The decorative and delicate detailing of this piece is at odds with its most gruesome history! Scalloped copper edge guards and the appealing pattern in which the drainage holes in the laminated wood tabletop were laid out contribute to visual appeal. The softwood table frame stands on nicely turned hardwood legs.
When opened and extended to its maximum dimensions, the table measures 72" long X 18.5" wide X 22" high. To facilitate ease of traveling, this portable table slides and folds to 40" long X 18.5" wide X 4" high. A leather carrying handle is attached to the table edge; legs, when folded, are secured in place with hooks.
Very fine original condition: expected overall wear (patina) with one hook missing and minor unobtrusive loss of laminate along lower table top edge measuring approximately 1/3” wide by 7”.
Embellished with beaded edges, a large, 5-petal flower, and a detailed leaf on a heavy cardboard-like material that is lined with a red polished cotton, the little purse closes via a hook and eye closure.
It is in overall fine condition with expected creasing as seen in photos, as well as some loose beadwork and a small amount of missing beadwork to the bottom center.
From 1901-1924, Bruckner produced this original, 12" Topsy Turvy doll for Horsman's Babyland Rag Doll line that features Caucasian, "Betty", on one end and African American, "Topsy", on the other. The inspiration for this doll is based on the character of Topsy in Harriet Beecher Stowe's classic 1852 novel, "Uncle Tom's Cabin".
The Bruckner Topsy Turvy doll was advertised in a 1907 Babyland Rag Doll catalog as follows:
"TOPSY-TURVY---What is this?
Looks like just a pretty miss.
But turn her over and you'll find,
She is quite another kind.
First she's White and then she's Black,
Turn her over and turn her back.
Topsy that side--Betty this--
Yet complete, each little Miss."
The detail on this hard to find classic doll is lovely. Both heads indeed have the pressed, molded mask faces with lithographed features. Topsy's face is in mint condition! Betty's face is very fine with superficial rubs to the flesh-toned coating of her mask; her lithographed facial features, however, remain beautiful. (Such rubs are not unexpected as these particular doll masks are, unfortunately, prone to rubbing.)
Grinning Topsy has red bows tied to her black mohair braided pigtails which are tucked into her red headscarf. Her red blouse, which matches her head scarf, is trimmed with cream banding around the sleeve and neck edges. The cream scarf she wears around her shoulders tucks into her very full, red/cream checked, gingham skirt. Flip her over, and....
Betty's more subtle Anglo face and her hair are lithographed. She wears the same red/cream checked gingham fabric of which both her dress and ruffled bonnet are constructed. Over her very full gingham dress, Betty also wears a sheer, ruffled pinafore.
Both dolls have the typical "mitten" hands of the stuffed rag dolls of this era. There are no other difficulties to report other than the rubs to Betty's face and some tiny, stray (original) glue spots here and there. No rips, tears, soiling, or odors, and she has been stored in a smoke-free home. The photos show it all- these two girls are a charming pair! A very difficult to find doll in near excellent condition!
Upon opening the top lid, one finds 12 very special, unused, clear glass vials in near perfect condition, retaining their diminutive labels.
The visually-graphic box is in good condition with some separation to the edge of the cardboard box. Two small pieces of cardboard material used to secure vials in box are missing with a small piece of cotton inserted and used as a replacement for the missing sections.
For perspective, this Scillaren box measures 3.5"W x 2.5"H x 1.4"D. and the tiny vials are approximately 1 inch tall.
Difficult to find, and RARELY found in complete condition.
Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.
A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!
All seven of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.
The three black railroad porter brushes, the large red Mammy brush with cloth bow and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Blue Porter with Cream colored pants: teeny, superficial "dings" to paint here and there with one teeny mark between the eyes.
Black and Cream Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Yellow Porter: paint wear primarily to right side of face and top of cap.
Large Red Mammy with Cloth Bow: paint in excellent condition with a couple tiny rubs here and there. Natural bristles have faint trace of original red painted dots to natural bristle skirt.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.
The following two brushes are also in very nice, barely used condition with minor imperfection as described below:
Large Red Mammy with hand-painted bow: brush has seen a little more use than the others(see photos)- very minor paint wear from use to Mammy's back. Black paint drip to collar area. Natural bristles dyed red.
