Catalog (441)

Offered is a very nice set of brass weights manufactured by Fisher Scientific Co., dating to the turn of the 20th century.

The weights are housed in a fitted, hard wood case that appears to be maple, and it includes a brass tweezers for securing the six individual milligram weights. Also included are eight of the nine brass matching weights, with only the 1mg weight missing.

The wooden case measures 6 inches long x 2.5 inches wide x 1.5 inches high and sports a metal label on top. Condition is very good with the finish and wear commensurate of a used antique collectible.

Circa 1910-1921, very scarce, MacGregor, DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them!

The sole of the club is marked MASHIE NIBLICK. The back of the club is stamped as follows: Guaranteed Forged - R-Z ACCURATE - BAKSPIN (with arrow) MASHIE-NIBLICK and a faint oval stamp with MACGREGOR, DAYTON OH.

In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

Measures 35.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight, sturdy and has the following stamping near the grip: THE CRAWFORD MACGREGOR & CAMBY CO. DAYTON, OHIO. The head of the club shows modest and honorable wear, good grooves with generalized tiny unobtrusive pitting to the surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Measuring 9 1/2 inches wide x 13 inches long, this brightly colored, copyright 1931, Little Black Sambo, large softcover book illustrated by acclaimed American children's illustrator, Fern Bisel Peat, is very rarely found!

(Also currently available is Fern Bisel Peat's companion Little Black Sambo Puzzle!)

Published by The Harter Publishing Company, Educational Publishers, Cleveland Ohio, this book along with a companion puzzle which features one of the illustrations from this book, were likely released to the public at the same time. Both the book and puzzle were intended for use in the school setting, grades K-2, as well as in the home. The aforementioned Little Black Sambo puzzle is also available for purchase on this website (type Sambo into the SEARCH box).

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is an 8.5 out of 10! This unnumbered, softcover book has seen little use with just a teeny bit of wear to book edges and very small creases here and there on the covers which do not effect structural integrity. The eight large folio, color illustrations retain their intensely vibrant hues and are simply just spectacular, and they alternate with lovely black ink line drawings. (My camera did not do justice to the intensity of color, washing it out.) An inked inscription is present on the inside front cover. The front and back covers have separated completely from the staple binding; there is separation of book pages only at the following point: below the lower of the two remaining staples. The third and lowest staple is missing.

Despite these imperfections, this rarely found,soft-cover, children's book is in amazing condition given its 90 years of age!

Fern Bisel Peat, 1893-1971, was born in in Erie, Pennsylvania, and went to public schools in Elyria. She attended Ohio Wesleyan University in Delaware, graduating with a degree in fine arts. Marrying Frank Peat in 1917 and settling in northern Ohio, Fern soon began painting children’s murals in both public and private venues.

As her work grew in popularity in the 1920's, she was asked to design children's wallpaper for a Cleveland company, designing a set of Mother Goose wall panels that sold widely. She soon was approached by the Saalfield Publishing Company where she went on to illustrate over 60 children's books!

From 1933 to 1955 she was editor and chief illustrator for Children’s Play Mate magazine, published in Cleveland, and nearly all of the covers during that time period feature her illustrations.

As the major breadwinner for the Bisel Peat family, Fern found every way possible to market her work to publishers, advertising firms and toy makers during the lean years of the American Depression and World War II. As a result, her distinctive children's illustrations can not only be found within children's books of the era, but also on holiday decorations, paper fans, playing cards, rag dolls, tin toys…not to mention coloring books, puzzles, paper doll books, and greeting cards!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is this rare, circa 1910-1921, BURKE STANDARD DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, the clubs actually worked and gave an unfair advantage to those professionals who were adept at using them.

The back of the club is stamped as follows: Warranted Hand Forged - BURKE STANDARD - MASHIE NIBLICK

Measures 35.5 inches from heel to top of shaft. The leather grip appears original and in good condition. The hickory shaft is mildly bent but quite sturdy. The head of the club shows modest and honorable wear and good grooves with generalized pitting to the surface.

