The female doll depicts a black mammy out for a stroll with black umbrella in hand. This gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features – characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This doll has (not uncommonly) lost hers long ago, but a bit of the original shingle is still attached to the soles of both shoes. Clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. She also wears gold hoop earrings! Her body, which is well-stuffed to be anatomically correct, is black cotton fabric stuffed with cotton batting.
The white haired and bearded male country gentleman doll is similarly attired in machine-sewn cotton britches with a patch at the knee and suspenders along with a tan cotton striped shirt and red kerchief around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted chicken that has sustained a tiny bit of fabric loss to its face. His left arm once held a wooden walking stick which is long gone, but alternatively, he now uses his free hand to hold the arm of his lovely lady! His asphalt shingle is also missing with remnants evident of it present on the soles of his shoes.
Two very special dolls that represent a snapshot of history, capturing the lives of poor southern black folk of the Depression era.
The dolls are priced at $225.00 each, or they may both be purchased as a pair at the discounted price of $395.00. Please note that no further advertised discount is applicable to this special paired pricing offer.
This diminutive tin case is painted black with gold accenting and gold lettering present on the front of the case. The black paint shows reasonable wear given its 130+ years of age with the majority of wear evident along seam lines and at the base. The gold painting on the front of the case remains quite nice with very small areas of unobtrusive paint loss present (please see all photos). This tin case was clearly well cared for over the years.
The case contains three, pull-out, tin drawers with tiny, circular, loop pulls at the ends, that when slid out, reveal 15 separate compartments designed to hold the corked, glass, sample bottles. Fourteen bottles remain present, all of which are original to the case. The bottles advertise the spices and perfume waters that the Loverin and Browne Company manufactured for wholesale purchase by various independent groceries. The base of each bottle sits on a spring which would have facilitated secure storage during travel.
An interesting addition to one's advertisement collection! Very easy to display with great visual appeal!
This product was produced by the lime manufacturers, Hatmaker and Place, of Canaan, Connecticut, in the late 1800s. This small company was located within a large "lime belt" that stretched from Connecticut to Vermont. Back in the day, lime powder mixed with water was quite commonly used to "white wash" or paint numerous surfaces, and it was also used as a medicinal disinfectant! The manufacture of lime from marble was one of the earliest and most successful mineral industries in Connecticut, with historical records dating the establishment of the first CT lime manufactory to 1722.
Given its age and the fragility of paper, condition of this wonderful box is quite good. The lower portion of the back side of the box evidences light surface wear with some of the printing on the lower portion of the box worn away as a result. The front of the box has a 3.25 inch long tear which resulted in the loss of the lime powder from the box.
This early piece of Black Americana advertising is EXCEEDINGLY RARE and may well be a ONE-OF-A-Kind item! The Hatmaker and Place Company was one of a number of very small manufactories located within the "lime belt" that were ALL bought out and immediately closed down by a wealthy group of investors who then created and incorporated the mammoth monopoly, The New England Lime Company, early in 1902.
This fabulous piece of Black Americana is NOT to be missed by the serious collector!
Mammy or Aunt Jemima is wearing a white dress and head scarf with red trim. Her dark brown skin is flawless (any white spots or marks seen in photos are the result of light reflection and do not represent flaws of any kind.)
While she is unmarked, there is a very small black "X" on the bottom of the backside of her dress.
An incredibly hard to find piece! These very functional pieces were, more often than not, actually used in the home on ironing day, and thus were subject to damage or breakage and ended up in pieces at the local landfill! This wonderful Black American collectible was acquired from the original owner where it rested safely on a display shelf all these many years!
The frame measures 14.5" high x 11.5" wide and is in fine condition. Although once common, these decorative documents are getting more difficult to find. Ready to hang!
Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the Dandy graphic remaining free of scratches and abrasions. The mirrored back shows evidence of 2 tiny areas of subtle, minor chipping along the perimeter edge, and the glass front has a small surface chip at the base of the Dandy's shirt. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!
Measuring just over 2.25 inches high, the lithography and Art Nouveau imagery are quite stunning. The condition is wonderfully preserved with minimal and faint paint loss to the tin. The box is complete and has minor wear from age and storage and sports its Art Nouveau styling similar to the tin. Just great!
Photography was a challenge in an attempt to avoid flash reflections. As such, please note that the rich coloring- violet, yellow, green and gray- is even throughout the map.
All print and map detailing is clean and easily read. Some minimal foxing and age staining to map do not detract from the visual appeal of this piece. Framed map measures 12 3/4" wide x 15 1/2" long.
Also offered separately are 2 unframed 1886 maps of ASIA and CHINA, respectively (photos of each also seen here.)
Measuring approximately 10 inches long x 8 inches wide, this extraordinary and historical document is handwritten and was executed on April 29, 1861, just 12 days after Virginia chose to secede from the Union on April 17, 1861.
The document is in excellent condition save the fold marks; this document clearly has been stored in this folded state for the past 153 years. It is suitable and ready for archival preservation- appropriate acid-free backing and matting materials with framing. In the upper left hand corner, the local stationery store's embossed imprint is visible and reads: “S & P Lawrence Superfine”.
The text of the document is as follows:
“Know all men by these presents, that A A Cowdery, of the city of Norfolk, for and in consideration of the faithful services of my negro man George Danley, do hereby emancipate and set free the said negro man George Danley and absolve him from all claim to my service; and for the consideration aforesaid hereby warrant unto him his freedom against the claim of myself and of all persons whomsoever to witness my hand and seal at the city of Norfolk, this 29th day of April 1861.”
