The fancy and highly-stylized, Art Deco, aluminum frame cradles an equally highly-stylized, classically-ribbed, clear glass show globe and finial. If so desired, the show globe will hold water. The frame is embellished with a buffed matte finish with design details outlined in contrasting black to further enhance the fabulous, Art Deco styling. The chain link is also painted black, echoing the black detailing of the frame, and it retains most of its gorgeous, original finish, with absolutely no pitting. This fabulous apothecary showpiece measures 29 inches from the top of its fancy hanger to the base.
The condition is absolutely excellent. The globe glass is clean and clear with a perfectly fitting, ground-glass stopper. The interior globe rim has an extremely shallow, minute, surface chip that is insignificant and is very difficult to see and photograph. The finial base has two practically undetectable, teeny, flea bites that cannot be seen when the finial is inserted into the globe rim, and which also, are too tiny to photograph.
The take away of this offering, this outstanding piece of nearly 100 year old, American pharmacy history, is both its exquisite Art Deco styling with extraordinary visual appeal, and its utterly excellent condition, making it a true rarity among extant Apothecary antiques and collectibles!
All six Aunt Jemima, 4 inch tall spices bottles are marked on the base "Aunt Jemima F & F Mold & Die Works, Dayton Ohio Made in the USA".
Condition is wonderful with just some very, very minimal paint loss here and there as noted in photos. Each spice bottle separates at Aunt Jemima's waist to reveal the plastic grated shaker which is also removal for easy refilling of spices.
The 12 inch long x 2 inch deep spice rack is also in wonderful condition with only the expected, age-related minute surface scratches from use, here and there to the white plastic. The rack is marked on the inside beneath the last "S", "Lustro Ware Stock No. L-51, Patent Pend, Made in the USA".
Difficult to find complete set in this wonderful condition! Please view our other Aunt Jemima items also available.
Colors are extraordinarily vivid, a fabulous display piece -retains original cardboard backing and original stand, but, alas, no game darts! The darts are extraordinarily rare and are seldom found!
Present are minor surface blemishes, surface scratches, some surface rust specks, as well as minor edge crimps that one would expect of a 90+ year old toy -all of which fail to detract from the fabulously bold visual imagery of this piece! (The most prominent scratch is on Sambo's target.)
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
Double-sided, this visually-appealing school collectible displays stunningly whether displayed on the bright yellow "SLOW" side or the nearly-glow-in-the-dark red and white "STOP" side!
The metal sign retains its original wooden handle as well as its share of age and use-related surface scuffs, scratches and even a couple of errant paint spots that absolutely do not detract from its conversation-provoking appeal!
An interesting and unique enhancement to one's Vintage School Collection!
This particular piece is in very fine condition, with cold-paint flaking on the spout and lid edge decoration noted as this piece's only readily-visualized flaws. (Cold paint refers to paint applied AFTER a piece has been painted, glazed, and fired in a kiln. Because this after-paint is not glazed and fired, it is easily subjected to flaking and disintegration.)
The teapot remains in fabulous, all-original condition with its twisted-wire, original, bail handle intact and in fine condition. The tea pot measures 5.5 inches wide from the edge of its spout and across the body to the opposite side. With its handle upright, the pot measures 7.75 inches tall. The teapot with lid, absent the handle, measures 5.25 inches tall. It is 5.75 inches wide.
As noted previously, the teapot spout presents flaking of its green paint, with two tiny flea bites present on the tip of the spout detected only via touch versus the eye. The pot has no chips, cracks, repairs or repaint. There are very teeny surface rubs on the left cheek, but these are paint flaws which occurred prior to glaze application and firing. There are also two teeny "dots"-- one on the forehead and one just to the inside corner of the right eye that are also flaws created either right before or during firing.
This fabulously RARE piece displays just wonderfully and would be a prized asset in the collection of any advanced collector! And its diminutive size makes it easy for one to display in one's collection!
Both blown-glass globes retain their original brass chains and hooks and are in very good condition with the expected, minor, age-related scratches of an antique glass globe. There are no cracks, and the globes hold water just fine! The interior of the glass globes have a mild hazy appearance, notably towards the upper third of glass. The haziness disappears when the globes are filled with colored water.
The iron supporting frames sport brass plating and are most decorative. There is the expected, age-related, modest loss and tarnishing to the brass features with some metal pitting of the interior and top edge of globe hangers noted.
These globes originally hung in the Yalowich Pharmacy in Rochester, New York. They display beautifully and will add the "WOW" factor to any apothecary collection.
The oddly-shaped, hand-wrought shackles each have two lateral "pockets" that contain pieces of metal or balls that “rattle” as the wearer moves about, thus indicating the wearer's location. This type of shackle is noted in historical references as a Crab Rattler Shackle due to its visual similarity to that sea animal. Each shackle has a pair of small chain links attached at the top. One shackle would have been placed on each leg, and a metal chain would have then been threaded through the attached rings and secured with a lock.
