Catalog (460)

Fine detailing hallmarks this 11.25 inch tall doll. She is dressed in a black native costume -- all handsewn with yellow and black beads, and is adorned with a matching double-strand beaded necklace and single-strand beaded bracelet along with gold hoop earrings. Her lips, as well as the baby's, are painted red and both have inset life-like, plastic eyes. Her hands swivel at the wrists; her arms and legs are jointed at shoulder and hip, respectively.

No identifying marks are evident; clothing is securely attached and could not be easily removed for a further look.

Condition is excellent with the exception of damaged toes on the right foot.

Baskets such as these are made by the women in the Hausa tradition utilizing vegetable fiber, grasses and straw, all of which are typically harvested in the summer. The top of the basket is very smooth, while the base is rougher and unfinished in appearance.

These baskets are often given as wedding gifts and are traditionally used to store grain.

In addition to the natural color of straw, these baskets generally include the colors brown, red, and green, as does this one, which features two individuals joined together (celebrating marriage) as well as colorful triangular figures, one atop the other, representing the joining of two homes or families.

Condition is very good with just four single stitches missing along the basket rim (see photos).

This circa 1900-1910 Johnny Griffin item is a double image still bank that features 2 images of Johnny's head placed back-to-back. It was manufactured by the A.C. Williams Company of Ravenna, Ohio, which at the turn of the 20th century and up until World War II, was the largest toy and still bank manufacturer in the world. (At the start of WWII, production declined sharply as iron was needed for military consumption, marking the end of an era.) The bank is constructed of cast iron in two pieces which unscrew to facilitate the emptying of coins. There is a coin slot at the top of Johnny's head for use in depositing the coins. This sweet bank remains functional for banking use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- and measures 3 inches high x 2 1/2 inches wide. It retains traces of the original gold leaf paint and may (or may not!) have a replaced screw.

The Johnny Griffin image- in the arena of Black Americana collectibles- should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 13 inches wide x 9.50 inches high x 1/8 inch thick and constructed of heavy, multi-layered cardboard, this wonderful piece is in very fine, all-original condition with a warm, rich patina and color. All of the board's original, wooden, letter/number squares are in such a perfect state that they appear never to have been used! To spell a word, one slides the letters along cut out tracks in the board. To perform computation exercises, one simply flips the board over and is presented the opportunity to practice addition, subtraction, multiplication, division and percentages!

Quite visually appealing and easy to display!

Condition: some tiny edge rubs and surface wear due to use here and there on each side of the board- quite reasonable given this teaching tool's age and use by young children. See all photos.

A seldom found vintage, early School House item!

This diminutive tin case is painted black with gold accenting and gold lettering present on the front of the case. The black paint shows reasonable wear given its 130+ years of age with the majority of wear evident along seam lines and at the base. The gold painting on the front of the case remains quite nice with very small areas of unobtrusive paint loss present (please see all photos). This tin case was clearly well cared for over the years.

The case contains three, pull-out, tin drawers with tiny, circular, loop pulls at the ends, that when slid out, reveal 15 separate compartments designed to hold the corked, glass, sample bottles. Fourteen bottles remain present, all of which are original to the case. The bottles advertise the spices and perfume waters that the Loverin and Browne Company manufactured for wholesale purchase by various independent groceries. The base of each bottle sits on a spring which would have facilitated secure storage during travel.

An interesting addition to one's advertisement collection! Very easy to display with great visual appeal!

This unusual tincture bottle is in excellent condition. The bottle interior is clear and the stopper, which sports ground glass, is in very nice condition except for some unobtrusive interior edge chips and two very minor flecks on the (L) edge of the stopper.

A hard to find circa 1900 patent pharmacy bottle ready for your collection!

This is a fabulous white ceramic 1950s pharmacy drug store display with decorative gold gilt embellishments. The mortar measures 7 inches tall and the solid pestle is 8.5 inches long.

The condition is near excellent with no damage, cracks or dings.

An outstanding display that will compliment any pharmacy collection.

This club actually presents a number of qualities that indicate it may, in fact, be an example of pre-1860s craftsmanship: : LENGTH of the face is 6 inches. The DEPTH of the face is 1 1/8 inches max. The face is SMOOTH and CURVED, and the club head is shaped in the form of a TEARDROP. The club is UNMARKED. The neck is slightly thin at just over 3/4 inches--- all indicators of an early, pre-1860s club!

This amazing club sports most of its original varnish surface and is offered in "as found" condition. The darkening of the finish results in a wonderfully rich patina. The club displays an enchanting presence owing to the gently-sculpted angling of the face. The sole of the club is without the usual ram's horn which was the typical norm, making this particular club that much more intriguing and quite unusual!!! I have not been able to find reference to clubs that were made in this fashion. RARE!!!

