Catalog (183)

Measuring 6 inches high, this darling, mint condition, Black Memorabilia, pudgy and naked, Girl Child Nodder was made in 1950’s Japan by the Ardalt China Company. She modestly attempts to conceal herself by holding a pair of pink and red polka dotted panties in front of her! Such a sweet piece!

The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through her neck (see photos).

Condition is mint, and the piece is signed on the bottom of her right foot: “Hand Painted Lenwile China Ardalt Japan 6530 B”.

Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!

Please see the equally-difficult-to-find companion piece also available - the Black Boy Child Clown Nodder. And an additional offering that is not part of the Ardalt Black Child Nodder series is the RARE 1950s Black Americana Sailor Nodder by UCAGCO, Japan.

This very rare, 1894, historically significant work of factually-based fiction by Marietta Holley, recounts the author's perspective of what life in the post-Confederate South was like, detailing the significant adjustment Southerners experienced once the Civil War ended and slavery was wholly abolished.

This nearly-lost historical work was originally published in 1892 exclusively for the subscription market and was entitled, "Samantha on the Race Problem". Two years later when the work was to be sold on the "popular" market, the publishers, Dodd, Mead and Company, New York, deemed it appropriate to re-title the work, "Samantha Among the Colored Folk", including the subtitle, "My ideas on the Race Problem" on the title page only. Interestingly, this re-titled, 1894, popular market edition still retains the title, "Samantha on the Race Problem" at the top of each of its 387 pages! This is truly a fascinating read, particularly for those who have a keen interest in this tumultuous period of American history.

The author, Marietta Holley of New York, born in 1836, was an American humorist who employed satire to comment on American society and politics. Early in her career, she published not as Marietta Holley, but as "Josiah Allen's Wife", sometimes with her own name also added in parentheses beneath his, as is the case in this particular edition. Interestingly, Marietta was never married, and Josiah Allen never existed. She eventually published under her own name enjoying a prolific writing career and becoming a bestselling author by the turn of the 20th century, although, sadly, she was largely forgotten by the time of her death in 1926.

Illustrated by Edward Windsor Kemble, this work contains over eighty of his pen and ink drawings. Each drawing is titled and a listing of all illustrations can be found at the beginning of the book. Kemble, who enjoyed a prolific career as a political cartoonist for a variety of the top US newspapers and periodicals, was well-known for his caricatures of African Americans, and he illustrated for some of the most famous American writers of the day such as Mark Twain (The Adventures of Huckleberry Finn), Harriet Beecher Stowe (Uncle Tom's Cabin") and Washington Irving (Knickerbocker History of New York).

Written in dialect, this nearly 130 year old book bears evidence of its many, many years. The cloth-bound hardcover is very well-worn along all edges with the cloth spine showing the worst of the wear: small tears at top and bottom with some very small areas of missing fabric. The binding is separating from the spine, but all 387 pages still remain bound and attached (some pages just barely - see photos) with the exception of page 109/110 (see photo) which is present, but for some reason, was cut with scissors from the book. A good number of pages have some degree of staining (see photos), there is foxing throughout, and a very teeny tear here and there. An inked ownership inscription exists on the inside front cover.

Having described its significantly aged condition, it must again be emphasized that this 1894, 2nd edition, is EXTREMELY rare, seldom found available for purchase on the retail marketplace.

"Samantha Among Colored Folks - My Ideas On The Race Problem" is a must-read for those interested in the author's perspective of the societal, political, racial and economic struggles which existed in the post-Civil War South.

This delightful Black Mammy Rag Doll has a face with a story to tell! What an expression!

Measuring 18 inches tall, Mammy is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive, and are exceedingly well done. Her hair has been styled in six pigtails adorned with bows.

Mammy's red, machine-stitched dress is also vintage 1930-40's fabric and features the classic Grecian Key design in white.

A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Art crafts-person who is now deceased.

Please take a moment to view her little brother by typing the words "Maine Doll" into the SEARCH box.

Measuring 6 inches high, this darling, mint condition, Black Memorabilia, pudgy, Boy Child Nodder was made in 1950’s Japan by the Ardalt China Company. Dressed up as a little clown, his arms are bent upright at his sides as if he were in the middle of a trick! Such a darling piece!

The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through his neck (see photos).

Condition is mint, and the piece is signed on the bottom of his right foot: “Hand Painted Lenwile China Ardalt Japan 6530 A”.

Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!

Please see the companion piece also available - the darling Black Girl Child Nodder by Ardalt, Japan. And an additional offering that is not part of the Ardalt Black Child Nodder series is the RARE 1950s Black Americana Sailor Nodder by UCAGCO,Japan.

Offered for purchase is a RARELY FOUND, salesman sample box of Sharpoint Black Face Wire Cobbler's Nails measuring a very diminutive 1.75" tall x 1" wide! (Please note: the larger box pictured in the photographs has been SOLD. This offer is for the smaller box.)

The trademark for Sharpoint is a cleverly-designed, eye-catching, broadly smiling image of an African American gent. If one looks closely, one can clearly see the words "Sharpoint Cobblers Nails" printed within the black space of the gent's mouth! A very "sharp" advertising strategy!

Sharpoint Wire Cobbler's Nails were manufactured by the Charles F. Baker Co, Boston, Massachusetts. This remaining smaller box retains its end flap which features both the manufacturing and patent information, with the patent number corresponding to a 1933 USA Patent date. Amazingly, the box still retains the original cobbler's nails!

The box is in very good condition considering its age and the fact that it has held tiny, sharp nails for over 80 years! The cover litho remains very crisp and clear. Typical, age-related edge wear is noted. Please peruse all photos for condition details. The box has been shrink-wrapped to protect the integrity of the cardboard, and again, it does contain the original nails.

This VERY, VERY RARELY FOUND SALESMAN SAMPLE size box WITH ORIGINAL NAILS is offered at $125.

