Catalog (460)

Offered is a very appealing pair of Mid Century Modern, vintage-design-decorated, apothecary jars that once embellished the shelves of a Claymont, Delaware pharmacy.

Dating to the 1950s - 1960s era, this beautiful, white and cobalt blue colored pair are in excellent condition. The large jar measures 10.75 inches tall x 6 inches in diameter. The small jar measures 7.5 inches high x 4.75 inches in diameter.

Ready for display in your vintage drug store collection!

Measuring 9 inches in width x 3 inches in height x 1.75 inches deep, this vintage 1920’s, country store advertising display reads, “We Give And Redeem Gold Stamps”. A very unusual find!

Black with hand-painted, gold lettering, this interesting advertising display would sit nicely on a shelf! In fine, all-original condition with the expected nicks and superficial surface scratches.

This charming grouping of FOUR vintage, wooden, Black Railroad Porter and Mammy clothes brushes were all made in the 1930's by the Rhody Brush Company of Woonsocket, Rhode Island.

All of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.

The two railroad porter brushes are priced at $85 each. The two smaller 4.5", green and red-dressed mammy brushes are priced at $60 each.

The black and cream railroad porter brush and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Black and Cream Railroad Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.

The following brushes are also in very nice, barely used condition with minor imperfection as described below:
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Red and Cream Railroad Porter brush: has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's wear is consistent with where one would hold onto the brush while using it.

Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.

Enter "BRUSH" into the SEARCH BOX to find other Black Americana brushes for sale.

Measuring 13 inches in height, this vintage 1930's, Mammy Bottle Doll is in lovely condition, with nicely detailed clothing and a very darling face! Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

This mammy's cute face is completely hand-stitched and is accented by original celluloid hoop earrings. She wears a flowered bandanna, a cream colored flowered shawl, and an off white apron over her green and black mini-checked dress. She even has a cream colored petticoat underneath all! Her machine-stitched clothes are odor free and are nicely constructed, although her apron does have tiny age holes!

Although her bottle frame is covered by a black stocking, the stocking has risen up revealing her sand-filled milk bottle with red lettering from R.W. Tripp's Dairy, established 1889. The milk bottle lettering is in great shape and even features a graphic of a school boy and girl! Among milk bottle collectors, this particular milk bottle is quite rarely found and quite highly sought after, adding further collectible value to this sweet doll!

This great, early mammy bottle doll is one of 3 currently offered mammy bottle dolls --- rarely found in today's market and all priced separately.

Offered is a lovely and serene oil painting of an older black gentleman fishing by the riverside. The painting is done in a flowing, Impressionist style, with a masterful use of quick, loose brushstrokes and much natural light, which contributes to this peaceful scene. The artist then focuses on careful attention to detail in her execution of the lone fisherman.

The primary colors utilized are a tonal range of yellows, blues and greens suggesting a spring or early summer day. The gentleman is taking a quick look at his bait bucket as his fishing pole line rests on the river bottom.

The canvas measures 16 wide x 20 inches long, and is signed, "Marge Gartlan", an unknown artist. The back of the canvas shows some foxing, but none is present on the front, so the painting, itself, is not effected. In the lower left corner (see photo) a very faint and superficial line, beginning above the artist signature and extending toward the gentleman's right calf, is noted- perhaps a rub occurring during storage? It does not detract from the painting.

The painting will require re-framing as it is currently housed in a hastily and poorly painted frame- as it was found- but which, certainly, desires more.

Nonetheless, this oil, as it presently stands, radiates peace and tranquility in nature, and will grace any art or Black Americana collection!

This circa 1940’s Black Mammy doll is diminutive in size and delightfully detailed!

Measuring just 6 ½ inches tall with a skirt circumference of 4 ½ inches, her head, torso, and arms are constructed of fabric with an inverted basket serving as her skirt. Her clothing is machine-stitched with attention paid to detail: teeny gold fabric braiding serves as earrings and necklace; delicate lace accents her skirt hem; her red shawl features zig zag stitching accents; her face is finely hand-painted.

A sweet addition to one’s Black Memorabilia or Doll collection!

