Catalog (460)

This extremely rare cross stitch sampler of a young black boy with hands placed on his hips is dated to at least circa 1890, although it is quite likely an earlier example of 19th century needlework making it highly scarce and sought after.

Completed in silk thread on early, thick, pressed paper canvas, the diminutive, 1 5/8 x 2 3/4 inch piece of needlework remains stitched onto the original, 1 ¾ x 8 inch long, deep red satin banding. Standing on deep red ground, the black boy wears pale green and black striped clothing.

This wonderful, early piece of Black Americana needlework remains in excellent, original condition. At some point in time, a previous owner matted and framed the piece to allow for both ease of display and protection; however, to meet archival requirements, the piece requires a replacement of its current cardboard backing, and spacer bars separating the needlework from the glass should be added. Framed measurements are 4.5 inches wide x 11 inches long.

A phenomenally rare piece for the advanced Black Memorabilia collector!

It is difficult to photograph glass without reflection- please note that any aberrations are reflections only.

Offered is a simply outstanding, extraordinarily scarce, 1920-1930s Art Deco era, ceiling-mount-hanging, drugstore show globe in impeccable condition!

The fancy and highly-stylized, Art Deco, aluminum frame cradles an equally highly-stylized, classically-ribbed, clear glass show globe and finial. If so desired, the show globe will hold colored-water as was the display fashion back "in-the-day". The frame is embellished with a buffed, silver matte finish with design details outlined in contrasting black to further enhance the fabulous, Art Deco styling. The chain link is also painted black, echoing the black detailing of the frame, and it retains most of its gorgeous, original finish, with absolutely no pitting! The hanger medallions retain their original finish and are ready for mounting. Here and there, the metal parts retain a faint honey tone adding to the show globe's antique charm. This fabulous apothecary showpiece measures approximately 34.5 inches from the top of its fancy, ceiling-mount hanger to the base. If desired, it is possible to add additional chain links to further extend the overall length of the globe.

The condition is excellent. The globe glass is clean and clear except for some very, very faint haze on the interior top of the globe just below the neck. A perfectly fitting, ground-glass faceted finial echoing Art Deco design, rounds out this beauty.

The combined take-away of this offering, this outstanding piece of nearly 100 year old, American pharmacy history, is its exquisite Art Deco styling with extraordinary visual appeal, its utterly excellent condition, and its very scarce, ceiling-mount design, making it a true rarity among extant Apothecary antiques and collectibles!

Offered is a scarce pharmacy tool of the trade labeled No. 10 TABLET MOULD that was offered by the Whitall Tatum Company. These hard rubber molds were used in most drugstores from the mid 1880s to the early 20th century. This particular size mould made 50 one grain triturate tablets.

This handsome, hand-sized device enabled pharmacists to enhance their productivity. Measures 6 inches long.

Fortunately, the directions and original box still exist. The top plate and base match perfectly together with the pins passing through the holes smoothly. The condition of the mould is very good evidenced by the minimal wear. The box is in fair condition with two top holes noted and general wear from honorable use and time.

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring 12.25 inches long x 8 inches in width, this two-sided, 19th century estate document listing all of the worldly goods of LEWIS MATTAIR is de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below). The document is undated but is estimated to be circa 1865-66 based on current research of federal and state archival documents.

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

In a frame measuring 7 3/4 inches wide x 9 1/2 inches long, this brightly colored, all original, circa 1920s, Little Black Sambo Puzzle is in near perfect condition! This very rarely-found puzzle (I've NEVER seen another one like this) attracts additional interest due to the whimsical cutting of some of the individual puzzle pieces- in the shape of a heart, a fish, a bird and a dog!

This puzzle features a rendition of Little Black Sambo depicting Sambo trying on his new red jacket---one presumably crafted by his Mama given the sewing pins she clutches between her lips. His Pappy is at the threshold holding in hands, a new blue umbrella as well as new purple slippers to complete Sambo's new outfit! A joyous moment before Sambo then ventures into the jungle dressed in his newly acquired ensemble-- soon to attract the attention of those nasty tigers!

The puzzle is in very fine condition, clearly having seen little play from children. A previous owner chose to enclose it in a frame that complements the teal border of the puzzle which is labeled at the base: "little Black Sambo". Coloring is true and quite lovely.

A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

********PLEASE NOTE THAT THE SMALL NITRO IS AVAILABLE*****THE OTHERS HAVE BEEN SOLD****

Offered is an interesting heart specific medicine dating to 1990.

The cute Parke Davis Nitrostat bottle measures 1.25 inches and is priced at $8.00.

Offered is an extraordinarily rare, 1842, Warren County, Georgia, Apprehension Order for a SLAVE boy named Henry who is accused of committing a violent assault and battery with intent to kill.

The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page and then completed on the back of the same side of the page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "The State VS Henry Negro Boy Slave".

The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Matthew Sheilds a justice of the peace for said county, personally came Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a negro boy slave the property of the estate of Hardy Pitts late of said county deceased, did commit a violent assault and battery with intent to kill Deponent, with a heavy stick - and Deponent believes said stick was ferreled (an action suggestive of a wild beast)- upon the person of Deponent - on this night of the thirteenth of this Instant in said county of Warren to wit upon the plantation of Thomas Persons, near Warrenton.
Sworn to and subscribed before me this 14th March 1842."
"Matthew Sheilds JP"
"Stephen Blount"

Paragraph two:
"Georgia Warren County"
"By Matthew Sheilds one of the Justices To Sheriff the Constables of Said County and to all other lawful officers for as much as Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a Negro boy Slave the property of the estate of Hardy Pitts late of Said County deceased did commit a violent assault and battery with intent to kill Deponent - with a heavy stick and Deponent believes said stick was ferreled upon the person of Deponent on the night of the thirteenth of this Instant...." (continued next page)

Next Page:
"in Said County of Warren to wit on the plantation of Thomas Persons near Warrenton. These are therefore to Command you that you apprehend the Said Negro Boy Henry and bring him before me or some other Justice of the peace of Said County to Answer the said charge and to be further dealt with according to Law Herein fail not. Given under my hand and Seal this 14th day of March 1842."
"Matthew Sheilds JP" (JP written a second time and encircled in a squiggle to simulate a wax seal)

Condition of this very unique slavery document is quite fine given its 180 years of age. Expected aging of paper with insignificant and minor tears at creases. Also present are three long spillages of ink (as seen in photos) which likely occurred at the time this document was written out with, obviously, no intention of the author to start over again and rewrite!