A A Cowdery (SEAL)
“City of Norfolk, to wit
Simon S. Stubbs (sp?) a Notary Public in the city aforesaid in the state of Virginia hereby certify, that A.A. Cowdery, whose name is signed to the writing above (?) bearing (?) date on the 29th day of April 1861, has acknowledged the same before me in the city aforesaid. Given under my hand this 29th day of April 1861.”
Simon. S. Stubbs
Truly an extraordinarily rare piece of historical ephemera documenting a tiny light shining within a very dark period in American history. If only the circumstances and "story" surrounding the execution of this document were known today!
Some relevant family history that was very kindly provided by extant Cowdery-Taylor family ancestors:
Alexander Augustus Cowdery was born May 11, 1817, in Norfolk, Virginia, the son of Jonathan Cowdery of Sandisfield, Berkshire County, Massachusetts, and Elizabeth Reddick of White Haven, England. Jonathan Cowdery was a career physician surgeon in the United States Navy, serving until his death in 1852.
Alexander Augustus Cowdery was uncle to Walter Herron Taylor, who served as Lieutenant Colonel in the Confederate Army as Aide-de-Camp and then Adjutant-General under General Robert E. Lee, becoming one of Lee's most trusted aides and an intimate friend. Taylor later authored two works documenting his wartime experiences: "Four Years With General Lee" and "General Lee, His Campaigns in Virginia, 1861-1865".
The box measures 4 inches long and is in good condition.
A must for the foot doctor in your life.
Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.
Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame without glass; it requires appropriate re-framing with acid-free materials to continue to preserve its historic importance.
The document measures approximately 8 inches wide x 10 inches long, is double-sided and is in very fine condition, ready for appropriate archival preservation/framing. It is embossed in the upper-left side corner with the Georgia State Capital building with the words "CONGRESS" above it and the words "Platner + Smith" below it. The document was de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below).
The 1850 U.S. Federal Census - Slave Schedules - indicates that James Barlow of Sumter County, Georgia, owned 22 slaves ranging in age from 60 through to 1. The Georgia Tax Record of 1852 indicates that he was owner of 555 acres of "2nd Quality Land" in Sumter County valued at $4440.00. James Barlow was born in North Carolina in 1791, and married Rebecca Harlow of Georgia in 1810 in the state of Georgia. Rebecca was 16 years of the age at the time of her marriage.
The document reads as follows:
"In obedience to an order issued by the ordinary of said county at the January term 1857 appointing the undersigned commissioners. Your commissioner met at the house of William W Barlow on the 13th day January 1857. And appraised and allotted to Mary J Barlow and Sarah Winniford Barlow Heirs at law of James Barlow deceased the following property to wit"
Then follows a list of 28 named slaves with age and assessed value. (see photos)
"No1 The above property was divided as follows
Bryant Bright Pink Ruse Lafayette Queen Lufrasier Peggy Maryann Ben Jane Sally Emma and Elijah was appraised at $10050.00
Drawn by William W Barlow Guardian of Sarah Winniford Barlow"
Patience John Ann Sarah Lucy Elvenia Sam Jacob Edmond Merideth Henry Washington Silas and Bob appraised at $9925.00
Drawn by Mary J Barlow leaving a balance due Mary J Barlow of $63.00"
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
It is hand-painted and is free-standing, so it will make a great shelf display piece! It was once propped up in a window of a Virginia country store.
This solid piece is in wonderful condition with just a few minor little paint scrapes and dings to the wood.
All seven of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.
The three black railroad porter brushes, the large red Mammy brush with cloth bow and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Blue Porter with Cream colored pants: teeny, superficial "dings" to paint here and there with one teeny mark between the eyes.
Black and Cream Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Yellow Porter: paint wear primarily to right side of face and top of cap.
Large Red Mammy with Cloth Bow: paint in excellent condition with a couple tiny rubs here and there. Natural bristles have faint trace of original red painted dots to natural bristle skirt.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.
The following two brushes are also in very nice, barely used condition with minor imperfection as described below:
Large Red Mammy with hand-painted bow: brush has seen a little more use than the others(see photos)- very minor paint wear from use to Mammy's back. Black paint drip to collar area. Natural bristles dyed red.
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
The taller brushes are all priced at $85 each. The smaller, 4.5", green and red-dressed mammy brushes are priced at $60 each.
The toy is in very fine, working condition. When wound, the black dancers bob up and down, moving their hinged legs about and swinging their arms. The dancer's heads, bodies, and arms are constructed of flat tin, while their legs and feet are three dimensional. Other than a few light scratches here and there, the surface lithography and paint is in fabulous condition.
The toy measures 8” tall and 5 ½” wide. Marked with “MADE IN U.S.A.” on the back of the dancer's jackets as well as "MADE IN USA" and "PAT 2072308" (Patent Year 1937) on the bottom of the toy base.
The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through his neck (see photos).
Condition is mint, and the piece is signed on the bottom of his right foot: “Hand Painted Lenwile China Ardalt Japan 6530 A”.
Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!
Please see the companion pieces also available (pictured here as well) - the Black Girl Child Nodder and the Bending Over Black Girl by Ardalt, Japan!!!