They are being sold separately for $55.00 each. The POISON bottle BELLADONNA is $65.00.
Decorative stock bottles such as these beauties were meant to be refilled and reused and were the pride of the pharmacy staff. Eye-catching, reflective medicine bottles such as these also served as an advertising mechanism as they often were placed prominently on the front row of pharmacy cabinets.
Each amber colored bottle measures 8.5 inches tall, has a narrow or wide mouth and sports a stopper with ground glass construction. The bottles date to the 1920-1930's era.
The condition of these empty bottles are excellent. Some of the stoppers are stuck in place.
The bottles sport either gold or silver toned foil labels which show slight wear and staining, commensurate with age and use.
A lovely group indeed!
This scarce doctor's set is missing 13 vials and contains both CANNABIS INDICA & OPIUM medicines. The cases also contain labelled medicines such as: Agaricos musc., Aranea diadema., Berberis vulgaris, Glonoinuum, Kali carb, Uranum nitric, Variolinum, Mercur. sol., Kreosot plus many more vintage vials.
The majority of the 1.75 inch long vials sport tiny labels and corks which are also labeled. Choice examples such as these are quite scarce considering the inclusion of narcotics vials as well as the sheer number of total vials contained within.
The leather cases house 100 vials each and have folding sides and functional metal clasps. One folding flap from one case is missing, and in the same case, three flaps have separated due to honorable wear commensurate with age. The other case retains all of its flaps although there is some partial separation of all four flaps noted, again commensurate with the item's age and use.
The 2 cases measure approximately 7.5 inches wide x 1 inch deep x 3.75 inches high. The cases are a pebbled-grained leather. One case front closure flap is decorated with a fancy corner embossing.
A very nice find!
Both dolls are in near perfect condition with the exception of a tiny teardrop mark under brother's left eye and a tiny hole next to sister's left side of face on her hairline. Detailing is very sweet with nicely embroidered facial features and color-coordinated, machine-stitched clothing. Hair is authentic looking made of fuzzy wool yarn-- brother's hair is curly and nubby--- sister's is done in a head full of bow-tied pigtails! Bodies are machine-stitched, brown cotton that are each stuffed with cotton batting.
A pair of cuties!!!
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
This figure, known as the Cotton Seller with Child, is most particularly hard to find and thus is quite highly sought after as it features a very young, female black child standing in a basket of newly-picked cotton. The Vargas family seldom included children or infants in their depictions of the numerous trades of black New Orleans folk, making any characterization featuring a child or an infant more than significantly rare.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This female, Mama, Cotton Seller wears a red and white kerchief on her head, a red and white checked scarf around her neck, and a yellow and white checked shirt and skirt with an apron that matches her head scarf - all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. At her feet is a very large, wax-constructed basket made to simulate wicker that is filled with cotton and within which her young female child stands. The Cotton Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base is stamped "Genuine VARGAS New Orleans, LA".
This wonderful figure is in amazing condition for her 75+ years of age with no apparent or visible imperfections other than some missing fingers, a condition which is quite common among found Vargas figures.
The Cotton Seller's young, female child also has some missing fingers, and additionally, her neck shows a contiguous crack all the way around. Because her structure is also supported by internal wiring, her head remains securely attached to her body. Please note that the child is merely placed inside the cotton basket and was never securely glued into it. The wax cotton basket, which was originally glued to the wooden base, has become loosened from it; however, when placed on the base, it will easily remain in place for display.
From the renown, Pennsylvania Robacher Estate, a husband and wife team who became the published, indisputable American experts in Pennsylvania Dutch decorative art and culture. Over their multiple decades of marriage, they collected an utterly massive number and wide variety of Pennsylvania Dutch artifacts before both passing away in the 1980's.
Colors are bright orangey-red, navy blue, royal blue, forest green, pink and standard green. Please note that all colors are quite striking and brilliant, and remain even in color and tone throughout. Any photos that appear to suggest to the contrary, are a result of lighting issues and do not in any way reflect condition.
This piece was never used and was purchased new in the 1970s by the Robachers, and placed in careful storage in a cedar-lined trunk. It has remained in storage in a cedar chest since its purchase from the Robacher Estate Auctions held in 1989 by Horst Auctioneers of Ephrata, PA.
This club actually presents a number of qualities that indicate it may, in fact, be an example of pre-1860s craftsmanship: : LENGTH of the face is 6 inches. The DEPTH of the face is 1 1/8 inches max. The face is SMOOTH and CURVED, and the club head is shaped in the form of a TEARDROP. The club is UNMARKED. The neck is slightly thin at just over 3/4 inches--- all indicators of an early, pre-1860s club!