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
The taller brushes are all priced at $85 each. The smaller, 4.5", green and red-dressed mammy brushes are priced at $60 each.
Please take the time to peruse our second grouping a Mammy and Porter brushes, listed separately.
Photography was a challenge in an attempt to avoid flash reflections. As such, please note that the rich coloring- violet, yellow, green and gray- is even throughout the map.
All print and map detailing is clean and easily read. Some minimal foxing and age staining to map do not detract from the visual appeal of this piece. Framed map measures 12 3/4" wide x 15 1/2" long.
Also offered separately are 2 unframed 1886 maps of ASIA and CHINA, respectively (photos of each also seen here.)
Coloring is quite brilliant, and the condition is very fine with appropriate age-related crazing and some tiny, circular, firing imperfections on Mammy's polka dotted scarf as noted in photos. Please note that white marks are flash reflections, not imperfections. Makers mark is noted on the back--- an "E" inside of a crown.
A delightful piece of Black Memorabilia that displays wonderfully on a wall or shelf!
This fine example measuring 6"L x 1.5"W x 1"H, sports a warm patina commensurate with an instrument of this age.
The mold is marked "S. MAW & SONS, THOMPSON - LONDON", a noted manufacturer of quality medical instruments and tools for many years).
An absolutely wonderful addition to one's School or Artist Memorabilia collection!
Recently acquired from a private collection, the framed diecut is without glass (which can be easily and inexpensively added).
The embossed-surface diecut is in near excellent condition, the only noted issue being a crease in the bigger girl's left leg (see close-up photo). An unusual find, with vivid, colorful imagery!
Given away as a premium for opening a bank account, this still bank advertises the Mechanics Savings Bank of Hartford, Connecticut.
The bank is complete with the famous Liberty Bell crack down its front as well as this slogan etched around its top, "Proclaim Liberty Throughout All the Land Unto All The Inhabitants Thereof. LEV XXV 10".
Manufactured by the Bankers S & C System Company, Cleveland, Ohio, this bank bears a patent date of February 18, 1919, as inscribed on its base.
Made of metal and wood. The whereabouts of the original key is unknown but it is likely that any flat metal key of the period and appropriate size would open it.
A fine decorative piece for either the still bank collector or Revolutionary War buff!
Mammy's paper memo pad is original to the piece; however, she is missing her original pencil which would slip into the hole in her right hand and down into the broom top to form the broom handle! A present day pencil may be used as a replacement.
Condition is quite good with some tiny, age-related, surface and edge flecks as seen in photos. No repaint, cracks, repairs, no breaks! No maker's mark.
This unusual tincture bottle is in excellent condition. The bottle interior is clear and the stopper, which sports ground glass, is in very nice condition except for some unobtrusive interior edge chips and two very minor flecks on the (L) edge of the stopper.
A hard to find circa 1900 patent pharmacy bottle ready for your collection!
Remaining in its original frame with original wooden and paper backing, this watercolor retains its framer's identifying sticker which reads, "Staton's Art Shop 5409 Germantown Ave." Perhaps this Germantown address indicates Philadelphia area origin? In the interests of proper conservation, the new owner should re-frame this lovely piece with appropriate acid-free materials.
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
A lovely watercolor- nicely executed!
Veterinary signs of any type are quite scarce! Wonderful patina!
American Beach was established in 1935 on Florida's east coast under the leadership of Abraham Lincoln Lewis, one of seven co-founders of the Afro-American Life Insurance Company, and one of Florida's first black millionaires. His vision was to create a beach resort as a benefit for company executives and as an incentive for employees.
In the era of Jim Crow segregation laws, few public places in Florida or the rest of the South were open to African Americans. From the Depression until well into the 1960's, American Beach served as a holiday and vacation destination for thousands of African Americans, and was a magnet for black celebrities such as entertainers Cab Calloway and Ray Charles, heavyweight boxing champion Joe Louis and writer Zora Neale Hurston.
But in 1964, the area began to decline. Hurricane Dora destroyed much of the beach, and passage of the Civil Rights Act meant that blacks were, finally, no longer restricted to segregated beaches and the businesses that catered to them.
A fabulous and historically relevant piece of Black Americana!