The banks may be purchased as a pair for $425.00, or they may be separately purchased as follows: Mammy with Spoon $295.00 and Black Man Darkey Sharecropper $225.
The Mammy with a Spoon measures 5 7/8 inches high and was produced between 1905 and 1930. She retains much of her original paint and exudes a warm, rich patina commensurate with a well-loved antique of approximately 100 years of age. She wears a blue dress, black shoes, a silver apron and a red kerchief that still retains some of its white polka dots. Mammy holds a gold-colored spoon in her right hand while placing her left hand firmly on her hip. Mammy means business!
The Black Man Darkey Sharecropper measures 5 1/2 inches high and was manufactured from 1901 to 1930. He retains most of his original paint showing less paint wear than Mammy and also exudes a very warm, rich patina. He wears black pants with red suspenders and a gold hat and gold shirt with red collar. He wears black shoes; however, his left black shoe is worn through at the toes, resulting in all five toes peeking out! He stands casually with his hands in his pocket. His back screw, while an old one, is a replacement.
Mammy and the Darkey Sharecropper were clearly manufactured as companion pieces given their similar size and stance. Both stand freely and would make wonderful additions to the well-curated, antique, Black Americana collection.
This circa 1940's (perhaps even earlier!) Mammy has a polished cotton half body firmly stuffed with cotton batting which is attached to a fabric-covered, cardboard platform that enables her to sit. Such a doll is often referred to as a platform or toaster doll as her voluminous skirt was designed to cover unsightly kitchen appliances - most commonly the toaster!
Most notable is this Mammy's exquisitely executed, hand-embroidered face, and her elaborate dangling beaded hoop earrings!
Mammy's clothing is machine stitched and is absent of holes, rips or repairs. While all her patterned clothing retains its original and uniform coloring, all of the purple cloth has faded- obviously a less stable dye used there. When one opens the folds of the cloth, one sees the rich, deep purple it once was!
An unusually well-detailed doll for its type!
The child’s head nods back and forth by pivoting on a tiny metal bar inserted through her neck .
Condition is mint, and the piece is signed on the bottom of her right foot: “Hand Painted Lenwile China Ardalt Japan 6529”.
Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!
Please see the companion matching Ardalt Black Nodder pieces also available (pictured here as well) - the Black Girl Child Nodder and the Black Boy Clown Nodder!!
The stories were written by Elizabeth Gordon and are whimsically illustrated in color by Clara Powers Wilson.
In fine condition with light wear to exterior boards. An early owners name appears inscribed on the title page. A small folio size measuring 5.25 inches x 6.75 inches.
She has a muslin, machine-stitched body which is stuffed with sawdust. Her feet are black cotton. Upper arms are also stuffed muslin with composition forearms.
Her curly-haired head is molded composition; eyes, nostrils, and lips are handpainted-- note the BLUE EYES!!
She wears a muslin slip under a Victorian styled, machine-stitched, tiered ruffled dress. Her clothing has been professionally laundered but does remain darkened with age in some areas- the photos make these dark areas appear more prominent than they are when viewed by the naked eye.
Condition: Difficult to photograph due to camera glare off the composition, her head remains in pristine, all original condition- no repaint- with just a couple of very teeny white flecks here and there! The breastplate has an old glue repair which appears to be quite solid. The repair is not visible unless the doll is undressed. Superficial wear to each thumb is evident as is seen in photos. No cracking or peeling to composition. She was very well cared for over the years!
A very lovely and rare Black doll!
These signs have a very colorful, folk-art appeal and certainly are utterly unique! They very much fit into the American, Southern "Outsider Art" collecting genre, a genre which highlights the work of self-taught, rural area artists who create fabulous and highly expressive art using the media and materials that they have at hand and which reflects the world that they know and live in.
The signs are quite heavy as each is made from a solid wood board. The signs are nearly identical in size and measure approximately 25 1/2 inches wide x 14 5/8 high x 3/4ths of an inch thick. One of the signs has very, very slight warping, but the warpage is not readily evident as seen by pictures. Each sign has 2 holes from which to hang them, and the old rusted hanging wire which is seen in the photos has been replaced by new hanging wire.
