To add to its charm, the pencil box cover bears a sweet early stencil of Snow White + the Seven Dwarfs! The scene depicts 5 of the dwarfs as well as Prince Charming, sadly escorting Snow White who is lying in her clear glass coffin, having already bitten into the evil witch's poisonous apple and fallen into a deep sleep. Apparently, Prince Charming does not yet realize that all it will take to wake Snow White is a kiss on the lips from him!
The pencil box retains its original hinges and latch and remains in wonderful condition albeit for the signature of a former owner written in black ink in the interior "Susan Smith".
The phone case is constructed entirely of wood and stands on 4 small wooden feet. The framework for the telephone apparatus, itself, is constructed of heavy cardboard covered in a simulated wood-look paper. The telephone has 2 round metal knobs simulating the ringer bells, and the ear and mouth pieces are quite authentic in appearance and appear to be bakelite. The ear piece is attached with its original string and hangs of a teeny metal hook on the left side. A phone box is situated under the phone, and a tiny, paper telephone book (!!) hangs off a matching string on the right side of the phone case.
An absolutely darling, one-of-a-king collectible!
All are marked "JAPAN", measure approximately 3 inches in height, have great color and are in excellent condition! Please see photos for detail shots!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
The graphic showing an African American woman picking cotton with her little girl at her side retains its vivid coloring and is in near mint condition with only one tiny speck of paint loss at the base of the little girl’s apron. Very minor wear is visible along the front edge of the tray rim as well as along the base edge as seen in photos. Overall condition is quite exceptional!
The front of the tray bears the advertisement, “ The Source of Cottolene- ‘Nature’s Gift From the Sunny South’”, and obviously refers to the cotton plant as the source of Cottolene Lard or shortening which was manufactured by the N.K. Fairbanks Company.
The tray underside depicts a can of Cottolene lard which provides the backdrop for the Fairbanks Company product advertising. It advertising reads, “ ‘Way Down South in the Land of Cotton’ If you could see cotton growing in the fields in all its purity, could observe the skill and care used in extracting and refining the oil, you would appreciate while COTTOLENE- the perfect shortening- is so much purer and more healthful than lard could ever be. COTTOLENE is pure and wholesome as the finest olive oil; makes food palatable, digestible, healthful. COTTOLENE shortens your food- lengthens your life.” Wow, quite a testimony!!
A wonderful crossover piece equally appropriate for one’s Advertising, Black Memorabilia, or Tip Tray collection!
This circa 1940's (perhaps even earlier!) Mammy has a polished cotton half body firmly stuffed with cotton batting which is attached to a fabric-covered, cardboard platform that enables her to sit. Such a doll is often referred to as a platform or toaster doll as her voluminous skirt was designed to cover unsightly kitchen appliances - most commonly the toaster!
Most notable is this Mammy's exquisitely executed, hand-embroidered face, and her elaborate dangling beaded hoop earrings!
Mammy's clothing is machine stitched and is absent of holes, rips or repairs. While all her patterned clothing retains its original and uniform coloring, all of the purple cloth has faded- obviously a less stable dye used there. When one opens the folds of the cloth, one sees the rich, deep purple it once was!
An unusually well-detailed doll for its type!
The origin of this sign is unknown, but it once hung on either the interior of a bus or railroad car designating the section of the bus or rail car where African-Americans were required to sit. One side reads “FOR WHITES” and the other side reads “FOR COLORED” thus separating the two races on public conveyance vehicles-- segregating the African-Americans to the back of the vehicle.
This historically significant sign retains its original metal hanger and is in all-original condition. It has had no restoration and bears some paint loss and scratching typical of its age and use as noted in photos. The “For White” side has significant paint loss from the actual lettering although this side of the sign is still quite "readable". The "For Colored" side is in very nice condition with very minimal paint loss to the actual lettering. This side of the sign displays exceedingly well! The age-related signs of wear do not impact the physical integrity of the sign and are more than appropriate to the age and purpose of the piece.
An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history!
Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.
A wonderful and rarely found piece of Black Americana!
Mammy or Aunt Jemima is wearing a white dress and head scarf with red trim. Her dark brown skin is flawless (any white spots or marks seen in photos are the result of light reflection and do not represent flaws of any kind.)
While she is unmarked, there is a very small black "X" on the bottom of the backside of her dress.
An incredibly hard to find piece! These very functional pieces were, more often than not, actually used in the home on ironing day, and thus were subject to damage or breakage and ended up in pieces at the local landfill! This wonderful Black American collectible was acquired from the original owner where it rested safely on a display shelf all these many years!
Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia shows some wear to the gold lettered word, “RECIPES”, although the majority of the paint remains intact. Small paint rubs are present here and there on Aunt Jemima’s face as seen in photos. The tiny plastic knob on the left side of the box that acts as a hinge for the cover is missing, but this minor imperfection detracts little from the fabulous color contrast and visual appeal of this delightful and essential, vintage piece of early 50’s Black Americana!
Please see the RED Aunt Jemima Fosta Recipe Box available for purchase separately.
