Her interesting face is completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, present in various shades of pink as Mammy's outfit has been subjected to light over the years and is in places, quite faded. Although now clean, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.
Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.
This wonderful, early bottle doll is one of 5 currently offered bottle dolls --- all priced separately.
The litho was executed by John Karst with his signature appearing in the lower left hand corner. Highly detailed, the litho reproduces a bustling New Orleans' dock scene featuring numerous slaves at work.
This litho was professionally re-framed using museum-quality, acid-free materials in 2004. The frame is a classic styled, black painted, beaded, hardwood accented with a dark rose, acid-free mat.
A fascinating glimpse into life on the docks of the Mississippi River at New Orleans!
Please note that any white spots or streaking appearing in photos are the result of light reflection and are not damage to the litho.
In 1926, the American Tobacco Company of Virginia changed its product name from Nigger Hair to Bigger Hair, viewing the latter label as the more-socially acceptable one. (The earlier Nigger Hair moniker was used by the American Tobacco Company from the 1890's through early 1925; the lithographed can was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.) Interestingly, the company DID NOT change the image of the African woman, but merely added the words Fiji Islander to the left of her face in its indifferent and weak attempt to move further away from the earlier, severely derogatory label.
Measuring 7 inches high x 5 Â¾ inches wide, the photos provide a fine representation of condition. The container is in near-mint condition with a tiny rub here and there, and some very minor wear around the top of the container that likely occurred from simply taking the cover on and off. This wear is completely covered by the cover. The original orange color of the container remains consistent throughout, and the structural integrity of the cardboard is quite sturdy. The original wax bag which held the tobacco remains inside--highly unusual! The container retains most of its paper Federal Revenue Tobacco seal on either side and is dated February 26, 1926. Truly incredible condition given the age of this piece--- 80+ years!!
This very rare tobacco container is just a wonderful example of latter 1920s Black Americana and looks even better "in person" than I was able to capture with my camera lens!
If the Nigger Hair Tobacco container is currently in your collection, the addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective! The Nigger Hair Tobacco container featured in the last photo is currently available. Both pieces may be purchased for the single price of $1195 with no further discounts applicable.
*** Type "tobacco" in our web cover page SEARCH box to locate the NiggerHair tin currently available.
Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.
A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!
All cloth and done in a great, red paisley fabric, this darling Black Mammy bag features an interesting, smiling face! Due to its small size, this bag would have held undies or stockings or also may have been placed on one's bed and used to hold one's nightie during the day!
Very sweet and displays nicely!
”Black Topsy” is dressed in a striking pink, green, orange, and black cotton, geometric-patterned dress- very Art Deco! Her mouth and nostrils are stitched in red thread and she has white pearl button eyes.
The Caucasian doll is dressed in a cotton lavender dress- also with a geometric, Art Deco pattern in black, green and yellow. Her blouse and bandanna are lavender sateen. Her entire face has been finely stitched. She has pink nostrils and mouth, black eyebrows, and her black stitched eyes have pretty lashes that highlight her silvery gray irises! She has the very palest of staining to her face above her nostrils, but it is barely noticeable, and there is some light fading to her sateen bandanna.
Condition and detailing of both sides of this Topsy Turvy is really quite extraordinary, setting her apart from other Topsy’s!! A wonderful addition to one’s doll or Black Memorabilia collection!
This pleasant trio of Sapolio Soap diecuts is in excellent condition and comes protected in an attractive, walnut-toned, oak decorative frame!
Quite visually appealing!
Measuring 7.50 inches long x 3.25 inches wide, this Belgian cigarette or cigar, heavy paper/cardboard box features a fabulous litho of a very dapper Black Gentleman smoking one of the "JOHN" cigarettes. Its small size offers many options for display including framing for shelf or wall enjoyment.
A truly scarce find in phenomenal condition!
This circa 1900-1910 Johnny Griffin item is a double image still bank that features 2 images of Johnny's head placed back-to-back. It was manufactured by the A.C. Williams Company of Ravenna, Ohio, which at the turn of the 20th century and up until World War II, was the largest toy and still bank manufacturer in the world. (At the start of WWII, production declined sharply as iron was needed for military consumption, marking the end of an era.) The bank is constructed of cast iron in two pieces which unscrew to facilitate the emptying of coins. There is a coin slot at the top of Johnny's head for use in depositing the coins. This sweet bank remains functional for banking use today or may be simply used as an attractive desk paperweight!
It is in all original condition with delightful patina- not a reproduction- and measures 3 inches high x 2 1/2 inches wide. It retains traces of the original gold leaf paint and may (or may not!) have a replaced screw.
The Johnny Griffin image- in the arena of Black Americana collectibles- should form the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
The origin of this sign is unknown, but given its very substantial size and weight, it likely once hung as a directional sign in a major bus or railroad station, designating the "WHITES ONLY" area where African-Americans were required to sit or stand.
The subtly convex sign has had no restoration and remains in all-original condition. It bears areas of paint loss, scratching and superficial rusting (some areas larger in scope than others) typical for its age and use as noted in photos. Please view photos for further assessment of the sign's condition. The age and use-related signs of wear do not impact the physical integrity of the sign and are more than appropriate to the age and purpose of the piece.
An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history!
Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.
This darling, all-glass piece remains in superb condition-other than its missing front label. It does, however, retain its wonderful, original paper label at the base of the bottle that reads, “ Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Additionally, the perfume retains one half of its original and rarely-found, pink-satin-lined, cardboard box which is also labeled "Vigny, Paris" on one of its panels.
