Catalog (183)

Offered is the 1955 edition of Helen Bannerman's, Little Black Sambo book published by the Platt & Munk Company of New York and illustrated by one of P & M's noted artists, Eulalie. The Platt & Munk Company was renown for hiring highly talented artists and illustrators, all of whom who contributed to the company's reputation for publishing exquisitely illustrated children's books.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

In utterly excellent condition with the only flaws noted to this hardcover book being extremely minor corner edge wear, it also comes with its original dust cover which has been subjected to significant wear and tear as seen in photos: a missing piece, taped edges, scuffs, light soiling, and minor tears. The dust cover shows its 65 years of age while the book, itself, is nearly mint.

Both the black and white as well as color illustrations are just superb! Unnumbered pages alternate between color and black line illustrations.

A must have addition for the collector of Little. Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

An exceptional example of 19th century Folk Art-- a very rare needlework cross stitch sampler with Black Americana theme! This highly unusual example dates to circa 1880's and depicts two young girls on a primitive, “make-do” seesaw--- a wooden board placed over a log-- complete with a grapevine trellis in the background! This wonderful piece is accented with a multi-toned, Greek Key border design with fringe edging.

The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.

An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!

Measuring nearly 8 inches tall, this fabulous and rarely found, early, lithographed, tin toy, No. 1750, retaining its original box, was made by the Lindstrom Tool & Toy Company of Bridgeport, Connecticut.

This late 1930's toy is the later version of the two Mammy walker toys produced by this company. It is marked on back just under the white apron tie, "Lindstrom Corporation Made in USA". The marking is very faint, and thus, difficult to read without scrutiny. The contrast in this photo has been enhanced so that the manufacturer labeling is easier to visualize online.

Mammy shuffles along quite vigorously via her original wind-up mechanism while she holds her broom and quickly "sweeps" back and forth.

Over 70 years old, Mammy is still quite sturdy as she was well made, but she does show some minor scratching and paint loss from play over the years as the photos indicate. Her coloring remains brilliant!

The box remains in very good condition with minimal wear to seams considering its age. Coloring is strong. One flap at the top of the box is detached but present.

Sweeping Mammy is a must-have addition to any Black Memorabilia Toy collection!

Offered is a fabulous grouping of 10, VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

The die cuts are a representation of every day European black folk of the 1880s- from a mother holding her infant to an officer in the army, these ten charming die cuts make for a thought-provoking display! Interestingly, yes, these die cuts do indeed have a bluish tinge to their skin color- an occurrence for which no explanation can be offered.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. This grouping would look fabulous framed!

Approximate measurements are as follows:
6 Musicians: 4.75" tall x 3.75" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the figures reveals that there are no restorations or repairs to any of the 6 figures whose verso can be viewed. Note that 4 of the figures remain loosely attached to the black construction paper; it will be left to the buyer to choose whether or not to detach them.

This entire grouping of die cuts is being sold as one single fabulous offering at $55.00.

Protected in a 15.25 x 24.75 inch, black hard plastic frame with glass and coordinating mat, this authentic GOLD DUST Trolley Sign was manufactured by the N.K. Fairbanks Company in 1920’s!

GOLD DUST Trolley Signs are a very rare find in today’s market as they were made of cardboard, a material much less likely to withstand the test of time as opposed to tin advertising signs which were much sturdier!

This Gold Dust trolley sign features the Gold Dust Twins dressed in ruffled, red skirts emblazoned with the words “GOLD DUST”, busily scrubbing the front porch and the kitchen in a vigorous attempt at “Spring Cleaning”. The colors featured in this trolley sign are just stunning—greens, pale peachy-colored orange, pale blue, and yellows with white apple blossoms and red tulips flowering in profusion!! To the left of the Gold Dust Twin scrubbing the front porch, sits a large box of Gold Dust Washing Powder. The advertisement proclaims in black-outlined, peachy-orange lettering: “For Spring House Cleaning”.