This amazing club sports most of its original varnish surface and is offered in "as found" condition. The darkening of the finish results in a wonderfully rich patina. The club displays an enchanting presence owing to the gently-sculpted angling of the face. The sole of the club is without the usual ram's horn which was the typical norm, making this particular club that much more intriguing and quite unusual!!! I have not been able to find reference to clubs that were made in this fashion. RARE!!!
The early golfer must have been quite robust and sturdy as this heavy club face is one that most folks today would have a difficult time keeping "square" at impact. Long spoon clubs were used off of grassy surfaces which accounts for the very nice condition of this beauty. Besides the unobtrusive, expected scuff marks on the sole, there is only one tiny, barely-noticeable chip on the leading edge of the club face at the bottom, consistent with hitting something other than a grassy surface!
The lead on the back of the club has been partially removed to customize it for the golfer, and the original twine adds to the club's character. The slightly warped hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of honorable wear.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, UK club makers of the 19th century. According to author and golf history expert, Jeffrey B. Ellis, unsigned, long-nosed golf clubs were the norm in the pre-1870 era.
This rare, antique, hand-wrought, golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
A phenomenal, rarely-found example of 19th century craftsmanship, and a tangible example of exemplary golfing history.
Painted in 1934, the framed piece measures 20" x 26.5"; the watercolor, 13” x 19.5 “. Completed in various subtle tones of blue, gray, green, and brown. The watercolor was reframed in 1987 by the previous owner.
The chrome surfaced top front name plate reads: "The MICROMETER Patented Mar. 22 - 1898 / Jul. 21 - 1903. The Dodge Scale Co. 11th Ave. & 20th St. New York."
This fancy balance scale utilizes a novel-designed, weighted beam that turns a moveable weight resulting in great accuracy.
The attractive, liquid, bubble level is fully functional. The plated pan measures 9 inches in diameter. The chrome-plated base measures 12.75 inches L x 5.5 inches W. The height of the scale measures 9.75 inches high with the pan in place.
Overall, the condition notes minimal surface rust and chrome loss mostly to the scale mechanism. The marble is undamaged, with mild rust stain and minor surface scuffs. There are some minimal, unobtrusive areas of loose or peeling chrome. Condition and patina are commensurate with age and use of an antique apothecary scale.
The fusion of ingenuity of design and function combined with quality and accuracy sets this scale apart from its contemporaries and makes it a perfect, present-day apothecary collectible.
Still works perfectly!
*****SHIPPING WEIGHT IS 20 POUNDS*****
Following the conclusion of World War II, the American Tobacco Company of Virginia changed its product name from Nigger Hair to Bigger Hair, seeking to broaden the product's marketing appeal as well as viewing the latter label as the more-socially acceptable one. (The earlier Nigger Hair moniker was used by the American Tobacco Company from the 1890's through the early, pre-WWII 1940s; the lithographed can was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.) Interestingly, the company DID NOT change the image of the African woman, but merely added the words Fiji Islander to the left of her face in its indifferent and weak attempt to move further away from the earlier, severely derogatory label.
Measuring 7 inches high x 5 3/4 inches wide, the container is in good condition, perhaps a 7 out of 10, with one side exhibiting minor surface scuffing, while on the other side more scuffs and rubs are evident. Some minor wear around the edge of the top of the container likely occurred from simply taking the cover on and off; however, this is completely concealed by the cover. The original cardboard cover was lost with the passage of time; the replacement tin cover shown was in place when this container was acquired.
The original brownish orange color of the container remains consistent throughout, and the structural integrity of the cardboard is quite sturdy. Superficial rust is evident on the inside and outside of the metal base; this rust does not impact integrity of the tin base. The container retains partial remnants of its paper Federal Revenue Tobacco seal on both sides.
This very rare tobacco container is just a wonderful example of latter Black Americana advertising. The container looks better "in person" than in the photos as the camera actually accentuated the appearance of the scuffing, especially on the "better" side!
If the Nigger Hair Tobacco container is currently in your collection, the addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective!
Four of the hand towels were made by the same individual, and are entirely hand-cross-stitched and hand-hemmed on a somewhat heavy-weight, cream-colored, cotton muslin. They measure approximately 36 inches square.
These four towels are as follows: "Monday"- featuring Mammy washing clothes in a wooden barrel, "Tuesday" featuring Mammy hanging clothes to dry on the clothesline, "Wednesday" featuring Mammy mending clothes, and "Thursday" featuring Mammy delivering a hand-picked, flower bouquet to a neighbor. Condition of all four towels is quite good with small, scattered, stain spots here and there- none in the area of the cross-stitching.