Measuring 23 3/4 inches long x 15 ¼ inches wide when completely opened, this very charming, circa 1940s, machine-stitched, linen towel bears a very delightful, colorful stencil of the well-known Black Memorabilia character, Little Brown Koko eating a watermelon!

The story book, Little Brown Koko, was first published in 1940 by author, Blance Seale Hunt, whose character became so popular that a series of Little Brown Koko story book adventures followed in quick succession!

In excellent, spotless condition, the towel may be folded and framed if desired! A great companion piece for those who collect Little Brown Koko books!

Measuring 10.5" high x 10.5" deep x 6.5" wide at the widest point, this very unique, circa 1940's, pharmacy, ALKA-SELTZER advertising piece displays just wonderfully!

Cleverly conceived and constructed, this display combines a very, visually-pleasing, accessible medicine display that promoted spur-of-the-moment purchases at the drug store cash register, along with a tape dispenser for use by the pharmacist and his employees! Quite clever--- as it guaranteed that the display would remain in use and visible in the pharmacy as the tape dispenser provided a nice convenience for drug store employees!

In very nice condition with expected scratches, paint rubs, and non-problematic, superficial surface rusting here and there (please see photos) expected of a 75+ year old functional display.

The display retains one of its twelve, original, glass Alka-Seltzer medicine bottles (empty of contents) as well as an older, used roll of tape in the dispenser!

A very unique advertising drug store display sure to start an interesting conversation at your next dinner party!

Measuring 9 1/2 inches wide x 13 inches long, this brightly colored, copyright 1931, Little Black Sambo, large softcover book illustrated by acclaimed American children's illustrator, Fern Bisel Peat, is very rarely found!

(Also currently available is Fern Bisel Peat's companion Little Black Sambo Puzzle!)

Published by The Harter Publishing Company, Educational Publishers, Cleveland Ohio, this book along with a companion puzzle which features one of the illustrations from this book, were likely released to the public at the same time. Both the book and puzzle were intended for use in the school setting, grades K-2, as well as in the home. The aforementioned Little Black Sambo puzzle is also available for purchase on this website (type Sambo into the SEARCH box).

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is an 8.5 out of 10! This unnumbered, softcover book has seen little use with just a teeny bit of wear to book edges and very small creases here and there on the covers which do not effect structural integrity. The eight large folio, color illustrations retain their intensely vibrant hues and are simply just spectacular, and they alternate with lovely black ink line drawings. (My camera did not do justice to the intensity of color, washing it out.) An inked inscription is present on the inside front cover. The front and back covers have separated completely from the staple binding; there is separation of book pages only at the following point: below the lower of the two remaining staples. The third and lowest staple is missing.

Despite these imperfections, this rarely found,soft-cover, children's book is in amazing condition given its 90 years of age!

Fern Bisel Peat, 1893-1971, was born in in Erie, Pennsylvania, and went to public schools in Elyria. She attended Ohio Wesleyan University in Delaware, graduating with a degree in fine arts. Marrying Frank Peat in 1917 and settling in northern Ohio, Fern soon began painting children’s murals in both public and private venues.

As her work grew in popularity in the 1920's, she was asked to design children's wallpaper for a Cleveland company, designing a set of Mother Goose wall panels that sold widely. She soon was approached by the Saalfield Publishing Company where she went on to illustrate over 60 children's books!

From 1933 to 1955 she was editor and chief illustrator for Children’s Play Mate magazine, published in Cleveland, and nearly all of the covers during that time period feature her illustrations.

As the major breadwinner for the Bisel Peat family, Fern found every way possible to market her work to publishers, advertising firms and toy makers during the lean years of the American Depression and World War II. As a result, her distinctive children's illustrations can not only be found within children's books of the era, but also on holiday decorations, paper fans, playing cards, rag dolls, tin toys…not to mention coloring books, puzzles, paper doll books, and greeting cards!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This is a very nice example of a Lowell, Massachusetts, patent medicine complete with box.

The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.

This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.

Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'

Measuring 26.5" long x 13.75" wide, this fabulous, one-of-a-kind segregation sign is felt to be circa 1930s.

The sign with its flat black background, features a decorative free-hand, skill-fully executed, corner-looped edge design in old white paint advertising: SLEEPING ROOM FOR RENT.