The early golfer must have been quite robust and sturdy as this heavy club face is one that most folks today would have a difficult time keeping "square" at impact. Long spoon clubs were used off of grassy surfaces which accounts for the very nice condition of this beauty. Besides the unobtrusive, expected scuff marks on the sole, there is only one tiny, barely-noticeable chip on the leading edge of the club face at the sole, consistent with hitting something other than a grassy surface!

The lead on the back of the club has been partially removed to customize it for the golfer. The slightly warped hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of honorable wear.

The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, UK club makers of the 19th century. According to author and golf history expert, Jeffrey B. Ellis, unsigned, long-nosed golf clubs were the norm in the pre-1870 era.

This rare, antique, hand-wrought, golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!

A phenomenal, rarely-found example of 19th century craftsmanship, and a tangible example of exemplary golfing history.

Each identical packet is designed in the form of a large matchbook and contains 6 painted wooden golf tees and one plastic ball marker.

Each decorative pack measures about 4 inches long x 2.5 inches wide and ALL are in unused condition. The packets have some minor crimps, slight edge tears or general wear from storage over time. One of the packets has a large rip as seen in the photo.

Wonderfully colorful, usable novelty items from a century+ old company with an interesting history in the scrap metal recycling business. Display well and a unique addition to your golf or advertising collection!

*****PLEASE NOTE THAT WHILE ONLY 4 PACKETS ARE FEATURED IN THE GROUP PHOTOS, 5 PACKETS ARE ACTUALLY INCLUDED IN THIS PURCHASE AS PREVIOUSLY STATED.*****

Quite multi-purpose in nature, his legs hold spools of thread, and under his red vest, he hides a pincushion (his chest) along with 2 felt strips for needle and pin storage (his arms)! Four decorative plastic rings can be used to hold safety pins! He also sports a ring on the top of his hat to allow one to hang him on the wall.

Condition is quite fine! No rips, stains or tears with just some subtle fading to his green felt bowtie and black face and legs--all age-related. He has two, insignificant moth holes on the BACK of his red vest.

Handy to keep by the sewing machine, but also just a delightful, vintage, Black Memorabilia whimsy to decorate your sewing room!

The puppet, itself, is 14 inches tall and is colorfully dressed in blue and white checked pants, red shoes, orange and whit polka dot shirt, straw hat and red patterned neck scarf.

The puppet's face is composition and bears evidence of some age-related crackling as noted in photos. He has a tiny piece if composition missing on the left side of his neck partially covered by his neck scarf, so it is very difficult to notice. He bears a manufacturer stamp on the bottom of his right foot, but it is partial and unreadable. His hands which hold colorful pink straw maracas are a heavy molded plastic.

The puppet is free of stains, dirt and odor. He retains his original black strings and wooden airplane controller!

Embellished with beaded edges, a large, 5-petal flower, and a detailed leaf on a heavy cardboard-like material that is lined with a red polished cotton, the little purse closes via a hook and eye closure.

It is in overall fine condition with expected creasing given its 100+ years of age as seen in photos, as well as some loose beadwork and a small amount of missing beadwork to the bottom center.

The box approximately measures 4.5"H x 1.5"W and is in fair condition missing both the top and bottom flaps and shows wear commensurate with age. The delightful 4 inch bottle sports complete front and back labels and is in undamaged condition. The insert is included and the paper is brittle with signs of loss mostly at the folded areas.

A nifty medicine for quelling coughs caused by colds, croup, bronchitis and other afflictions. The bottle and box display quite nicely as seen in the photos. A neat find!

There are 3 examples from the most notable company, BECTON, DICKINSON & Co. The 1939 B-D YALE LOC box contains 8 needles. The B-D ERUSTO sample from the early 1940s has 8 needles that are secured in a metal tray. Each needle includes their cleaning wire. The third B-D box has a patent date of 1941 and sports 8 tiny needles secured in a metal tray. Condition is very good.

Next are 2 boxes of ECO RUSTLESS HYPODERMIC NEEDLES that each house 6 needles in a steel cylinder base. The boxes and contents are in very nice condition. A plastic sleeve of cleaning wires remains in one box.

A single box of LILLY HYPODERMIC NEEDLES contains 9 needles that nestle into their fitted box. Condition of the contents is fine, and the box is in fairly good condition showing old tape on front. Dates to the 1940s.

A single box of ECO STAINLESS HYPODERMIC NEEDLES sports 6 needles in a fitted metal base. The contents are fine and the box is modestly worn. This example also dates to the 1940s.

Finally, a partial box of 9 needles clipped into a metal tray round out this very nice grouping of vintage stock. Labeled LUER SLIP and sporting their cleaning wires, this group dates to the 1940s. Box is fair.

Hard to find in this quantity and quality!

Smooth face golf clubs fell out of fashion, and perhaps function, by the very early 1900s, yet they were still offered in catalogues for a number of years beyond this date.