An extraordinarily rare historical document that defines a specific slave-related incident.

Offered are two, very nice, circa 1905-1910, smooth face, hickory shaft, golf clubs. Smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, but they were still offered in catalogues for a number of years beyond this date.

The 1st smooth face club is stamped on the back "Wm. GIBSON - KINGHORN SCOTLAND - CLEEK ...". It is a quite scarce, left handed model with a lambskin grip, straight hickory shaft, sporting a nice, aged patina. It measures 38 inches from heel to top of shaft and has small dings and surface wear commensurate with use and it's 110+ years of age.

The 2nd club is marked "SD & G" on back, and it, too, has signs of honorable use and wear. There is a "sheen" present in the sweet spot on the face that is of unknown origin. The club has a straight shaft, an appealing patina and measures 37 inches from the top of the shaft to the heel.

Two sweet early 1900s clubs!

This a Vintage 1920's "Clear-Sight Spectacle Co." Self Test/Sales Kit with Original Paper Info, Instructions, Tester & Original Box.

Included are: Instruction Sheet, Sheet with choice of glasses available with prices, pictures and list of satisfied customers, greeting letter, Special Notice, Mailing Label, Guarantee, Order Blank, Tester with Original Shipping Box. The Original Shipping Price Shown on the Box is 3¢.

The Tester is made of wood, sports a lens and a tiny metal eye chart. The condition is very fine except for a small scratch to the chart and minor wear to the paper inserts.

Very unusual home eye exam tester!

Measuring 9 1/2 inches wide x 13 inches long, this brightly colored, copyright 1937, The Tale of Peter Rabbit book, a sweet story originally written by Beatrix Potter and offered here, in a large softcover book format and illustrated by acclaimed American children's illustrator, Milo Winter, is very rarely found!

Published by The Merrill Publishing Company, Educational Publishers, Chicago, Illinois, this book was meant to be used in the early Primary Grades as an educational tool to promote reading skills.

Condition is an 9.5 out of 10! This unnumbered, softcover book has seen little use with just a teeny bit of wear to book edges which do not effect structural integrity. The fourteen large folio, color illustrations retain their intensely vibrant hues. Amazingly, there is no other noted damage or imperfection other than the three minute tears to the vertical edge of the front cover which likely resulted in, simply, use!

Prolifically used in the primary school setting, this book supported the development of not only sight word vocabulary but supported the rudiments of the "sound it out " theory.

Regardless, for either the early primary school officienado or lover of classic nursery tales, this book is superb!

Offered is a very nice 1950 - 1960s era painted wood sign found in a Myrtle Beach antiques shop.

This double sided sign has the same word "WATERFRONT" painted on each side. The white background and bold black stenciled lettering are identical.

This handsome sign measures 24 inches long x 6 inches high and 3/8 inches thick. There are 2 unobtrusive small holes on either side which were used when hanging the sign. Other than the expected scuff marks, surface mars, and minor stains, this sign is well preserved.

Would complement any decor or collection. PERFECT for the BEACH HOUSE!

Measuring approximately 11 inches tall, this wonderful, vintage 1940s, Black Americana Chef cookie jar, remains in all original condition-- no repairs or repaint-- and it is NOT a reproduction!

This wonderful piece is unmarked but is documented in numerous guides as the Black Chef cookie jar made in the 1940's by the National Silver Company. It likely once had a "NASCO" foil label on its base which dried up and fell off over the course of the jar's lifetime.

Fabulous cobalt blue accenting makes this cookie jar quite striking in its appearance. A great display piece!

As stated, the cookie jar remains in all original condition-- a rarity for a cookie jar of this vintage! Please take the time to view all photos as they represent condition quite nicely. Glaze crazing typical to the age of this 60+ year old piece is evident as well as small surface flakes present here and there along lid cover edge- a very common site for flakes/chips on any lidded ceramic piece given that the lid was continually taken on and off during use and thus easily subject to damage. A single superficial hairline occurring during firing can be seen on the interior base; it does not go through to the exterior.

It is quite rare to find a vintage cookie jar in such fine overall condition! Reproductions abound on today's market, but authentic pieces such as this are quite scarce and are truly collecting treasures when discovered!

Offered are two, VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

This offering features two lovely die cuts- one, a well-to-do Victorian era husband and wife out for a stroll, and the second, a colorfully dressed musical trio playing banjo, concertina (small accordion) and tambourine. The musical trio remains connected- adding to its value- and uncut, number 7568.

The products for which these die cuts were meant to endorse is unknown. The litho features a very glossy finish, and the die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Either would look fabulous framed- individually or as a grouping! Think gift!

Approximate measurements are as follows:
The Older Couple: 6" tall x 4.25" wide
The Musical Trio: 5" tall x 4.50" wide.

Priced each at $45.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the older couple reveal no restorations or repairs. The Trio of Musicians remain very loosely adhered to a piece of black construction paper so the verso cannot be viewed. (I leave removal to the buyer.) Inspection of the front side suggests no repair or restoration to this piece.

This 1970 era, laser cut, Ramada Inn Hotel and Restaurant advertising sign sports patriotically-colored red, white and blue detailing. The sign highlights Ramada's SPECIAL GOLF PACKAGES and its very humorously-named "DUFFERS LOUNGE"! (In golf, a duffer is a mediocre or poor golfer.).

The 2 inch thick wood sign measures 20 inches long by 5.5 inches wide and is in very good condition. The sign has some areas of faint edge splits, minor paint loss and other unobtrusive imperfections commensurate with age and use. The patriotic colors and embossed lettering create a striking display piece. Ready for hanging above your home bar or within your golf memorabilia collection!