Beneath the words 'FOR RENT', the words "WHITE ONLY" have been covered over with a layer of similar-colored background paint. Both words are still visible beneath this layer of paint with the word "WHITE" being most readily visualized.

I believe that this "paint-over" can be easily, professionally removed, and I toyed with the idea of having this done, but then felt that I should offer the sign as it is in its current state, as it is reflective of a small yet positive progression in history, in the viewpoint of at least this proprietor in our society in this time period. What prompted this change of viewpoint, which obviously occurred decades before the Civil Rights Act of 1964, is forever lost to history. The place of origin of this sign is unknown.

The sign is hand-painted on Masonite, a smooth-faced, compressed wood hardboard that was invented in the 1920s and was in popular use during the Depression-ridden 1930s due to its relatively inexpensive price tag. The sign has nine holes to facilitate hanging: three on each end and three down the center of the sign. The sign retains an original surface patina with age-related crackling to the lettering. In addition to the words "White Only" being painted over, a decorative flourish centered between the words "Sleeping Room" and "For Rent" has also been painted over, reason unknown. Mild surface paint loss, scuff-marks, and edge wear are present, commensurate with a 90+year old sign.

An exquisite example of Segregation Era signage that tells a story of prejudice evolving to an acceptance of equality.

Offered for your consideration is an appealing, circa late 1900s, deep aqua blue painted wood jewelers sign. The sign was acquired from a Columbia, South Carolina estate and measures approximately 63" long x 7" wide. It is in very nice overall condition except for areas of paint loss, some crackling and general wear of a vintage sign. An unobtrusive 4 inch split is noted near the left edge and some scattered paint flecks add to a wonderful patina. A modest scratch is apparent through the word "JEWELLER".

Lettering is original and in very good condition except for some unobtrusive scuffing and loss. Please note that the lettering is bordered with black enhancement. There are 2 holes, one on each side which were originally used for mounting on the building exterior.

Will make a great addition to your collection.

Measuring nearly 8 inches tall, this fabulous and rarely found, early, lithographed, tin toy, No. 1750, retaining its original box, was made by the Lindstrom Tool & Toy Company of Bridgeport, Connecticut.

This late 1930's toy is the later version of the two Mammy walker toys produced by this company. It is marked on back just under the white apron tie, "Lindstrom Corporation Made in USA". The marking is very faint, and thus, difficult to read without scrutiny. The contrast in this photo has been enhanced so that the manufacturer labeling is easier to visualize online.

Mammy shuffles along quite vigorously via her original wind-up mechanism while she holds her broom and quickly "sweeps" back and forth.

Over 70 years old, Mammy is still quite sturdy as she was well made, but she does show some minor scratching and paint loss from play over the years as the photos indicate. Her coloring remains brilliant!

The box remains in very good condition with minimal wear to seams considering its age. Coloring is strong. One flap at the top of the box is detached but present.

Sweeping Mammy is a must-have addition to any Black Memorabilia Toy collection!

This vibrantly colored, uncut, circa early 1920's, Little Mary Jane Paper doll designed by Berta and Elmer Hader, an American couple who jointly illustrated more than 70 children's books, ran exclusively in the iconic Good Housekeeping Magazine and features a Halloween theme complete with jack-o-lanterns and a basket of harvested fall apples!

The very popular Mary Jane paper doll series was featured each month in Good Housekeeping Magazine for months, with little girls everywhere excited to immediately cut out the doll and her accessories for play!

From the 1920s through the 1960s, paper dolls were an extremely popular play toy with a wide variety of paper doll "books" sold in the 5 & 10 cent stores of the day such as Woolworth, Berdine and Kresge, to name a few. The Mary Jane paper doll always conformed to seasonal themes, with the coloring and artistry of Berta and Elmer Hader never failing to please little girls everywhere.

Given the extreme play-time popularity of paper dolls, it is very rare to find an uncut sheet such as this!