The grip is missing except for the listing which is in good condition, and the almost-straight hickory shaft sports a nice aged patina. There is a stamp near the base of the grip noting the following: ???? A.& C.P. CO. Mfgr - Westboro, Mass. It measures 37 inches from heel to top of shaft and is likely a MASHIE NIBLICK although it is not marked as such. There are various minor dings to the metal surface and examples of wear commensurate with this club's use and 110+ years of age.

Interesting notes: This club was most likely imported from Scotland and sold by the English brothers Gilbert and Bernard Nicholls who emigrated to the US in the early 1900s. Both brothers (who were not clubmakers) had excellent professional golfing careers. Interestingly, Scotland imported thousands of wooden shafts from the US during the hickory golf club era as evidenced by the Westboro, Mass stamp on shaft.

This seldom found copy was originally published in 1932 by Rand McNally & Company of New York.

This copy has superficial scratches to the front and back covers, as well as surface soiling, and wear on book cover edges.(see photos). The front cover has a slight tear at the crease that does not effect strength or integrity of the cover board. A couple of pages have minor staining. The binding is super-tight and all pages remain present.

Topsy's adventures are divided into three chapters in length, approximately 59 numbered pages. Book is filled with a variety of black-ink and black and red illustrations as represented in photos. The story of Topsy was likely inspired by the Little Black Sambo stories which originated at the turn of the 20th century. PLEASE NOTE: in the photos, the printing seems light and faded- not so! It is merely the function of over-lighting or light reflection.

A wonderful and truly RARE book not to be missed!

Please see the other Topsy Turvy book available for separate purchase, a 1938 copy of Topsy Turvy's PigTails.

Detailing in construction sets this sweet black doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. She was lovingly dressed in machine-stitched clothing made from old red, pink, cream and rose-patterned scraps of cloth, while her body was hand-sewn and constructed of old, black stockings stuffed with cotton batting.

This young girl's nose and mouth are hand-embroidered, while her eyes are represented by small, black buttons. Her hand-applied and stitched hair is made of black wool yarn and has been fashioned into braided pigtails edged with faded red ribbon bows with fluffy bangs topping her forehead. Her hands are carefully hand-stitched to delineate fingers.

This sweetie is in near perfect condition with the exception of some fading to her clothing as well as two age-related, small holes to her stocking-constructed left foot and lower leg. (This wear and fading to the fabrics and stockings used in her construction may well be the very reason they were used, as they may have been discarded from personal use. Please refer to photos to view wear.)

Purchased in Charleston, South Carolina. Simply full of charm with lovely touches! A quite difficult-to-find-in-this condition, 90+-year-old, cloth rag doll!

The piece is signed in the lower right hand corner by LISTED American artist, Olga Lea Rosenson, who was born September 10, 1892, in Brooklyn, New York (died 1959). She was best known for her work capturing town and city landscapes as well as portraiture. This portrait intimately captures the soul of its subject as he pensively awaits his next customer, and it is supposed to have been inspired by a young man whom Ms. Rosenson frequently observed on the streets of Brooklyn.

Painted in 1934, the framed piece measures 20" x 26.5"; the watercolor, 13” x 19.5 “. It is completed in various subtle tones of blue, gray, green, and brown, and it is double-matted in cream with a subtle gray under-mat.

This watercolor remained in the same collection for over 60 years and was professionally re-framed by the original owner in 1987, with information on this re-framing taped to the back side of this piece. The wood frame is in very good condition with a couple of small, age-related areas of wear that are minimally noticeable. There is a 5 inch vertical tear to the paper backing as seen in a photo that was taped closed by the earlier owner; there is no damage to the foam-core backing underneath. To the left of this tear, is cut-out information on the artist that was also taped on back by the earlier owner.

Ms Rosenson's works are owned both privately and by museums around the world, including Washington D.C.'s National Gallery of Art.

Interestingly, whomever wrought this very detailed, family-history sampler omitted just one significant detail- the family surname!

On the left side of the sampler, the Scotch nationality is wrought along with the occupations of Parson and Doctor, with a 1725, antique salt box style home the domicile of the parson (?) wrought below the later 1930s domicile of the doctor (?) at New York City's Park Avenue address.

The right side of the family sampler depicts French origins with a 1777 mentor (teacher) and his red schoolhouse wrought below the 1861 farmer residing in the town of Morrisania (Morristown, NJ?).

The central aspect of the sampler depicts a number of images: a very stylish horse drawn carriage with driver and a sun umbrella--holding, female occupant, a well-landscaped, bright yellow homestead dated 1777, the nationality of "English" stitched out, and finally, a tall-spired village church with accompanying date of 1752.

The French Fleur de Lis is wrought into the sampler as well as the very ancient, stylized, so-called-today "swastika" cross, a symbol of peace and prosperity that can be traced back to ancient Byzantine times and which was frequently featured in early Native American culture as a symbol of abundance.

The sampler hem is completely hand-stitched. The sampler, itself, is in very fine condition retaining bright coloration and an absence of holes, tears or discoloration of any kind. Background color of the linen is an even, mellow, tannish-off-white.

