Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
Recently acquired during an antiques hunt in the Savanna, Georgia, area, this beauty measures just over 12 inches high and just under 5 inches in diameter at the base.
Condition of the glass label: The tapered glass label is complete, with very minor paint lifting and discoloration most evident along the bottom of the label. The glass portion of label is undamaged.
Condition of the bottle: There are no chips to the bottle. The interior of the bottle is clear except for some faint deposit on the top water edge. The base of bottle is embossed "Pat'd Dec. 10 95" (1895).
Condition of the stopper: The decorative stopper has a tiny edge fleck on the edge of one lower facet. The lower inside of stopper has 3 unobtrusive fractures on the rear portion not visible from the front. There are 2 fractures on the upper portion of the bottle where the stopper fits. One of them is on the left and is barely visible. The stopper is fixed in placed and has not been tampered with.
The photos adequately present the condition of bottle. A stunning centerpiece for your collection.
Both dolls retain their 3 original pigtails, all tied off with tiny pieces of string. Their hand-painted lips and eyes remain in excellent condition as is the dark brown paint which covers the bisque bodies which were originally white when manufactured (the white bisque coloring is visible at the joints).
Both dolls have jointed arms and legs which allow them to assume different positions. The string holding the larger doll's legs in place has stretched over these many years resulting in looser leg joints. (This can be repaired if so desired by the new owner.)
The larger doll is dressed in a hand-made outfit consisting of an ivory, yarn-knitted petticoat under a yellow crocheted dress while the smaller doll remains au naturalle! A darling, teeny tiny pair that display quite nicely!
This wonderful, 1940-1950s vintage hand made and painted mortar and pestle display once adorned the interior of a Connecticut pharmacy. The display is decorated in red with painted bronze details for added flair.
Measures about 7 high” x 4.5” wide and is in very nice condition! Some unobtrusive surface paint loss and scuffing including a few tiny nail holes are apparent but do not distract from their visual appeal!
Mammy sports hand-stitched facial features, and all original, machine-stitched clothing. Mammy’s hands and arms are made of fabric-coated pipe cleaners allowing for flexibility and movement. Her corn cob body has been neatly encased in muslin. Mammy's costume is complete and quite brightly colored and even features a tiny apron pocket in which a teeny hankie is tucked!
Mammy has been well cared for over the years- no fading to clothing, no rips, tears or other blemishes! A most interesting and very seldom found Mammy doll in utterly excellent condition!
While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear! The two comical cartoon postcards are much more brightly and vividly colored than the photos depict. The eight photo postcards also feature titles describing their subjects.
A delightful grouping that would be much-appreciated framed!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
Measuring 13.25 inches wide x 9.25 inches high x 1 inch thick, this wonderful piece patented February 16, 1886, is in very fine condition with a warm, rich patina and color as well as all 56 of its original wooden letters! To spell a word, one slides the letters along cut out tracks in the board.
Quite visually appealing!
Condition: three of the 1/8th inch thick, round, wooden letters suffered partial breakage at one point in time, but these letters continue to remain quite structurally sound and "readable". Some tiny edge chips to the wood- quite reasonable given its age.
A seldom found vintage, early School House item!
Marked "STERLING 9" on the back, this ring features a very delicately etched bunch of blue flowers. The ring is also initialed "W" by the artist on the lower front of the ivory in an exceedingly tiny letter!
A lovely estate piece!
The child’s head nods back and forth by pivoting on a tiny metal bar inserted through her neck .
Condition is mint, and the piece is signed on the bottom of her right foot: “Hand Painted Lenwile China Ardalt Japan 6529”.
Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!
Please see the companion matching Ardalt Black Nodder pieces also available (pictured here as well) - the Black Girl Child Nodder and the Black Boy Clown Nodder!!
The green colored tins date to the 1910 - 1923 time period and measure about 3.25" long x 2 inches wide.
The tin with paint loss especially on the bottom is priced @ $70.00. .The better tin is $90.00
The covers and hinges work well. Made by "METAL PKGE CORP. BKLYN, NY".
****The brown colored tin is sold****
Some History: Henry Clay Glover started practicing veterinary medicine sometime prior to 1877. In 1888, his medicines were awarded the medal of superiority by the American Institute of New York. He identified himself as a “Specialist in Canine Diseases". As a personal testimonial, he stated that as of 1897, he had been the Veterinarian to the Westminster Kennel Club for 20 years.
