Interestingly, whomever wrought this very detailed, family-history sampler omitted just one significant detail- the family surname!
On the left side of the sampler, the Scotch ethnicity is wrought along with the occupations of Parson and Doctor, with a 1725, antique salt box style home the domicile of the parson (?) wrought below the later 1940 domicile of the doctor (?) at New York City's Park Avenue address.
The right side of the family sampler depicts French origins with a 1777 mentor (teacher) and his red schoolhouse wrought below the 1861 farmer residing in the town of Morrisania (Morristown, NJ?).
The central aspect of the sampler depicts a number of images: a very stylish horse drawn carriage with driver and a sun umbrella--holding, female occupant, a well-landscaped, bright yellow homestead dated 1777, the ethnicity of "English" stitched out, and finally, a tall-spired village church with accompanying date of 1752.
The French Fleur de Lis is wrought into the sampler as well as the very ancient, stylized, so-called-today "swastika" cross, a symbol that can be traced back to ancient Byzantine times and which was frequently featured in early Native American culture as a symbol of abundance.
The sampler hem is completely hand-stitched. The sampler, itself, is in very fine condition retaining bright coloration and an absence of holes, tears or discoloration of any kind. Background color of the linen is an even, mellow, tannish-off-white.
A well-executed cross stitch sampler very much shrouded in mystery as to family origin!
The tubes bear the Stein's Trademark seal which is quite detailed and ornate and consists of a horseshoe labeled "Semper Fidelis" (Always Faithful), which encircles a stylized and entwined "M" and "S". Below the horseshoe is placed a Mortar and Pestle, all of which rests on a laurel wreath.
The tubes are labeled "Stein's Grease Paint" "Money Back for Unsatisfactory Purchases" "Manufactured By The M. Stein Cosmetic Company New York" "Made in U.S.A.". Each tube is labeled with the color code of the makeup - "No. 1 Pink", "No. 4 Medium Gray". The third tube's labeling is faded and difficult to read -"No.? ???Sallow Young Man???".
The grease paint makeup is contained in individual cardboard, push-up style tubes, they are all unused, and all three are 5 1/8" tall. Two of the tubes measure 1 1/8" in diameter and one, 5/8" in diameter.
The labeling on two of the tubes, while faded, is completely readable; one tube's labeling is rather faded and in some areas, completely unreadable.
The cardboard tubing of two of the makeup paints is, amazingly, completely intact; the No 1 Pink tube is also intact with the exception of the top cover which remains but is detached from the tube.
Interesting and early vintage finds for the theater enthusiast!
The 3 dolls were grouped together in a creative display that supported the sale of Aunt Jemima Pancake products! Their costumes are all identical and were hand-stitched and made especially for the planned Aunt Jemima display.
Each of the dolls remain intact inside an encasement of glue and paper wrapping and are attached to home-made, plaster-of-Paris-based, rectangular platforms. The platforms were created in 1958 as is written on the bottom of each base, and the dolls remained in place until the store closed in the early 1980s.
The large doll is 11 inches tall and evidences age-crackling to her composition face and hands; her right hand is actually missing a small piece of composition (see photo). Black hair peeks out from inside her checkered head scarf framing her sweet face!
The doll on the left side is the shortest, measuring 5 3/4 inches high. She is in fine condition and her eyes are placed in an interesting sideward glance.
The doll on the right measures 6 1/4 inches tall. Her composition is in fine condition with the exception to some small loss at the very top of her head (see photo).
Certainly a very visually appealing trio, sold all together as a group of three!
This cute size display measures 4.5" x 3.75" closed and is in very nice condition. The top lifts up to facilitate advertisement of the product and would have been placed on the counter top of a pharmacy in this fashion. A neat find!
This rarely found copy was written and illustrated by the renowned author of a number of Raggedy Ann and Raggedy Andy stories of the period, Johnny Gruelle. The book was published in both the United States and Great Britain in 1926, by the P.F. Volland Company of Joliet, Illinois.
This copy has superficial scratches to the front and back covers, wear on book cover edges, inside cover has a small black marker smear, inside front & back covers have minor soiling here and there(see photos). The binding is super-tight and all pages remain very clean and present.
The book is eleven chapters in length, approximately 88 unnumbered pages. Book is filled with a variety of wonderful black-ink and full-color illustrations as represented in photos. PLEASE NOTE: in the photos, the printing seems somewhat light and faded- not so! It is merely the function of over-lighting or light reflection.
A wonderful and truly RARE book not to be missed--- it currently lists in Black Memorabilia books at $200-250!
Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the Dandy graphic remaining free of scratches and abrasions. The mirrored back shows evidence of 2 tiny areas of subtle, minor chipping along the perimeter edge, and the glass front has a small surface chip at the base of the Dandy's shirt. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!
Measures 20.75" tall x 7.25" in diameter. The overall height includes the removal top pediment.