A well-executed cross stitch sampler, an example of fabulous Americana Folk Art, which is shrouded in mystery as to family origin!

Fabulous colored and black and white illustrations (see photos) adorn this 26 page book! The book features the adventures of a little Southern boy who lives with his gran'mammy and gran'daddy in a log cabin set down in a cotton field.

Interior pages are in very nice, near mint condition, are clean and bright and are tightly bound together. The only intrusion is a former owner's name, "Weaver", written in blue ink on the interior cover page (see photo). The hard bound cloth covers are in fine condition, with very, very slight wear to cover spine edges and book corners typical of a book of its age. This is a verified first edition as later editions had the cloth board without the color pastedown. Illustrated on every page, alternating color and black and white. This copy includes a worn, tattered, but nearly complete dust cover, which accounts for the pristine condition of the front and back hardcovers.

A very charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

This delightful and visually appealing folk art beauty has been skillfully crafted and painted with lifelike details to closely reflect a real fish. In fact, this charmer has evidence of having been a working decoy as noted by the mild areas of surface rust on the tin fins and where the fishing line connects.

A loss of paint and light wear gives this work of art a wonderful vintage patina, and one large weight on the bottom provides a bit of heft. Measures 9.0 inches long x 2.0 inches wide x 2.0 inches high including the dorsal fin. Maker is unknown.

A splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

In very fine condition with the only flaws noted to this hardcover book being extremely minor corner edge wear, what appears to be a blue ink stain on one page (see photos), one small 1/2" long tear on the page "Oh, Please Mr. Tiger, DOn't eat me up", and what looks to be an oil stain beginning at the edge of the inside of the front cover, continuing to about the middle of the book. However, the stain is smaller and smaller with each successive page. The colored illustrations are beautifully vibrant, with both the black line drawings and color illustrations demonstrating the superb artistic talent of the illustrator, Eulalie! Unnumbered pages alternate between color and black line illustrations. No creases. Nice, tight binding.

A must have addition for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measures 35.5 inches from heel to top of shaft. The old leather grip is in good condition. The hickory shaft is straight and has an old repair but remains quite sturdy. The face has a dot pattern and shows mild and honorable wear.

SOME HISTORY:
William Gibson was the maker of this club and Hugh Logan was the professional who endorsed the popular high-end GENIE MODEL. Gibson was born in 1868 and was first a blacksmith who turned cleekmaker (a skilled blacksmith who manufactured early iron clubs). Gibson started his firm in Edinberg in 1887 and changed its name and location to Kinghorn in 1903 when his partner passed away.

Hugh Logan was born in Prestwick, Scotland, in 1880, and first worked for Tom Morris's successor, Charles Hunter, then, honed his skills at the famous London Scottish club at Wimbledon where he patented the adjustable club 'Genii'. He was held in high regard in the club-making fraternity, he played in the OPEN numerous times, and he served as a golf professional.

This fine example measuring 6"L x 1.5"W x 1"H, sports a warm patina commensurate with an instrument of this age.

The mold is marked "S. MAW & SONS, THOMPSON - LONDON", a noted manufacturer of quality medical instruments and tools for many years).

The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. The bottle design and name are based on a character created by Englishwoman, Florence K. Upton, around the turn of the 20th century. The bottle, itself, was made by Verreries Brosse.

This darling, all-glass piece remains in superb condition-other than its partially missing label on the base of the bottle. If complete, this wonderful, original paper label would read in full, “Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Most importantly of all, the bottle retains its fabulous, all-original, front label which reads, "Le Golliwogg de Vigny France".

The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling, which was hand-painted in France, remains as clear and crisp as the day it was applied! Even his black furry hair, which is genuine Siberian Seal fur, retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with double rows of black polka dots, and his feet are accented in black.

A very, very special, rarely-found piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

This handsome paperweight measures about 4.25 inches long x 2.75 inches wide x .75 inches thick. The black and white paper image is affixed to the underside of the glass. Overall, the condition is very good with some minor fading to the image front. The print on the back side of the image is quite faded and the written portion is barely discernible. No damage to the glass is noted. I am not not sure of the vintage but it has been in my collection over 15 years.

SOME HISTORY: Chief Two Moon Meridas (Ca1888–1933) was an American seller of herbal medicine who claimed that he was of Sioux ancestry. Meridas was born Chico Colon Meridan, son of Chico Meridan and Mary Tumoon; his exact place and date of birth are unclear. Later, his marriage certificate recorded his date of birth as August 29, 1888, but this information in unconfirmed.

By 1914, Meridas was selling herbal medicines in the streets of Philadelphia and New York City. In New York he met Helen Gertrude Nugent, married her, and shortly afterwards they moved to Waterbury, Connecticut, where he began to sell his herbal medicines from his house. Contemporary newspaper accounts state that during the Great 1918 Influenza Pandemic, none of his patients died! This increased his prestige and clientele. His most famous product was "Bitter Oil", a laxative that was widely marketed as a cure-all.

