE BOTTLE measures about 3 inches high with cork.
The diminutive size of these sweet medicines make them an easy fit for any collection! The bottles are EMPTY.
Priced Separately See Description
The weights are housed in plastic, fitted cases and include tweezers for securing the various milligram weights. Each cased set offers a total of sixteen gram and ounce brass weights - 1 metric, small, coin-size weight and various, metal, gram and grain weights.
The cases measure 4.5 inches long x 4 inches wide x 1.75 inches high.
Condition of the BRISTOL-MEYERS case is very good with wear commensurate with use and age and is priced $45.00.
Case #2 marked OHAUS on the top is in excellent condition and is priced $60.00. This set comes with its original shipping box and appears unused.
This awesome tool of the trade includes many unused burs housed in their original, individual boxes. A detailed, complete label is pasted on the interior lid and is in good condition.
The hardwood case measures 11" L x 5.5" W x 3" H and has wear to the finish commensurate with age and use.
Both of these colorful brushes have natural bristles with the Porter measuring 7.5 inches high and the Mammy measuring 6.5 inches high.
The Railroad Porter brush has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's ear is consistent with where one would hold onto the brush while using it.
The Mammy brush is in near excellent condition with little evidence of having ever been used. Love the expression on her face! If one carefully separates the natural bristles, it is evident that at one time they were dyed green to match her bodice, but have lost their applied color with the passing of time.
Please note that the white spots seen in the photos are lighting reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
The Mammy brush is priced at $85, the Porter priced at $70.
Please take the time to peruse our second grouping a Mammy and Porter brushes, listed separately.
The bisque was likely made in Japan and then shipped to the USA for assembly as a Southern States souvenir piece. In wonderful condition with just the tiniest bit of wear to the paint here and there--appears to have never been used as a pincushion.
The larger boxed set contains 38 vials which are nearly empty and sport complete paper labels. There are 2 missing vials from this kit. It measures 6" long x 5" wide x 1.5" high. The inside cover of this larger boxed set lists the names of the 38 allergens contained in the kit.
The small boxed set contains 28 corked top vials which have the same type paper labels as found in the larger kit. This kit measures 5" long x 2" wide x 1.5" high and is missing (or never had) 8 vials.
These skin sensitivity testing kits contain vials which are specific to the southern California area.
A scarce duo indeed!
When pulled by its string, the toy rolls along on its metal and rubber wheels, causing the jockey to raise and lower himself off of the horse as the horse makes a coordinated "jumping" motion as his front legs raise up slightly.
The toy is labeled "Loros Bros Ltd London England" within a small triangle that is painted on one side of the metal supporting rim (see photos). The horse and rider are constructed of wood and are affixed to the metal frame. The toy measures 11 inches tall when the rider is standing straight up and is 10.5 inches long.
Condition is quite fine given the toy's 80+ years of age. There are scrapes and minor wear to the paint here and there, the horse's tail is missing, and 2 newer nails in the horse's hind legs were added as reinforcement at some point. The toy is structurally sound and works quite well! It is simply adorable and displays beautifully!!
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
In excellent condition with the exception of some minor wear to the gilt rim and scripted banner, the cup or mug features two gentleman sharing a tub bath- one Caucasian and one African-American. The African-American gent is surrounded by musical notes indicating that he is doing quite a bit of whistling, while the Caucasian gent covers his ears in annoyance. The scripted banner above their heads reads, "Whistling Rufus." "There's music in the air."
The mug is signed in the lower right corner of the tub, "Copyright Sid Smith". The base bears the black crown and banner stamp of Allertons, England as well as the printed, red-inked number "2089".
This fabulous advertising piece is made of papier mache’, is painted black, and sports cream-colored lettering on both sides of the hat.
The firm of Julius Kessler Dist. Co., Inc., in Lawrenceburg, Indiana, originated in 1888 and created an American blended whiskey known for its silky smoothness!
The condition of this fab piece is very, very good given its 115++ years of age, with some areas of paint loss and wear (mostly to the top of the hat which is the surface that actually serves as the base for this piece). No structural weakness or damage to the papier mache- a very solid piece that displays beautifully!!
Measures 12”L x 9.5”W x 6”H. An eye-catching, visually appealing, early display advertisement!!
The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.
Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.
Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.
Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!
Interestingly, whomever wrought this very detailed, family-history sampler omitted just one significant detail- the family surname!
On the left side of the sampler, the Scotch ethnicity is wrought along with the occupations of Parson and Doctor, with a 1725, antique salt box style home the domicile of the parson (?) wrought below the later 1940 domicile of the doctor (?) at New York City's Park Avenue address.
The right side of the family sampler depicts French origins with a 1777 mentor (teacher) and his red schoolhouse wrought below the 1861 farmer residing in the town of Morrisania (Morristown, NJ?).
The central aspect of the sampler depicts a number of images: a very stylish horse drawn carriage with driver and a sun umbrella--holding, female occupant, a well-landscaped, bright yellow homestead dated 1777, the ethnicity of "English" stitched out, and finally, a tall-spired village church with accompanying date of 1752.
The French Fleur de Lis is wrought into the sampler as well as the very ancient, stylized, so-called-today "swastika" cross, a symbol that can be traced back to ancient Byzantine times and which was frequently featured in early Native American culture as a symbol of abundance.
The sampler hem is completely hand-stitched. The sampler, itself, is in very fine condition retaining bright coloration and an absence of holes, tears or discoloration of any kind. Background color of the linen is an even, mellow, tannish-off-white.
A well-executed cross stitch sampler very much shrouded in mystery as to family origin!