The fifth towel, "Friday", is made of a slightly lighter weight and whiter-colored, cotton muslin. It measures 28 x 29 inches, and again, it has a tiny stain spot here and there away from the cross-stitched area. The hems are machine stitched but the cross-stitching is hand-completed. This towel features a humorous scene of Mammy serving/making pancakes while a pitcher of milk or water unknowingly spills behind her!
These delightful towels would look charming folded and displayed on a kitchen wall rack or could even be framed - folded so that only the cross-stitched area is visible in the frame!
As each towel is priced separately, please email us stating which item you wish to purchase so that we can customize your order form.
The perfectly polished brass lamp has an attractive, easy-on-the-eye finish consistent with the warm look of vintage brass. The frosted glass shade sports hand-painted floral and leaf embossing all along the lower edge of the shade.
The lamp measures about 9 inches from the base of the wall mount to the top of the shade. (That is the distance the lamp would be "sticking out" from the wall once installed.) The shade is about 4.25 inches in diameter at its widest point and is about 5 inches in length.
The condition is quite fine noting a desirable, lightly-aged, brass patina. The shade is near-excellent save for various, barely noticeable, faint edge flecks commensurate of an antique shade.
Completely rewired to modern code standards and ready for enjoyment in your home. Would be quite excellently used as a bed-side reading lamp!
First, is a sample bottle of FLORAPLEXIN prepared by Franklin Hart of New York. The label notes that it is, "A positive cure for Dyspepsia, Liver complaints, NERVOUS EXHAUSTION, & Consumption." Lots of small print on the back noting that if this medicine is used, "you will be cured" of your particular symptoms which include being NERVOUS, IRRITABLE & GLOOMY or having EVIL FOREBODINGS - rather interesting claims not often made by patent medicine producers. Measures about 3 inches, in very good condition.
Second, is a diminutive, corked, 2.75 inch bottle labeled "THE ENSIGN REMEDIES, "Remedy No. 1." The label notes: "For Abnormal Mental States, Fears, Forebodings, Persistent Thoughts and Evil Suggestions". It is quite rare to find medicines that were specifically indicated for the treatment of mental illness. The Ensign Remedies company was from Battle Creek, Michigan, and was mentioned often in the various medical journals published during the late 1800s and early 1900s. The bottle is excellent and the label shows modest wear, loss and fading.
Third, is a very choice, Dr. Schoop's medicine labeled "Restorative Nerve Pills" in a cute 2.5 inch bottle. The label also mentions the following: "For the Cure of Nervousness and Constipation". Additional claims note that the pills are "for the quick relief of Nervousness, Sleeplessness, Trembling, Hysteria, Spasms, and all conditions of the Brain and Nervous System attended by Nervous Excitement, etc.". The medicine is unused and sports a complete, graphic label including bright circular end labels on top and bottom. This well may be a wooden vial but without opening,one cannot be certain. Dates to circa 1900.
These nostrums give credence to "good things come in small packages". A desirable trio indeed!
Text indicates that the diploma was awarded to Mary L. Downey on January 15, 1892, and certified her to teach the Grammar or Primary Grade for the subsequent 6 years. Signed by 5 members of the California State Board of Education.
Further documentation on reverse reads, "Issued on the recommendation of the Board of Education of San Francisco, in accordance with Section 1521 of the Political Code, upon a first grade or Grammar Grade Certificate of San Francisco, 86.7% (Mary’s test grade).”
With the exception of early fold lines, condition is mint! Measures 8 inches X 10.5 inches.
See my other items for an 1899 Teaching Certificate awarded to Mary's sister, Josephine Downey.
Sold and used in the Frank F. Morgan & Sons Barber Sop housed in the famous Philadelphia department store, Wanamaker's!
While empty today, this bottle once contained a hair dressing or after shave solution composed of 58% alcohol! Quite the powerful spirit!
The bottle measures 8.5 inches tall, sports a ground glass stopper, and lovely label! The condition of the bottle is excellent and the label has minor, unobtrusive stains. Set on a sunny window sill, the stunning cobalt blue glass will make an impressive sight! An early bottle that displays beautifully!
The first tool is a diminutive hammer which was probably used to drive small nails and tacks. The handle measures 8.5 inches long and sports a shapely head made of iron. This hand wrought primitive tool has a nice original patina and shows wear commensurate with age.
The second tool is called a RACE KNIFE which was a tool of the carpenter, cooper, lumberman and shipwright. The hooked blade scored timbers, staves, or logs with identification marks. This hand tool measures 6 inches long and has 2 cutting blades, one of which closes into the handle like a penknife. The metal component is hand-forged and is affixed to the wooden handle. The condition is very good, with a few ancient hairline splits noted to the handle. The metal has the expected minor pitting and wear of an early tool.
This pair of early tools-of-the-trade would make a great addition to your collection or display!