In 1921, Meridas moved to a larger house in Waterbury and established an extensive and prosperous herb business in a storefront at 1898 East Main Street. He built his own laboratory at 1864 East Main Street in 1925. His business increased to such an extent that he had a fleet of buses for his salesmen as well as an airplane. He took money only for his products, not his advice. He spent lavishly but also surreptitiously donated to charities and to the poor.

In 1928, The Chief was awarded the keys to Atlantic City, where he founded his Indian Temple there. Although The Chief always claimed Native American ancestry in the advertising of his products and in his personal life, the United States Department of Interior refused to certify that he was an American Indian. However, on August 6, 1930, the Oglala Lakota Sioux of the Pine Ridge Reservation awarded him the honorary title of Chief, because of the significant financial help he provided them and others during the Great Depression.

The Chief died in Waterbury at the age of 43.

This handsome cabinet is constructed of a hardwood (perhaps walnut) and sports an eye-appealing, front-facing, bakelite, control panel. The cabinet is rather heavy and measures 15"W x 14" H x 12.5" with a canted front panel and two wooden handles for transport.

The bottom drawer stores all of the wires and connections noted in the photo. The condition of the cabinet is very good with wear commensurate with age. One wire is brittle and non functional. There are 2 wires included that plug into the device as seen in photo. From the Philadelphia Hospital Supply Co.

An awesome piece of medical instrumentation - fusing both form and function not often found in today's market!

The decorative and delicate detailing of this piece is at odds with its most gruesome history! Scalloped copper edge guards and the appealing pattern in which the drainage holes in the laminated wood tabletop were laid out contribute to visual appeal. The softwood table frame stands on nicely turned hardwood legs.

When opened and extended to its maximum dimensions, the table measures 72" long X 18.5" wide X 22" high. To facilitate ease of traveling, this portable table slides and folds to 40" long X 18.5" wide X 4" high. A leather carrying handle is attached to the table edge; legs, when folded, are secured in place with hooks.

Very fine original condition: expected overall wear (patina) with one hook missing and minor unobtrusive loss of laminate along lower table top edge measuring approximately 1/3” wide by 7”.

Entitled A New Story of Little Black Sambo, this tale picks up the story with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. A tiger soon arrives threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Tusker the Elephant arrives, successfully chasing off the tiger and saving Sambo. Sambo then returns home, where an angry Black Mumbo spanks him with a hairbrush for running off, despite the gift of coconuts Sambo hoped would appease his mother. The conclusion of the tale then moves forward one month later when the family goes to visit Little Black Sambo’s cousins, the Bimboes, who admire his fine Sunday best clothing that he was finally allowed to wear again!

Although no author is attributed, it is thought by some that the tale was co-authored by the book's two illustrators, Clara Bell Thurston, who rendered all of the lovely colored drawings and Earnest Vetsch, who rendered the "black and white" illustrations (which, actually, are done in navy blue ink) as well as the fancy hand-lettering of the text which further embellishes the book.

With 36 unnumbered pages which alternate between the superbly rendered color and navy blue line illustrations, this unique little book is in near mint condition. The original paper dust jacket is present and in wonderful condition, and at some point, it was protectively covered with a contemporary, clear, dust jacket protector that can be removed if so desired. No fading of color, no rips, creases or missing pages. Binding is tight with all three original staples present. Cover edges are subtly worn, and a one-time owner, Neva Merchant, signed her name on both front and back interior covers.

This very rarely-found, miniature-size edition of the continuation of the original Little Black Sambo story is a must have for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This piece was actually created to serve as an ashtray! It depicts a delightful image of a young black boy in a wide-brimmed straw hat!

In wonderful condition, this piece is stamped "LL" on back.

An uncommon piece of Black Americana that should not be overlooked!

The bowl sits on a 1/8" high footed base and has a lovely turned edge rim. It has glaze crazing typical of an 85+ year old piece of pottery as well as two, very tight hairlines approximately 1.50 inches in length. One is placed at the pouring spout and the other near the back fingerhold. There are also two, tiny, 1/8" long superficial flakes--one on the outside edge to the rim and one on the body of the batter bowl. The batter bowl is also missing its wire handle.

An outstanding piece of American Spongeware which is seldom found due to the heavy every-day use that a batter bowl would encounter. Becoming much more difficult to find!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

Measuring 60 inches wide by 40 inches high, this highly colorful chart is just chock-full of information! Metal hanging grommets placed across the top facilitated display back in the 1950's. This incredibly interesting, double-sided chart highlights the science and history of sight as well as its medical assessment and its effects on one's ability to function productively in society.

The front side of the chart is entitled, "Vision: Master Key to Man's Progress" and highlights the biology and history of sight with a side discussion of optical illusions. The back side is entitled, "Science: Multiplies Eye Power" and discusses the science of vision and its correction featuring the Snellen Vision Chart, an Astigmatism chart and a Color Discrimination chart.