This hard to find tool-of-the trade pharmacy instrument is marked “S & D CAPSULE FILLER”. It was used by early 20th century druggists to increase their capsule production. Known as the "CHEMI PHARM UNIVERSAL CAPSULE FILLER" and made by the Fenton Chemical and Pharmaceutical Co. Dating to 1905, this RARELY found example contains 2 separate fillers.

Included are two different capsule size steel fillers, one of which is presently attached by a universal pin. There are 3 filling trays, tamper, a spatula and roller.

The condition of this wonderful apothecary tool is as good as it gets, complete with the warm, rich patina one would expect of an antique of this age: minor scratches, marks and unobtrusive dings and tarnish.

The metal parts appear to be nickel plated, and the wood base seems to be walnut. The filler measures approximately 13”L x 4.5”W x 4.5” H.

The interior contains sand that was used to add weight and stabilize the box when in use. Weighs 25 pounds.

A must addition for any pharmacy/apothecary or Merck collection!

Offered are two, VERY RARE, 1880's, Black Americana advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature African Americans- one showcasing a family of five out for a stroll in the park, and the other featuring a group of nine folks of varying ages playing musical instruments and dancing in celebration.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the strolling family measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the nine celebrators measures approximately 10.25 inches wide x 7.25 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, bend lines and light edge wear. The advertisement featuring the celebrators has significant edge wear and some paper loss along the horizontal top and bottom of the piece; however, with proper matting and framing, these imperfections can be easily and completely hidden.

The advertisements are PRICED EACH as follows: $35 for the family of five out for a stroll and $25 for the advertisement featuring the 9 celebrating and dancing folk.

A simply fabulous and extremely rare, circa 1870-1880's, solid brass, Black Americana SLAVE FACE BOWL!! A striking image!!

Prominent facial features- eyes and brows, nose, cheekbones, lips and teeth -and tight curly hair rise from the surface of the bowl. The bowl is rather heavy for its diminutive size and has no markings. Measures 4 inches in diameter and 1.5 inches high. Condition is excellent with some tarnishing that may be cleaned if desired; our preference was to offer this 140+ year old piece in as found condition.

A rare, outstanding and highly collectible offering to add to one's advanced Black Americana collection! I have only come upon 2 of these bowls in my 40+ years in the field.

Measuring 12 inches in length, this circa 1930’s, Topsy Turvy Doll is in superb condition and is unusually and wonderfully appointed with great attention to detail! Both black and white sides of the doll have been very finely dressed with rose blossoms on their bandannas as well as at their waists- very, very rare for the “Black Topsy” to be so well attired!

”Black Topsy” is dressed in a striking pink, green, orange, and black cotton, geometric-patterned dress- very Art Deco! Her mouth and nostrils are stitched in red thread and she has white pearl button eyes.

The Caucasian doll is dressed in a cotton lavender dress- also with a geometric, Art Deco pattern in black, green and yellow. Her blouse and bandanna are lavender sateen. Her entire face has been finely stitched. She has pink nostrils and mouth, black eyebrows, and her black stitched eyes have pretty lashes that highlight her silvery gray irises! She has the very palest of staining to her face above her nostrils, but it is barely noticeable, and there is some light fading to her sateen bandanna.

Condition and detailing of both sides of this Topsy Turvy is really quite extraordinary, setting her apart from other Topsy’s!! A wonderful addition to one’s doll or Black Memorabilia collection!

Offered is a very difficult-to-find, large grouping of twenty one, 19th century, porcelain, matching apothecary cabinet drawer pulls, priced at $45 for each pull.

Each pull measures approximately 1.4"W x 1.3"H x 1" front to back (not including bolt). (Please note- "INULA HELEN" is sold.)

The condition of the pulls is very good with only a few minor manufacturing imperfections that add to the desired patina of an antique of this age and period. The decorative gold embellishments painted above and below the medicinal labeling of each pull show moderate loss, primarily "use-wear", due to decades of continual handling over their 140+ years of age. Please note that the "TEREBINT" pull has a rear chip as noted in the individual, close-up photo.

The pulls each sport the following maker's mark on the bottom of the knob: "PAT. FEB 12, 89 - M.D.B. CO. - ST. LOUIS, MO", although on some of the pulls, this marking has been illegibly applied.

Ready for display in your apothecary collection or for retro-chic decorating use on an actual cabinet, be it antique or contemporary!

Offered is a wonderfully hand-crafted, circa 1870's TONGUE PLANE.

This early example measures 12.5 inches long and sports a lovely aged brownish patina. The toe of the plane has the owner's initials, "L.C.", boldly-stamped upon it.

The condition is commensurate with a modestly-used antique hand tool. There are the expected unobtrusive small dings, scratches and imperfections typically seen in vintage tools. The base of the handle has a 4 inch split that does not effect the integrity of the tool. A small, 1/4 inch split is noted near the bottom of the heel. The blade is sharp, well-maintained and is imprinted with the word, "WELDON", suggesting a probable Scotland-sourced iron. The plane construction, however, is most likely of English origin due to the bold manner in which the owner's initials are imprinted.

Offered is an early 1900s, very striking, low profile, hickory shaft era, golf club, stamped "JIGGER" on the sole. A jigger in golf is a club in between a mashie and a mid iron essentially one with a low loft.

The club sports a nice patina throughout including an original grip and desirable smooth face construction. Measures 37 inches from the heel to end of the straight, sturdy shaft. The club shows mild wear and is void of any cleek or maker marks.

A sweet, well-balanced club ready for your use or for display in your collection.

SOME HISTORY

The jigger is said to have its origins in Scotland during the late 19th century. It was popularized by greats such as Harry Vardon and James Braid. Due to the evolution of golf course design and smoother, faster greens the need for a specialized club for short shots diminished.

Offered are three C1905-1930, hickory shaft golf clubs from Edinburgh, Scotland.