Offered is this 1932 copyright, LITTLE BLACK SAMBO Book with lovely illustrations signed "EULALIE", A Platt and Munk Company Book publication. Softcover, 10 unnumbered pages. These beautifully illustrated drawings alternate by page between full color and black ink. The Platt and Munk Company was renowned for its exquisite, highly-detailed illustrations of children's books.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! This softcover book has seen little use with just a teeny bit of wear to book edge points. The front and back inside covers are separated at the lower of the two binding staples downward; the remainder of the cover binding is intact as are all pages. There is mild, vertical creasing to the book throughout near page edges (see photos), likely from someone folding the book at some point in its lifetime; the front cover at the lower right corner also shows crease lines. None of the crease lines effect structural integrity. No pen/pencil markings.

Amazing condition for a nearly 90 year soft-cover book!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin letter opener is constructed in solid brass. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 10 1/4 inches long. Remnants of green paint are visible on Johnny's shirt. Interestingly, this piece also doubles as an advertising piece as on the reverse side it is impressed, “I. C. Herman + Co., 507-9 Broadway, NY (New York)”.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 6.5 inches long and approximately 4 inches in both width and depth, this wonderfully RARE, Black Americana, Red Cap, Railroad Porter, pottery string holder is in very fine condition with just a sprinkling of white speckling where the black cold paint has worn away.

A stunning and very visually striking piece, it is labeled on back, "Fredericksburg Art Pottery USA", a pottery once located in Fredericksburg, Ohio, manufacturing between 1939-49. The back has 2 original hanging holes for placement on a wall.

Truly in wonderful, vintage condition with no cracks, chips, repairs or repaint! A fabulous addition to one's Black Americana collection!

Please note that the natural outdoor lighting used to photograph this piece has amplified the white paint flecking --the teeny white spots really show up more in these photos than on the actual piece in an indoor setting--- photo number one gives an accurate depiction of appearance.

Offered is this 1959 copyright, LITTLE BLACK SAMBO TELL-A-TALE Book with illustrations by Violet LaMont. A Whitman Book publication, copyright by Western Publishing, Racine, Wisconsin. Hardcover, 28 pages.

A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two young daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was converted over time to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 9 out of 10! This book has seen little use with just a teeny bit of wear to book edge points as well as very minor wear in a couple of areas on the exterior binding. Otherwise, intact and tight with no tears, creases, pen/pencil markings or soiling!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 7.5 inches long x 10 inches high, this rarely-found, circa 1930's, wooden pull toy depicting a Smiling Black Boy is fully functional! He was manufactured by Wood Commodities Corporation, New York, and was called, not the typical Sambo as one might expect, but "Little Jasper"!

Little Jasper was created by George Pal, a cartoonist who worked for Paramount Studios and who created the Puppetoons, a popular cartoon series played in movie theaters of the era prior to the screening of the feature film.

Push or pull him along, and he twirls around while the two present wooden flowers spin along with him! (One wooden flower top is, unfortunately, missing--the only imperfection to this fabulous toy!)

Overall condition is rated as excellent, barely-used condition! There is very insignificant edge wear to paint here and there, but the four wheels don't show even the tiniest trace of wear from use, suggesting that this toy quite likely sat either in a display cabinet or was packed away for its entire existence! Even the original, paper manufacturing sticker remains intact and in pristine condition!

"Little Jasper" is very RARELY found, and the opportunity to acquire him should not be overlooked!

Offered is a bucolic and beautifully-colored, medium-folio, copyrighted 1854, Nathaniel Currier, New York, lithograph entitled, "Catching A Trout". The image measures approximately 10" x 14", and depicts a fancily-dressed African-American man "netting" the trout caught by one of the two well-dressed gentleman enjoying a relaxing day of fishing. This Currier + Ives lithograph is infrequently found, and is quite highly collectible.

Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.

Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.

Measuring just 11 inches tall, this sweet cloth doll with a composition face may be placed in either a standing or sitting position.

Her composition face is in impeccable condition with sharp, well-drawn painted facial features. Her face is further accented by 3 darling curls peaking out from under her brightly colored cloth bandanna!

Her body is machine-stitched cotton fabric stuffed with sawdust. On the back of her right thigh, her place of origin is stamped: "POLAND". Her little flowered skirt is also machine stitched and is the only piece of clothing that may be removed.

Condition is superb with the exception of a hand-stitched repair to the seam line of her left foot where the foot is joined to the leg. Does not detract.

Measuring just 10 inches in height, this diminutive, vintage 1940's, Mammy Bottle Doll is in near mint condition, with nicely detailed, machine-stitched clothing and a very darling face! Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

Her cute face is composed of pearl button eyes with red fabric mouth. She wears a flowered bandanna and a pale blue apron over her pale blue patterned dress. Her clothes are stain free and are nicely constructed--note fancy sleeve detail!

This mammy bottle doll is one of 3 offered, all coming from the same estate--and all priced separately.

Measuring 9 inches high, these delightful examples of Folk Art styling represent three of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women employed under President Franklin Delano Roosevelt's (FDR) Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features, with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The gray-hair and bearded, chicken-toting black country gent on the left is attired in machine-stitched clothing wearing blue cotton britches with red suspenders along with a blue and cream striped cotton shirt and a red kerchief around his neck. His hat is constructed of navy blue-colored felt. This country gent holds a very finely-crafted and detailed brown chicken under his left arm, while his right hand clutches a wooden walking stick. Note the lustrous chicken feathers protruding under his arm when he is viewed from the back. He appears to be a bit disgruntled about something given those raised eyebrows!

The female doll depicts a lady out for a stroll with her black umbrella in hand. This sweet gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features. Her head is turned to her right as if to see who had just called out her name. This gentlewoman's clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. topping off her outfit are a pair of gold hoop earrings!

The gray-hair, bearded, chicken-toting black country gent doll on the right, is also attired in machine-stitched clothing wearing brown cotton britches with a patch on the left leg, and a bright red hankie protruding from the right pocket. His matching brown suspenders along with a red and cream striped cotton shirt and a red kerchief around his neck complete his outfit, while his brown felt hat tops it all off. This country gent also holds a very finely-crafted and detailed brown fabric chicken with lustrous feathers under his left arm, while his right hand clutches a wooden walking stick. This gent, however, is in much finer spirits than his male companion is, wearing a very pleasant expression on his face!

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! All three in perfect condition and priced at $295.00 each.

