$55.00
*****Group #4*****
Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
$55.00
*****Group #2*****
Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
SOLD
*****Group #1*****
Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
$38.00
The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.
This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.
Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'
$225.00
Pill machines were designed to enhance the productivity of the early pharmacist, and this design was, indeed, popular for many, many years. This pill machine is designed with 24 tubes for medicine-making.
The condition is very good, sporting a nice patina commensurate with its age and use. It is constructed of walnut and embellished with brass edge guards as well as brass grooved molds. The paddle has a number of early small dings and a small, faint hairline split on the top edge. The base measures approximately 12" L x 7" W x 1.75" H including the footed base. The paddle is 16.5"L x 3"W.
An apothecary classic, ready for your collection.
$125.00
Measuring 13 inches tall, he is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive and are exceedingly well done. His hair has been styled in tightly wound little ringlets.
His brown-patterned, machine-stitched shirt and pants are also vintage 1930-40's fabric, accented with two miss-matched buttons holding up cute red suspenders.
A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Artist who is now deceased.
Please take a moment to view his big sister by typing the words "Maine Doll" into the SEARCH box.
SOLD
The graphics on the cover of this box feature a smiling, happy, young African-American boy (the company's trademark) who is peering through a rip in the paper, unknowingly about to be pounced down upon by a very ugly and venomous-looking spider!
The box is in amazingly near-perfect condition despite its 100+ years of age with very insignificant soiling present as well as rubs and abrasions to box edges, all of which are more than perfectly reasonable given the age of the piece.
A very seldom-seen advertising piece featuring a Black Americana theme! The first that I have had from this company! is in excellent, all-original, perfect condition!
$275.00
It was constructed in the basket design by Anna Beiler in the late 1970s. Its provenance is from the Robacher personal catalog of collections--- a renown, Pennsylvania husband and wife team who became the published, indisputable American experts in Pennsylvania Dutch decorative art and culture. Over their multiple decades of marriage, they collected an utterly massive number and wide variety of Pennsylvania Dutch artifacts before both passing away in the early 1980's.
Colors are bright orange-red, navy blue, royal blue, forest green, pink and standard green. Please note that all colors are quite striking and brilliant, and remain even in color and tone throughout. Any photos that appear to suggest to the contrary, are a result of lighting issues and do not in any way reflect condition.
This piece was never used and was purchased new in the 1970s by the Robachers, and placed in careful storage in a cedar-lined trunk. It has remained in storage in a cedar chest since its purchase from the Robacher Estate Auctions held in 1989 by Horst Auctioneers of Ephrata, PA.
$175.00
Offered are three utterly fabulous, vintage, Victorian-era, brass-plated photo frames, each with original shelf stands on back. Please see cover photo #1 for truest representation of overall appearance of all three frames.
De-accessioned from our personal stock as we sadly no longer have the place to display them-- and our Wedding photo was displayed in the larger frame--, the frames are in all-original condition, complete with original shelf stands attached on the rear side as well as original movable pins on back that secure the photos in the frames.
In the larger frame, the brass plating is in very fine condition with very minor, minuscule scratches and pitting commensurate with its 125+ years of age. Some very minor silvering of the brass on the front of the frame is also evident, but as seen in photos, is extremely minor. This fabulous larger frame is a truly stunning piece!
The larger frame comes complete with glass and measures 17" high x 13"; the inside measures are 9.5" x 7.5", readily accommodating an 8"x 10" photo with slight trimming. This larger size is actually very uncommon compared to the many, many smaller-sized brass frames that were produced in the Victorian era. The larger frame is truly quite stunning and commanding.
The smaller rectangular frame has a similar amount of very tiny scratches and minor pitting, with some wear to the brass plate at the base of the frame where the color appears more coppery. This frame measures 12" x 9" and easily accommodates today's 4 x 6 photographs. This frame has not retained its glass, but just like the photo size it can accommodate, the frame will readily accept the glass from any modern, standard 4x6 frame.
The oval frame measures 10.75" x 8.5" and is in very fine condition with very minor, minuscule scratches, pitting or wear commensurate with its 125+ years of age. The oval opening accepts an approximate 3.75" x 5" photo and retains its oval-cut glass.
These frames display beautifully together or separately and lend a elegance to any photo displayed within!
$85.00
This fine example measuring 6"L x 1.5"W x 1"H, sports a warm patina commensurate with an instrument of this age.
The mold is marked "S. MAW & SONS, THOMPSON - LONDON", a noted manufacturer of quality medical instruments and tools for many years).
$395.00
This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.
This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.
The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.
A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!