The first club, a ladies' MASHIE iron, is stamped with the following: "HENDRY & BISHOP Ltd. - EDINBURGH - Made in Scotland - Warrented Hand Forged - SPECIAL (L) with the MITRE BRAND" cleek mark. This circa 1930 club has a handsome construction and measures 35 inches to the heel. The straight hickory shaft sports a nice patina, and its original leather grip is in good condition. The club head is in good condition with mild leading edge dings and sports dot face stamping.

The second club, a circa 1905 JIGGER, is in very good overall condition sporting a solid, straight hickory shaft with an original patina. The club head sports a random sized dot-punched style on the face. The back is stamped with the following: "HAND FORGED IN SCOTLAND and M.J. BRADY - SPECIAL" in an oval. T.S.St.A plus REGISTERED TRADEMARK and a PIPE" cleek mark. (T.S.St.A stands for TOM STEWART-ST ANDREWS.) A JIGGER is a short-shafted club with low loft which was used in the same way as the modern chipper. The club has minimal dings and wear to the head. A high quality, low profile specialty club! A very nice example indeed!

The third club is a fine example of a circa 1900 crafted, low profile and low lofted driving iron or mashie. The leather grip has been professionally replaced, and the straight hickory shaft sports an original patina. The club measures 37 inches to the heel. There is deep nicking to the hosel and a slight wiggle where the shaft joins. The face has a ding by the toe end, perhaps the result of an honorable blow that caught both ball and stone many years ago. The back is stamped with the following: "SCCMCoy LTD - ED......." (? Edinburgh).

A nice trio of Scottish clubs!

This is a very nice example of a Lowell, Massachusetts, patent medicine complete with box.

The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.

This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.

Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'

Professionally framed in an intricate, antique-look, gold gilt molding with museum quality, acid-free mat and mounting materials, this 1840, hand-colored map of Germany, Switzerland, and Northern Italy will be well-preserved for many, many years to come!

Photography was a challenge in an attempt to avoid flash reflections. As such, please note that the rich coloring- violet, yellow, green and gray- is even throughout the map.

All print and map detailing is clean and easily read. Some minimal foxing and age staining to map do not detract from the visual appeal of this piece. Framed map measures 12 3/4" wide x 15 1/2" long.

This wonderful early wooden school chalk box retains the majority of its original, COBALT BLUE paper label advertising one gross “OLD FAITHFUL COLORED CHALK CRAYONS, # 610, manufactured by the AMERICAN CRAYON COMPANY, Sandusky, Ohio & New York. Alas, the chalk box is empty, the chalk having been long ago used by the school children!

Circa 1920-30’s, the chalk box features a sliding wooden top and carries further advertising on one side printed in matching cobalt blue print. Box measures 6.5 inches x 4.5 inches x 3.75 inches and is constructed of machine cut hinges. In pristine condition and an increasingly difficult collectible to find!

This wonderful, late 19th / early 20th century photograph of students and teacher from a New England, one-room school house measures 10 x 8 inches including mat. Actual size of the sepia toned photo is 8 x 5 inches. The subjects are posed on the stairs in front of the schoolhouse porch or veranda. The ten young gentlemen in the front row, while quite fashionably attired, don’t appeared to be very enthusiastic about their participation in this photography session! Look at those faces!

Condition is wonderful- no rips or creases. The full view photo appears faded or lighter on the right hand side, but this is camera flash glare only- tones/coloration are uniform throughout as seen in close-up photo.

A delightful and early schoolhouse collectible!

Offered is a scarce, vintage, boxed case of SS White Dental Burs from the 1920 era.

This awesome tool-of-the-trade includes many unused burs housed in their original, individual boxes! A detailed, complete label is pasted on the interior lid and is in good condition.

The hardwood case measures 11" L x 5.5" W x 3" H and has wear to the finish commensurate with age and use. A visually-appealing display piece that would enhance any dental instrument and artifact collection!

Measuring 33 inches long x 15 inches high, this vintage 1869, black ink, original lithograph was published as an art supplement to Appleton's Journal.

The litho was executed by John Karst with his signature appearing in the lower left hand corner. Highly detailed, the litho reproduces a bustling New Orleans' dock scene featuring numerous slaves at work.

This litho was professionally re-framed using museum-quality, acid-free materials in 2004. The frame is a classic styled, black painted, beaded, hardwood accented with a dark rose, acid-free mat.

A fascinating glimpse into life on the docks of the Mississippi River at New Orleans!

Please note that any white spots or streaking appearing in photos are the result of light reflection and are not damage to the litho.

Offered is a very scarce, 19th century, strength measuring medical device known as a dynamometer that was manufactured by the G. Tiemann Company, New York, the most renown and respected surgical device manufacturers of the 19th century. Sold in the US by a gymnasium apparatus company out of St. Louis, the Fred Medart Company, the device was designed to assess the strength of the chest, back and legs up to a pull capacity of 1400 lbs.

This fabulous early tool of the medical trade sports a visually-interesting, graphic, brass face with a scale delineating increments from 0 to 1400 pounds. There are 2 dials - one that notes the actual pressure achieved, and the second stationary dial that serves as the reference.

This instrument enjoys wonderful, rich patina on both the metal and wooden sections. It measures 13 inches at the widest point and 10 inches at the wooden handles.

A fabulous device which has great visual appeal and displays wonderfully! Sure to spark some interesting conversation at your next gathering!

Offered is this early 1930's, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book. It is believed that this edition was the company's final publication of this story which was used over a period of ten years up until WWII, with changes only to the cover design. M.A. Donohue's Little Black Sambo books, today, are a very rare find!

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! All the wear on this brightly colored hardcover book was absorbed by its cover with wear to book edge points, book cover edges, and splits to the exterior spine. The interior binding is intact and tight as are all pages. No rips, creasing or bends to pages or pen/pencil markings. Illustrations remain very brightly colored and vibrant and are known for their very fine artistry. There is a small spot of brown paint that likely dropped onto the book while it was closed because a tiny remnant of this paint appears on the very edge of each page approximately one inch from the top of the pages (as seen in photos). Interestingly, both the front and back covers are identical in design!