The condition of this trolley sign is truly quite fine. Colors are very strong and consistent throughout; please ignore the various glass reflections seen in some of the photos- they were unavoidable and do appear to make the colors appear a bit faded—which is inaccurate! The sign is free of rips or tears although it does have two, early, fold-creases – one running from top to bottom of the sign along the left side of the pail and between the “O” and “L” in “GOLD” and the other vertical crease on the very right edge of the sign, running through the stove in the kitchen to the “T” in “DUST”. The creases are very unobtrusive and do not detract from the wonderful, colorful imagery this sign conveys.

An unusual opportunity to acquire a very RARE piece of Black Americana!!

This wonderfully rare, 1920s piece of Black Memorabilia ephemera is in utterly fabulous condition!

Measuring 7.50 inches long x 3.25 inches wide, this Belgian cigarette or cigar, heavy paper/cardboard box features a fabulous litho of a very dapper Black Gentleman smoking one of the "JOHN" cigarettes. Its small size offers many options for display including framing for shelf or wall enjoyment.

A truly scarce find in phenomenal condition!

Measuring 6 1/4 inches high x 5 3/4 inches wide, this circa 1930's, VERY RARE, Japan made, Polka Dot Kerchief, Mammy Head String Holder is in near mint condition with no chips, cracks, or hairlines! Mammy is the mate to the Maruhon Ware Mammy series--Cookie Jar, Basket Handle Biscuit Jar, Teapot and related kitchen items-- all made with this same Mammy's face.

The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!

Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.

Measuring 12 inches in length, this circa 1930’s, Topsy Turvy Doll is in superb condition and is unusually and wonderfully appointed with great attention to detail! Both black and white sides of the doll have been very finely dressed with rose blossoms on their bandannas as well as at their waists- very, very rare for the “Black Topsy” to be so well attired!

”Black Topsy” is dressed in a striking pink, green, orange, and black cotton, geometric-patterned dress- very Art Deco! Her mouth and nostrils are stitched in red thread and she has white pearl button eyes.

The Caucasian doll is dressed in a cotton lavender dress- also with a geometric, Art Deco pattern in black, green and yellow. Her blouse and bandanna are lavender sateen. Her entire face has been finely stitched. She has pink nostrils and mouth, black eyebrows, and her black stitched eyes have pretty lashes that highlight her silvery gray irises! She has the very palest of staining to her face above her nostrils, but it is barely noticeable, and there is some light fading to her sateen bandanna.

Condition and detailing of both sides of this Topsy Turvy is really quite extraordinary, setting her apart from other Topsy’s!! A wonderful addition to one’s doll or Black Memorabilia collection!

Measuring just 2.25 inches in height (minus the hair!!), this extremely RARE, clear glass Golliwogg Perfume Bottle was sold by VIGNY Perfumeries of Paris, France in the 1920’s.

The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. The bottle design and name are based on a character created by Englishwoman, Florence K. Upton, around the turn of the 20th century. The bottle, itself, was made by Verreries Brosse.

This darling, all-glass piece remains in superb condition-other than its partially missing label on the base of the bottle. If complete, this wonderful, original paper label would read in full, “Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Most importantly of all, the bottle retains its fabulous, all-original, front label which reads, "Le Golliwogg de Vigny France".

The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling, which was hand-painted in France, remains as clear and crisp as the day it was applied! Even his black furry hair, which is genuine Siberian Seal fur, retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with double rows of black polka dots, and his feet are accented in black.

A very, very special, rarely-found piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

This extremely rare cross stitch sampler of a young black boy with hands placed on his hips is dated to at least circa 1890, although it is quite likely an earlier example of 19th century needlework making it highly scarce and sought after.

Completed in silk thread on early, thick, pressed paper canvas, the diminutive, 1 5/8 x 2 3/4 inch piece of needlework remains stitched onto the original, 1 ¾ x 8 inch long, deep red satin banding. Standing on deep red ground, the black boy wears pale green and black striped clothing.