The age of these shackles is formally listed as 19th century, but could very well be older, dating to the last quarter of the 18th century. Condition is quite good given age and use. Please note the small hole present on the side of one shackle as noted in photo. All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its small size!
Also currently offered for sale and priced separately is a very diminutive child rattle shackle in an unusual form out of a South Carolina estate. Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.
Following the conclusion of World War II, the American Tobacco Company of Virginia changed its product name from Nigger Hair to Bigger Hair, seeking to broaden the product's marketing appeal as well as viewing the latter label as the more-socially acceptable one. (The earlier Nigger Hair moniker was used by the American Tobacco Company from the 1890's through the early, pre-WWII 1940s; the lithographed can was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.) Interestingly, the company DID NOT change the image of the African woman, but merely added the words Fiji Islander to the left of her face in its indifferent and weak attempt to move further away from the earlier, severely derogatory label.
Measuring 7 inches high x 5 Â¾ inches wide, the photos provide a fine representation of condition. The container is in near-mint condition with a tiny rub here and there, and some very minor wear around the top of the container that likely occurred from simply taking the cover on and off. This wear is completely covered by the cover. The original orange color of the container remains consistent throughout, and the structural integrity of the cardboard is quite sturdy. The original wax bag which held the tobacco remains inside--highly unusual! The container retains most of its paper Federal Revenue Tobacco seal on either side and is dated February 26, 1926, Series 119, a tax stamp which was issued exclusively in 1949. Truly incredible condition given the age and material composition of this piece--- 69 years!!
This very rare tobacco container is just a wonderful example of latter Black Americana advertising and looks even better "in person" than the camera was able to capture with its lens!
If the Nigger Hair Tobacco container is currently in your collection, the addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective! The Nigger Hair Tobacco container featured in the last photo is currently available. Both pieces may be purchased for the single price of $1195 with no further discounts applicable.
*** Type "tobacco" in our web cover page SEARCH box to locate the 1941 Nigger Hair Tobacco tin currently available and full of original tobacco!
The well-appointed Chef Uncle Mose sports a very wide grin and holds a bowl of eggs in his right arm and a wooden mixing spoon in his left. He is in very fine condition with a very subtle suggestion here and there of a remnant of his original gold paint. There are subtle dings to the backside as well as evidence of superficial surface rust. The following is imprinted on the Chef's backside: “Compliments The Toledo Stove And Range Co”, although the striking of the "O" and "L" are very faint. This imprint documents the spoon rest’s original function- continuous promotional advertising presented as a free giveaway to buyers purchasing the company’s products!
The well-dressed Aunt Jemima Mammy sports a wide grin and holds an iron in her right hand and other household implements in the left. She is in very fine condition with a smattering of some very subtle superficial rusting here and there. Evidence of the original gold paint is also subtle but can be seen. The back side of the spoon rest is perfect and looks as though it came right out of the factory just yesterday with a very solid and clear imprinting of the Toledo Stove Company advertising.
A very rare find!
Researching the drug store's history was fascinating as the same family operated it for over 50 years! The SHANNON family founded and ran this all-inclusive, community-centered, soda fountain and drug store from 1912 until 1964. The years spanning from its 1912 opening through the 1950s appeared to be the drug store's heyday as it served as a popular community gathering place catering to local servicemen and their families for decades and through both World Wars. A wonderful article dated January 4, 2019, found in THE WILSON POST describes this drug store's fascinating history and is a must read!
This brightly colored, hand-painted, metal advertising sign measures 20 inches wide x 14 inches long, an ideal size for easy display in one's collection. Its condition suggests that it may never have been used. Upon close inspection, hand-applied, yellow brush strokes are noted, with the black lettering possibly applied as a stencil. Various small areas of paint loss and minor metal imperfections exist, all commensurate with age. A fabulous piece of Lebanon, Tennessee, advertising and local history!
Constructed of cardboard with black printing, this circa 1930-40's sign reads: " Coleman's Hotel Colored. Special Attention to Tourists. Ashland Virginia".
The sign remains in all-original condition inclusive of minor discoloration as noted in photos and small chips to the upper right and lower left corners. Print source is noted: "Herald-Progress Print, Ashland, VA".
This is NOT a reproduction, but rather a fortunate preservation. It is quite amazing that this sign has survived the many years being constructed out of cardboard. It was clearly stored away in such a manner that preserved its original condition.
Travel for African Americans during the Jim Crow period was difficult and complicated, with limited options for eating, sleeping, even procuring gasoline for the car. As a result, black-owned hotels and motels placed signs such as this one prominently in their windows. There were even special travel-guides to help African Americans plan their trips, hopefully, without incident. Victor Green's "Green Guide" provided state by state lists of colored hotels, motels and other travel-related businesses that catered to African-Americans.