Condition is quite good with excellent color and clarity of print. Foxing is present on the front side side of the chart where the Optical Illusion information is printed. A very small edge tear is evident on the bottom of the chart and is most readily seen in photos when viewing the bottom back side of the chart where the description of Color Discrimination is found. (please see photos)

A fabulous, mid-20th century retrospective on vision as well as 1950's Optometry and Ophthalmology! Would be wonderful framed between two pieces of plexi-glass to facilitate display on either side!

Pull the original string attached at the base, and Mr. Googly's eyes move into all sorts of silly positions! Three photos are included to demonstrate the variety of eye positions possible.

The paint is in wonderful condition with just the tiniest, pinprick size dots of loss noted here and there, and only well-seen under magnification. A small crease under the nose is present with no impact to the toy's integrity. This toy was also designed to be wearable, and on the backside one of the two original clothing pins remain.

The toy is marked "Made in Germany" on the reverse side. Two photos were taken in an attempt to clarify this marking, although the beginning and the end of the word "Germany" have worn away over time, making the task difficult!

A seldom found vintage toy in functional, all-original condition! Displays nicely!

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This well balanced and sleek appearing club sports a straight hickory shaft and a nice leather grip. Deep checkering lines adorn the face and a well struck "D. CUTHBERT - SPECIAL" stamp is seen on the top.

The condition is very good with the expected small dings, scratches and wear of a club that is over 100 years old. The club measures 34 inches from the sole to the end of the club.

SOME HISTORY

David Scott “Dave” Cuthbert was born in St. Andrews, Scotland in 1885. He got his start in golf as a caddy at St. Andrews Golf Club, and as a young man, he worked in Old Tom Morris’ golf shop. He often caddied for Freddie Tait who was one of the greatest amateurs in Great Britain. In 1912, Cuthbert learned from a friend who had worked in America that Huntingdon Valley Country Club was looking for a golf professional, so he set sail at once. He arrived in Philadelphia during a March blizzard with his golf clubs and a suitcase. He then proceeded to seek out the Huntingdon Valley green chairman. Without an appointment he announced that he was David Cuthbert of St. Andrews and he had come all the way from Scotland for the position of golf professional. He was hired and stayed seven years. He relocated to Canada for four years and returned to PA when Ashbourne Country Club opened in 1923. Cuthbert was Ashbourne’s first golf pro, and he remained there for fifteen years. In the club's opening year, 1923, Cuthbert finished second by one stroke in the 1923 Pennsylvania Open.

Black with hand-painted, gold lettering, this interesting advertising display would sit nicely on a shelf! In fine, all-original condition with the expected nicks and superficial surface scratches.

Included are two different capsule size steel fillers, one of which is presently attached by a universal pin. There are 3 filling trays, tamper, a spatula and roller.

The condition of this wonderful apothecary tool is as good as it gets, complete with the warm, rich patina one would expect of an antique of this age: minor scratches, marks and unobtrusive dings and tarnish.

The metal parts appear to be nickel plated, and the wood base seems to be walnut. The filler measures approximately 13”L x 4.5”W x 4.5” H.

The interior contains sand that was used to add weight and stabilize the box when in use. Weighs 25 pounds.

A must addition for any pharmacy/apothecary or Merck collection!

The case measures 5.5" L x 5' W x 3" H. Hard to find microscope / laboratory tool of the trade.

The Spencer Lens Company was founded in 1895, but was actually a continuation of the earlier business originally established by Herbert Spencer in the 1840s.

The 5 tins are all in nice condition with unobtrusive minor surface scratches with one having a minor rust stain to the lower edge from storage.

The tins measure just over 1.5 “ in diameter.

Perfect for your shop or collection!

Deep grooved clubs were designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

The back of the club is stamped as follows: "Kroydon U5 ?....? J.F. MATHEWS", and measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight and sturdy. The head of the club shows mild and honorable wear, good grooves with mild unobtrusive pitting to the lower surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

She has a muslin, machine-stitched body which is stuffed with sawdust. Her feet are black cotton. Upper arms are also stuffed muslin with composition forearms.

Her curly-haired head is molded composition; eyes, nostrils, and lips are handpainted-- note the BLUE EYES!!

She wears a muslin slip under a Victorian styled, machine-stitched, tiered ruffled dress. Her clothing has been professionally laundered but does remain darkened with age in some areas- the photos make these dark areas appear more prominent than they are when viewed by the naked eye.

Condition: Difficult to photograph due to camera glare off the composition, her head remains in pristine, all original condition- no repaint- with just a couple of very teeny white flecks here and there! The breastplate has an old glue repair which appears to be quite solid. The repair is not visible unless the doll is undressed. Superficial wear to each thumb is evident as is seen in photos. No cracking or peeling to composition. She was very well cared for over the years!