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

An unusual piece, this delightful, cloth Mammy Broom Doll from the 1940's measures 12.5 inches high with a total height of 31 inches including the broom.

Mammy's wonderful, smiling face is all hand-stitched while her clothes are machine sewn. Her blouse is striped cotton, as are Mammy's head, arms, skirt, apron, and cap. Her head, arms, and upper torso have been stuffed with cotton batting. The natural bristle broom fills out both Mammy's torso and skirt & the wooden broom handle extends upward through her neck and head.

Mammy is in all original condition with no mends or repairs. The structural integrity of the broom remains quite sound. Mammy's white cotton apron and cap have been professionally cleaned, removing nearly all traces of old stains, dirt, and dust.

A fabulous piece of vintage Black Americana, and a seldom seen form of the Black Mammy Doll!

This charming grouping of FOUR vintage, wooden, Black Railroad Porter and Mammy clothes brushes were all made in the 1930's by the Rhody Brush Company of Woonsocket, Rhode Island.

All of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.

The two railroad porter brushes are priced at $85 each. The two smaller 4.5", green and red-dressed mammy brushes are priced at $60 each.

The black and cream railroad porter brush and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Black and Cream Railroad Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.

The following brushes are also in very nice, barely used condition with minor imperfection as described below:
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Red and Cream Railroad Porter brush: has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's wear is consistent with where one would hold onto the brush while using it.

Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.

Enter "BRUSH" into the SEARCH BOX to find other Black Americana brushes for sale.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin tie rack is constructed in solid brass. It remains functional for such use today; however, only two of the five original tie hooks remain.

It is in all original condition with fabulous patina- not a reproduction- no replaced parts- and measures 13 inches long.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 12 inches in length, this circa 1930’s, Topsy Turvy Doll is in superb condition and is unusually and wonderfully appointed with great attention to detail! Both black and white sides of the doll have been very finely dressed with rose blossoms on their bandannas as well as at their waists- very, very rare for the “Black Topsy” to be so well attired!

”Black Topsy” is dressed in a striking pink, green, orange, and black cotton, geometric-patterned dress- very Art Deco! Her mouth and nostrils are stitched in red thread and she has white pearl button eyes.

The Caucasian doll is dressed in a cotton lavender dress- also with a geometric, Art Deco pattern in black, green and yellow. Her blouse and bandanna are lavender sateen. Her entire face has been finely stitched. She has pink nostrils and mouth, black eyebrows, and her black stitched eyes have pretty lashes that highlight her silvery gray irises! She has the very palest of staining to her face above her nostrils, but it is barely noticeable, and there is some light fading to her sateen bandanna.

Condition and detailing of both sides of this Topsy Turvy is really quite extraordinary, setting her apart from other Topsy’s!! A wonderful addition to one’s doll or Black Memorabilia collection!

This unusually diminutive, vintage, C1920s, Black Valentine Cupid die cut is protected in a 4 x 6 inch, decorative wood frame, surrounded by a gold foil mat featuring white foil roses. Additional tiny die cuts of pink roses are placed at each corner.

This adorable, smiling Valentine cupid die cut is in very good condition. Two very teeny fold lines are present that are very difficult to see unless using magnification (see closeup photo) - one in the left arm and another in the left wing. Otherwise, perfect!

A very unusual, vintage, Valentine's Day find!

Offered are two, circa 1930's, Japan, colorfully decorated, Black Americana Tea Pots in pristine condition! A darling and diminutive, novelty elephant piece with riding black native completes the trio! All three elephants proudly point their trunks upward, awarding "Good Luck" (according to superstition) to anyone who displays them (or drinks their tea)!

Cleverly designed, the elephants themselves, serve as the body of each tea pot, while the turbaned Black Natives lift off the elephants' backs revealing their function as tea pot lids. A wicker handle facilitates handling on the two large tea pots. The base of all three pieces are marked "JAPAN".

The largest tea pot measures 7 inches high by 8 inches long; the middle-sized tea pot measures 6 inches high by 7 inches long; the tiny novelty piece measures a diminutive 3.25 inches long by 2.75 inches high.

Condition is excellent on all three pieces with the exception of the wicker handle on the middle-sized tea pot. One end of the handle is missing its looped section of the wicker that would have wrapped around the ceramic loop to secure the handle to the tea pot. As is noted in the photos, that end of the handle can be propped against the ceramic loop to maintain its proper appearance for display purposes.

Handsome and difficult-to-find pieces of vintage Black Memorabilia! All three Good Luck Elephant pieces are offered as a single group, priced at $245.00!

This handsome Black Memorabilia Male Golliwogg doll comes straight from an English home!

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

Measuring 21.5 inches long, this delightful and appealing cloth Golli is unmarked and is thought, by his original and quite elderly owner, to have been made in the mid 1940's! (She speculates that he could even be a bit older than that, but she remembers not acquiring him until after the end of WWII.)

His nose and mouth are hand-stitched and he has round, cloth covered button eyes- the pupils were hand-colored using black ink! His nicely coiffed, black hair appears to have been styled from soft, "stuffed animal-type" fur! Rather interesting and ingenious! He has a machine-stitched, cotton batting stuffed, black sock cloth body. His colorful wardrobe is also machine stitched- green wool mourning coat, gold vest, and red and white polka-dotted cotton pants and matching bow tie!

He is in wonderful condition with the exception of some tiny moth holes to the back of his mourning coat (see photos) as well as another tiny moth hole to the back of his right arm and back right pants leg. The polka dot clothing shows the slightest hint of fading. His dark black fur hair also shows some age-related color change to brown at the roots. Hmm...then again...perhaps he's simply overdue for another hair coloring appointment at the Salon!

A very sweet addition to one's Black Memorabilia or Golliwogg collection!

Measuring 8 1/2 inches wide x 11 3/4 inches long, this brightly colored, all original, copyright 1931, Little Black Sambo Puzzle by acclaimed American children's illustrator, Fern Bisel Peat, is in very good condition! This very rarely-found puzzle attracts additional interest due to the unusual, geometric, highly angular cut of the individual puzzle pieces- suggesting a very strong Art Deco influence!

(Also currently available is Fern Bisel Peat's companion Little Black Sambo storybook!)