The first known address for Dr. Glover is 1293 Broadway, New York City. Tins with this address state “H. Clay Glover,V.S. Prop", and appear to be the earliest-known. Some time prior to 1914, the company moved to 118 West 31st Street. Glover was still sole proprietor, but by 1917 the company was incorporated, and the tins stated “H. Clay Glover Co” while retaining the West 31st Street address. The company moved to 127-129 West 24th Street in 1923.
This fine example measuring 6"L x 1.5"W x 1"H, sports a warm patina commensurate with an instrument of this age.
The mold is marked "S. MAW & SONS, THOMPSON - LONDON", a noted manufacturer of quality medical instruments and tools for many years).
Measures 8 inches long x 3 inches wide x 5 inches high (including the knob). The embossed label is marked "MADE IN USA - CASTLE- STERILIZER". The lid is attached to the interior tray and articulates backwards to open or can be lifted off as seen it the photo. Please note that the electric cord was cut by the good doctor to fit inside his display cabinet.
Constructed of painted wood that is nailed and glued together, this vintage collectible retains quite a few of its original but yellowed-with-age grocery shopping list pages. The holder/board retains a ball of string and a stub of an older, red pencil. It also has an inkwell cut-out that would have accommodated a bottle of ink; presumably, an inkwell pen once resided beside it versus the current pencil.
The holder/board remains in all original condition with no repaint or repair. The black chef is not painted on but is a decal--all original. The pale blue paint has appropriate, minor, age-related wear as noted in photos.
Has great visual appeal and displays wonderfully!
In 1912, in a stroke of advertising genius, Mayo's Tobacco Company packaged their cut plug tobacco in round tins with a lithographed character. Each held 1 pound of tobacco. It was opened by removing the head!
These "Roly-Polys" were a unique shape that distinguished them from the rectangular and lunch box-shaped tins that surrounded them on store shelves. There were a number of different characters that were available, and smokers were encouraged to collect the entire set. The six original tins were the Satisfied Customer, the Storekeeper, the Singing Waiter, the Dutchman, Scotland Yard....and Mammy!
Mayo called this packaging a "Brownie" tin...apparently the company suggested that the tins be used as brownie containers after the tobacco was used, and designed them accordingly. They were never a plentiful tin, and today, are becoming increasingly more and more difficult to find.
The Mayo tobacco tins were distinguished by little packages of Mayo Cut Plug tobacco shown somewhere on the character. Notice that the Mammy tin has a tiny tobacco tin tucked into her front pocket.
Mammy's dimensions are 7"x7". She is in good condition, as evidenced by the photos which clearly detail the flaws she has acquired over her 100+ years of existence. The body of the tin has minor paint loss to the litho as seen in photos, minor and subtle surface scratching (see photos), and small areas of denting to the top of mammy's head (see photo) and to her base near the cigarette pack protruding from her pocket (see photo). The body has some light soiling and has the appropriate wear at contact points. The tin has no repaint but does have some light, interior rusting to the interior of the base as well as a couple of tiny size holes which can be seen in the 12th photo (tiny holes show up as white spots in the photo). The base was held up to the bright, outdoor light to illuminate the holes- which actually make them appear more prominent than they actually are!
The base of the tin is labeled "made in factory # 42, in the 2nd District of Virginia".
**The depth of color is better viewed "in person" as opposed to what I was able to capture in a photo.**
A must-have addition to any SERIOUS Black Americana collection! A note on the rarity of this item....this is only the second Mayo Cut Plug tin that I have had the pleasure of offering for sale in my 20+ years specializing in Black Americana! The tin displays beautifully!!
Perfect for your laboratory, medical or weird science collection!
This pleasant trio of Sapolio Soap diecuts is in excellent condition and comes protected in an attractive, walnut-toned, oak decorative frame!
Quite visually appealing!
The label is unused and is in excellent condition with wonderful, even coloring (any appearance of fading is due to light reflection only).
Approximate measurements: the oval label measures 4.50 x 3.50 inches.
Would look wonderful framed!!
Please take a moment to view my other grouping of vintage French rum labels!
No chips, cracks, or repairs with only minor, subtle paint loss as noted in photos. Retains its original notepad but is missing its pencil.
Please see our other Aunt Jemima items!