Amazing condition for a nearly 90 year M.A. Donahue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered for sale is a very rare, circa 1890s, trade sign or display advertisement for “KESSLER’S – SMOOTH AS SILK“ WHISKEY-- shaped in the form of a TOP HAT!

This fabulous advertising piece is made of papier mache’, is painted black, and sports cream-colored lettering on both sides of the hat. 19th century advertising pieces such as this are quite simply, extremely rare in today's collectible market, and when found command high values!

Julius Kessler, born in 1855, in Budapest- at that time, part of the Austrian Empire- traveled to America to make his fortune. In 1888, he began by personally selling his American blended whiskey known for its silky smoothness, door-to-door, to all of the saloons in Leadville, Colorado. The image of a smooth and silky Top Hat as the company's trademark advertising symbol added a flair of elegance to the brand! Kessler's whiskey quickly grew in prominence and popularity, and by 1935, was bought by Seagram's, with Kessler appointed as President. Julius Kessler passed away at the age of 80, but his image still adorns the bottle's label today- currently owned and produced by Beam Suntory-, as does his slogan, “smooth as silk”!

The condition of this fab piece is very, very good given its 125++ years of age, with some areas of paint loss and wear (mostly to the top of the hat which is the surface that actually serves as the base for this piece). No structural weakness or damage to the papier mache- a very solid piece that displays beautifully!!

Measures 12”L x 9.5”W x 6”H. A superb, 19th century, eye-catching, visually appealing, antique display advertisement!!

Measuring 6.75 inches in diameter and 4 inches high, this wonderful, C1920, Ohio-made, yellow ware, spongeware batter bowl features fabulous blue sponging and is much more striking “in person” than the photos were able to capture.

The bowl sits on a 1/8" high footed base and has a lovely turned edge rim. It has glaze crazing typical of an 85+ year old piece of pottery as well as two, very tight hairlines approximately 1.50 inches in length. One is placed at the pouring spout and the other near the back fingerhold. There are also two, tiny, 1/8" long superficial flakes--one on the outside edge to the rim and one on the body of the batter bowl. The batter bowl is also missing its wire handle.

An outstanding piece of American Spongeware which is seldom found due to the heavy every-day use that a batter bowl would encounter. Becoming much more difficult to find!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

Measuring approximately 23 inches high X 18 inches wide, this heavy cardboard restaurant menu from the 1940’s has never been used! This menu board was designed by the manufacturer to be a consumable, throw-away --- for jotting down the ever-changing, daily menu “Specials”!

Featuring a delightful, cartoon-like caricature of a black man, this board is in very good condition with minor edge wear, slight age-discoloration and a teeny missing piece of the front rim of the hat.

An interesting, seldom-found piece of Black Memorabilia!

Please disregard reflections in photos that are due to the presence of protective plastic wrap.

Measuring 14 inches high x 8 inches wide, this early and VERY, VERY RARE, Circa 1890-1900, exotic Female Blackamoor, metal frame mirror is complete with all original parts including its original 8" x 10" beveled mirror which is in amazing condition!. An extraordinarily difficult to find, highly captivating piece! Unmarked.

This stunning, 125 year old+ example of statuesque Black Americana is in wonderful condition absent two very tiny areas of loss, not unexpected given the age and use of the piece. One area is at the extreme edge of the right tip of the base, and the other, very minor loss to the tips of the right thumb and index finger. Neither of these areas of loss are easily noticed, nor do they distract from the truly incredible rarity of this early piece.

Very well made, the frame easily comes apart into 3 pieces for safe shipping and/or storage.

An extraordinary opportunity to acquire an extremely RARE and highly coveted piece of turn-of-the-19th-into-20th-century Black Americana! One will be very hard-pressed to find another example!

Offered is a wonderful, 1940 era, SENTINEL First Aid Kit sporting GREAT graphics. This visually-attractive, metal case contains all of its contents and appears to be in minimal and perhaps in unused condition!

This diminutive kit was designed to be portable and most useful for scrapes and scratches. The case measures 6" x x 3" x 1.25" and is in very nice condition with minor surface scratches and stains commensurate with age. The contents are near perfect.

Distributed by FOREST CITY PRODUCTS, INC. Cleveland, Ohio.

A wonderful kit for your medical, nursing or emergency-care student or professional in your life!

An additional tube of Ophthalmic ointment and a few early Band-aids are included!

Offered is a very nice C1900, Fairbanks, NY, Drug Store or Apothecary Prescription Scientific Scale complete with weights. Features of the scale include a mahogany case sporting a wonderful patina, and the bone (or early plastic) name plate which is marked "FAIRBANKS NY", an iconic maker of quality scales of the period. A brass labeled NY (New York) CITY asset tag further enhances this vintage scientific collectible.

Additionally, a brass beam, column and dial create a visual enhancement. There are 2 nickel plated pans and a complete set of boxed weights that round off this appealing scale.

The scale case measures 9"L x 4.25"W x 2.5"H and is about 10" tall with the brass column in place.

The overall condition is very good with the expected scuffs, dings and imperfections commensurate of a 120+ year old antique. Minor tarnish prevails especially on the pans and on metal areas. The boxed weight set is in as found very good condition.

***NOTE*** THE SCALE WILL BE SHIPPED DISASSEMBLED for safe keeping during transit.***

A perfect compliment to one's apothecary - drug store collection!

Offered is a fabulous, very early example of Tramp Art- a style of woodworking which emerged in America in the latter half of the nineteenth century. Tramp Art features the use of multiple, small pieces of wood that are whittled into layers of geometric shapes whose outside edges are then notch-carved.

This exquisite example exemplifies the early years of Tramp Art at a time when it was practiced largely by skilled craftsmen with artistic talents. Pieces from this era feature a more multi-layered, detailed technique using hard wood bases as opposed to the thin cigar box wood bases prevalent during the early 20th century through the Depression years.