This puzzle rendition of Little Black Sambo depicts Sambo strutting out into the jungle dressed in his newly acquired outfit complete with shade umbrella- all of which is soon to attract the attention of those nasty tigers! This scene has been taken directly from the 1931 copyright, softcover, large folio, Little Black Sambo book illustrated by Fern Bisel Peat and published by The Harter Publishing Company, Educational Publishers, Cleveland Ohio. It is likely that both the puzzle and the book were released to the public at the same time. They were intended for use in the school setting, grades K-2, as well as in the home. The aforementioned large folio Little Black Sambo Book is also available for purchase on this website (type Sambo into the SEARCH box).

Ready to be framed, the puzzle has retained all of the brilliance of its original colors and also sports the artist signature of Fern Bisel Peat in the upper right hand corner. Slight and subtle edge wear to some puzzle pieces as noted in photo. A wonderful addition to one’s Little Black Sambo collection by this highly sought-after, renowned American children's illustrator!

Fern Bisel Peat, 1893-1971, was born in in Erie, Pennsylvania, and went to public schools in Elyria. She attended Ohio Wesleyan University in Delaware, graduating with a degree in fine arts. Marrying Frank Peat in 1917 and settling in northern Ohio, Fern soon began painting children’s murals in both public and private venues.

As her work grew in popularity in the 1920's, she was asked to design children's wallpaper for a Cleveland company, designing a set of Mother Goose wall panels that sold widely. She soon was approached by the Saalfield Publishing Company where she went on to illustrate over 60 children's books!

From 1933 to 1955 she was editor and chief illustrator for Children’s Play Mate magazine, published in Cleveland, and nearly all of the covers during that time period feature her illustrations.

As the major breadwinner for the Bisel Peat family, Fern found every way possible to market her work to publishers, advertising firms and toy makers during the lean years of the American Depression and World War II. As a result, her distinctive children's illustrations can not only be found within children's books of the era, but also on holiday decorations, paper fans, playing cards, rag dolls, tin toys…not to mention coloring books, puzzles, paper doll books, and greeting cards!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a colorful, 1883, lithographed, Lime Kiln Club, Black Americana, Cigar Label by Mensing & Stecher of Rochester, New York (company noted in the lower left corner). The lithographed 8" x 6" label would have been placed on the inside cover of the traditional wooden cigar box of that era. This highly detailed label features a caricature image of a very boisterous group of African Americans at a lodge meeting. The moderator is trying to get order while some of the members talk and fight amongst themselves with one even holding a pistol.

A trademark label affixed to the bottom of a sour mash whiskey barrel, "ICMCo" stands for the Ithaca (New York) Cigar Manufacturing Co. for whom the label was made.

Interestingly, this cigar label was based on a racial parody book featuring a fictitious fraternal organization of African-Americans, titled 'Brother Gardner's Lime-Kiln Club' by "M. Quad". Quad, in actuality, was noted newspaper columnist and satirist, Charles Bertrand Lewis, of the Detroit Free Press.

Framed in an 8.75" x 10.75" silver-toned wood frame, this Lime Kiln Club lithographed label is extraordinarily scarce and highly sought after. It is listed as one of the top 100 blue chip cigar labels by "InStone 100" (a cigar label rating organization). The lower right hand corner notes the US Patent Office Registry date of May 22nd 1883. This 19th century piece would benefit from professional framing using archival, acid-free materials to enhance its life for many more years to come.

Condition: The color remains as brilliant as the day this 140 year old label was produced! Four unobtrusive and minor tears are noted: two in the lower left corner area, one at the center top near the moderator's gavel, and one between the K and I in Kiln. A crease is noted in the white margin above the label title, and a water mark is present in the lower right side of the white margin. However, none of these blemishes detract from this highly intricate lithograph! Take a few moments to carefully study all of the activity and detailing in this colorful piece!

Offered is a very interesting, scarcely-seen, Black Americana child's toy from the 1930's era.

Measuring 7" long x 4.5" high x 4" wide, this colorful toy features two African-American boxers who are activated by jiggling the paddle which causes the boxer's arms and legs to freely fly about.

The boxers have painted wooden bodies with lithographed tin arms and legs. They are attached to the wooden paddle by a thin metal wire.

The toy is complete and in all-original condition and has not been subjected to any repair or repaint. Wear to the painted faces is evident as noted in the extreme close-up photos provided. No manufacture marking evident.

This seldom-found toy displays very nicely and would be a delightful addition to a Black Americana toy collection.

Measuring nearly 8 inches tall, this fabulous and rarely found, early, lithographed, tin toy, No. 1750, retaining its original box, was made by the Lindstrom Tool & Toy Company of Bridgeport, Connecticut.

This late 1930's toy is the later version of the two Mammy walker toys produced by this company. It is marked on back just under the white apron tie, "Lindstrom Corporation Made in USA". The marking is very faint, and thus, difficult to read without scrutiny. The contrast in this photo has been enhanced so that the manufacturer labeling is easier to visualize online.

Mammy shuffles along quite vigorously via her original wind-up mechanism while she holds her broom and quickly "sweeps" back and forth.

Over 70 years old, Mammy is still quite sturdy as she was well made, but she does show some minor scratching and paint loss from play over the years as the photos indicate. Her coloring remains brilliant!

The box remains in very good condition with minimal wear to seams considering its age. Coloring is strong. One flap at the top of the box is detached but present.

Sweeping Mammy is a must-have addition to any Black Memorabilia Toy collection!

Measuring a diminutive 4.50 inches long x 2.50 inches high, this very unusual tin and pot metal piece features a small black shoe shine boy with shoe polishing brush in hand, about to polish a giant ladies lace-up shoe!!

The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.

Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.

Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.

Offered are a fabulous variety grouping of VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

The assortment features die cuts of musicians, jugglers, a boxer, actors, a bagpipe player, comically portrayed African natives, and die cut heads of adults as well as die cut heads of children. All but the four African die cuts remain connected as a grouping, just as they were when originally produced and shipped from the factory- a very rare find which increases each grouping's value.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping!