Berta and Elmer Hader worked together to design children's sections for Good Housekeeping, McCall's, Pictorial Review, Asia, Century, and The Christian Science Monitor. They created pictures and cut-outs, often featuring children dressed in national costumes. In Berta and Elmer Hader's Picture Book of Mother Goose, the couple collated pen-and-ink and color drawings they had done for Monitor and Good Housekeeping to great acclaim. When the US Postal Service dis-allowed the sending of magazines with cut-out segments in 1926, the Haders switched gears, gaining a contract with MacMillan for a series of children's books. They began writing the stories for some of the books in this period. Demand for their product soared, and they worked incessantly from 1927–1931, illustrating, in some cases writing, producing, and helping to sell thirty-four titles. They stayed busy for the rest of their lives, producing another seventy or so books before they retired in 1964. One book in particular, Billy Butter (1936), so impressed writer John Steinbeck that he requested Elmer Hader do the cover to The Grapes of Wrath (1939). Hader eventually did covers for two other Steinbeck works, East of Eden (1952) and The Winter of Our Discontent (1961).

Professionally matted and framed some many, many years back, this lovely piece of wall art advertising measures 10.5 inches wide x 13.5 inches long and remains in excellent original condition given its 100 years of age! Any discoloration, facing of color or reflection seen in photos is related to the difficulty photographing an object under glass and is NOT an imperfection to the piece.

Measuring 14 inches in height, this vintage 1920's, 100 year old, Mammy Bottle Doll is in well-loved condition, with completely hand-stitched and highly detailed clothing that has been recently laundered and carefully pressed.

Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

Her interesting and expressive face is also completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, is presented in various shades of pink as Mammy's outfit must have been subjected to light over the years and is in places, quite faded. Despite the careful laundering, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.

Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.

This wonderful, early, one century old (!), mammy bottle doll is one of 3 currently offered mammy bottle dolls that have all come from the same estate. These dolls are very seldom found in today's collectible market. All three are are priced separately.

Pictured is an absolutely fabulous and wonderful Victorian Child's Rocking Chair sporting a fancy crest with an incised design in what appears to beautiful burled walnut. This diminutive gem with beautiful detailing is further embellished with caning woven to its back and seat.

Overall, this heirloom piece flaunts its desirable size with a nice early finish, lovingly curved armrests, perfect-condition caned seat and back, and decoratively turned spindles and front legs.

Given its age, the rocker remains very sturdy and ready for the child in your family to enjoy! It has the expected, minimal surface blemishes and unobtrusive dings and wear that are commensurate with a piece of child's furniture from the 1880 era. Additionally, there are two very, very tight hairline splits in the left side of the seat frame, that again, do not effect the chair's structural integrity. The first is noted just in front of the base of the left arm (when sitting) and the second is seen where the back of the seat joins with the vertical rail. Both imperfections have been photographed, are solid, and do not impact the rocker's structural integrity. The chair measures just over 27 inches tall and the seat width at the front of the chair measures 15.5 inches wide. The rockers measure 24 inches in length.

Just a lovely and special heirloom piece for the new baby or toddler in your family!

Please note that because this item would be classified as oversize by delivery carriers, this item does not qualify for free shipping.

Back in the days when pills were made by hand, a pill rounder such as this (sometimes called a pill finisher), was used to create perfect pill spheres via use of a circular or figure-8 motion. The pill then would be dusted with powder, ready for dispensing by the apothecary.

Made of light-colored fruitwood (treen), this handsome tool of the trade has two different recessed depths used to finish or create, two different diameter pills.

Dates to C1880 and the condition is very good. Sporting a wonderful patina, this pill rounder measures approximately 2.75 inches in diameter x .8 inches high.

Will make a delightful addition to your pharmacy or medical collection!

This vintage 1920's cast iron figure is an authentic piece that was carefully hand-painted long ago. The interesting little hooded drummer measures just 1.5 inches high and is in fine condition with paint scrapes here and there (see all photos). Great facial detail! An interesting figure that displays exceedingly well! Please see the other African-American cast iron figures available for purchase!

Offered is a clear glass paperweight advertising the image of the fascinating "CHIEF TWO MOON" of Waterbury, Connecticut, who made and spent a fortune as a healer and manufacturer of patent and herbal medicines of questionable efficacy. This image is of the Chief proudly posing in front of one of his converted school buses that he and his salesmen used to travel in throughout New York and Connecticut hawking his popular elixirs and herbal medicines.

