Remaining in its original frame, this watercolor retains its vibrant color. A lovely piece of Black Americana executed with some naivete!
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
American Beach was established in 1935 on Florida's east coast under the leadership of Abraham Lincoln Lewis, one of seven co-founders of the Afro-American Life Insurance Company, and one of Florida's first black millionaires. His vision was to create a beach resort as a benefit for company executives and as an incentive for employees.
In the era of Jim Crow segregation laws, few public places in Florida or the rest of the South were open to African Americans. From the Depression until well into the 1960's, American Beach served as a holiday and vacation destination for thousands of African Americans, and was a magnet for black celebrities such as entertainers Cab Calloway and Ray Charles, heavyweight boxing champion Joe Louis and writer Zora Neale Hurston.
But in 1964, the area began to decline. Hurricane Dora destroyed much of the beach, and passage of the Civil Rights Act meant that blacks were, finally, no longer restricted to segregated beaches and the businesses that catered to them.
A fabulous and historically relevant piece of Black Americana!
Poster reads further: "Benefit- Pals Bible Club-Elm Street Baptist Church". "Directed by Churchill Traylor". Features a very sweet Black Minstrel caricature graphic! It is believed that this event took place in the Petersburg, Virginia area.
Fine condition!!! Would look just wonderful framed!!
Given away as a premium for opening a bank account, this bank advertises the Mechanics Savings Bank of Hartford, Connecticut.
The bank is complete with the famous Liberty Bell crack down its front as well as this slogan etched around its top, "Proclaim Liberty Throughout All the Land Unto All The Inhabitants Thereof. LEV XXV 10".
Manufactured by the Bankers S & C System Company, Cleveland, Ohio, this bank bears a patent date of February 18, 1919, as inscribed on its base. Made of metal and wood. The whereabouts of the original key is unknown but it is likely that any flat metal key of the period of the appropriate size would open it.
A fine decorative piece for either the still bank collector or Revolutionary War buff!
This pleasant trio of Sapolio Soap diecuts is in excellent condition and comes protected in an attractive, walnut-toned, oak decorative frame!
Quite visually appealing!
The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.
Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.
Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.
The large brass sign measures 5" x 14", exhibits some tarnishing, and was most likely placed on the doctor's office building exterior.
The diminutive brass sign, measures 6.5" x 3.5" and was most likely attached to an interior door.
Both signs are in very nice condition and are easily displayed either on a shelf or on the wall!
The pair is offered at $100.00 or either one of the signs may be purchased individually at $60.00 each.
A brief history of the Negro League:
African Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African Americans from these teams by 1900, with black players left to form their own teams.
In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.
In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.
Given away by the Merrick Thread Company as a free advertising premium to encourage the purchase of its product, this mirror depicts a rather confident black boy hanging from a single strand of Merrick thread while dangling above the open jaws of a hungry alligator! At the base of the mirror the caption reads, "Fooled Dis Time Cully Dis Cotton Aint Gwine To Break".
A delightful Black Americana Advertising piece!
These signs have a very colorful, folk-art appeal and certainly are utterly unique! They very much fit into the American, Southern "Outsider Art" collecting genre, a genre which highlights the work of self-taught, rural area artists who create fabulous and highly expressive art using the media and materials that they have at hand and which reflects the world that they know and live in.
The signs are quite heavy as each is made from a solid wood board. The signs are nearly identical in size and measure approximately 25 1/2 inches wide x 14 5/8 high x 3/4ths of an inch thick. One of the signs has very, very slight warping, but the warpage is not readily evident as seen by pictures. Each sign has 2 holes from which to hang them, and the old rusted hanging wire which is seen in the photos has been replaced by new hanging wire.
Lettering is original and in very good condition except for some unobtrusive scuffing and loss. Please note that the lettering is bordered with black enhancement. There are 2 holes, one on each side which were originally used for mounting on the building exterior.
Will make a great addition to your collection.
Constructed of metal with green printing, this circa 1920's sign reads: "HARLEM, Austin's Only Exclusive Colored Theatre, Telephone 83?5?33".
The sign remains in all-original condition inclusive of two holes designed to facilitate the posting of the sign upon a surface.
