This particular piece is in very fine condition, with cold-paint flaking on the spout and lid edge decoration noted as this piece's only readily-visualized flaws. (Cold paint refers to paint applied AFTER a piece has been painted, glazed, and fired in a kiln. Because this after-paint is not glazed and fired, it is easily subjected to flaking and disintegration.)
The teapot remains in fabulous, all-original condition with its twisted-wire, original, bail handle intact and in fine condition. The tea pot measures 5.5 inches wide from the edge of its spout and across the body to the opposite side. With its handle upright, the pot measures 7.75 inches tall. The teapot with lid, absent the handle, measures 5.25 inches tall. It is 5.75 inches wide.
As noted previously, the teapot spout presents flaking of its green paint, with two tiny flea bites present on the tip of the spout detected only via touch versus the eye. The pot has no chips, cracks, repairs or repaint. There are very teeny surface rubs on the left cheek, but these are paint flaws which occurred prior to glaze application and firing. There are also two teeny "dots"-- one on the forehead and one just to the inside corner of the right eye that are also flaws created either right before or during firing.
This fabulously RARE piece displays just wonderfully and would be a prized asset in the collection of any advanced collector! And its diminutive size makes it easy for one to display in one's collection!
Plastic Aunt Jemima Cookie jars were a box-top coupon offer from the Quaker Oats Company through 1951. The faces came in two colors, brown and black, with the BROWN face much harder to find as fewer were made. The black face was first offered in 1948, with the brown face offered the following year in 1949.
Measuring 12 inches tall and 7 inches wide at the widest point of her skirt, Aunt Jemima is in quite wonderful condition with just very minimal and subtle paint loss, most prominently to her white apron (see photos).
Some slight superficial rubbing to the finish here and there as expected in a nearly 70 year old collectible. Marked on the base " F & F Mold & Die Works, Dayton Ohio Made in the USA".
Quite difficult to find in this near-excellent condition! Please view our other Aunt Jemima offerings!
This late 1930's toy is the later version of the two Mammy walker toys produced by this company. It is marked on back just under the white apron tie, "Lindstrom Corporation Made in USA". The marking is very faint, and thus, difficult to read without scrutiny. The contrast in this photo has been enhanced so that the manufacturer labeling is easier to visualize online.
Mammy shuffles along quite vigorously via her original wind-up mechanism while she holds her broom and quickly "sweeps" back and forth.
Over 70 years old, Mammy is still quite sturdy as she was well made, but she does show some minor scratching and paint loss from play over the years as the photos indicate. Her coloring remains brilliant!
The box remains in very good condition with minimal wear to seams considering its age. Coloring is strong. One flap at the top of the box is detached but present.
Sweeping Mammy is a must-have addition to any Black Memorabilia Toy collection!
Researching the drug store's history was fascinating as the same family operated it for over 50 years! The SHANNON family founded and ran this all-inclusive, community-centered, soda fountain and drug store from 1912 until 1964. The years spanning from its 1912 opening through the 1950s appeared to be the drug store's heyday as it served as a popular community gathering place catering to local servicemen and their families for decades and through both World Wars. A wonderful article dated January 4, 2019, found in THE WILSON POST describes this drug store's fascinating history and is a must read!
This brightly colored, hand-painted, metal advertising sign measures 20 inches wide x 14 inches long, an ideal size for easy display in one's collection. Its condition suggests that it may never have been used. Upon close inspection, hand-applied, yellow brush strokes are noted, with the black lettering possibly applied as a stencil. Various small areas of paint loss and minor metal imperfections exist, all commensurate with age. A fabulous piece of Lebanon, Tennessee, advertising and local history!
This neat sign measures 14 inches high by 11.5 inches wide, and the frame is approximately 16.5 x 12.5 inches.
The condition of the sign is good, noting clear, crisp lettering with light foxing, mild edge wear and a few tiny blemishes commensurate with age. The original frame sports an old, light green, crackled and worn painted surface and pairs well with the barber's sign.