This handsome paperweight measures about 4.25 inches long x 2.75 inches wide x .75 inches thick. The black and white paper image is affixed to the underside of the glass. Overall, the condition is very good with some minor fading to the image front. The print on the back side of the image is quite faded and the written portion is barely discernible. No damage to the glass is noted.

SOME HISTORY: Chief Two Moon Meridas (Ca1888–1933) was an American seller of herbal medicine who claimed that he was of Sioux ancestry. Meridas was born Chico Colon Meridan, son of Chico Meridan and Mary Tumoon; his exact place and date of birth are unclear. Later, his marriage certificate recorded his date of birth as August 29, 1888, but this information in unconfirmed.

By 1914, Meridas was selling herbal medicines in the streets of Philadelphia and New York City. In New York he met Helen Gertrude Nugent, married her, and shortly afterwards they moved to Waterbury, Connecticut, where he began to sell his herbal medicines from his house. Contemporary newspaper accounts state that during the Great 1918 Influenza Pandemic, none of his patients died! This increased his prestige and clientele. His most famous product was "Bitter Oil", a laxative that was widely marketed as a cure-all.

In 1921, Meridas moved to a larger house in Waterbury and established an extensive and prosperous herb business in a storefront at 1898 East Main Street. He built his own laboratory at 1864 East Main Street in 1925. His business increased to such an extent that he had a fleet of buses for his salesmen as well as an airplane. He took money only for his products, not his advice. He spent lavishly but also surreptitiously donated to charities and to the poor.

In 1928, The Chief was awarded the keys to Atlantic City, where he founded his Indian Temple there. Although The Chief always claimed Native American ancestry in the advertising of his products and in his personal life, the United States Department of Interior refused to certify that he was an American Indian. However, on August 6, 1930, the Oglala Lakota Sioux of the Pine Ridge Reservation awarded him the honorary title of Chief, because of the significant financial help he provided them and others during the Great Depression.

The Chief died in Waterbury at the age of 43.

Offered is a fabulous, early 1900s, veterinary doctor sign, advertising the practice of a Dr A. A. Bennet. This 18 inch x 11 inch brass sign is a wonderful advertisement piece. The black painted lettering has been cut into the brass sign to give a two dimensional effect.

Veterinary signs of any type are quite scarce! Wonderful patina!

Offered is a lovely, double, gutta-percha photograph case holding two mid 19th century, Civil War Era tin types of two different women.

The double gutta-percha case measures 2.5 inches wide x 3 inches long x .75 inches deep when closed, and 5 inches wide when opened. The case appears to be in excellent condition!

The two cased tin types are each further framed within different press-molded, thin, ornate, brass frame and behind a little pane of glass. Each tin type is labeled with the name of the woman: the bonneted woman is Sarah Lavinia Piquet, and the long-haired woman is Maria Rogere.

Mid-19th century age is an approximation based on clothing style as well as decorative art in photo and style of double case.

Condition of tin types is excellent- **ANY white marks seen in photographs are caused by light reflection and are NOT damage.**

A very RARE and highly appealing Black Memorabilia Advertising Die cut!

Marked "Copyright 1924", in the lower left hand corner, this extremely hard-to-find advertising piece measures 10.5 inches wide x 13.5 inches high. Colorful and visually interesting, the heavy cardboard die cut depicts an engaging Uncle Wabash serenely strumming his banjo on his front porch! Guess the message to the consumer was, "Eat one of Uncle Wabash's cupcakes to experience your own little slice of heaven and serenity!"

Condition of this charming piece of Black Historical ephemera is quite good given its nearly 100+ years of age!! Old water staining to bottom of the die cut does little to detract from the piece. Crease line to one cupcake edge. Appropriate age-related foxing to back.

Offered is a very lovely, antique, 12 tube Pharmacy Apothecary Suppository Mold, circa 1880. This example measures 9.5 inches long x 1.75 inches wide x 1 inch high and weighs more than 4 pounds. I believe it is made of bronze and is plated in a nickel finish.

