The smaller booklet with a graphic of a sweet faced girl with mixing bowl was published in 1925 by Church and Dwight Company of New York, and advertises Arm and Hammer Baking Soda.
The second, larger booklet called "Cake Secrets" was published by Igleheart Brothers of Evansville, Indiana in 1922, and advertises Swans Down Cake Flour.
Photos provide a good representation of each booklet. An interesting pair!
Protected in an antique gold wooden frame, this magazine sheet has retained all of the brilliance of its original patriotic colors- red, white, and blue, making it a rather striking piece of wall art-perhaps for the nursery! Seldom located in such fine condition!
PLEASE NOTE: Any discoloration, white spots, or other unnatural variances in color are due to the unavoidable light reflections caused by the glass in the framing. The presence of the glass made photography quite a challenge!
These iron, plantation-made, 19th century shackles were once used on a Georgia plantation in Americus, Georgia, just outside of Plains. They remain all-original and untouched with twenty two small chain links, measuring a total of 26.5 inches in length. The interior diameter of the cuffs at their narrowest point measure just over 2 1/8 inches across--the tiniest child shackle set I have ever offered. An utterly horrible, tangible testament to the malevolence of slavery.
The anonymous museum benefactor from Georgia kept this particular set aside from those items he had planned to donate to the Middle Passage Museum due to the very tiny diameter size of the cuffs---the smallest slave cuffs he had ever found in his many years of collecting which began in the early 1950's before the collectible field of Black Americana was popular or even socially or politically acceptable.
Also currently offered for sale and priced separately are a set of 19th century, hand-made, Georgia, Jone's County plantation, adult slave shackles with KEY, a fabulous, 19th century set of Louisiana Slave Ship shackles, and an ultra-rare, 19th century, slave rattle shackle out of the Charleston, South Carolina area -- all very atypical finds! Please type the word "shackles" in the search box on our home page to find these sets of shackles.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
While her little body was machine stitched together, the remainder of Mammy is all hand-completed! She has a sweet, cheerful, hand-embroidered face that is framed by a tall red, white and blue bonnet! She continues her patriotic look with a red and white checkered top and blue and white flowered pants---how racy---pants instead of a skirt!!!
Mammy clutches a gold colored tomato which, of course, is designed to keep the sewing pins!
In wonderful condition!! Just waiting to be displayed with other sewing or black American collectibles!
Measuring just 6 ½ inches tall with a skirt circumference of 4 ½ inches, her head, torso, and arms are constructed of fabric with an inverted basket serving as her skirt. Her clothing is machine-stitched with attention paid to detail: teeny gold fabric braiding serves as earrings and necklace; delicate lace accents her skirt hem; her red shawl features zig zag stitching accents; her face is finely hand-painted.
A sweet addition to one’s Black Memorabilia or Doll collection!
The puzzle is constructed of a cardboard paper material with Aunt Jemima’s image lithographed on the front and product advertising on the back. This puzzle toy was a “give-away” item--- customers could write away for the “free” puzzle by sending two 2 cent stamps for a “set of Aunt Jemima and her Pickaninny Dolls”.
Aunt Jemima is in all ORIGINAL condition and has no age imperfection to speak of other than minor creasing near the three string holes, undoubtedly created when someone long ago attempted to solve the puzzle---“separate the two cardboard pieces without untying the string!”
This RARELY found piece of early Black Memorabilia and/or Aunt Jemima advertising would be fabulous framed between two pieces of glass! A must-have for the serious Black Americana collector! These Aunt Jemima paper string advertising puzzles are simply not seen anymore- they are very rarely found in today's market due to the fragile nature of their composition!
This green colored tin dates to the 1910 - 1923 time period and measures about 3.25" long x 2 inches wide.
The tin shows paint loss especially on the bottom and is priced@ $70.00.
The cover and hinge work well. Made by "METAL PKGE CORP. BKLYN, NY".