Quite possibly the ONLY sign remaining extant from this particular, racially segregated establishment. An historically significant piece!
The banks may be purchased as a pair for $425.00, or they may be separately purchased as follows: Mammy with Spoon $295.00 and Black Man Darkey Sharecropper $225.
The Mammy with a Spoon measures 5 7/8 inches high and was produced between 1905 and 1930. She retains much of her original paint and exudes a warm, rich patina commensurate with a well-loved antique of approximately 100 years of age. She wears a blue dress, black shoes, a silver apron and a red kerchief that still retains some of its white polka dots. Mammy holds a gold-colored spoon in her right hand while placing her left hand firmly on her hip. Mammy means business!
The Black Man Darkey Sharecropper measures 5 1/2 inches high and was manufactured from 1901 to 1930. He retains most of his original paint showing less paint wear than Mammy and also exudes a very warm, rich patina. He wears black pants with red suspenders and a gold hat and gold shirt with red collar. He wears black shoes; however, his left black shoe is worn through at the toes, resulting in all five toes peeking out! He stands casually with his hands in his pocket. His back screw, while an old one, is a replacement.
Mammy and the Darkey Sharecropper were clearly manufactured as companion pieces given their similar size and stance. Both stand freely and would make wonderful additions to the well-curated, antique, Black Americana collection.
This club actually presents a number of qualities that indicate it may, in fact, be an example of pre-1860s craftsmanship: : LENGTH of the face is 6 inches. The DEPTH of the face is 1 1/8 inches max. The face is SMOOTH and CURVED, and the club head is shaped in the form of a TEARDROP. The club is UNMARKED. The neck is slightly thin at just over 3/4 inches--- all indicators of an early, pre-1860s club!
This amazing club sports most of its original varnish surface and is offered in "as found" condition. The darkening of the finish results in a wonderfully rich patina. The club displays an enchanting presence owing to the gently-sculpted angling of the face. The sole of the club is without the usual ram's horn which was the typical norm, making this particular club that much more intriguing and quite unusual!!! I have not been able to find reference to clubs that were made in this fashion. RARE!!!
The early golfer must have been quite robust and sturdy as this heavy club face is one that most folks today would have a difficult time keeping "square" at impact. Long spoon clubs were used off of grassy surfaces which accounts for the very nice condition of this beauty. Besides the unobtrusive, expected scuff marks on the sole, there is only one tiny, barely-noticeable chip on the leading edge of the club face at the bottom, consistent with hitting something other than a grassy surface!
The lead on the back of the club has been partially removed to customize it for the golfer, and the original twine adds to the club's character. The slightly warped hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of honorable wear.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, UK club makers of the 19th century. According to author and golf history expert, Jeffrey B. Ellis, unsigned, long-nosed golf clubs were the norm in the pre-1870 era.
This rare, antique, hand-wrought, golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
A phenomenal, rarely-found example of 19th century craftsmanship, and a tangible example of exemplary golfing history.
The double carbon amplifier microphones measure 4¾" x 2⅜" x 7/16" thick. The front view sports two decorative "snowflake" designed ports, and the base has a small swiveling leg for standing on a flat surface. The leather tab is provided so that the hearing device could be attached to a shirt button.
The receiver microphone is attached to both an "ON/OFF" switch and the earpiece via two coiled wires that have a two-pronged end for battery attachment. Please note that the battery is not functional nor does it have the correct ports for receiving the wire prongs...but it came with the case and fits quite nicely!!
The condition is very good with wear commensurate with a well-loved antique.
WIKIPEDIA has some very inetersting info on this style of hearing aid which was produced from the early 1900s till the late 1930s.
As a doll collector myself, I just LOVE this doll. I love it as his composition head is in just flawless condition. I love it as he is completely original including the light soiling to and single broken button on his machine-stitched, renowned Stifel-Brand denim overalls! (see photo---the overall's bib is stamped with the trademark cowboy boot logo encasing the word "STIFEL" and the words, "Reg US Pat Office" above the boot.). I love it as his compo hands are in nearly perfect condition with the exception of the tip of his pointer finger on his right hand. And I love it as he has three tiny little holes in his left black sock! He obviously was very well cared for over these past 99 years!
In addition to his overalls, he wears a cream-colored, machine-stitched cotton shirt that comes complete with two button holes, but no buttons. His shirt has been carefully and competently sewn via both machine and hand. His black cotton stockings travel all the way up to his hip where they meet a pair of cream-colored silk underwear! He has no shoes!
His body, arms and legs are stuffed with cotton batting and covered in muslin. With the exception of his stamped Stifel overalls, this sweet boy is unmarked.