The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through his neck (see photos).
Condition is mint, and the piece is signed on the bottom of his right foot: “Hand Painted Lenwile China Ardalt Japan 6530 A”.
Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!
Please see the companion pieces also available (pictured here as well) - the Black Girl Child Nodder and the Bending Over Black Girl by Ardalt, Japan!!!
This rarely found copy was written and illustrated by the renowned author of a number of Raggedy Ann and Raggedy Andy stories of the period, Johnny Gruelle. The book was published in both the United States and Great Britain in 1926, by the P.F. Volland Company of Joliet, Illinois.
This copy has superficial scratches to the front and back covers, wear on book cover edges, inside cover has a small black marker smear, inside front & back covers have minor soiling here and there(see photos). The binding is super-tight and all pages remain very clean and present.
The book is eleven chapters in length, approximately 88 unnumbered pages. Book is filled with a variety of wonderful black-ink and full-color illustrations as represented in photos. PLEASE NOTE: in the photos, the printing seems somewhat light and faded- not so! It is merely the function of over-lighting or light reflection.
A wonderful and truly RARE book not to be missed--- it currently lists in Black Memorabilia books at $200-250!
Measuring 9 by 11 inches framed, this litho retains its vibrant colors!
A delightful piece which features the accompanying text on the reverse side.
The frame is a temporary and inexpensive one to allow the potential buyer to view the story on the backside, but the piece should be properly framed to enable its continued conservation once purchased.
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
She has a muslin, machine-stitched body which is stuffed with sawdust. Her feet are black cotton. Upper arms are also stuffed muslin with composition forearms.
Her curly-haired head is molded composition; eyes, nostrils, and lips are handpainted-- note the BLUE EYES!!
She wears a muslin slip under a Victorian styled, machine-stitched, tiered ruffled dress. Her clothing has been professionally laundered but does remain darkened with age in some areas- the photos make these dark areas appear more prominent than they are when viewed by the naked eye.
Condition: Difficult to photograph due to camera glare off the composition, her head remains in pristine, all original condition- no repaint- with just a couple of very teeny white flecks here and there! The breastplate has an old glue repair which appears to be quite solid. The repair is not visible unless the doll is undressed. Superficial wear to each thumb is evident as is seen in photos. No cracking or peeling to composition. She was very well cared for over the years!
A very lovely and rare Black doll!
Painted in 1934, the framed piece measures 20" x 26.5"; the watercolor, 13” x 19.5 “. Completed in various subtle tones of blue, gray, green, and brown. The watercolor was reframed in 1987 by the previous owner.
Measuring 4 inches wide x 3 3/4 inches high, the black color-toned set was manufactured by A.D. Handy, Stereopticon & Supplies, Boston.
The four slides tell the story, through drawings and southern black dialogue, of a black boy attempting to steal a watermelon (slide 1). Four other black boys hiding behind a fence and watching, spook him, making the boy think there is a ghost behind him (slide 2)! Dropping the watermelon in fright, he dashes off for safety (slide 3). The shattered watermelon is then left on the ground, already broken into bite-sized pieces for the 4 other boys to enjoy!
This offering is truly an exceptionally scarce Black Americana collectible!!
Constructed of painted wood that is nailed and glued together, this vintage collectible retains quite a few of its original but yellowed-with-age grocery shopping list pages. The holder/board retains a ball of string and a stub of an older, red pencil. It also has an inkwell cut-out that would have accommodated a bottle of ink; presumably, an inkwell pen once resided beside it versus the current pencil.
The holder/board remains in all original condition with no repaint or repair. The black chef is not painted on but is a decal--all original. The pale blue paint has appropriate, minor, age-related wear as noted in photos.
Has great visual appeal and displays wonderfully!
While her little body was machine stitched together, the remainder of Mammy is all hand-completed! She has a sweet, cheerful, hand-embroidered face that is framed by a tall red, white and blue bonnet! She continues her patriotic look with a red and white checkered top and blue and white flowered pants---how racy---pants instead of a skirt!!!
Mammy clutches a gold colored tomato which, of course, is designed to keep the sewing pins!
In wonderful condition!! Just waiting to be displayed with other sewing or black American collectibles!