A nice example of an early club with a controversial history!

SOME INTERESTING HISTORY:
The BURKE GOLF COMPANY started in 1910 and had a reputation for quality and intriguing innovation as evidenced by the fact that Jock Hutchison used their clubs, and Harry Vardon later gave them his endorsement. It was the company's deeply grooved mashie niblick which Hutchison used to win the 1921 Open, the first "American" to win it (although he was born and brought up in St Andrews). When the ban on such clubs later came into effect in July of that year, Jock presented the club to the R&A.

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Measuring 26.5" long x 13.75" wide, this fabulous, one-of-a-kind segregation sign is felt to be circa 1930s.

The sign with its flat black background, features a decorative free-hand, skill-fully executed, corner-looped edge design in old white paint advertising: SLEEPING ROOM FOR RENT.

Beneath the words 'FOR RENT', the words "WHITE ONLY" have been covered over with a layer of similar-colored background paint. Both words are still visible beneath this layer of paint with the word "WHITE" being most readily visualized.

I believe that this "paint-over" can be easily, professionally removed, and I toyed with the idea of having this done, but then felt that I should offer the sign as it is in its current state, as it is reflective of a small yet positive progression in history, in the viewpoint of at least this proprietor in our society in this time period. What prompted this change of viewpoint, which obviously occurred decades before the Civil Rights Act of 1964, is forever lost to history. The place of origin of this sign is unknown.

The sign is hand-painted on Masonite, a smooth-faced, compressed wood hardboard that was invented in the 1920s and was in popular use during the Depression-ridden 1930s due to its relatively inexpensive price tag. The sign has nine holes to facilitate hanging: three on each end and three down the center of the sign. The sign retains an original surface patina with age-related crackling to the lettering. In addition to the words "White Only" being painted over, a decorative flourish centered between the words "Sleeping Room" and "For Rent" has also been painted over, reason unknown. Mild surface paint loss, scuff-marks, and edge wear are present, commensurate with a 90+year old sign.

An exquisite example of Segregation Era signage that tells a story of prejudice evolving to an acceptance of equality.

Offered is an interesting grouping of 8 boxes of HYPODERMIC NEEDLES originating from old pharmacy stock. All of the one dozen size samples have partial contents.

There are 3 examples from the most notable company, BECTON, DICKINSON & Co. The 1939 B-D YALE LOC box contains 8 needles. The B-D ERUSTO sample from the early 1940s has 8 needles that are secured in a metal tray. Each needle includes their cleaning wire. The third B-D box has a patent date of 1941 and sports 8 tiny needles secured in a metal tray. Condition is very good.

Next are 2 boxes of ECO RUSTLESS HYPODERMIC NEEDLES that each house 6 needles in a steel cylinder base. The boxes and contents are in very nice condition. A plastic sleeve of cleaning wires remains in one box.

A single box of LILLY HYPODERMIC NEEDLES contains 9 needles that nestle into their fitted box. Condition of the contents is fine, and the box is in fairly good condition showing old tape on front. Dates to the 1940s.

A single box of ECO STAINLESS HYPODERMIC NEEDLES sports 6 needles in a fitted metal base. The contents are fine and the box is modestly worn. This example also dates to the 1940s.

Finally, a partial box of 9 needles clipped into a metal tray round out this very nice grouping of vintage stock. Labeled LUER SLIP and sporting their cleaning wires, this group dates to the 1940s. Box is fair.

Hard to find in this quantity and quality!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin letter opener is constructed in solid brass. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 10 1/4 inches long. Remnants of green paint are visible on Johnny's shirt. Interestingly, this piece also doubles as an advertising piece as on the reverse side it is impressed, “I. C. Herman + Co., 507-9 Broadway, NY (New York)”.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

This is a scarce collection of 22 Homeopathic Medicine bottles complete with contents, corks and labels dating to the turn of the 19th century. Each vial sports an applied label that indicates the contents plus a cork with hand-written ingredients noted. The vials measure between 2 - 2.5 inches high x 1/2" including the cork. Hard to find in any condition.