Approximate measurements are as follows:
The 2 standing, connected figures: 3.25" tall x 4.50" wide
Connected Adult Heads: 2.25" tall x 3.75" wide
Connected children Heads: .75" tall x 4.50" wide
4 African loose figures: 2" tall x 1" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there. The photo of the verso of all reveals that no repairs or restorations were made to any of the die cuts in this offering.

This entire grouping of die cuts is being sold as one single offering at $55.00.

Measuring 3 3/4 inches tall, this rarely found, bisque, black baby doll rests in a 6 inch long Peanut!

The little black doll retains its original cloth diaper and swaddling blanket with arm holes. The blanket shows spotted soiling. The baby doll features a nicely hand-painted face with the bisque in excellent condition with the exception of the right foot. The top front of the right foot appears to have been chipped during production as it retains the original paint that is applied over the white bisque during the manufacturing process. The doll is marked on its upper back: "made in Japan".

The 2 piece peanut shell is quite lightweight and appears to be made of layers of heat-pressed paper that was fashioned into a peanut via a mold. The two peanut shells retain the original hinges. A 1 inch long piece of the interior paper liner has separated from the peanut shell, but the separated piece remains (see photo). These delicate peanut shells are in fine condition overall!

Perhaps originally intended as an ornament, the peanut shell still retains a hanging string at its top edge. A rarely found piece of Black Memorabilia!

This 1930s, Art Deco, VIGNY, 2 ounce, Golliwog Perfume Bottle is a rare find! This particular marketing of the very highly sought-after and well-known Paris Vigny Golliwogg perfume, was sold by the famous Fred Harvey stores which dotted the new railroad lines running through the American Southwest.

This 4 inch tall bottle retains the majority of its Fred Harvey price sticker on its base. Remnants of perfume are still visible, and the bottle's original paper labels remain in wonderful condition. This version of Vigny Golliwogg perfume is extraordinarily difficult to find as it was specifically marketed only in the Fred Harvey rail line stores.

A very scarce and delightful addition to one's Vigny Golliwogg Perfume collection!

A bit of Fred Harvey History:
Frederick Henry Harvey (June 27, 1835 – February 9, 1901) was a Liverpool, England-born entrepreneur who immigrated to the United States in 1853 at the age of 17. His first employment in the US was in a NYC restaurant where he quickly worked his way up from pot scrubber to waiter and line cook- an experience which later impacted his life choices.

In 1876 after working within a number of retail industries, Harvey returned to his first "love"- the restaurant business. As a result of his acquaintance with the superintendent of the Atchison, Topeka and Santa Fe Railroad, Harvey opened a very successful chain of "eating houses" all along the rail line. At its peak, a total of 84 Harvey Houses existed, all of which catered to wealthy and middle-class visitors alike. Souvenir shops and hotels were added by the innovative Harvey, and he became known as "the Civilizer of the West".

Fred Harvey is credited with creating the first restaurant chain in the United States, and he is also recognized as a leader in promoting tourism in the American Southwest in the late 19th century. Fred Harvey and his employees successfully brought unique and higher standards of both civility and dining to a region widely regarded in the era as "the Wild West."

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

Offered is the 1928, 2nd edition of Helen Bannerman's, Little Black Sambo book published by the Platt & Munk Company of New York and illustrated by one of P & M's noted artists, Eulalie. The Platt & Munk Company was renown for hiring highly talented artists and illustrators, all of whom who contributed to the company's reputation for publishing exquisitely illustrated children's books.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

In very fine condition with the only flaws noted to this hardcover book being extremely minor corner edge wear, what appears to be a blue ink stain on one page (see photos), one small 1/2" long tear on the page "Oh, Please Mr. Tiger, DOn't eat me up", and what looks to be an oil stain beginning at the edge of the inside of the front cover, continuing to about the middle of the book. However, the stain is smaller and smaller with each successive page. The colored illustrations are beautifully vibrant, with both the black line drawings and color illustrations demonstrating the superb artistic talent of the illustrator, Eulalie! Unnumbered pages alternate between color and black line illustrations. No creases. Nice, tight binding.

A must have addition for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 6 1/4 inches high x 5 3/4 inches wide, this circa 1930's, VERY RARE, Japan made, Polka Dot Kerchief, Mammy Head String Holder is in near mint condition with no chips, cracks, or hairlines! Mammy is the mate to the Maruhon Ware Mammy series--Cookie Jar, Basket Handle Biscuit Jar, Teapot and related kitchen items-- all made with this same Mammy's face.

The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!

Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.

Offered are two, VERY RARE, 1880's, romantically-themed advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature well-dressed African American gentlemen attempting to woo and capture the exclusive attentions of pretty young African-American ladies, one via a banjo serenade and the other via an offer of lovely flowers.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the banjo playing gent (with that snarling black dog in the lower right corner) measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the shy woman being presented with pretty flowers measures approximately 7.25 inches wide x 9 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, lines and light edge wear. The advertisements are priced at $35 each or two for $60.

Offered is an extraordinarily rare, 1930's, Googly Eyed Tea Pot made in Japan. A Google search on this item yields NO other vintage, 1930s Japan, Mammy, Googly-eyed Teapots available, further attesting to this piece's rarity!

This particular piece is in very fine condition, with cold-paint flaking noted on the spout and on the lid edge decoration as this piece's only readily-visualized flaws. (Cold paint refers to paint applied AFTER a piece has been painted, glazed, and fired in a kiln. Because this after-paint is not glazed and fired, it is easily subjected to flaking and disintegration.)

The teapot remains in fabulous, all-original condition with its original, twisted-wire, bail handle intact and in fine condition. The tea pot measures 5.5 inches wide from the edge of its spout and across the body to the opposite side. With its handle upright, the pot measures 7.75 inches tall, and 5.75 inches wide. The teapot with lid, absent the handle, measures 5.25 inches tall.

As noted previously, the teapot spout presents flaking of its green paint, with two tiny flea bites present on the tip of the spout detected only via touch versus the eye. The pot has no chips, cracks, repairs or repaint. There are very teeny surface rubs on the left cheek, but these are paint flaws which occurred prior to glaze application and firing. There are also two teeny "dots"-- one on the forehead and one just to the inside corner of the right eye that are also flaws created either right before or during firing.