A very lovely and rare Black doll!

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The Country Preacher is fully decked out to conduct worship services, from his black, wide-brimmed top hat down to his leather shoes, the left one, unfortunately, showing a bit of wear with his socked big toe peeking out! His machine-stitched clothing is all in the color black with the exception of his white ministerial collar. The preacher holds his real-wood walking stick securely in his right hand while clutching the Holy Bible under his left arm. Note the colorful red handkerchief that was placed in a back pants pocket, peeking out between the tails of his suit coat. The fully bearded preacher wears silver, wire-rimmed spectacles surrounding his soft and compassionate eyes and offers an open smile showing his front two teeth!

The white haired, bearded male country gentleman doll is attired in machine-sewn cotton, blue-striped britches with a patch at the left knee, black suspenders and a tan striped cotton shirt with a red kerchief tied around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted fabric chicken that has sustained a tiny bit of fabric loss to its face, while his left arm holds a wooden walking stick. His complete asphalt shingle is missing, but remnants remain firmly attached on the soles of his shoes. He bears a very sweet, surprised expression on his face as evidenced by his slightly upturned eyebrows!

The female doll in this grouping is clad in a red and white checkered, machine-stitched dress topped over with a cream-colored linen apron which evidences, here and there, some very light, age-related discoloration. Her apron pocket displays a red and white polka-dotted hankie- a lovely detail-, while a bright, multi-colored head wrap protectively covers her graying hair from dust and grime while she completes household chores. Her outfit is fully completed with the cream-colored linen chemise and pantaloons underneath her dress, and she wears black leather shoes. Even though she is working at chores, as evidenced by the wicker-straw broom she holds in her right hand, she has not forgotten to wear her brass-toned, double hoop earrings! And she wears a pleasant expression on her hand-stitched face, showing a bit of a smile and her two front teeth.

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! The Preacher and Lady with the Broom are priced at $295.00 each, with the Country Gent Holding a Chicken priced at $275.00 to compensate for his incomplete asphalt shingle.

Housed in an ornate, brass frame, the mourning pin measures 1 1/8th inch in diameter.

The celluloid image is quite crisp with some staining evident in left lower and side edges that do not obstruct the gentleman's image. The magnified photos emphasize this staining to a much greater degree than what is evident when viewed with just the naked eye. The brooch is missing its backside pin.

*****Group #1*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.

A tiny bisque black boy holding a watermelon slice is seated on a throne of sea shells. The name of the location that this sea shell souvenir was meant to commemorate is worn and is no longer readable.

Two very minor chips are present as shown in photos which do not detract from the beauty of this piece!

Measuring 7.25 inches wide by 4.75 inches deep by 6.25 inches high, this outstanding, circa 1860 - 1870's, polychrome inkwell features removable cover which reveals a base containing two inkwells without pots. Cover features seven quill holes.

Condition is marvelous with some very minor paint wear to edges where one would place hands to remove the top- as noted in photos (tiny white spots seen on the grass and ground areas). Paint/glaze imperfection to top of brown-haired gent's head as noted in photos. No chips, breaks, hairlines, repairs, or repaints.

A fabulous, rarely found, all-original, 150+ year old, antique writing implement guaranteed to complement any collection!

"Picture cards" as they were called then, feature very colorful and highly detailed images on the front side with product advertising generally on the back side. For those with advertising on the backside, the advertising, in most cases, is written in French. These cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of the food stuff or article of clothing that had just been purchased.

All but one of the cards measure approximately 2.75 inches x 4.25 inches, with the remaining card measuring approximately 2.50 inches x 5 inches. All but two are in very good condition with no observable flaws or damage.

The two exceptions:
-the 2.50 inch x 5 inch card- which has been scissor-trimmed, has a fold line down the center, and was pulled from a scrap book obscuring some of the printing on the backside-
-and one Liebig card which is missing one corner edge.
Condition quite remarkable given their 80-100+ years of age.

A nice early collection of trade cards!

Measuring 1.5 inches long x 1 inch wide, this sharpener depicts a derogatory caricature of a Black Man. The glaring eyes are painted a stark white with teeny black pupils, while the red painted lips surround the pencil sharpener blade which takes the place of the man's teeth. Curly molded hair and eyebrows are painted black, while the face is painted brown- inside and out.

The pencil sharpener is stamped GERMANY on the back inside.

Condition is very good with approximately 75% of the original paint remaining. There is no repaint! The paint is worn in expected areas, with the majority of paint wear seen on the sides of the face and bottom of the chin where one would grasp the sharpener. Facial feature paint is strong.

Germany apparently made a good steel blade as the sharpener still works!

Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.

A brief history of the Negro League:

African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

No breaks or other damage. A tiny spot of very superficial rust here and there that may be removed, if so desired, by polishing with a clear paste wax.

A sweet accent piece for the country kitchen!