*****Group #4*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.

Offered is a vintage 1940 - 1950 era Drugstore Pharmacy BABY NEEDS advertising sign from Johnson and Johnson Pharmaceuticals which features an adorable, blue-eyed baby in a lace bonnet.

This lovely advertising sign sports an eye-catching robin's egg blue border that encapsulates J&J's iconic infant image. It was likely placed in a prominent section of the drugstore, guiding shoppers to the area which sold all manner of products to care for baby

The painted sign measures 33.5"L x 7"W x .35" thick and is constructed of wood. The back has two wood support brackets attached as seen in the photo. The condition is very good with a few minor scratches and light surface wear.

An absolute must-have sign with fabulous "visual presence" that's sure to add energy to your collection!

Offered is a group of six, very scarce, 19th century, tin, apothecary, storage containers with hand-painted, gold gilt labels and a decorative and stylized floral, front embellishment. The gold gilt labels make these early pharmacy canisters really stand out!

The tins sport an early and original, hand-painted, mustard-colored surface patina. The five smaller containers measure approximately 7 inches high x 4 inches wide x 5 inches deep (front to back including the distinctive front floral embellishment). The one large container measures about 8 inches high x 5 inches wide x 5 inches deep.

Structurally, the canisters are very solidly crafted containers, each with a slanted, well-fitting, hinged cover that snaps into place when closed. There are unobtrusive dings, and the finish shows modest wear and paint loss commensurate with a 19th century, well-loved and well-used, dispensary antique.

Measuring a diminutive 2 inches in diameter and in near mint condition, this interesting and unusual celluloid advertising pocket mirror features a person dosing with a magical "Nature's Remedy" tablet! (**Please note that any white spots in the photos are light reflections ONLY and not damage to the mirror.**)

The mirror front has a age-faded salmon colored border surrounding an image of a person's face with protruding tongue, about to swallow a "NR" (Nature's Remedy) tablet. The fading makes it a challenge to read the following which is imprinted around the circumference of the mirror: "Take One Tonight - You'll feel Better In The Morning."

AND....

"Better Than Pills For Liver Ills - Get a 25 Cent Box"

Original mirrored backing is in very fine condition with just a few very minute, superficial scratches.

Manufacturer name stamped on bottom edge: "Parisian Novelty Company, Chicago".

An interesting little advertising piece!

Presented as a historical and cultural artifact, this seldom-found, vintage, 1942, Ten Little Colored Boys book illustrated by Emery I. Gondor and published by Howell, Soskin Publishers, New York, is in very good condition.

Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.

The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.

The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.

Measuring 5 3/4 x 7 3/4, this lovely, early, Pre-WWI, English or Continental origin, Black subject advertising die cut features two sweet, smiling, pretty young girls under a tattered umbrella.

This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone decorative frame! Likely originally produced to advertise a specific, product, store or location, but then was never utilized for that purpose.

A sweet piece, perhaps, one-of-a-kind!

This 1867 educational text was published by Charles Scribner and Company of 654 Broadway, New York City. Intended for students under nine years of age, the object of this delightful introductory school text, as stated by Mary Howe Smith, a Princeton University colleague of text author, A. Guyot, is “to impart geographical knowledge to prepare the student for its successful acquirement in the future.”

Contains numerous black and white line drawings which prove to quite adequately visually supplement this interesting text! At the back of text is an 1865 colored map of the world as well as Questions for General Review and Review Exercises for use by teachers!

Hardcover- Medium Folio Size (8 x 10 inches), 118 pages; good condition (please see photos): use wear to cover, minimal foxing, overall tight binding with loosening of last two pages, corner edge wear to covers, pencil inscriptions on frontispiece and back by former students.

A delightful addition to the School Memorabilia collection!

Offered is a group of five, antique paper, hand-personalized and signed, New York Public School student merit awards from the 1840's, each priced separately, and suitable for framing.