A five-sided display seldom found in this condition!
These highly-colorful, lithographed paper labels are all UNUSED, NEW OLD STOCK in wonderful condition. The E. E. Dickinson Company made "off-branded witch hazel products" sold to a variety of vendors. The labels offered here all advertise the very same witch hazel product manufactured by E.E. Dickinson but which was then sold to and marketed by these other companies: S.X.BRAND.N.F., BAILEY'S, and MERRIMACK. Dickinson sold its witch hazel under its own name as well.
At the time of the auction, all remaining company stock was removed from storage for the factory-closing sale. We believe these labels predate the 1930s, and would look quite wonderful framed!
The 4 large size labels, measuring 10 inches in diameter, were for use on 50 gallon barrels or drums and are offered at $15.00 each. The 3 smaller labels are 8.5 inches in diameter and are offered at $12.00 each.
A framed display of ALL 7 barrel labels together would be quite visually-stunning! With this decorative thought in mind, all 7 labels can also be purchased a single group, offered at $75.00.
Measuring 10.75 inches wide x 8.25 inches long, the book has seen gentle use as evidenced by the fairly good condition of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, neck creasing and edge wear is expected and evident. Corner and edge wear of front and back boards is present, as is a brown oval stain on the front board near the word "little". Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence age discoloration and some foxing, and a bit of vintage staining from handling on the back board.
The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. I did not have sufficient space to post photos of all pages, but those present are representative of overall condition. Some pages evidence foxing, but all pages are free of rips and creasing. The binding is tight and the book retains its original, red, binding spiral.
Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of villainizing freed black males while simultaneously allowing violence acts to befall the black characters portrayed in the rhyme.
This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.
To view other versions of this book presently available for separate purchase, please type the words "ten little" into the SEARCH box on our home page.
Next there are 4 Humphreys and the earliest nostrums are the ones numbered "8" and "31" dating to the 1920s. The boxes have paper labels covering them, and include a corked glass vial and paper insert. The Humphreys labeled "3" and "30" date to the 1940, are unopened and contain either a glass or plastic vial. They measure 3 inches.
The puppet, itself, is 14 inches tall and is colorfully dressed in blue and white checked pants, red shoes, orange and whit polka dot shirt, straw hat and red patterned neck scarf.
The puppet's face is composition and bears evidence of some age-related crackling as noted in photos. He has a tiny piece if composition missing on the left side of his neck partially covered by his neck scarf, so it is very difficult to notice. He bears a manufacturer stamp on the bottom of his right foot, but it is partial and unreadable. His hands which hold colorful pink straw maracas are a heavy molded plastic.
The puppet is free of stains, dirt and odor. He retains his original black strings and wooden airplane controller!
This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
This amazing club sports its original varnish surface and is offered in "as found" condition. The darkening of the finish results a wonderful patina. The club displays an enchanting elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 42 inches from the heel.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of gentle use.
A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!
These lovely Drug Store labels measure just over 2.25" x 3.25" and are complete with a gummed backing (similar to a postage stamp).
Most of the labels are in fine condition while others show various folds, paper loss (where they were stuck together by glue), and some labels missing pieces. This is all commensurate with the early storage of early paper. The labels are unused and have gummed backing and are ready for your collection.
Featuring a delightful, cartoon-like caricature of a black man, this board is in very good condition with minor edge wear, slight age-discoloration and a crease to the rim at the left end of the hat.
An interesting, seldom-found piece of Black Memorabilia!
Please disregard reflections in photos that are due to the presence of protective plastic wrap.
Great condition with some corner wear, but please note that all pages have completely separated from the center seam so are no longer in "booklet" form. No missing pages though!
A difficult item to find in today's market!
The trademark for Sharpoint is a cleverly-designed, eye-catching, broadly smiling image of an African American gent. If one looks closely, one can clearly see the words "Sharpoint Cobblers Nails" printed within the black space of the gent's mouth! A very "sharp" advertising strategy!
Sharpoint Wire Cobbler's Nails were manufactured by the Charles F. Baker Co, Boston, Massachusetts. The smaller box retains its end flap which features both the manufacturing and patent information, with the patent number corresponding to a 1933 USA Patent date. Each box amazingly still retains the original cobbler's nails!
The boxes are in very good condition considering their age and the fact that they held tiny, sharp nails for over 80 years! As stated earlier, the smaller box does retain the end flap which features manufacturing info. The larger box is missing this flap. The cover litho on each box remains very crisp and clear. Typical, age-related edge wear is noted. Please peruse all photos for condition details. The boxes have been shrink-wrapped to protect the integrity of the cardboard, and they do contain the nails.
These VERY, VERY RARELY FOUND SALESMAN SAMPLE size boxes WITH ORIGINAL NAILS are offered at $125 each, or the two boxes can be purchased as a pair for $198.00 firm.
An absolutely wonderful addition to one's School or Artist Memorabilia collection!