This fabulous advertising piece is made of papier mache’, is painted black, and sports cream-colored lettering on both sides of the hat. 19th century advertising pieces such as this are quite simply, extremely rare in today's collectible market, and when found command high values!

Julius Kessler, born in 1855, in Budapest- at that time, part of the Austrian Empire- traveled to America to make his fortune. In 1888, he began by personally selling his American blended whiskey known for its silky smoothness, door-to-door, to all of the saloons in Leadville, Colorado. The image of a smooth and silky Top Hat as the company's trademark advertising symbol added a flair of elegance to the brand! Kessler's whiskey quickly grew in prominence and popularity, and by 1935, was bought by Seagram's, with Kessler appointed as President. Julius Kessler passed away at the age of 80, but his image still adorns the bottle's label today- currently owned and produced by Beam Suntory-, as does his slogan, “smooth as silk”!

The condition of this fab piece is very, very good given its 125++ years of age, with some areas of paint loss and wear (mostly to the top of the hat which is the surface that actually serves as the base for this piece). No structural weakness or damage to the papier mache- a very solid piece that displays beautifully!!

Measures 12”L x 9.5”W x 6”H. A superb, 19th century, eye-catching, visually appealing, antique display advertisement!!

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

This museum quality kit contains directions, antitoxin vial, needle, and injector components--- including a perfect wooden box. The colorful label is complete, torn in places with stains and printed in English and Spanish.

The scarce kit measures approximately 4"W x 1.75"H x 1.25"D and is dated JULY 11, 1941.

The Smithsonian Institute has detailed and fascinating information on the history of diphtheria on their website and is a highly recommended search.

Ready to be the centerpiece of your collection!

The first club has the following stamped on the back in an oval: "Wright & Ditson SPECIAL", plus "HAMMER FORGED" and the cleek mark image. A worn "MASHIE NIBLICK" stamp is noted on the sole. The face has a dot style stamping, and the shaft has "WRIGHT & DITSON" stamped near the grip. The shaft has an old repair and a bend. Overall, a nice club with mild wear to the metal appropriate for its age.

The second club is a handsome 3 iron Spalding Kro-Flite model sporting a lined face with a fancy circular design in the sweet spot. The #3 is stamped on the sole. The back has the following stamping: "Professional Golf Assoc. - Custom Made KRO-FLITE" and a crow cleek mark. The condition is very good noting a slight bend towards the handle and a wonderful patina.

In 1892, A. G. Spalding & Bros, acquired the Wright & Ditson Company to enhance their position in the club making industry. Wright & Ditson company was founded in 1871, and the name continued to be used by Spalding on both golf clubs & balls into the 1940's.

Included are: Instruction Sheet, Sheet with choice of glasses available with prices, pictures and list of satisfied customers, greeting letter, Special Notice, Mailing Label, Guarantee, Order Blank, Tester with Original Shipping Box. The Original Shipping Price Shown on the Box is 3¢.

The Tester is made of wood, sports a lens and a tiny metal eye chart. The condition is very fine except for a small scratch to the chart and minor wear to the paper inserts.

Very unusual home eye exam tester!

The condition of this early 1930s nostrum is very good with minimal tarnish to the metal and very light fading to the label.

This medicine tin is unopened and ready for your collection!

The bowl has glaze crazing typical of an 85+ year old piece of pottery. An extremely tight hairline on one side of the bowl has been photographed for one’s perusal. It does not affect structural integrity, and the pricing of the bowl reflects this imperfection. No other flaws!

An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

From the GLASCO Glass Company, this pill tile is in nice condition, with 2 edge dings and various faint glass scratches acquired as a result of use, resulting in a fine, vintage patina.

Pill machines were designed to enhance the productivity of the early pharmacist, and this design was, indeed, popular for many, many years. This pill machine is designed with 24 tubes for medicine-making.

The condition is very good, sporting a nice patina commensurate with its age and use. It is constructed of walnut and embellished with brass edge guards as well as brass grooved molds. The base measures approximately 11.5" L x 7" W x 1.5" H including the footed base. The paddle is 15.25"L x 2.25"W.

An apothecary classic, ready for your collection!

This offering features two lovely die cuts- one, a well-to-do Victorian era husband and wife out for a stroll, and the second, a colorfully dressed musical trio playing banjo, concertina (small accordion) and tambourine. The musical trio remains connected- adding to its value- and uncut, number 7568.

The products for which these die cuts were meant to endorse is unknown. The litho features a very glossy finish, and the die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Either would look fabulous framed- individually or as a grouping! Think gift!

Approximate measurements are as follows:
The Older Couple: 6" tall x 4.25" wide
The Musical Trio: 5" tall x 4.50" wide.

Priced each at $45.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the older couple reveal no restorations or repairs. The Trio of Musicians remain very loosely adhered to a piece of black construction paper so the verso cannot be viewed. (I leave removal to the buyer.) Inspection of the front side suggests no repair or restoration to this piece.