This fabulously RARE piece displays just wonderfully and would be a prized asset in the collection of any advanced collector! And its diminutive size makes it easy for one to display in one's collection!

Enter "Googly" into the SEARCH box to see our other Googly-Eye collectibles!

Measuring 1 7/8 inches in diameter x 1/4 of an inch high, this seldom-found, circa 1920’s, dexterity game depicts a surprised or startled African baby. Likely German-made, the puzzle has no markings. It contains the 3 tiny metal balls, that with the proper manual dexterity, are to be placed in the baby’s mouth and two eyes. Two of the balls are currently fixed in place, likely due to the metal backing being very subtly pushed in.

Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Black Memorabilia!

Offered are a grouping of 11, circa 1920-30s, colorfully chromolithographed trade cards published by the Liebig Extract of Meat Company of London as well as a smattering of other French and Belgian producers of sweets and clothing for men and women.

"Picture cards" as they were called then, feature very colorful and highly detailed images on the front side with product advertising generally on the back side. For those with advertising on the backside, the advertising, in most cases, is written in French. These cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of the food stuff or article of clothing that had just been purchased.

All but one of the cards measure approximately 2.75 inches x 4.25 inches, with the remaining card measuring approximately 2.50 inches x 5 inches. All but two are in very good condition with no observable flaws or damage.

The two exceptions:
-the 2.50 inch x 5 inch card- which has been scissor-trimmed, has a fold line down the center, and was pulled from a scrap book obscuring some of the printing on the backside-
-and one Liebig card which is missing one corner edge.
Condition quite remarkable given their 80-100+ years of age.

A nice early collection of trade cards!

Black Memorabilia sewing items are becoming very difficult to find! Offered is a wonderful, 1930’s, cloth Mammy Pin Cushion!

While her little body was machine stitched together, the remainder of Mammy is all hand-completed! She has a sweet, cheerful, hand-embroidered face that is framed by a tall red, white and blue bonnet! She continues her patriotic look with a red and white checkered top and blue and white flowered pants---how racy---pants instead of a skirt!!!

Mammy clutches a gold colored tomato which, of course, is designed to keep the sewing pins!

In wonderful condition!! Just waiting to be displayed with other sewing or black American collectibles!

Offered for individual sale are two, circa 1960's, "Days of the Week", cotton muslin Hand Towels each featuring a cross-stitched Mammy hard at work tackling a different household chore on each day! The towels are priced at $38 each or both for $65. Please specify preference when making inquiries.

One of the hand towels, "Monday", is entirely hand-cross-stitched and hand-hemmed on a somewhat heavy-weight, cream-colored, cotton muslin. It measures approximately 36 inches square and features Mammy washing clothes using a washboard in a wooden barrel. Condition is quite good with small, scattered, stain spots here and there- none in the area of the cross-stitching.

The other hand towel, "Friday", is made of a slightly lighter weight and whiter-colored, cotton muslin. It measures 28 x 29 inches, and again, it has a tiny stain spot here and there away from the cross-stitched area. The hems are machine stitched while the cross-stitching is entirely hand-completed. This towel features a humorous scene of Mammy serving/making pancakes while a pitcher of milk or water unknowingly spills behind her!

These delightful towels would look charming folded and displayed on a kitchen wall rack or could even be framed - folded so that only the cross-stitched area is visible in the frame!

As the towels are priced both separately or as a pair, please email us stating whether you wish to purchase the pair or only one of the towels so that we can customize your order form.

Measuring 5 3/4 x 7 3/4, this lovely, early, Pre-WWI, English or Continental origin, Black subject advertising die cut features two sweet, smiling, pretty young girls under a tattered umbrella.

This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone decorative frame! Likely originally produced to advertise a specific, product, store or location, but then was never utilized for that purpose.

A sweet piece, perhaps, one-of-a-kind!

While the photo depicts a grouping of 3 different, vintage 1930-40's, French Rum labels, only the oval label is available at $14.00, as the other 2 have been sold.

The label is unused and is in excellent condition with wonderful, even coloring (any appearance of fading is due to light reflection only).

Approximate measurements: the oval label measures 4.50 x 3.50 inches.

Would look wonderful framed!!

Please take a moment to view my other grouping of vintage French rum labels!

Offered is an authentic signed baseball from former Negro League player CLIFFORD LAYTON. The ball was signed for me at an autograph show and is dated 4-15-05.

Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.

A brief history of the Negro League:

African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

Measuring 3.25 inches high, this delightful English child or baby transfer porcelain mug is a quite rare find!

In excellent condition with the exception of some minor wear to the gilt rim and scripted banner, the cup or mug features two gentleman sharing a tub bath- one Caucasian and one African-American. The African-American gent is surrounded by musical notes indicating that he is doing quite a bit of whistling, while the Caucasian gent covers his ears in annoyance. The scripted banner above their heads reads, "Whistling Rufus." "There's music in the air."

The mug is signed in the lower right corner of the tub, "Copyright Sid Smith". The base bears the black crown and banner stamp of Allertons, England as well as the printed, red-inked number "2089".

Salvaged from a battered and heavily damaged 1907 story book, this delightful, hand-colored lithograph drawn by L. Hobbins is entitled, "Teaching Hannah Mariah To Skate".

Measuring 9 by 11 inches framed, this litho retains its vibrant colors! A delightful piece which features the accompanying poem on the reverse side.

The frame is a temporary and inexpensive one to allow the potential buyer to view the poem on the backside, but the piece should be properly framed to enable its continued conservation once purchased.

A note: It IS possible to frame this 110+ year old piece using glass on both sides to allow perpetual view of the poem.

Please ignore any white streaks or marks seen in photos; these are the result of light reflection off of the glass.

Offered is a rarely found, Ca 1890s, tintype mourning brooch featuring a young and attractive, African American woman.

Housed in an ornate, brass frame complete with backside pin to allow attachment to one's clothing, the mourning pin measures 1 3/16th inch in diameter.

The image is quite clean and crisp with a very tiny imperfection noted on the image just above the woman's head at the frame edge.