This very durable mold has 2 wing nuts on the base that hinge downwards to facilitate opening. To close, the nuts swing upwards and are locked by screwing in place.

The only markings noted are the numbers '1' and '2' stamped on the end of each plate.

The condition is as follows: scattered small surface dings and modest dings to the edges as seen in the photos. The surface shows scratches and some loss of plating commensurate with age and an honorably-used pharmacy device. The interior surface is similar to the exterior. Overall this antique mold is in very good condition!

This very colorful and detailed pictorial display salutes the achievement of America's First Apothecary General, Boston's Andrew Craigie, commissioned in 1777. He had served as Massachusetts' Committee of Safety as Apothecary and fought in the Battle of Bunker Hill, continuing to serve American forces throughout the Revolutionary War.

This display is one of a series entitled "The History of Pharmacy in Pictures" produced by Parke Davis in the late 1950's to early 1960's honoring the story of American Pharmacy.

This scene depicts Craigie providing aid during the June 17, 1775, Revolutionary War, Battle of Bunker Hill, Charlestown, Boston, Massachusetts.

This self-framed, white-bordered artwork is constructed of a quality, thick, card board and has a built-in easel on back for displaying. The picture can also be easily framed.

Perfect, intense color throughout - no fading - any glare seen is due to lighting conditions during photography. Measures approximately 21" long x 17.75" wide.

Two circa 1915, aluminum, mallet head putters with hickory shafts are offered for your consideration. Both clubs are marked on the top with the following info: "STANDARD GOLF CO. - Mills Patent - Sunderland".

Club #1 has the patent # 171795 and "ENGLAND" stamped on the top. The base is stamped "BRAID-MILLS 1915 MODEL UPRIGHT LIE 9ozs 15drs". The face has a checkered pattern, slightly curved shaft and good early leather grip. It measures 35.5 inches from the heel to the top of shaft. The condition is very good with a small piece of metal missing at the front of hosel.

Club #2 is stamped on top with the patent # of 137374. The bottom is generously stamped with the following: "J.P.B. (owner), BRAID-MILLS 1915 MODEL - MEDIUM LIE - 9ozs 15 drs - HARRY O. LEE & CO. NEW YORK" (Retailer). The face has a checkered pattern and the hickory shaft is straight, sporting a good leather grip. It measures about 34 inches from the heel to the end of the grip. Overall the condition is very good commensurate with a club over 100 years old.

Together they make a nice duo of playable clubs.

SOME HISTORY:
Sir William Mills began experimenting with aluminum golf club heads in the 1890s. Mills was a marine engineer and used his company, William Mills Ltd, to branch into the golf business, leading to the Standard Golf Co.

This colorful group of 5 empty drug store tins. One of the circa 1940s - 1950s tins is labeled “Hospital Packet” and the other 4 are noted as “Professional Packet”. The Hospital Packet tin differs in the front and back lithograph as well as the text. The medicine tins are marked DERMA MEDICONE and are topical anesthetic ointments labeled: Benzocaine, Oxyquinolone Sulphate, Ephedrine HCL, and more.

The 5 tins are all in nice condition with unobtrusive minor surface scratches with one having a minor rust stain to the lower edge from storage.

The tins measure just over 1.5 “ in diameter.

Perfect for your shop or collection!

This wonderful, late 19th / early 20th century photograph of students and teacher from a New England, one-room school house measures 10 x 8 inches including mat. Actual size of the sepia toned photo is 8 x 5 inches. The subjects are posed on the stairs in front of the schoolhouse porch or veranda. The ten young gentlemen in the front row, while quite fashionably attired, don’t appeared to be very enthusiastic about their participation in this photography session! Look at those faces!

Condition is wonderful- no rips or creases. The full view photo appears faded or lighter on the right hand side, but this is camera flash glare only- tones/coloration are uniform throughout as seen in close-up photo.

A delightful and early schoolhouse collectible!

Offered is an authentic signed baseball from former Negro League player CLIFFORD LAYTON. The ball was signed for me at an autograph show and is dated 4-15-05.

Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.

A brief history of the Negro League:

African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

Offered is a hard to find painted cast iron meat and juice press from the late 19th century.