Measuring 5 1/8 inches tall with soap dish attached, Mammy's colors- her deep red dress, mustard yellow shawl, and yellow and red polka dot head scarf- remain vibrant and brilliant with a wonderful old patina! Her face features large, dark eyes and a smiling, red mouth.
The soap dish is designed to be removed, and its anchoring cast iron peg fits into a hole atop Mammy's head. The exterior of the soap dish is cast to resemble a wicker laundry basket and is painted a slightly lighter-toned, mustard yellow.
A delightful, vintage piece of early Black Americana in premium condition!
This pleasant diecut is in excellent condition and comes protected in an attractive, walnut-tone decorative frame!
A sweet piece!
The doll clad in all black depicts the rarely-found, black country preacher out for an afternoon stroll with his wooden walking stick in one hand and the Holy Bible clutched in the other. The preacher wears a machine-stitched suit thoughtfully detailed with white shirt cuffs poking out of his sleeves and the white reverend's collar at his neck. His left shoe reveals a hole with a sock-covered toe poking through! The preacher's stove pipe style hat is placed snugly on his head covering most of his gray hair although his full gray facial beard features prominently. His embroidered facial features, characteristic of these dolls, are further accented with "steel-rimmed" style eye glasses. The 1.5 square inch bible actually has real pages! Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. The doll's body is well-stuffed with cotton batting.
The gray-hair and bearded, chicken-toting black country gent doll is also attired in machine-stitched clothing and additionally shares a cotton-bating stuffed body, embroidered facial features, and an asphalt shingle tile stand. He wears cotton britches detailed with double knee patches and suspenders along with a blue and cream striped cotton shirt and a red and white polka dot kerchief around his neck. His hat is constructed of black-colored felt. This country gent holds a finely crafted and detailed brown chicken under his right arm, while his left hand clutches a wooden walking stick.
Two very special dolls that represent a snapshot of history, capturing the lives of poor southern black folk of the Depression era.
The dolls are priced at $255.00 each.
ENTIRELY hand-stitched, this gent is dressed in fancy striped pants, straw shoes and hat, green belt, and in a navy blue and white polka dot shirt with a tiny breast pocket that holds a teeny pack of CAMEL cigarettes, labeled with a "C"! His outfit is topped off with a red tie that is held in place by a bean tie tack!
His face is hand-stitched with careful attention noted to the creation of his molded, 3-D nose. The weather must be warm as he wearily wipes his hot neck with a red and tan checked handkerchief!
A delightful African-American Southern character doll!
Framed in sturdy wood, this metal sign is hand-painted in stunning blues, whites, and oranges and reads: “JOHN E. MELVIN – PLUMBER – TEL. CONN”.
Measuring approximately 32.5 inches wide x 18 inches high, this vintage tin sign, a most unusual find, has wonderful visual graphic appeal and would add great decorative interest to any room!
The condition of the sign is quite good with lovely patina and appropriate surface wear for its 70-80+ years of age. Note a small unobtrusive piece of framing missing from the bottom right.
Her cute face is completely hand-stitched and is accented by original celluloid hoop earrings. She wears a flowered bandanna, a cream colored flowered shawl, and an off white apron over her green and black mini-checked dress. She even has a cream colored petticoat underneath all! Her machine-stitched clothes are odor free and are nicely constructed, although her apron does have tiny age holes!
Although her bottle frame is covered by a black stocking, the stocking has risen up revealing her sand-filled milk bottle with red lettering from R.W. Tripp's Dairy, established 1889. The milk bottle lettering is in great shape and even features a graphic of a school boy and girl!
This great, early bottle doll is one of 4 currently offered bottle dolls --- all priced separately.
Housed within its original "leatherette" suitcase which measures 15 inches x 10.75 inches x 4.25 inches, this 1960 Revision test kit appears to be nearly complete with all original test contents: test manual, small and large, printed, spiral-bound card materials, and its many assorted and varied manipulatives that are housed in individual divider boxes, some retaining the original covers! One manipulative, a small plastic chair, is broken although most of its broken pieces remain within the kit, and an extra, partially complete, Form Board is also present. The original plastic case handle remains although it was broken and re-glued at sometime previous to our ownership. At this point, the handle should be deemed as purely decorative and not for actual use. Discovered in Massachusetts, the assessment kit is presented for sale as found and has likely seen considerable use over the years! In perusing through its contents, one takes a fascinating walk through intelligence assessment history!
This 1960 Revision is the 3rd revision of this test which was first published in France in 1905 by the French psychologist, Alfred Binet, whom the French government commissioned with developing a method of identifying "intellectually deficient" children for their placement in special education programs. In 1916, at Stanford University, the psychologist, Lewis Terman, released a revised examination which became known as the "Stanford–Binet test". The development of the Stanford–Binet Intelligence Scales initiated the modern field of intelligence testing and was one of the first examples of an adaptive test. The 2nd revision of the test was published in 1937, and a selection of materials from the 1937 scale were deemed essential enough to be included in the 1960 Revision assessment.