All 5 of these artistically-rendered awards were presented to the same student, Maria Royce, and signed by her teacher, Isabella F. McCormick, as well as two representatives of the school committee for "regular and punctual attendance with correct deportment and diligent attention to her studies." Maria obviously was educated in a one room school house given that she had the same teacher over a four year period.

The awards are dated May 1841, May 1842, March 18-- (year inadvertently omitted), June 1842, and January 1844.

The merit awards measure 8 inches wide x 10 inches long and are adorned at the top of the award with a well-executed black line etching of a teacher and her students viewing a large world globe with an elegant school house of formal architecture standing imposingly in the background-- and at the base of the award, a delicate and detailed floral wreath.

The awards are in fine condition with very minor wrinkling to the edges. May 1841 and March 18-- also have minor edge-area foxing that will not be visible once the award is matted and framed.

These early examples of school ephemera are quite rare and would be a fabulous addition to a vintage school memorabilia collection!

Priced $55 Each; please specify date of document you wish to purchase.

Measuring 15.5 inches long, this delightful, folk-art styled, cloth and stocking-constructed rag doll was made circa 1920's.

Detailing in construction sets this sweet black doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. She was lovingly dressed in machine-stitched clothing made from old red, pink, cream and rose-patterned scraps of cloth, while her body was hand-sewn and constructed of old, black stockings stuffed with cotton batting.

This young girl's nose and mouth are hand-embroidered, while her eyes are represented by small, black buttons. Her hand-applied and stitched hair is made of black wool yarn and has been fashioned into braided pigtails edged with faded red ribbon bows with fluffy bangs topping her forehead. Her hands are carefully hand-stitched to delineate fingers.

This sweetie is in near perfect condition with the exception of some fading to her clothing as well as two age-related, small holes to her stocking-constructed left foot and lower leg. (This wear and fading to the fabrics and stockings used in her construction may well be the very reason they were used, as they may have been discarded from personal use. Please refer to photos to view wear.)

Purchased in Charleston, South Carolina. Simply full of charm with lovely touches! A quite difficult-to-find-in-this condition, 90+-year-old, cloth rag doll!

Offered is a wonderful 1934 edition of Topsy Turvy and the Tin Clown by Bernice G. Anderson and illustrated by Esther Friend.

This seldom found copy was originally published in 1932 by Rand McNally & Company of New York.

This copy has superficial scratches to the front and back covers, as well as surface soiling, and wear on book cover edges.(see photos). The front cover has a slight tear at the crease that does not effect strength or integrity of the cover board. A couple of pages have minor staining. The binding is super-tight and all pages remain present.

Topsy's adventures are divided into three chapters in length, approximately 59 numbered pages. Book is filled with a variety of black-ink and black and red illustrations as represented in photos. The story of Topsy was likely inspired by the Little Black Sambo stories which originated at the turn of the 20th century. PLEASE NOTE: in the photos, the printing seems light and faded- not so! It is merely the function of over-lighting or light reflection.

A wonderful and truly RARE book not to be missed!

Please see the other Topsy Turvy book available for separate purchase, a 1938 copy of Topsy Turvy's PigTails.

Offered are two very interesting and very difficult to find, antiquated, female pharmacy medications. Both drugs are in glass ampules, unused and reside in their original box packages.

First is a most unusual carton of 6 vials labeled "PITANTHM" which is a uterine stimulant used to promote labor. Inside the small 3.5" x 2.75" box are six unused ampules nesting within. The circa 1940's ampules measure 2" tall and sport a very cute paper label and are in perfect shape. The box shows mild wear, some stain and fading.

Secondly is an unused, Parke Davis, sex hormone ampule labeled "ANTUITRIN". The box measures 4" x 2" and is complete with a paper insert with directions, dose and indications including a date of 8-48. The medicine is in mint condition. The distilled water vial is about 3" high and the medicine ampule is about 2 inches tall with both sporting perfect labels. The box is in very good condition with some stains, wear and minor label loss.

A pair not to be missed!