This dual purpose pharmacy tool of the trade measures about 9 inches high and retains much of its original black japanned surface.

Measuring 3.25 inches high by 3.75 inches in diameter, this lovely Victorian Barber Shop, mustache or shaving cup or mug remains in excellent condition but for the subtle wear to the gilt-edged rim.

The cup is embossed with swirls, dots and bows as well as decorated further with gold-drawn designs and 2 large, hand-painted pink roses with 1 smaller cream-colored rose. The cup base is scalloped and the fancy handle is gold-gilded.

A very pretty piece!

Offered is a diminutive size, 19th century apothecary bottle labeled "SODA MINT". This bottle sports a hand-painted glass recessed label with gold embellishment! Soda Mint today is better known as sodium bicarbonate or baking soda, which is used in cooking, and medicinally to relieve heartburn, sour stomach, or acid indigestion by neutralizing excess stomach acid.

This 5 inch tall wide mouth bottle is in fine condition. The ground glass stopper fits perfectly. The glass label is complete, has mild unobtrusive crackled paint and displays quite well. The base has embossing that notes "W.T.CO. USA.".

A darling little size that will fit with any collection.

Offered for your consideration is a wonderful group of 4 Burroughs & Wellcome pill tiles featuring a different scene or theme on each tile. The attractive pill tiles measure 6" square and are in unused, boxed condition. Some staining and wear to the paper label as seen in the photos.

These handmade tiles originate from Delft, Holland, and are part of a limited edition commissioned by the Burroughs & Wellcome Co. The back of each tile sports a label with a description including a brief history.

Ready to display, frame or hang in your favorite collection.

Tiles are priced $20 each.

This eye-catching, bright, robin's-egg blue painted pharmacy sign from the 1970s measures 14 inch tall x 1/2 inch thick.

This handsome wooden beauty is embellished with a fancy decorated mortar and pestle on top, stylized, Victorian-look lettering spelling out "PHARMACY" in the center, and vintage-look advertising for "LOG CABIN EXTRACT" at the bottom.

The condition is good with slight areas of paint lifting or loss, primarily on the edge.

A tiny "MADE IN JAPAN" label and the original price tag are present on back. Ready to hang!

Offered is a wonderful group of seven, circa 1920-1930's, John Wyeth apothecary bottles sporting fancy, shield-shaped, foil labels.

They are being sold separately for $55.00 each. The POISON bottle BELLADONNA is SOLD as is GELATINE CAPSULES QUININE.

Decorative stock bottles such as these beauties were meant to be refilled and reused and were the pride of the pharmacy staff. Eye-catching, reflective medicine bottles such as these also served as an advertising mechanism as they often were placed prominently on the front row of pharmacy cabinets.

Each amber colored bottle measures 8.5 inches tall, has a narrow or wide mouth and sports a stopper with ground glass construction. The bottles date to the 1920-1930's era.

The condition of these empty bottles are excellent. Some of the stoppers are stuck in place.

The bottles sport either gold or silver toned foil labels which show slight wear and staining, commensurate with age and use.

A lovely group indeed!

A wonderful example of hand-crafted Black Americana Folk Art!

This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black mammy with hand-painted “surprised” mouth and eyes! She is dressed in a machine-stitched cotton costume with great yellow ric-rac accenting —a wonderful kerchief on her head, and a cute little apron.

Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Overall condition is fine with minor paint wear to her face as seen in photos--typical of a 70 year-old-piece.

One of my favorite hand-made pieces with true folk art appeal!

Measuring approximately 7 inches high, this most rarely found, circa 1900’s, cloth, Black Mammy doll boasts a body form that is constructed of a dried cob of corn!

Mammy sports hand-stitched facial features, and all original, machine-stitched clothing. Mammy’s hands and arms are made of fabric-coated pipe cleaners allowing for flexibility and movement. Her corn cob body has been neatly encased in muslin. Mammy's costume is complete and quite brightly colored and even features a tiny apron pocket in which a teeny hankie is tucked!

Mammy has been well cared for over the years- no fading to clothing, no rips, tears or other blemishes! A most interesting and very seldom found Mammy doll in utterly excellent condition!