Found in Georgia outside of Savannah, this sign likely was the creation of a small town barber or his associate since it was less expensive to hand-craft a sign like this rather than to formerly commission the creation of one.
Ready to hang!
Both blown-glass globes retain their original brass chains and hooks and are in very good condition with the expected, minor, age-related scratches of an antique glass globe. There are no cracks, and the globes hold water just fine! The interior of the glass globes have a mild hazy appearance, notably towards the upper third of glass. The haziness disappears when the globes are filled with colored water.
The iron supporting frames sport brass plating and are most decorative. There is the expected, age-related, modest loss and tarnishing to the brass features with some metal pitting of the interior and top edge of globe hangers noted.
These globes originally hung in the Yalowich Pharmacy in Rochester, New York. They display beautifully and will add the "WOW" factor to any apothecary collection.
The book tells the infamous story of ten little African-American boys who are gradually eliminated in number via one circumstance after another--most utterly horrid-- choking to death, chopping himself in half, being crushed by a bear, being swallowed by a red herring, etc, ending with the last boy sadly living all alone, a circumstance he happily remedies by getting married.
Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed, black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.
This 113 year old book remains in all-original, very good condition with no alterations or repairs. Original binding and stitching remain quite tight and intact. Illustrated by R. J. (James) Williams, the interior illustrations remain very brightly colored. Pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. Some pages also show subtle water staining that has not impacted cloth integrity. No tears or rips to fabric.
This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is an absolute cornerstone piece in any serious Black Memorabilia collection!
To view other versions of this book presently available for separate purchase, please type the words "ten little" into the SEARCH box on our home page.
This rarely found copy was written and illustrated by the renowned author of a number of Raggedy Ann and Raggedy Andy stories of the period, Johnny Gruelle. The book was published in both the United States and Great Britain in 1926, by the P.F. Volland Company of Joliet, Illinois.
This copy has superficial scratches to the front and back covers, wear on book cover edges, inside cover has a small black marker smear, inside front & back covers have minor soiling here and there(see photos). The binding is super-tight and all pages remain very clean and present.
The book is eleven chapters in length, approximately 88 unnumbered pages. Book is filled with a variety of wonderful black-ink and full-color illustrations as represented in photos. PLEASE NOTE: in the photos, the printing seems somewhat light and faded- not so! It is merely the function of over-lighting or light reflection.
A wonderful and truly RARE book not to be missed--- it currently lists in Black Memorabilia books at $200-250!
The fancy and highly-stylized, Art Deco, aluminum frame cradles an equally highly-stylized, classically-ribbed, clear glass show globe and finial. If so desired, the show globe will hold water. The frame is embellished with a buffed matte finish with design details outlined in contrasting black to further enhance the fabulous, Art Deco styling. The chain link is also painted black, echoing the black detailing of the frame, and it retains most of its gorgeous, original finish, with absolutely no pitting. This fabulous apothecary showpiece measures 29 inches from the top of its fancy hanger to the base.
The condition is absolutely excellent. The globe glass is clean and clear with a perfectly fitting, ground-glass stopper. The interior globe rim has an extremely shallow, minute, surface chip that is insignificant and is very difficult to see and photograph. The finial base has two practically undetectable, teeny, flea bites that cannot be seen when the finial is inserted into the globe rim, and which also, are too tiny to photograph.
The take away of this offering, this outstanding piece of nearly 100 year old, American pharmacy history, is both its exquisite Art Deco styling with extraordinary visual appeal, and its utterly excellent condition, making it a true rarity among extant Apothecary antiques and collectibles!
This club actually presents a number of qualities that indicate it may, in fact, be an example of pre-1860s craftsmanship: : LENGTH of the face is 6 inches. The DEPTH of the face is 1 1/8 inches max. The face is SMOOTH and CURVED, and the club head is shaped in the form of a TEARDROP. The club is UNMARKED. The neck is slightly thin at just over 3/4 inches--- all indicators of an early, pre-1860s club!