This wonderful, approximate 140 year old piece features multi-layered exterior framing on all sides as well as the box cover; framing which then envelopes amazing pyramidal shapes of all sides.

The box interior is covered in a vibrant floral wallpaper, and it features a small 1.75 inch x 2 inch framed mirror on the underside of the box lid. Likely made for a female given its interior design and decoration, the box also features a functional lock with original key, to safeguard jewels and important mementos.

Measures 8.75 inches wide x 8 inches deep x 6.75 inches high. In very good condition and retaining its original finish! A few missing notch pyramid tips here and there. Just lovely!

Here is a fine example of a club created by a skilled craftsman! It is a circa 1910, smooth face hickory shaft golf club sporting a wonderful patina, stamped on the back "NICHOLLS SPECIAL".

Smooth face golf clubs fell out of fashion, and perhaps function, by the very early 1900s, yet they were still offered in catalogues for a number of years beyond this date.

The grip is missing except for the listing which is in good condition, and the almost-straight hickory shaft sports a nice aged patina. There is a stamp near the base of the grip noting the following: ???? A.& C.P. CO. Mfgr - Westboro, Mass. It measures 37 inches from heel to top of shaft and is likely a MASHIE NIBLICK although it is not marked as such. There are various minor dings to the metal surface and examples of wear commensurate with this club's use and 110+ years of age.

Interesting notes: This club was most likely imported from Scotland and sold by the English brothers Gilbert and Bernard Nicholls who emigrated to the US in the early 1900s. Both brothers (who were not clubmakers) had excellent professional golfing careers. Interestingly, Scotland imported thousands of wooden shafts from the US during the hickory golf club era as evidenced by the Westboro, Mass stamp on shaft.

Measuring 5 3/4 x 7 3/4, this lovely, early, Pre-WWI, English or Continental origin, Black subject advertising die cut features two sweet, smiling, pretty young girls under a tattered umbrella.

This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone decorative frame! Likely originally produced to advertise a specific, product, store or location, but then was never utilized for that purpose.

A sweet piece, perhaps, one-of-a-kind!

Offered is an absolutely wonderful, original, 1930s watercolor portrait of a young "Black Shoe Shine Boy", a figure quite reflective of one aspect of African-American cultural history, as the iconic "shoe-shine boy (or man)" was so very frequently seen on city street corners plying a meager living during the first half of the 20th century.

The piece is signed in the lower right hand corner by LISTED American artist, Olga Lea Rosenson, who was born September 10, 1892, in Brooklyn, New York (died 1959). She was best known for her work capturing town and city landscapes as well as portraiture. This portrait intimately captures the soul of its subject as he pensively awaits his next customer, and it is supposed to have been inspired by a young man whom Ms. Rosenson frequently observed on the streets of Brooklyn.

Painted in 1934, the framed piece measures 20" x 26.5"; the watercolor, 13” x 19.5 “. It is completed in various subtle tones of blue, gray, green, and brown, and it is double-matted in cream with a subtle gray under-mat.

This watercolor remained in the same collection for over 60 years and was professionally re-framed by the original owner in 1987, with information on this re-framing taped to the back side of this piece. The wood frame is in very good condition with a couple of small, age-related areas of wear that are minimally noticeable. There is a 5 inch vertical tear to the paper backing as seen in a photo that was taped closed by the earlier owner; there is no damage to the foam-core backing underneath. To the left of this tear, is cut-out information on the artist that was also taped on back by the earlier owner.

Ms Rosenson's works are owned both privately and by museums around the world, including Washington D.C.'s National Gallery of Art.

Measuring a diminutive 2.5 inches tall, this darling pair of Black Memorabilia, ceramic, boy and girl dolls remain in perfect, all-original condition. They remain housed in their original box complete with cardboard divider, and still retain the tiny ribbon bows tied on each of their six pigtails. Both the dolls and their box appear to have been safely tucked away unused and untouched in a drawer all of these years, the condition is that wonderful! The boy is incised "JAPAN" on the back of his white shirt while the girl's "JAPAN" marking appears on the back of her neck. The bottom of the box is stamped in ink, "237 2 PCS JAPAN". Not to be missed---- fabulous new-old stock!

Offered is a very nice, C1940s, Pharmacy Drugstore Apothecary Scientific Weight Set in a fitted mahogany case which sports a wonderful patina. This handsome piece retains its brass nameplate with an image of a scale beam and arms and is marked "GURLEY STANDARD WEIGHTS and MEASURES TROY, N.Y., U.S.A.". A green accuracy certification sticker remains on the exterior underside of the box indicating it was used in Easthampton, Massachusetts, up until October 1940.

Six weights are nestled snugly in a velvet-like cushion with an additional nine, light weight metal weights residing in an interior, covered compartment securing them in place. A pair of tweezers completes this special find.

The condition of the box and weights is very good. The mahogany case closes securely with two brass latches. A few small dings, scratches and blemishes are present consistent with its 80+ years of age. The case measures 6.75"L x 2.75"W x 1.5"H.

Weight sets such as these were found in old pharmacies, laboratories, and scientific institutions needing to determine the weight of delicate articles, etc.

This striking, decorated, ceramic apothecary jar dates from the 1930s and is marked "GERMANY" on its base. Measuring 9 inches tall, this jar features lovely,14K gold-painted swags.

The jar cover has a repaired crack at the base of the knob as seen in the photo, but the jar otherwise is quite fine lending flair and elegance to your apothecary collection.

Offered are a grouping of 11, circa 1920-30s, colorfully chromolithographed trade cards published by the Liebig Extract of Meat Company of London as well as a smattering of other French and Belgian producers of sweets and clothing for men and women.

"Picture cards" as they were called then, feature very colorful and highly detailed images on the front side with product advertising generally on the back side. For those with advertising on the backside, the advertising, in most cases, is written in French. These cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of the food stuff or article of clothing that had just been purchased.

All but one of the cards measure approximately 2.75 inches x 4.25 inches, with the remaining card measuring approximately 2.50 inches x 5 inches. All but two are in very good condition with no observable flaws or damage.