Quite possibly the ONLY sign remaining extant from this particular, racially segregated establishment. An historically significant piece!
The REXALL Seidlitz tin is produced by United Drugs, Boston, Massachusetts. The tin has been protected by shrink wrapping which can be removed if desired. The tin measures 4.50 inches wide, 3.25 inches high, and 1.75 inches deep and is in fine condition with the expected superficial surface abrasions and displays very nicely!
The pastoral image features a country maiden leading a cow from the woods while holding a can of Horlick's Malted Milk.
Imprinted on the cow's side is the following, "Ask for Horlick's at all Fountains and Hotels."
Around the circumference of the mirror, the product is further advertised:
"This maiden fair was dressed in silk,
She drinks the Horlick's Malted Milk."
" Tea of coffee it does replace,
In Health or Sickness,
Wins the Race."
Original mirrored backing is in very fine condition with just a few very minute , superficial scratches. Marked in microscopically written print ob bottom edge: The Whitemead & Hoag Company, Newark, New Jersey.
A beautiful little advertising piece!
This diminutive tin case is painted black with gold accenting and gold lettering present on the front of the case. The black paint shows reasonable wear given its 130+ years of age with the majority of wear evident along seam lines and at the base. The gold painting on the front of the case remains quite nice with very small areas of unobtrusive paint loss present (please see all photos). This tin case was clearly well cared for over the years.
The case contains three, pull-out, tin drawers with tiny, circular, loop pulls at the ends, that when slid out, reveal 15 separate compartments designed to hold the corked, glass, sample bottles. Fourteen bottles remain present, all of which are original to the case. The bottles advertise the spices and perfume waters that the Loverin and Browne Company manufactured for wholesale purchase by various independent groceries. The base of each bottle sits on a spring which would have facilitated secure storage during travel.
An interesting addition to one's advertisement collection! Very easy to display with great visual appeal!
GOLD DUST Trolley Signs are a very rare find in today’s market as they were made of cardboard, a material much less likely to withstand the test of time as opposed to tin advertising signs which were much sturdier!
This Gold Dust trolley sign features the Gold Dust Twins dressed in ruffled, red skirts emblazoned with the words “GOLD DUST”, busily scrubbing the front porch and the kitchen in a vigorous attempt at “Spring Cleaning”. The colors featured in this trolley sign are just stunning—greens, pale peachy-colored orange, pale blue, and yellows with white apple blossoms and red tulips flowering in profusion!! To the left of the Gold Dust Twin scrubbing the front porch, sits a large box of Gold Dust Washing Powder. The advertisement proclaims in black-outlined, peachy-orange lettering: “For Spring House Cleaning”.
The condition of this trolley sign is truly quite fine. Colors are very strong and consistent throughout; please ignore the various glass reflections seen in some of the photos- they were unavoidable and do appear to make the colors appear a bit faded—which is inaccurate! The sign is free of rips or tears although it does have two, early, fold-creases – one running from top to bottom of the sign along the left side of the pail and between the “O” and “L” in “GOLD” and the other vertical crease on the very right edge of the sign, running through the stove in the kitchen to the “T” in “DUST”. The creases are very unobtrusive and do not detract from the wonderful, colorful imagery this sign conveys.
An unusual opportunity to acquire a very RARE piece of Black Americana!!
Interesting and extremely eye-catching graphics on both box and tins! Displays just wonderfully!
The cardboard box has some expected wear as seen in photos with small rips and abrasions, but it retains its structural integrity- still able to support the weight of twelve metal polish tins! The majority of the tins are in very, very nice condition as well with expected, slight superficial scratches here and there. Three of the twelve tins have a bit more surface wear to their lids than the others and are pictured as a trio for the buyer’s perusal---still very appealing.
A very difficult to find vintage country store display piece!
The Aunt Jemima offered here is machine stitched and lightly stuffed with cotton batting and holds a stack of her famous pancakes.
She retains her vivid, brilliant color and is free of rips, tears, holes with her only imperfection- a light, red smudge evident on her apron above the “t” in Aunt and “J” in Jemima.
A very interesting and iconic doll that displays quite nicely with her vivid colors as seen in photos! **Please note that any white marks seen in photos are flash reflections only and are not indicative as damage to the doll.**