This amazing club sports most of its original varnish surface and is offered in "as found" condition. The darkening of the finish results in a wonderfully rich patina. The club displays an enchanting presence owing to the gently-sculpted angling of the face. The sole of the club is without the usual ram's horn which was the typical norm, making this particular club that much more intriguing and quite unusual!!! I have not been able to find reference to clubs that were made in this fashion. RARE!!!
The early golfer must have been quite robust and sturdy as this heavy club face is one that most folks today would have a difficult time keeping "square" at impact. Long spoon clubs were used off of grassy surfaces which accounts for the very nice condition of this beauty. Besides the unobtrusive, expected scuff marks on the sole, there is only one tiny, barely-noticeable chip on the leading edge of the club face at the bottom, consistent with hitting something other than a grassy surface!
The lead on the back of the club has been partially removed to customize it for the golfer, and the original twine adds to the club's character. The slightly warped hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of honorable wear.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, UK club makers of the 19th century. According to author and golf history expert, Jeffrey B. Ellis, unsigned, long-nosed golf clubs were the norm in the pre-1870 era.
This rare, antique, hand-wrought, golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
A phenomenal, rarely-found example of 19th century craftsmanship, and a tangible example of exemplary golfing history.
The banks may be purchased as a pair for $425.00, or they may be separately purchased as follows: Mammy with Spoon $295.00 and Black Man Darkey Sharecropper $225.
The Mammy with a Spoon measures 5 7/8 inches high and was produced between 1905 and 1930. She retains much of her original paint and exudes a warm, rich patina commensurate with a well-loved antique of approximately 100 years of age. She wears a blue dress, black shoes, a silver apron and a red kerchief that still retains some of its white polka dots. Mammy holds a gold-colored spoon in her right hand while placing her left hand firmly on her hip. Mammy means business!
The Black Man Darkey Sharecropper measures 5 1/2 inches high and was manufactured from 1901 to 1930. He retains most of his original paint showing less paint wear than Mammy and also exudes a very warm, rich patina. He wears black pants with red suspenders and a gold hat and gold shirt with red collar. He wears black shoes; however, his left black shoe is worn through at the toes, resulting in all five toes peeking out! He stands casually with his hands in his pocket. His back screw, while an old one, is a replacement.
Mammy and the Darkey Sharecropper were clearly manufactured as companion pieces given their similar size and stance. Both stand freely and would make wonderful additions to the well-curated, antique, Black Americana collection.
Entitled "Science In Story", "Sammy Tubbs, The Boy Doctor and Sponsie, The Troublesome Monkey", this complete set was published in 1885.
The author, Dr. Edward Bliss Foote (1826-1906), a progressive, forward-thinking physician, was not only a steward of public hygiene and birth control, but was additionally an active abolitionist and civil rights advocate. Dr. Foote, in utilizing a story-telling, narrative format, hoped to promote children's education and understanding of anatomy and physiology as it was understood at that time. Each of the five volumes feature numerous, well-detailed, black and white illustrations. The volumes feature different body systems as follows:
Volume 1: The Bones, Cartilages, and Muscles, 230 pages
Volume 2: Circulation and Absorption, 232 pages
Volume 3: Digestive, Nutritive, Respiratory, and Vegetative Nervous Systems, 346 pages
Volume 4: Brain and Nerves: Cerebral Physiology, 256 pages
Volume 5: Elimination and Reproduction: (“A Book for Private Reading"), 252 pages
The stories feature an African-American boy, Sammy Tubbs, who, after being freed from slavery, travels North and finds employment at the home of a physician as a door-boy. Sammy soon begins an amazing educational journey learning about the body systems and organs of the human body as well as how to prevent and fight illness. An amusing pair of monkeys add comical interest to the stories. As Sammy grows up through the course of the five volumes, he aspires to follow the career path of his employer, attend medical school and become a doctor.