Offered is this very scarce, circa 1900, Willie Dunn, Smooth Face Hickory Shaft Golf Club. The club is sleek in design, low profile in stance and of quality manufacture. Although smooth face golf clubs fell out of fashion by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

This smooth face club is stamped on the back "WILLIE DUNN - NEW YORK". The original appearing leather grip is in fair condition with some loss, and the hickory shaft sports a nice aged patina.

Measures 37 inches from heel to top of shaft and is probably a MASHIE NIBLICK although it is not marked as such. There are various small leading edge dings, minimal pitting to the metal surface and examples of wear commensurate with this club's 110+ years of age and use.

Of English origin, Willie Dunn settled with his wife and son in New York. His first professional position was at the Ardsley Country Club, Ardsley, New York, where he designed the course and established a club-making business in 1896. Not only was he a very talented golf club maker, he was also an accomplished professional golfer finishing 2nd in the inaugural US OPEN. He also gained a fine reputation as an outstanding golf course designer. Please refer to some wonderful history on his life on WIKIMEDIA.

INTERESTING INFO

In an interview Willie Dunn remembered he was the first to play with the rubber-cored ball which had just been invented. Dunn was on a train traveling from Chicago to New York when he received a telegram asking him to stop over in Cincinnatl, where he found a man named Haskell waiting for him. The gentleman told Willie Dunn he had invented a new golf ball and he told Dunn that he would give him $500 If he would try it and pass favourably upon it. Dunn stopped off and tried the ball, he just teed up the rubber core and was charmed by the sweet way it left the club. He just signed the recommendation and was the first pro to play the Haskell ball.

Measuring 12.25 inches long x 8 inches in width, this two-sided, 19th century estate document listing all of the worldly goods of LEWIS MATTAIR is de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below). The document is undated but is estimated to be circa 1865-66 based on current research of federal and state archival documents.

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Offered is a fabulous, very early example of Tramp Art- a style of woodworking which emerged in America in the latter half of the nineteenth century. Tramp Art features the use of multiple, small pieces of wood that are whittled into layers of geometric shapes whose outside edges are then notch-carved.

This exquisite example exemplifies the early years of Tramp Art at a time when it was practiced largely by skilled craftsmen with artistic talents. Pieces from this era feature a more multi-layered, detailed technique using hard wood bases as opposed to the thin cigar box wood bases prevalent during the early 20th century through the Depression years.

This wonderful, approximate 140 year old piece features multi-layered exterior framing on all sides as well as the box cover; framing which then envelopes amazing pyramidal shapes of all sides.

The box interior is covered in a vibrant floral wallpaper, and it features a small 1.75 inch x 2 inch framed mirror on the underside of the box lid. Likely made for a female given its interior design and decoration, the box also features a functional lock with original key, to safeguard jewels and important mementos.

Measures 8.75 inches wide x 8 inches deep x 6.75 inches high. In very good condition and retaining its original finish! A few missing notch pyramid tips here and there. Just lovely!

Hard to find pharmacy or chemists bottle comes complete with colorful contents and original label. Measures about 5 inches tall and ready for your collection. Dates to the early 1900s.

Offered together are two collectible golf clubs from different makers.

The first one is a handsome club stamped "THOS. E. WILSON & Co." HAND FORGED and SPADE MASHIE. It dates to the early 1930s shortly after hickory shafted clubs transitioned to metal shafts. The club head is artfully paired with a "BRISTOL" labeled painted steel shaft and completed with a handsome leather grip. The club measures 36.5 inches from the heel to the end of the grip. The condition is good with generalized paint loss on shaft, a full original leather grip and a lightly worn club head sporting a handsome patina.

The second club sports a hickory shaft, original leather grip and a club head stamped with the following: "Professional Golfers Association" - "STANDARD" - "SPECIAL" plus the letter "W". The club is stamped "5" on the sole and measures about 36 inches from the heel to the end of the shaft. The solid shaft is slightly bent and the club head sports a nice patina showing leading edge dings.

Two very nice entry level vintage clubs!