Offered is a highly-collectible, circa 1860's, Staffordshire earthenware, pictorial plate featuring a scene from the enormously popular, 1852 novel, "Uncle Tom's Cabin" by Harriet Beecher Stowe.

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

The plate depicts Uncle Tom seated in a horse-drawn wagon while heavy iron shackles are being clamped around each of his ankles. The text on the plate reads: "Uncle Tom packed up for the 'Down South' Market. Haley made fast a heavy pair of shackles to Tom's ankles".

Plates such as this were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery, abolishing it in 1833.

The plate measures 8 1/2 inches in diameter and the interior is decorated with the black transfer-printed, Uncle Tom vignette. The rim is quite beautifully embossed with highly decorative swirls which encase two different flying birds- one clutching an olive branch in its beak and the other chasing after a butterfly.

The plate is of great interest due to its slavery-related subject matter and its high degree of rim decoration. Condition of the plate is fair to good due to the numerous edge flakes present along the rim and the two tiny ones within the transfer. The plate has a use-related age crack that is clearly visible on the backside of the plate and which is also partially visible on the front side. This crack is quite tight and does not pose any concern to the structural integrity of the plate.

Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.

This lovely and historic plate has been priced to reflect its blemishes.

Measuring a very diminutive 2 inches long x 1 ½ inches wide x ½ inch deep, this tiny cardboard match box was made in Sweden in the 1930’s. It still retains its wonderful lithographed image of a Black Man carrying jugs of coconut juice among the palm trees. It is entitled “THE PALMTREE” and is additionally labeled “IMPREGNATED SAFETY MATCH, MADE IN SWEDEN” along the bottom of the litho. It is in near mint condition but no longer contains any matches! The box simply slides out of its cardboard casing with a push of the finger!

Offered are five different, circa 1890-1901, Jim Crow era, stereoview cards, highlighting African-American history at the turn of the 20th century, some 120+ years ago. They feature: grueling rice field labor in South Carolina, a slave market in St. Augustine, Florida, a group of Florida sugar cane grinders, five English Springer Spaniels at U.S. Field Dog Trails being held at bay by a young black man, and seven very young black children seated on a mule awaiting orders for work in the fields.

The stereoview cards are titled: "Hoeing Rice, South Carolina", "Old Slave Market At St. Augustine, Florida", "Native Cane Grinders in Sunny Florida", "Who said quail?" (young man holding English Springer Spaniels) and "Waitin Fo De End Man" (7 Boys Sitting on a Mule).

The cards are priced at $35.00 each or all five cards for $140.00. All are in fine condition, and all but "Waitin Fo De End Man" and "Who said quail?" have a detailed, historical description on the reverse side.

As each is priced separately as stated, please specify which stereoview card(s) you wish to purchase so that we can customize your order form.

Offered is an extraordinarily rare, 1842, Warren County, Georgia, Apprehension Order for a SLAVE boy named Henry who is accused of committing a violent assault and battery with intent to kill.

The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page and then completed on the back of the same side of the page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "The State VS Henry Negro Boy Slave".

The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Matthew Sheilds a justice of the peace for said county, personally came Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a negro boy slave the property of the estate of Hardy Pitts late of said county deceased, did commit a violent assault and battery with intent to kill Deponent, with a heavy stick - and Deponent believes said stick was ferreled (an action suggestive of a wild beast)- upon the person of Deponent - on this night of the thirteenth of this Instant in said county of Warren to wit upon the plantation of Thomas Persons, near Warrenton.
Sworn to and subscribed before me this 14th March 1842."
"Matthew Sheilds JP"
"Stephen Blount"

Paragraph two:
"Georgia Warren County"
"By Matthew Sheilds one of the Justices To Sheriff the Constables of Said County and to all other lawful officers for as much as Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a Negro boy Slave the property of the estate of Hardy Pitts late of Said County deceased did commit a violent assault and battery with intent to kill Deponent - with a heavy stick and Deponent believes said stick was ferreled upon the person of Deponent on the night of the thirteenth of this Instant...." (continued next page)

Next Page:
"in Said County of Warren to wit on the plantation of Thomas Persons near Warrenton. These are therefore to Command you that you apprehend the Said Negro Boy Henry and bring him before me or some other Justice of the peace of Said County to Answer the said charge and to be further dealt with according to Law Herein fail not. Given under my hand and Seal this 14th day of March 1842."
"Matthew Sheilds JP" (JP written a second time and encircled in a squiggle to simulate a wax seal)

Condition of this very unique slavery document is quite fine given its 180 years of age. Expected aging of paper with insignificant and minor tears at creases. Also present are three long spillages of ink (as seen in photos) which likely occurred at the time this document was written out with, obviously, no intention of the author to start over again and rewrite!

An extraordinarily rare historical document that defines a specific slave-related incident.

Measuring 11 inches tall, this wonderfully detailed, circa 1930's, gentleman, African-American doll is phenomenally well detailed!

ENTIRELY hand-stitched, this gent is dressed in fancy striped pants, straw shoes and hat, green belt, and in a navy blue and white polka dot shirt with a tiny breast pocket that holds a teeny pack of CAMEL cigarettes, labeled with a "C"! His outfit is topped off with a red tie that is held in place by a bean tie tack!

His face is hand-stitched with careful attention noted to the creation of his molded, 3-D nose. The weather must be warm as he wearily wipes his hot neck with a red and tan checked handkerchief!

A delightful African-American Southern character doll!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin item is constructed in solid brass and is known as a document clip used to hold together important papers. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/8 inches long x 2 3/8 inches wide. It does not retain any marking other than a mold number 5241.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

This delightful grouping of 3 black Aunt Jemima composition dolls from the 1930s enjoyed an interesting, more recent life as advertising display pieces in an old Vermont Country store!

The 3 dolls were grouped together in a creative display that supported the sale of Aunt Jemima Pancake products! Their costumes are all identical and were hand-stitched and made especially for the planned Aunt Jemima display.

Each of the dolls remain intact inside an encasement of glue and paper wrapping and are attached to home-made, plaster-of-Paris-based, rectangular platforms. The platforms were created in 1958 as is written on the bottom of each base, and the dolls remained in place until the store closed in the early 1980s.

