Interesting and extremely eye-catching graphics on both box and tins! Displays just wonderfully!
The cardboard box has some expected wear as seen in photos with small rips and abrasions, but it retains its structural integrity- still able to support the weight of twelve metal polish tins! The majority of the tins are in very, very nice condition as well with expected, slight superficial scratches here and there. Three of the twelve tins have a bit more surface wear to their lids than the others and are pictured as a trio for the buyer’s perusal---still very appealing.
A very difficult to find vintage country store display piece!
Constructed of metal with green printing, this circa 1920's sign reads: "HARLEM, Austin's Only Exclusive Colored Theatre, Telephone 83?5?33".
The sign remains in all-original condition inclusive of two holes designed to facilitate the posting of the sign upon a surface.
Quite possibly the ONLY sign remaining extant from this particular, racially segregated establishment. An historically significant piece!
Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!
This wonderful piece, hand-crafted almost entirely of wood, measures 16.5 inches long and 10.5 inches tall and depicts an interesting black male figure taking a break from wood chopping by enjoying a luscious piece of watermelon! To his right resides his ax resting in a tree trunk and to his left is a round, corked, glass bottle of whiskey resting on another tree stump. A charming scene!
Attached to the base of the sculpture is written testimony which states the following:
"From the Historical Society in Lewes, Delaware. 1920/30 Folk Art from a (white) Lewes artist who did not sign his work because of potential repercussion."
A fabulously unique piece of historical Afro-American Folk Art!
The machine was patented in 1924 by Samuel K. Applebaum. The inscription on the device’s frame reads: “Applebaum Suppository Machine MFD. By Druggists Appliance MFG. Co., Port Richmond, N.Y. Pats. Pending.”
The device measures just over 4 inches tall and is made of high quality polished aluminum. A very desirable, machine-age, pharmacy device.
This diminutive size display measures 4.25" x 3.25" closed and is in very nice condition. The top lifts up to facilitate advertisement of the product and would have been placed on the counter top of a pharmacy in this fashion. A neat find!
Measures 8 inches long x 3 inches wide x 5 inches high (including the knob). The embossed label is marked "MADE IN USA - CASTLE- STERILIZER". The lid is attached to the interior tray and articulates backwards to open or can be lifted off as seen it the photo. Please note that the electric cord was cut by the good doctor to fit inside his display cabinet.
This fabulous game features a brightly colored lithograph target depicting the dapper, banjo-playing, "Jolly Darkie" with a gigantic mouth.
The target box remains in very fine condition, appearing to have seen little, if any, use. It has four openings through which one was to toss the four wooden balls that the game originally came with, but which are no longer present. It measures 13 inches tall x 6 3/4 inches wide x 1.5 inches deep.
As evident in the photos, the box cover shows expected wear given its 100+ years of age, with some pencil writing in the mouth and some surface soiling.
As indicated earlier, the extant game pieces do not retain a copyright year or maker name; however, this game is very similar to two other Milton Bradley Jolly Darkie Target games that were manufactured from 1890-1910, suggesting that this game was also manufactured during this era by Springfield, Massachusetts' Milton Bradley Company. The directions to this game are not present, and it is quite possible that the manufacturer and manufacture date both appeared on the direction card-- as has been found to be the case on other Milton Bradley games of this era.
The game cover as well as the JOLLY DARKIE target box display absolutely wonderfully and would be a colorful asset to one's vintage black Americana game collection!
The 8.25 inch tall bottle is marked on the base “WN WALTON PAT. SEP 23 1862", and is of early blown glass construction. The fancy, recessed, applied label is complete and is in very nice condition. The stopper is of ground glass construction and is in very good order as well.
The inside of the bottle is clean. Very nice indeed!
A brief history of the Negro League:
African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.
In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.
In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.
”Black Topsy” is dressed in a striking pink, green, orange, and black cotton, geometric-patterned dress- very Art Deco! Her mouth and nostrils are stitched in red thread and she has white pearl button eyes.
The “White Topsy” is dressed in a cotton lavender dress- also with a geometric, Art Deco pattern in black, green and yellow. Her blouse and bandanna are lavender sateen. Her entire face has been finely stitched. She has pink nostrils and mouth, black eyebrows, and her black stitched eyes have pretty lashes that highlight her silvery gray irises! She has the very palest of staining to her face above her nostrils, but it is barely noticeable, and there is some light fading to her sateen bandanna.
Condition and detailing of both sides of this Topsy Turvy is really quite extraordinary, setting her apart from other Topsy’s!! A wonderful addition to one’s doll or Black Memorabilia collection!
This product was produced by the lime manufacturers, Hatmaker and Place, of Canaan, Connecticut, in the late 1800s. This small company was located within a large "lime belt" that stretched from Connecticut to Vermont. Back in the day, lime powder mixed with water was quite commonly used to "white wash" or paint numerous surfaces, and it was also used as a medicinal disinfectant! The manufacture of lime from marble was one of the earliest and most successful mineral industries in Connecticut, with historical records dating the establishment of the first CT lime manufactory to 1722.
Given its age and the fragility of paper, condition of this wonderful box is quite good. The lower portion of the back side of the box evidences light surface wear with some of the printing on the lower portion of the box worn away as a result. The front of the box has a 3.25 inch long tear which resulted in the loss of the lime powder from the box.
This early piece of Black Americana advertising is EXCEEDINGLY RARE and may well be a ONE-OF-A-Kind item! The Hatmaker and Place Company was one of a number of very small manufactories located within the "lime belt" that were ALL bought out and immediately closed down by a wealthy group of investors who then created and incorporated the mammoth monopoly, The New England Lime Company, early in 1902.
This fabulous piece of Black Americana is NOT to be missed by the serious collector!
The basket is truly in near prefect condition with two tiny breaks to the delicate splint --- hardly noticeable to the eye and certainly not affecting the structural integrity of the piece in any way. Lovely construction!
When the lid is removed and the interior of the basket and underside of the lid is visible, one sees that some of the splint was at one time dyed blue with vegetable dye. The exterior side of this once dyed splint, has long since returned to its natural color due to years of exposure to the light of day.
Vintage Native American baskets are becoming exceedingly scarce! An especially desirable example due to its fine construction and condition!
The sides of the rattle shackle are constructed of lateral “pockets” each containing one small, iron orb that would “rattle” when the wearer would move about.
Because this particular type of rattle shackle does not have iron loops or openings to “thread” iron chain through, it would have been attached to the ankle or wrist of a very young “house slave” who worked strictly inside the plantation house and thus was under very close supervision by the plantation owner and/or family members.
All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its very small size!
Also currently offered for sale and priced separately are three slave shackle sets de-accessioned from the Middle Passage Museum. They are a set of 19th century, hand-made, Georgia, Jone's County plantation, Adult Slave Shackles with KEY-- a very atypical find, a set of very small Child Shackles out of an Americus, Georgia, plantation, and an ultra-rare set of Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find these sets of shackles.
Featuring a double heart motif, the advertising slogan spouts, "When Two Hearts Beat As One, It's Time To Buy Your Furniture From "Old Reliable" Petersburg Furniture Company.
Neat early advertising piece in very fine original condition!