Measuring just 4.5" wide x 5.5" long, this very rarely found, circa 1940's, metal mechanical toy features the beloved Golliwogg character!

Unmarked, this toy is in very good condition with tiny superficial surface scratches wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the clown to hit poor Golly on the head with a mallet!

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.

This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.

The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.

A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!

To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Offered for your consideration is a vintage 1930-40s medical sterilizer fresh from a retired physician's collection. This nickel plated beauty is in fine shape and measures 8 inches long x 3 inches wide x 5 inches high (including the knob).

The embossed label is marked "MADE IN USA - CASTLE- STERILIZER". The lid is attached to the interior tray and articulates backwards to open, or it can be lifted off as seen it the photo. Please note that the electric cord was cut by the good doctor to allow the piece to fit inside his display cabinet!

Offered for sale is a wonderful late 19th century, Victorian drugstore, medical advertising cup. This lovely porcelain mug has “CUDAHY’S REXOMA” printed on the lip. Beautifully hand painted pink roses and other lavender colored flowers adorn the cup on all surfaces.

The Cudahy meat packing industry dates back to the turn of the century. The Cudahy meat industry, with stockyards in Omaha, Chicago, Sioux City and Los Angeles produced the REX brand of fine beef and pork products. They also produced lard, soaps and patent medicine products such as Cudahy's Essence of Pepsin and Cudahy's Rexsoma that used the animal byproducts. The patent medicines were marketed as nutritional supplements for improved health.

This 3.5 inch tall undamaged beauty is in very good condition and very classy indeed!

A terrific image on a lovely cup that can be easily displayed anywhere in your collection.

Measuring 20" long x 6" high x 3" deep, this circa 1850, wonderful and quite fancy, completely hand-forged iron utensil or clothing rack sports 5 hooks for hanging. It features the ornate and unusual double ram's ear design which adds to its visual appeal - a true work of 19th century blacksmith art with utilitarian purpose.

Condition is very good with excellent patina- the natural pitting and hammer marks commensurate with a hand-forged piece. No rusting. A hanging-hole on each end is present for easy mounting.

Truly a richly beautiful early piece!

Offered is this 1959 copyright, LITTLE BLACK SAMBO TELL-A-TALE Book with illustrations by Violet LaMont. A Whitman Book publication, copyright by Western Publishing, Racine, Wisconsin. Hardcover, 28 pages.

A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two young daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was converted over time to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 9 out of 10! This book has seen little use with just a teeny bit of wear to book edge points as well as very minor wear in a couple of areas on the exterior binding. Otherwise, intact and tight with no tears, creases, pen/pencil markings or soiling!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is an early 1900s, very striking, low profile, hickory shaft era, golf club, stamped "JIGGER" on the sole. A jigger in golf is a club in between a mashie and a mid iron essentially one with a low loft.

The club sports a nice patina throughout including an original grip and desirable smooth face construction. Measures 37 inches from the heel to end of the straight, sturdy shaft. The club shows mild wear and is void of any cleek or maker marks.

A sweet, well-balanced club ready for your use or for display in your collection.

SOME HISTORY

The jigger is said to have its origins in Scotland during the late 19th century. It was popularized by greats such as Harry Vardon and James Braid. Due to the evolution of golf course design and smoother, faster greens the need for a specialized club for short shots diminished.

Measuring 3” in diameter, the patent date indicates that this unusual and vintage, NEW ORLEANS MARDI GRAS pin back was manufactured in 1957, by Pictorial Productions, Inc, Mount Vernon, New York.

The pin features a vintage, EARLY HOLOGRAM IMAGE: a “moving” Court Jester or Clown, who in a gallant sweeping motion, removes his broad-rimmed hat and takes a grand bow. (Tilt pin slightly to make Jester move.)

Colors: bright, buttery yellow background, jester in traditional Mardi Gras colors: dark fuchsia, green and white, with lettering and metal pin back frame in red.

Condition: quite nice for its 68+ years of age with light, expected wear to red paint at rim edges and back.