The large doll is 11 inches tall and evidences age-crackling to her composition face and hands; her right hand is actually missing a small piece of composition (see photo). Black hair peeks out from inside her checkered head scarf framing her sweet face!

The doll on the left side is the shortest, measuring 5 3/4 inches high. She is in fine condition and her eyes are placed in an interesting sideward glance.

The doll on the right measures 6 1/4 inches tall. Her composition is in fine condition with the exception to some small loss at the very top of her head (see photo).

Certainly a very visually appealing trio, sold all together as a group of three!

Offered is a series of 18, circa 1920s, colorfully lithographed trade cards published by the Liebig Extract of Meat Company of London. Each "picture card" as they were called then, features very colorful and highly detailed images on the front side with extensive educational information on the back side, written in French, on the various African tribes living in the Belgian Congo during this time period. The cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of all of the delicious soup extracts and bouillons it produced.

The cards measure approximately 2.75 inches x 4.25 inches and are in very good condition with no observable flaws or damage- quite remarkable given their 100+ years of age. Liebig cards were lavishly produced in Germany from 1875 to 1930 using chromolithographic printing techniques incorporating 12 different colors- an extravagance! The cards were enclosed as "give-aways" with purchase of Liebig products, and the Liebig Company was the first to give away serialized images with its products.

The Liebig Extract of Meat Company was established in London in 1865 by Belgian entrepreneur, George Christian Giebert, when he became interested in commercializing the Belgian chemist, Baron Justus von Leibig's, formula for beef extract. The venture was a resounding success, producing various meat extracts, soups and bouillons into the early 1970s.

Measuring approximately 3" x 3", this rarely found tin mechanical toy features a monkey at the unfortunate mercy of a black lady hitting him with a mallet!

Unmarked, the toy was likely produced in post WWII Germany. It is in wonderful, barely-used condition with just the tiniest degree of scratching wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the woman to hit the poor monkey on the head with a mallet!

A RARE toy with crisp color and which displays wonderfully!

Measuring just 2.25 inches in height (minus the hair!!), this extremely RARE, clear glass Golliwogg Perfume Bottle was sold by VIGNY Perfumeries of Paris, France in the 1920’s.

The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. The bottle design and name are based on a character created by Englishwoman, Florence K. Upton, around the turn of the 20th century. The bottle, itself, was made by Verreries Brosse.

This darling, all-glass piece remains in superb condition-other than its partially missing label on the base of the bottle. If complete, this wonderful, original paper label would read in full, “Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Most importantly of all, the bottle retains its fabulous, all-original, front label which reads, "Le Golliwogg de Vigny France".

The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling, which was hand-painted in France, remains as clear and crisp as the day it was applied! Even his black furry hair, which is genuine Siberian Seal fur, retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with double rows of black polka dots, and his feet are accented in black.

A very, very special, rarely-found piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

Measuring 23 3/4 inches long x 15 ¼ inches wide when completely opened, this very charming, circa 1940s, machine-stitched, linen towel bears a very delightful, colorful stencil of the well-known Black Memorabilia character, Little Brown Koko eating a watermelon!

The story book, Little Brown Koko, was first published in 1940 by author, Blance Seale Hunt, whose character became so popular that a series of Little Brown Koko story book adventures followed in quick succession!

In excellent, spotless condition, the towel may be folded and framed if desired! A great companion piece for those who collect Little Brown Koko books!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin inkwell is constructed in solid brass and has a hole for both placement of pen and glass insert for ink. This piece is offered without the pen and glass ink insert.

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 6 inches long x 3.25 inches wide and 2 1/2 inches high. It does not retain any marking other than a mold number 4557.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring a diminutive 1.5 inches wide x 2.5 inches tall x .5 inches deep, this darling, French, paper packet or package features African, Zoulou-tribe natives as advertising symbols on the packaging, making for a very picturesque graphic!

The paper package contains nearly all of its original powder, having never been opened; however, as noted in the second photo, the corner edge wear has resulted in some minor leakage of the powder. Because of this, the package has been shrink-wrapped to preserve the remainder of the product.

The shrink wrapping makes the package very difficult to photograph; additionally, some minor leakage of the powder under the shrink wrap also obscures viewing. The first two photos are of the actual package currently offered for sale--with shrink wrap on and minor leakage of powder under the shrink-wrap. The remaining photos clearly show the details of the Zoulou packaging using an undamaged, unshrink-wrapped package that has already been sold, no longer available for purchase. These photos are offered purely for the convenience of the viewer so that the details of the Zoulou package can be readily seen without the encumbrance of the shrink wrap blocking package details; these photos do not represent the condition of the package currently being offered for sale. The first two photos represent the condition of the actual Zoulou package currently offered for sale, with the pricing reflecting condition.

The manufacturers of the Zoulou powder claimed that healing properties were associated with the powder.

A well-detailed, rarely-found example of turn-of-the-century use of graphics in advertising!

Measuring 17 inches long, this delightful, folk-art styled, cloth, black Mammy doll was made circa 1920's.

Detailing in construction sets this mammy doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. Mammy was lovingly dressed in clothing made from old, red, black, and white-patterned handkerchiefs, while both her body and her interesting pair of black pantaloons were constructed of old, black stockings. Detailing was clearly important to the creator--an additional and elegant surprise is the cream-colored, cotton petticoat edged with lace!

Mammy's face is hand-embroidered, and she wears brass-colored, plain, hoop earrings. Her body is machine-stitched together and is stuffed with cotton batting.

Mammy is in near perfect condition with the exception of minor wear (not holes) to her stocking-constructed left foot as well as the underside of her right, stocking-constructed hand. (This wear to the fabric may well be the very reason the stockings were used to construct Mammy as they may have been discarded from personal use. Please refer to photos to view wear.)

Mammy is simply full of charm with lovely and creative detailing! A quite difficult-to-find-in-this condition, 80+-year-old, cloth mammy doll!

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring 9 x 12 inches, this all original, 1930 Copyright sheet music features a fabulous cover graphic that would be magnificent framed!

Great condition with some corner wear, but please note that all pages have completely separated from the center seam so are no longer in "booklet" form. No missing pages though!

A difficult item to find in today's market!