****The brown colored tin is sold****
Some History: Henry Clay Glover started practicing veterinary medicine sometime prior to 1877. In 1888, his medicines were awarded the medal of superiority by the American Institute of New York. He identified himself as a “Specialist in Canine Diseases". As a personal testimonial, he stated that as of 1897, he had been the Veterinarian to the Westminster Kennel Club for 20 years.
The first known address for Dr. Glover is 1293 Broadway, New York City. Tins with this address state “H. Clay Glover,V.S. Prop", and appear to be the earliest-known. Some time prior to 1914, the company moved to 118 West 31st Street. Glover was still sole proprietor, but by 1917 the company was incorporated, and the tins stated “H. Clay Glover Co” while retaining the West 31st Street address. The company moved to 127-129 West 24th Street in 1923.
Measuring 7.25 inches wide by 4.75 inches deep by 6.25 inches high, this outstanding, circa 1860 - 1870's, polychrome inkwell features removable cover which reveals a base containing two inkwells without pots. Cover features seven quill holes.
Condition is marvelous with some very minor paint wear to edges where one would place hands to remove the top- as noted in photos (tiny white spots seen on the grass and ground areas). Paint/glaze imperfection to top of brown-haired gent's head as noted in photos. No chips, breaks, hairlines, repairs, or repaints.
A fabulous, rarely found, all-original, 150+ year old, antique writing implement guaranteed to complement any collection!
Beautiful "Copper Lustre" paint accents a central yellow band with copper colored, feather detailing. Interior rim is painted in a pink lustre band.
Condition is quite fine with absence of any inflicted damage and repair. Some expected light wear from actual use to painted rim and base and a teeny firing imperfection on the handle that is not readily evident to the eye.
A darling piece to add to one's collection!
Colors: bright, buttery yellow background, jester in dark fuchsia, green and white, and lettering and metal pin back frame in red.
Condition: quite nice for its 49 years of age with light, expected wear to red paint at rim edges and back. NOTE: The piece of tape is not part of the pin.
Quite multi-purpose in nature, his legs hold spools of thread, and under his red vest, he hides a pincushion (his chest) along with 2 felt strips for needle and pin storage (his arms)! Four decorative plastic rings can be used to hold safety pins! He also sports a ring on the top of his hat to allow one to hang him on the wall.
Condition is quite fine! No rips, stains or tears with just some subtle fading to his green felt bowtie and black face and legs--all age-related. He has two, insignificant moth holes on the BACK of his red vest.
Handy to keep by the sewing machine, but also just a delightful, vintage, Black Memorabilia whimsy to decorate your sewing room!
This darling, all-glass piece remains in superb condition-other than its missing front label. It does, however, retain its wonderful, original paper label at the base of the bottle that reads, “ Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Additionally, the perfume retains one half of its original and rarely-found, pink-satin-lined, cardboard box which is also labeled "Vigny, Paris" on one of its panels.
The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling/painting remains as clear and crisp as the day it was applied! Even his black furry hair retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with black polka dots and his feet are accented in black.
Along with photos of the Golliwog perfume is a photo of an original 1920’s magazine advertisement for Vigny Perfumes including “Le Golliwogg”. The magazine advertisement is not available for sale and is only presented to serve as an historical reference.
A very, very special piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!
Also pictured here and available for sale separately--- coming from the same estate--- is a 2.50 inch, Vigny, France, Golliwogg Perfume in Satin Camphor Glass dating post-WWI and priced at $425.00, as well as a second, 2.25 inch clear glass, 1920's, Golliwogg Perfume bottle complete with all paper labels (but without the box) and priced at $375.00. The satin camphor glass bottle was the VERY FIRST version of the Vigny "Le Golliwogg" perfume, and is much less-frequently found. The "Golly" brand continued to be sold through the 1920-30's. Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!
Ready to be framed, the puzzle has retained all of the brilliance of its original colors and also sports the artist signature of Fern Bisel Peat in the upper right hand corner. Slight and subtle edge wear to some puzzle pieces as noted in photo. A nice addition to one’s Little Black Sambo collection!
The mirror front has a faded salmon colored border surrounding an image of a person's face with protruding tongue, about to swallow a "NR" (Nature's Remedy)tablet.