The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling/painting remains as clear and crisp as the day it was applied! Even his black furry hair retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with black polka dots and his feet are accented in black.
Along with photos of the Golliwog perfume is a photo of an original 1920’s magazine advertisement for Vigny Perfumes including “Le Golliwogg”. The magazine advertisement is not available for sale and is only presented to serve as an historical reference.
A very, very special piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!
Also pictured here and available for sale separately--- coming from the same estate--- is a 2.50 inch, Vigny, France, Golliwogg Perfume in Satin Camphor Glass dating post-WWI and priced at $425.00, as well as a second, 2.25 inch clear glass, 1920's, Golliwogg Perfume bottle complete with all paper labels (but without the box) and priced at $375.00. The satin camphor glass bottle was the VERY FIRST version of the Vigny "Le Golliwogg" perfume, and is much less-frequently found. The "Golly" brand continued to be sold through the 1920-30's. Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!
The female is clothed in a green felt dress and head piece that are decorated with tiny blue and white beads. She wears double strand white beaded bracelets and anklets and also wears a double stranded white beaded necklace with a large red bead center. Underneath her dress in back a tiny head peeks out- a little plastic baby that she is carrying!
The male is clothed in a brown and red polka dotted skirt with 2 fur pouches, and a fur headdress. He is swathed in longer strings of beads that encircle his waist and also run diagonally across his chest. He, too, wears a double stranded beaded anklet and necklace. Larger Red beads hang from the sides of his dress as well as from the 2nd fur pouch that hangs behind him.
The arms and legs are movable at hip and shoulder joints of each doll. The Male has the following in raised lettering on his back: P. M. and J. H. B. The remainder of the marking is obscured by beading and clothing. No other markings are visible.
A visually striking pair!
The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.
Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.
Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.
SOLD AS IS
The paper package contains nearly all of its original powder, having never been opened; however, as noted in the second photo, the corner edge wear has resulted in some minor leakage of the powder. Because of this, the package has been shrink-wrapped to preserve the remainder of the product.
The shrink wrapping makes the package very difficult to photograph; additionally, some minor leakage of the powder under the shrink wrap also obscures viewing. The first two photos are of the actual package currently offered for sale--with shrink wrap on and minor leakage of powder under the shrink-wrap. The remaining photos clearly show the details of the Zoulou packaging using an undamaged, unshrink-wrapped package that has already been sold, no longer available for purchase. These photos are offered purely for the convenience of the viewer so that the details of the Zoulou package can be readily seen without the encumbrance of the shrink wrap blocking package details; these photos do not represent the condition of the package currently being offered for sale. The first two photos represent the condition of the actual Zoulou package currently offered for sale, with the pricing reflecting condition.
The manufacturers of the Zoulou powder claimed that healing properties were associated with the powder.
A well-detailed, rarely-found example of turn-of-the-century use of graphics in advertising!
This fabulous game features a brightly colored lithograph target depicting the dapper, banjo-playing, "Jolly Darkie" with a gigantic mouth.
The target box remains in very fine condition, appearing to have seen little, if any, use. It has four openings through which one was to toss the four wooden balls that the game originally came with, but which are no longer present. It measures 13 inches tall x 6 3/4 inches wide x 1.5 inches deep.
As evident in the photos, the box cover shows expected wear given its 100+ years of age, with some pencil writing in the mouth and some surface soiling.
As indicated earlier, the extant game pieces do not retain a copyright year or maker name; however, this game is very similar to two other Milton Bradley Jolly Darkie Target games that were manufactured from 1890-1910, suggesting that this game was also manufactured during this era by Springfield, Massachusetts' Milton Bradley Company. The directions to this game are not present, and it is quite possible that the manufacturer and manufacture date both appeared on the direction card-- as has been found to be the case on other Milton Bradley games of this era.
The game cover as well as the JOLLY DARKIE target box display absolutely wonderfully and would be a colorful asset to one's vintage black Americana game collection!
In very nice condition with minor scratches to paint here and there as seen in photos, this wind-up toy works, but can be a little fussy. Given its 100+ years of age, a bit of fussiness in the mechanism is not atypical or unexpected. Marked "TOMBO" Alabama Coon Jigger Trademark Strauss Mfg Co New York USA; US Patent May 24, 1910. The figure, itself, is 8.25 inches high.
This fabulous toy is a CLASSIC MUST-HAVE for the avid Black Memorabilia Toy collector!
"The Golliwogg at the Sea-Side", published in 1898 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 3rd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.
This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 32 full-color illustrations and tells the story of Golly's adventures at the sea shore. Golly and his friends, suffering from boredom, go off to the seashore to try their hand at sunbathing, swimming in the ocean, crab fishing, boating—all with considerable catastrophe—until finally trying a hoped-for-peaceful hayride through the countryside—all for naught!!
The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
The book is in very fine but not perfect condition-- not surprising given the book's 113 years of age! Wear to hard-board-cover edges and corners. Binding remains strong and tight with center-taping coming a bit lose on one side, but not effecting integrity. A couple of the pages have 1/2inch tears at base, likely the result of simply turning the pages. Book is complete, with no missing pages.
Truly a fabulous find! Only the 2nd time I have EVER had the pleasure of offering one of these wonderfully-rare, 1st edition, Upton, children's book in my 26 years of dealing in Black Memorabilia!!