The two exceptions:
-the 2.50 inch x 5 inch card- which has been scissor-trimmed, has a fold line down the center, and was pulled from a scrap book obscuring some of the printing on the backside-
-and one Liebig card which is missing one corner edge.
Condition quite remarkable given their 80-100+ years of age.

A nice early collection of trade cards!

Offered are 2 very scarce, circa 1940's, glass, hospital signs acquired many years ago out of a New Jersey hospital that was undergoing modernization and renovation.

These glass SPINAL CORRECTION signs once hung near the entryway of the physical therapy department and are ready for display in your collection!

The first sign measures 13 inches long x 3 inches high and is of thick, heavy plate glass construction. The second sign has the same description but has about and inch missing in length. The signs sport gold-toned, applied lettering and are finished off in black paint, such as in the style seen in reverse-painted glass objects. There is some paint loss and lifting which is commensurate with older painted glass.

Measuring 15.25 inches in diameter and 5.25 inches high, this magnificent and absolutely HUGE, C1920, Ohio-made, yellow ware, spongeware mixing bowl or water basin features fabulous blue sponging and is much more striking “in person” than the photos were able to capture.

The bowl sits on a 1/2” footed base and has a lovely turned edge rim. It has glaze crazing typical of an 85+ year old piece of pottery but no cracks, chips or hairlines. Remnants of gold gilt decoration along the rim still remain. Would be fabulous as receptacle for a very large plant or to hold a large water pitcher!

An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

Measuring 7.5 inches long x 10 inches high, this rarely-found, circa 1930's, wooden pull toy depicting a Smiling Black Boy is fully functional! He was manufactured by Wood Commodities Corporation, New York, and was called, not the typical Sambo as one might expect, but "Little Jasper"!

Little Jasper was created by George Pal, a cartoonist who worked for Paramount Studios and who created the Puppetoons, a popular cartoon series played in movie theaters of the era prior to the screening of the feature film.

Push or pull him along, and he twirls around while the two present wooden flowers spin along with him! (One wooden flower top is, unfortunately, missing--the only imperfection to this fabulous toy!)

Overall condition is rated as excellent, barely-used condition! There is very insignificant edge wear to paint here and there, but the four wheels don't show even the tiniest trace of wear from use, suggesting that this toy quite likely sat either in a display cabinet or was packed away for its entire existence! Even the original, paper manufacturing sticker remains intact and in pristine condition!

"Little Jasper" is very RARELY found, and the opportunity to acquire him should not be overlooked!

Black Memorabilia sewing items are becoming very difficult to find! Offered is a wonderful, 1930’s, cloth Mammy Pin Cushion!

While her little body was machine stitched together, the remainder of Mammy is all hand-completed! She has a sweet, cheerful, hand-embroidered face that is framed by a tall red, white and blue bonnet! She continues her patriotic look with a red and white checkered top and blue and white flowered pants---how racy---pants instead of a skirt!!!

Mammy clutches a gold colored tomato which, of course, is designed to keep the sewing pins!

In wonderful condition!! Just waiting to be displayed with other sewing or black American collectibles!

This is a scarce collection of 22 Homeopathic Medicine bottles complete with contents, corks and labels dating to the turn of the 19th century. Each vial sports an applied label that indicates the contents plus a cork with hand-written ingredients noted. The vials measure between 2 - 2.5 inches high x 1/2" including the cork. Hard to find in any condition.

*****Group #4*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.

This is a hard-to-find, pharmacy or drug store female specific tin labeled “SEDETS” – Pain pills from the 1940 – 1950 era. The tin measures 2 inches and is in very good condition complete with unused contents. There are faint scratches and minor wear areas. Marked "Rexall Drug Company" and "Patented 1938 in Canada".

This is part of many “female specific” old pharmacy stock items for sale.

Offered is a bucolic and beautifully-colored, medium-folio, copyrighted 1854, Nathaniel Currier, New York, lithograph entitled, "Catching A Trout". The image measures approximately 10" x 14", and depicts a fancily-dressed African-American man "netting" the trout caught by one of the two well-dressed gentleman enjoying a relaxing day of fishing. This Currier + Ives lithograph is infrequently found, and is quite highly collectible.

Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.

Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.

This unusually diminutive, vintage, C1920s, Black Valentine Cupid die cut is protected in a 4 x 6 inch, decorative wood frame, surrounded by a gold foil mat featuring white foil roses. Additional tiny die cuts of pink roses are placed at each corner.

This adorable, smiling Valentine cupid die cut is in very good condition. Two very teeny fold lines are present that are very difficult to see unless using magnification (see closeup photo) - one in the left arm and another in the left wing. Otherwise, perfect!

A very unusual, vintage, Valentine's Day find!

Offered are two, very nice, circa 1910, Seymour Dunn, DEEP DOT Face, hickory shaft golf clubs.

These scarce clubs are stamped on the back "MAKER - SEYMOUR DUNN - LAKE PLACID NEW YORK U.S.A. - a CROWN (VIET ARTE)..". The leather grips are in good condition, and the shafts sport a nice aged patina.

The PITCHER measures 35.5 inches from heel to top of shaft. The MIDIRON measures 37.5 inches from the heel to top of club, and there is a slight bend in the shaft. Both clubs have various small dings to the metal surface and areas of wear commensurate with the club's use and 110+ years of age.

Seymour Dunn, of Scottish origin, was the nephew of Willie Dunn, an accomplished golf pro, course designer and club maker. Seymour worked with his uncle for two years until setting up his own shop in 1910. Seymour, just like his uncle, became an accomplished golf pro, course designer and club maker, and additionally, was a successful author of books on golf and a frequent contributor to golf magazines. Quite a talented family!

Offered is a colorful, 1883, lithographed, Lime Kiln Club, Black Americana, Cigar Label by Mensing & Stecher of Rochester, New York (company noted in the lower left corner). The lithographed 8" x 6" label would have been placed on the inside cover of the traditional wooden cigar box of that era. This highly detailed label features a caricature image of a very boisterous group of African Americans at a lodge meeting. The moderator is trying to get order while some of the members talk and fight amongst themselves with one even holding a pistol.