The folder was mailed, but remains in fine condition given its age. Some edge wear evident at corners. While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear!
The Real Photo postcard folder features the lyrics of "Dixieland" and 18 full color scenes featuring stereotypical and actual depictions of African-American southern life. Some politically incorrect and derogatory captioning. Scenes depicting the cotton and tobacco industries are also featured.
The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.
An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!
Unmarked, this toy is in very good condition with tiny superficial surface scratches wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the clown to hit poor Golly on the head with a mallet!
A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
Constructed of cardboard with black printing, this circa 1930-40's sign reads: " Coleman's Hotel Colored. Special Attention to Tourists. Ashland Virginia".
The sign remains in all-original condition inclusive of minor discoloration as noted in photos and small chips to the upper right and lower left corners. Print source is noted: "Herald-Progress Print, Ashland, VA".
This is NOT a reproduction, but rather a fortunate preservation. It is quite amazing that this sign has survived the many years being constructed out of cardboard. It was clearly stored away in such a manner that preserved its original condition.
Travel for African Americans during the Jim Crow period was difficult and complicated, with limited options for eating, sleeping, even procuring gasoline for the car. As a result, black-owned hotels and motels placed signs such as this one prominently in their windows. There were even special travel-guides to help African Americans plan their trips, hopefully, without incident. Victor Green's "Green Guide" provided state by state lists of colored hotels, motels and other travel-related businesses that catered to African-Americans.
Quite possibly the ONLY sign remaining extant from this particular, racially segregated establishment. An historically significant piece!
This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.
Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.
Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
George Thompson’s missionary service to Africa occurs approximately 7 years after the MENDI natives of the AMISTAD were accompanied by missionaries on their return to Africa. He serves this very same mission, now in the of colony Sierra Leone, a colony which was established to serve as refuge for the liberated Africans taken from slave ships. 356 pages long, this journal provides a fascinating account of all aspects of the Mendi culture seen through the eyes, however biased in his mission to convert the Africans to Christianity, of a genuinely well-meaning gentleman of his time. Condition: complete, tight binding, foxing throughout, spine wear as shown in picture.
Thompson states, “It is hoped that the following narrative may, in the hands of GOD, awaken a desire in many hearts to go to Africa, for the purposes of preaching, teaching, farming, building houses, mills, manufactories, etc., and thus assist in making long despised and neglected AFRICA, what it is capable of becoming, THE GARDEN OF THE WORLD.”
Her interesting and expressive face is completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, is presented in various shades of pink as Mammy's outfit has been subjected to light over the years and is in places, quite faded. Although now clean, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.
Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.
This wonderful, early bottle doll is one of 3 currently offered bottle dolls --- all priced separately.
The litho was executed by John Karst with his signature appearing in the lower left hand corner. Highly detailed, the litho reproduces a bustling New Orleans' dock scene featuring numerous slaves at work.
This litho was professionally re-framed using museum-quality, acid-free materials in 2004. The frame is a classic styled, black painted, beaded, hardwood accented with a dark rose, acid-free mat.
A fascinating glimpse into life on the docks of the Mississippi River at New Orleans!
Please note that any white spots or streaking appearing in photos are the result of light reflection and are not damage to the litho.
Vividly colored, this Black Memorabilia themed piece features a smiling black girl seated on a large straw basket while holding 2, smaller-sized, flower-filled straw baskets in each arm. The young girl is nicely attired in a ruffled blue and yellow dress and wears red sandals, white lacy gloves, and a rose-accented, straw bonnet!
The diecut is in excellent condition! An unusual find!
Fabulous colored and black and white illustrations as represented by photos adorn this 26 page book! The book features the adventures of a little Southern boy who lives with his gran'mammy and gran'daddy in a log cabin set down in a cotton field.
Interior pages are in very nice condition, are clean and bright and are tightly bound together. The hard bound cloth covers are in fine condition, with slight wear to cover spine edges and book corners typical of a book of its age. There are two drip marks at spine and a few on the rear. Otherwise clean. A 1" tear at top of frontispiece is present along with a tiny one at bottom. No other damage. An early owner's name and gift date is inscribed in ink on the interior front cover. This is a first edition as later editions had the cloth board without the color pastedown. Illustrated on every page, alternating color and black and white.
A charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!