The String Holder is stamped "JAPAN" and “Theo Hinode” on the inside of the base (The Hinode Company is the Japanese Ceramic Company.). Mammy has a hole in the center of her chest area, just above her folded hands, to accommodate the string which would be pulled from the ball of string placed inside her body from the back of the piece. This wonderful piece even comes complete with vintage hanging string---Mammy has two holes at the back of her head to accommodate this! The entire piece is glazed with the exception of Mammy's red kerchief which is cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have some “bald areas” where the paint has come off her kerchief. Please take a moment to view all photos to ascertain condition and appeal of this fabulous and functional, vintage string holder!
A lovely and colorful piece that can be displayed on a shelf or hanging from the wall!
This piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.
This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.
The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.
A very seldom found Tobacciana piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items!
To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
Both dolls are in near perfect condition with the exception of a tiny teardrop mark under brother's left eye and a tiny hole next to sister's left side of face on her hairline. Detailing is very sweet with nicely embroidered facial features and color-coordinated, machine-stitched clothing. Hair is authentic looking made of fuzzy wool yarn-- brother's hair is curly and nubby--- sister's is done in a head full of bow-tied pigtails! Bodies are machine-stitched, brown cotton that are each stuffed with cotton batting.
A pair of cuties!!!
In 1912, in a stroke of advertising genius, Mayo's Tobacco Company packaged their cut plug tobacco in round tins with a lithographed character. Each held 1 pound of tobacco. It was opened by removing the head!
These "Roly-Polys" were a unique shape that distinguished them from the rectangular and lunch box-shaped tins that surrounded them on store shelves. There were a number of different characters that were available, and smokers were encouraged to collect the entire set. The six original tins were the Satisfied Customer, the Storekeeper, the Singing Waiter, the Dutchman, Scotland Yard....and Mammy!
Mayo called this packaging a "Brownie" tin...apparently the company suggested that the tins be used as brownie containers after the tobacco was used, and designed them accordingly. They were never a plentiful tin, and today, are becoming increasingly more and more difficult to find.
The Mayo tobacco tins were distinguished by little packages of Mayo Cut Plug tobacco shown somewhere on the character. Notice that the Mammy tin has a tiny tobacco tin tucked into her front pocket.
Mammy's dimensions are 7"x7". She is in good condition, as evidenced by the photos which clearly detail the flaws she has acquired over her 100+ years of existence. The body of the tin has minor paint loss to the litho as seen in photos, minor and subtle surface scratching (see photos), and small areas of denting to the top of mammy's head (see photo) and to her base near the cigarette pack protruding from her pocket (see photo). The body has some light soiling and has the appropriate wear at contact points. The tin has no repaint but does have some light, interior rusting to the interior of the base as well as a couple of tiny size holes which can be seen in the 12th photo (tiny holes show up as white spots in the photo). The base was held up to the bright, outdoor light to illuminate the holes- which actually make them appear more prominent than they actually are!
The base of the tin is labeled "made in factory # 42, in the 2nd District of Virginia".
**The depth of color is better viewed "in person" as opposed to what I was able to capture in a photo.**
A must-have addition to any SERIOUS Black Americana collection! A note on the rarity of this item....this is only the second Mayo Cut Plug tin that I have had the pleasure of offering for sale in my 20+ years specializing in Black Americana! The tin displays beautifully!!
The female doll depicts a black mammy out for a stroll with black umbrella in hand. This gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features – characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This doll has (not uncommonly) lost hers long ago, but a bit of the original shingle is still attached to the soles of both shoes. Clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. She also wears gold hoop earrings! Her body, which is well-stuffed to be anatomically correct, is black cotton fabric stuffed with cotton batting.
The white haired and bearded male country gentleman doll is similarly attired in machine-sewn cotton britches with a patch at the knee and suspenders along with a tan cotton striped shirt and red kerchief around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted chicken that has sustained a tiny bit of fabric loss to its face. His left arm once held a wooden walking stick which is long gone, but alternatively, he now uses his free hand to hold the arm of his lovely lady! His asphalt shingle is also missing with remnants evident of it present on the soles of his shoes.
Two very special dolls that represent a snapshot of history, capturing the lives of poor southern black folk of the Depression era.
The dolls are priced at $225.00 each, or they may both be purchased as a pair at the discounted price of $395.00. Please note that no further advertised discount is applicable to this special paired pricing offer.
The folder was mailed, but remains in fine condition given its age. Some edge wear evident at corners. While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear!