A trademark label affixed to the bottom of a sour mash whiskey barrel, "ICMCo" stands for the Ithaca (New York) Cigar Manufacturing Co. for whom the label was made.

Interestingly, this cigar label was based on a racial parody book featuring a fictitious fraternal organization of African-Americans, titled 'Brother Gardner's Lime-Kiln Club' by "M. Quad". Quad, in actuality, was noted newspaper columnist and satirist, Charles Bertrand Lewis, of the Detroit Free Press.

Framed in an 8.75" x 10.75" silver-toned wood frame, this Lime Kiln Club lithographed label is extraordinarily scarce and highly sought after. It is listed as one of the top 100 blue chip cigar labels by "InStone 100" (a cigar label rating organization). The lower right hand corner notes the US Patent Office Registry date of May 22nd 1883. This 19th century piece would benefit from professional framing using archival, acid-free materials to enhance its life for many more years to come.

Condition: The color remains as brilliant as the day this 140 year old label was produced! Four unobtrusive and minor tears are noted: two in the lower left corner area, one at the center top near the moderator's gavel, and one between the K and I in Kiln. A crease is noted in the white margin above the label title, and a water mark is present in the lower right side of the white margin. However, none of these blemishes detract from this highly intricate lithograph! Take a few moments to carefully study all of the activity and detailing in this colorful piece!

Measuring just 3.25 inches in length, this unusual, 19th century, Three leaf Clover cookie cutter is in fine, all-original condition! From the renown, Pennsylvania Robacker Estate, published experts in Pennsylvania Dutch decorative art and culture, who passed away in the 1980's.

An earlier, older restoration to one seam at the base is evident. A tiny spot of very superficial rust here and there that may be removed, if so desired, by polishing with a clear paste wax.

A sweet accent piece for the country kitchen with wonderful decorative form!

A very cute vintage drug store/pharmacy display from the 1940s era!

This complete display consists of 24, colorful CHANDLER'S medicine boxes, each of which contain the original brown pills!

Each box's label includes ingredients described as Acetanilide 1 gr., Caffeine Alkaloid 1/16 gr.,, Po. Ext. Dogwood, Po. Extract Gentian, Cascarin, Po. Capsicum, Podophyllin, and Aloin.

Packed by CHANDLER MEDICINE CO. - Office 2812 Dodier Street, ST. LOUIS, MO., the display measures 6" x 5" x 1" and is in unused, fine condition. ***NOTE*** The cover must be separated from each corner to be set-up as a display as seen in photo.

What a great collectible for the pharmacist, nurse or doctor in your life!

Offered is this 1932 copyright, LITTLE BLACK SAMBO Book with lovely illustrations signed "EULALIE", A Platt and Munk Company Book publication. Softcover, 10 unnumbered pages. These beautifully illustrated drawings alternate by page between full color and black ink. The Platt and Munk Company was renowned for its exquisite, highly-detailed illustrations of children's books.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! This softcover book has seen little use with just a teeny bit of wear to book edge points. The front and back inside covers are separated at the lower of the two binding staples downward; the remainder of the cover binding is intact as are all pages. There is mild, vertical creasing to the book throughout near page edges (see photos), likely from someone folding the book at some point in its lifetime; the front cover at the lower right corner also shows crease lines. None of the crease lines effect structural integrity. No pen/pencil markings.

Amazing condition for a nearly 90 year soft-cover book!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

A wonderful example of hand-crafted Black Americana Folk Art!

This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black girl with hand-painted smiling mouth and eyes! She is dressed in a hand-stitched cotton costume that has been stuffed with scrap fabric.

Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Her ears each have a punched out hole--whether this is functional or purely decorative remains a mystery. A small brass hoop threaded through a piece of fabric which was then tacked to the back of the girl's head facilitates hanging on a wall. Overall condition is fine with age-related soiling to the dress and minor paint wear typical of a 70 year-old-piece.

One of my favorite hand-made pieces with true folk art appeal!

Offered are two, choice, circa 1920s - 1930 era hickory shaft golf clubs.

The first club, the ladies' 7 iron, comes with considerable pedigree. It was offered by the golf professional Frank Belwood while employed as Club Pro at Garden City Golf Club in NY. This club is a handsome ladies' mid iron with a somewhat low profile construction measuring 38 inches to the heel. The hickory shaft has a nice original patina. Noted is a slight bend towards the club head with a faint split at the hosel. The leather grip appears original and is in good condition except for some loss as seen in the photo. The club head sports dot face styling and is in good condition with mild leading edge dings. The back of the club is stamped "F.BELWOOD - GARDEN CITY"- (within a double oval) plus "SPECIAL - HAND FORGED, and (L)" indicating a ladies club.

The second club, a Putting Cleek, is in very good overall condition sporting a solid hickory shaft with an original patina. The early grip is generally good except for a small missing piece. The head sports a dot-punched style on the front, and the shaft is straight. The back is stamped with the following: "GUARANTEED HAND FORGED - PUTTING CLEEK" - and H. WATE?? SPECIAL" in an oval.

SOME HISTORY ON FRANK H. BELWOOD:
Garden City Golf Club, founded in 1899, was one of the first golf courses established in the USA, and in 1902, hosted the US OPEN. Frank H. Belwood was a successful golfer for many years and was the club professional for Garden City Golf Club in NY until the early 50s. He was a charter member of the PGA, and during the early history of American golf, he participated in various major tournaments competing against the best players of his era.

ADDITIONAL INFO ON THE PUTTING CLEEK:
A putting cleek has more loft than a putter. The cleek putting style was popular in early golf and it was said to give the player more options. On smoother greens, the players hands would be placed forward in the stroke to de-loft the club and get the ball rolling smoothly. On bumpy/rough greens it would be held normally and the extra loft would "raise the ball above the roughness".