This series is quite remarkable for its era in that it features an accomplished, intellectually curious African American protagonist Additionally, it discusses and illustrates the taboo topic of female reproduction, and the socially radical topic of bi-racial romance, when a grown-up Sammy dates and is seen publicly kissing a Caucasian woman!
Condition: This clean, complete, and incredibly rare, 134 year old set is in very good condition, featuring tight bindings in all volumes. In Volumes 1, 2, 3 & 5, there additionally are no page rips, no missing pages, no pencil/pen markings or writings of any sort. All of the above conditions apply to Volume 4 with the exception of: page 62 has a 2 inch rip beginning at the top of the page with no missing paper and remaining perfectly readable, and page 149 features a publishers defect whereas the page size was over cut with the resulting page becoming crimped at the top portion of the page. Page 149 remains perfectly readable.
The set's condition suggests that these volumes were infrequently handled. Subtle, age-appropriate exterior wear is evident in various locations here and there: along book edges, along some bindings. Volume 5 shows slight cover scuffing. All five volumes have a very small area of superficial water staining at the top of the book near the binding, but the staining only extends onto the first four pages at the very, very top edge of those pages next to the binding, so this was not a significant water event. Each volume wears a bookplate on the inside cover; it appears that a previous bookplate in each book was carefully removed and replaced the current on which reads "Private Library, L. J. Bates, 18...., Not to be Loaned." Books measure 4" x 6".
The well-appointed Chef Uncle Mose sports a very wide grin and holds a bowl of eggs in his right arm and a wooden mixing spoon in his left. He is in very fine condition with a very subtle suggestion here and there of a remnant of his original gold paint. There are subtle dings to the backside as well as evidence of superficial surface rust. The following is imprinted on the Chef's backside: “Compliments The Toledo Stove And Range Co”, although the striking of the "O" and "L" are very faint. This imprint documents the spoon rest’s original function- continuous promotional advertising presented as a free giveaway to buyers purchasing the company’s products!
The well-dressed Aunt Jemima Mammy sports a wide grin and holds an iron in her right hand and other household implements in the left. She is in very fine condition with a smattering of some very subtle superficial rusting here and there. Evidence of the original gold paint is also subtle but can be seen. The back side of the spoon rest is perfect and looks as though it came right out of the factory just yesterday with a very solid and clear imprinting of the Toledo Stove Company advertising.
A very rare find!
All six Aunt Jemima, 4 inch tall spices bottles are marked on the base "Aunt Jemima F & F Mold & Die Works, Dayton Ohio Made in the USA".
Condition is wonderful with just some very, very minimal paint loss here and there as noted in photos. Each spice bottle separates at Aunt Jemima's waist to reveal the plastic grated shaker which is also removal for easy refilling of spices.
The 12 inch long x 2 inch deep spice rack is also in wonderful condition with only the expected, age-related minute surface scratches from use, here and there to the white plastic. The rack is marked on the inside beneath the last "S", "Lustro Ware Stock No. L-51, Patent Pend, Made in the USA".
Difficult to find complete set in this wonderful condition! Please view our other Aunt Jemima items also available.
The double carbon amplifier microphones measure 4¾" x 2⅜" x 7/16" thick. The front view sports two decorative "snowflake" designed ports, and the base has a small swiveling leg for standing on a flat surface. The leather tab is provided so that the hearing device could be attached to a shirt button.
The receiver microphone is attached to both an "ON/OFF" switch and the earpiece via two coiled wires that have a two-pronged end for battery attachment. Please note that the battery is not functional nor does it have the correct ports for receiving the wire prongs...but it came with the case and fits quite nicely!!
The condition is very good with wear commensurate with a well-loved antique.
WIKIPEDIA has some very inetersting info on this style of hearing aid which was produced from the early 1900s till the late 1930s.