Imprinted around the circumference of the mirror is the following, "Take One Tonight - You'll feel Better In The Morning."
"Better Than Pills For Liver Ills - Get a 25 Cent Box"
Original mirrored backing is in very fine condition with just a few very minute, superficial scratches. Some fading of color around the very edge of the mirror as seen in photos.
Manufacturer name stamped on bottom edge: "Parisian Novelty Company, Chicago".
An interesting little advertising piece!
The statuette is constructed of lucite and is placed on a painted wood base. The piece is very nicely hand-painted and detailed. It depicts Ms. Baker in her famous banana skin skirt, wearing large loop earrings and holding her long, slender, silver cigarette holder. Her anatomical assets are duly accented in aluminum. The base is constructed utilizing the Art Deco design styling of the 1930's--the decade in which Ms. Baker first acquired her fame. The card holder, itself, is also aluminum.
Condition is mint with just the teeniest of surface scratches here and there apparent only when the piece is held to the light. Some slight pitting to the aluminum card holder edges.
Josephine Baker (June 3, 1906 – April 12, 1975) was an American-born French entertainer, most noted for her celebrated Folies Bergère singing career. In her early career, she was a feted dancer and is often credited as a movie star, although she only starred in 3 films in her early career. She was given the nicknames "Black Venus" or "Black Pearl" and "Créole Goddess", while in France she was known in the old theatrical tradition as "La Baker". She became a citizen of France in 1937. She is also credited for her contributions to the Civil Rights Movement in North America and for being an inspiration to generations of African-American female entertainers.
This particular tin hails from the latter period. Although it not longer retains its paper tax stamp, it must be noted that after February 1926, the name "Nigger Hair" was changed to "Bigger Hair", so this tin can be assumed to be dated no later than February 1926.
This image was used by The American Tobacco Company of Wisconsin to sell their product; the lithographed tin was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.
Measuring 7 inches high x 5 ¾ inches wide, the condition of the tin is an 8.5 out of 10--- sporting a lovely lithograph on the front side with minor and superficial scratches and abrasions along with tiny areas of paint loss on the sides and back (please see photos for condition). Some very faint evidence of very superficial rust is noted on the cover, on the back side of the tin near the base, and on the bottom of the tin with absolutely no impact to structural integrity. The inside of the tin is clean with some minor tarnish evident.
The original orange color of the tin remains consistent. Any imperfections are reasonable and expected given the age of this piece--- 80+ years!! This tin is just a wonderful example of early 1920s Black Americana and looks so much better "in person" than I was able to capture with my camera lens! Please note that any "white" areas in photos are flash reflections and are not imperfections to the tin.
Shortly after this tin's manufacture (just one month later!!), the American Tobacco Company changed the name of its product from NIGGER HAIR to BIGGER HAIR tobacco as it was felt that the previous moniker had become much less socially acceptable. At that time, the material out of which the tobacco container was constructed was changed from tin to heavy cardboard.
Truly an extraordinarily RARE piece of Black Memorabilia seldom found in this great condition complete with bail handle and lid! (Soft tissue paper has been wrapped around the bail handle to prevent any further scratching to the tin exterior.)
***For the ultimate collector of Nigger Hair Tobacco tins, the extraordinarily rare, Bigger Hair Tobacco container is also offered for sale- separately- and is featured in one of the photos beside the currently available Nigger Hair tin. The addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective! *** Type "tobacco" in our web cover page SEARCH box to locate it.
Both the nigger hair and the bigger hair pieces may be purchased for the single price of $1195 with no further discounts applicable.
This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black girl with hand-painted smiling mouth and eyes! She is dressed in a hand-stitched cotton costume that has been stuffed with scrap fabric.
Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Her ears each have a punched out hole--whether this is functional or purely decorative remains a mystery. A small brass hoop threaded through a piece of fabric which was then tacked to the back of the girl's head facilitates hanging on a wall. Overall condition is fine with age-related soiling to the dress and minor paint wear typical of a 70 year-old-piece.
One of my favorite hand-made pieces with true folk art appeal!