While everyone else wears their newly bought, common, plastic, Mardi Gras beads on Fat Tuesday, stand out and be unique sporting a vintage, 68+ yr old, traditional, Mardi Gras, Clown Jester Hologram pin!

This is a hard-to-find, pharmacy or drug store female specific tin labeled “SEDETS” – Pain pills from the 1940 – 1950 era. The tin measures 2 inches and is in very good condition complete with unused contents. There are faint scratches and minor wear areas. Marked "Rexall Drug Company" and "Patented 1938 in Canada".

This is part of many “female specific” old pharmacy stock items for sale.

Offered is this very rarely found, 1938, LITTLE BLACK SAMBO book with beautiful, full color illustrations by Hidegard Lupprian, a McLoughlin Brothers Inc, Springfield, Massachusetts, book publication. Hardcover, 53 unnumbered pages.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All wear on this brightly colored hardcover book was absorbed by its cover with minor wear to book edge points, book cover edges, and spine edges. Light scuffing to front and back covers. The interior binding is intact and tight as are all pages. No missing pages, rips, creasing, pen/pencil markings or bends to pages with one exception: the initial front blank page is missing its lower corner, and it also has five circular hole punches running at the bottom of the page. Child mischief, no doubt!

The fourteen colored illustrations remain very bright and vibrant with the McLoughlin Bros. well known for their very fine artistry. Three black ink illustrations. Pages printed with a larger font suitable for young readers. Subtle age discoloration to pages.

Wonderful condition for a nearly 90 year old book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply enter “Sambo” into the search box on our website homepage.

Measuring 6 inches high, this darling, mint condition, Black Memorabilia, pudgy, Boy Child Nodder was made in 1950’s Japan by the Ardalt China Company. Dressed up as a little clown, his arms are bent upright at his sides as if he were in the middle of a trick! Such a darling piece!

The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through his neck (see photos).

Condition is mint, and the piece is signed on the bottom of his right foot: “Hand Painted Lenwile China Ardalt Japan 6530 A”.

Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!

Please see the companion piece also available - the darling Black Girl Child Nodder by Ardalt, Japan. And an additional offering that is not part of the Ardalt Black Child Nodder series is the RARE 1950s Black Americana Sailor Nodder by UCAGCO,Japan.

Offered is a very obscure trio of Traditional circa 1900 Chinese Patent Medicines all of which have their original box, contents and are unused. The "KWEI LUK CHEE SHEN" sealed box measures 3.5" x 2.25" x 1.75" and contains Tortoise shell, Deer horn and 3 other ingredients. Condition is excellent. Next is "WAI SHAN YUEN" and contains 4 gold leaf boluses of Deer Horn, White Ginseng, Lotus Nuts and more. The 2.75" box sports 2 colorful stamps and a red label. The smallest medicine measures 3 inches tall "SAM SHE DAM PING ON" Medicine oil is very cool indeed. Rare contents include Snakes Gall Bladder extract! I just love the colorful box, insert and corked glass bottle. Rare Chinese Medicines will complement any collection!

This is a complete, hard to find pharmacy “KONSEAL FILLING and CLOSING APPARATUS” that was used by early 20th century druggists.

The machine was made by The J. M. Grosvenor Co., Boston, and was the most widely used cachet preparation device in American pharmacies.

The condition of this wonderful apothecary tool of the trade is very good, complete with the warm, rich patina one would expect of an antique of this age including the usual scratches, marks and unobtrusive dings and tarnish. The metal parts appear to be nickel plated, and the case is of a hard wood construction. The metal KONSEAL apparatus, when open, measures approximately 18”L x 10”W x 2” H. Note that there is interior and exterior age damage in the center of the wooden case that includes a hairline split in the center. The photos should help better identify this description.

The accessories appear to be complete when compared to the images seen in the directions that is glued to the inside case and my reference text. There are 3 packets with paper directions for patient use.

The interior divider has some minor separation of joints that does not distract from this set.

A must addition for any pharmacy/apothecary collection.