The Real Photo postcard folder features the lyrics and music of "Dixieland" and 18 full color scenes of the industries common in the South during this period: cotton picking and production, tapping pine trees for turpentine production, watermelon farming, and sugarcaning. Of cultural and historical interest are the numerous scenes of African-American life including less-flattering stereotypical scenes. Some very politically incorrect and derogatory captioning including use of "dialect".
Quite multi-purpose in nature, his legs hold spools of thread, and under his red vest, he hides a pincushion (his chest) along with 2 felt strips for needle and pin storage (his arms)! Four decorative plastic rings can be used to hold safety pins! He also sports a ring on the top of his hat to allow one to hang him on the wall.
Condition is quite fine! No rips, stains or tears with just some subtle fading to his green felt bowtie and black face and legs--all age-related. He has two, insignificant moth holes on the BACK of his red vest.
Handy to keep by the sewing machine, but also just a delightful, vintage, Black Memorabilia whimsy to decorate your sewing room!
The CZAR Baking Powder card is SOLD. It was printed by the Empire Lithography Company, Pearl Street, New York, and is so marked at the bottom of the front side. This card is brilliantly colored with a phenomenal graphic of a Mammy and her son admiring an utterly huge loaf of bread which presumably owes its immense size to CZAR Baking Powder. The reverse side carries a testimony by a Yale College professor attesting to the wonder of the CZAR product which is manufactured by Steele and Emery Company of New Haven, Connecticut. The card measures 3 inches x 4.75 inches.
The MISFIT Clothing Company card is copyrighted 1898 by J.H. Bufford Company in the lower right front corner. In the upper left corner, the card is entitled "In the Land of Cotton" and features a wonderfully detailed scene of African-American families working the cotton fields with a large cotton gin looming in the background. The card measures 2.75 inches x 4.50 inches. The reverse side is an advertisement for Misfit Clothing sold by the J. Bamott & Company of Washington Street, Boston.
The Welcome Soap advertising card also measures 2.75 inches x 4.50 inches and is entitled "Photography Under a Cloud". It features a fabulous litho of 5 African-American boys with exaggerated facial features who are attempting to take a photograph using an early camera. The litho is marked in the lower right corner "Bufford, Boston". The reverse side further advertises WELCOME SOAP and features two shaking hands.
All three trade cards are in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The cards have no rips, bends, or fading. The back sides of the Czar card and the MISFIT CLOTHING card have glue stains.
These rare trade cards would be stunning matted and framed as a group!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
George Thompson’s missionary service to Africa occurs approximately 7 years after the MENDI natives of the AMISTAD were accompanied by missionaries on their return to Africa. He serves this very same mission, now in the of colony Sierra Leone, a colony which was established to serve as refuge for the liberated Africans taken from slave ships. 356 pages long, this journal provides a fascinating account of all aspects of the Mendi culture seen through the eyes, however biased in his mission to convert the Africans to Christianity, of a genuinely well-meaning gentleman of his time. Condition: complete, tight binding, foxing throughout, spine wear as shown in picture.
Thompson states, “It is hoped that the following narrative may, in the hands of GOD, awaken a desire in many hearts to go to Africa, for the purposes of preaching, teaching, farming, building houses, mills, manufactories, etc., and thus assist in making long despised and neglected AFRICA, what it is capable of becoming, THE GARDEN OF THE WORLD.”
Her interesting and expressive face is completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, is presented in various shades of pink as Mammy's outfit has been subjected to light over the years and is in places, quite faded. Although now clean, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.
Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.
This wonderful, early bottle doll is one of 3 currently offered bottle dolls --- all priced separately.
Her composition face is in impeccable condition with sharp, well-drawn painted facial features. Her face is further accented by 3 darling curls peaking out from under her brightly colored cloth bandanna!
Her body is machine-stitched cotton fabric stuffed with sawdust. On the back of her right thigh, her place of origin is stamped: "POLAND". Her little flowered skirt is also machine stitched and is the only piece of clothing that may be removed.
Condition is superb with the exception of a hand-stitched repair to the seam line of her left foot where the foot is joined to the leg. Does not detract.
Constructed of tin with a tin embossed and lithographed image and a glass cover, this game has a paper advertisement on back which has been partially impaired presumably due to the removal of an old price sticker. The puzzle is in all-original condition with the embossed graphic remaining free of scratches and abrasions. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!