To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
$85.00
The set appears to have never been used! All blocks are present and are in wonderful condition! The paper label attached to the sliding, wood cover is intact with very minor, age-appropriate edge wear and scuffing. What a fabulous, graphic image that would certainly command presence when displayed on a shelf! The integrity of the all-wooden box remains strong and sturdy.
Sets such as these could be found in the more affluent home as well as in early elementary level classrooms, as such toys or learning manipulatives, promoted the development of eye-hand coordination and visual-spatial reasoning skills.
$125.00
Interestingly, whomever wrought this very detailed, family-history sampler omitted just one significant detail- the family surname!
On the left side of the sampler, the Scotch nationality is wrought along with the occupations of Parson and Doctor, with a 1725, antique salt box style home the domicile of the parson (?) wrought below the later 1930s domicile of the doctor (?) at New York City's Park Avenue address.
The right side of the family sampler depicts French origins with a 1777 mentor (teacher) and his red schoolhouse wrought below the 1861 farmer residing in the town of Morrisania (Morristown, NJ?).
The central aspect of the sampler depicts a number of images: a very stylish horse drawn carriage with driver and a sun umbrella--holding, female occupant, a well-landscaped, bright yellow homestead dated 1777, the nationality of "English" stitched out, and finally, a tall-spired village church with accompanying date of 1752.
The French Fleur de Lis is wrought into the sampler as well as the very ancient, stylized, so-called-today "swastika" cross, a symbol of peace and prosperity that can be traced back to ancient Byzantine times and which was frequently featured in early Native American culture as a symbol of abundance.
The sampler hem is completely hand-stitched. The sampler, itself, is in very fine condition retaining bright coloration and an absence of holes, tears or discoloration of any kind. Background color of the linen is an even, mellow, tannish-off-white.
A well-executed cross stitch sampler, an example of fabulous Americana Folk Art, which is shrouded in mystery as to family origin!
$75.00
The tubes bear the Stein's Trademark seal which is quite detailed and ornate and consists of a horseshoe labeled "Semper Fidelis" (Always Faithful), which encircles a stylized and entwined "M" and "S". Below the horseshoe is placed a Mortar and Pestle, all of which rests on a laurel wreath.
The tubes are labeled "Stein's Grease Paint" "Money Back for Unsatisfactory Purchases" "Manufactured By The M. Stein Cosmetic Company New York" "Made in U.S.A.". Each tube is labeled with the color code of the makeup - "No. 1 Pink", "No. 4 Medium Gray". The third tube's labeling is faded and difficult to read -"No.? ???Sallow Young Man???".
The grease paint makeup is contained in individual cardboard, push-up style tubes, they are all unused, and all three are 5 1/8" tall. Two of the tubes measure 1 1/8" in diameter and one, 5/8" in diameter.
The labeling on two of the tubes, while faded, is completely readable; one tube's labeling is rather faded and in some areas, completely unreadable.
The cardboard tubing of two of the makeup paints is, amazingly, completely intact; the No 1 Pink tube is also intact with the exception of the top cover which remains but is detached from the tube.
Interesting and early vintage finds for the theater enthusiast!
SOLD
The case measures 5.5" L x 5' W x 3" H. Hard to find microscope / laboratory tool of the trade.
The Spencer Lens Company was founded in 1895, but was actually a continuation of the earlier business originally established by Herbert Spencer in the 1840s.
SOLD
The weights are housed in plastic, fitted cases and include tweezers for securing the various milligram weights. Each cased set offers a total of sixteen gram and ounce brass weights - 1 metric, small, coin-size weight and various, metal, gram and grain weights.
The cases measure 4.5 inches long x 4 inches wide x 1.75 inches high.
Condition of the BRISTOL-MEYERS case is very good with wear commensurate with use and age and is priced $45.00.
Case #2 marked OHAUS on the top is in excellent condition and is priced $60.00. This set comes with its original shipping box and appears unused.
$75.00
The weights are housed in a fitted, hard wood case that appears to be maple, and it includes a brass tweezers for securing the six individual milligram weights. Also included are eight of the nine brass matching weights, with only the 1mg weight missing.
The wooden case measures 6 inches long x 2.5 inches wide x 1.5 inches high and sports a metal label on top. Condition is very good with the finish and wear commensurate of a used antique collectible.
$295.00
This handsome cabinet is constructed of a hardwood (perhaps walnut) and sports an eye-appealing, front-facing, bakelite, control panel. The cabinet is rather heavy and measures 15"W x 14" H x 12.5" with a canted front panel and two wooden handles for transport.
The bottom drawer stores all of the wires and connections noted in the photo. The condition of the cabinet is very good with wear commensurate with age. One wire is brittle and non functional. There are 2 wires included that plug into the device as seen in photo. From the Philadelphia Hospital Supply Co.
An awesome piece of medical instrumentation - fusing both form and function not often found in today's market!