This wonderful, early piece of Black Americana needlework remains in excellent, original condition. At some point in time, a previous owner matted and framed the piece to allow for both ease of display and protection; however, to meet archival requirements, the piece requires a replacement of its current cardboard backing, and spacer bars separating the needlework from the glass should be added. Framed measurements are 4.5 inches wide x 11 inches long.

A phenomenally rare piece for the advanced Black Memorabilia collector!

It is difficult to photograph glass without reflection- please note that any aberrations are reflections only.

Offered are two, circa 1930's, Japan, colorfully decorated, Black Americana Tea Pots in pristine condition! A darling and diminutive, novelty elephant piece with riding black native completes the trio! All three elephants proudly point their trunks upward, awarding "Good Luck" (according to superstition) to anyone who displays them (or drinks their tea)!

Cleverly designed, the elephants themselves, serve as the body of each tea pot, while the turbaned Black Natives lift off the elephants' backs revealing their function as tea pot lids. A wicker handle facilitates handling on the two large tea pots. The base of all three pieces are marked "JAPAN".

The largest tea pot measures 7 inches high by 8 inches long; the middle-sized tea pot measures 6 inches high by 7 inches long; the tiny novelty piece measures a diminutive 3.25 inches long by 2.75 inches high.

Condition is excellent on all three pieces with the exception of the wicker handle on the middle-sized tea pot. One end of the handle is missing its looped section of the wicker that would have wrapped around the ceramic loop to secure the handle to the tea pot. As is noted in the photos, that end of the handle can be propped against the ceramic loop to maintain its proper appearance for display purposes.

Handsome and difficult-to-find pieces of vintage Black Memorabilia! All three Good Luck Elephant pieces are offered as a single group, priced at $245.00!

Offered is an extraordinarily rare, 1844, Warren County, Georgia, ARREST WARRANT for a SLAVE girl named Ally who is accused of drowning two young (Caucasian) girls in Sweetwater Creek, Georgia. The girls aged 7 and 10, were daughters of Thomas Roney, who filed the charge. The slave girl, Ally, is owned by Nancy Mayhamry (?SP), but was in the possession of Thomas Roney at the time of the drownings.

The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "Warrant of Slave girl Ally Crime of Murder "Tho. Roney (?)Pros(?)".

The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Elisha Burson as Justice of the peace for Said County personally came before me Thomas Roney who being duly Sworn Saith that, he had Just reason to believe and verify doth believed that a negro girl by the name of Ally, hired by, and in the possession of Said Thomas, and the property of Nancy Mayhamry, did on Sunday afternoon twelfth last in Said County in Sweetwater Creek, feloniously and willfully drown two of his children, to wit, two daughters, one ten years old, the other seven years old - Sworn and Subscribed to before me May 30th, 1844" - (signed) Elisha C Burson J.P. (signed) Tho. Roney

Paragraph Two:
"Georgia Warren County"
"To any lawful officer to execute and return - Whereas Thomas Roney hath this day made complaint before me on oath, that he hath just reason to believe and verify doth believed that a negro girl by the name of Ally, hired by, and in the possession of Said Thomas, and the property of Mary Mayhamry, did on Sunday afternoon twelfth last- in Said County in Sweetwater creek, feloniously and willfully drown two of his children, to wit, two daughters one ten years old, the other Seven years old - This was therefore to command you, to apprehend this Said negro girl Ally, and bring her before me that she may be dealt with as the law directs - here of fail not - - - In testimony whereof I have hereunto Set my hand and Seal, May 30th, 1844" - - - (signed) Elisha C Burson J.P. S.S.--(the S.S. encircled perhaps to signify his Seal)

Condition of this very, very unique slavery document is quite fine given its 178 years of age. Expected aging of paper with insignificant and minor tears at creases and tiny areas of soiling. (see photos)

Truly an extraordinarily rare historical document that defines a specific slave-related incident.

One has to wonder what became of Ally? Was she ever caught? If so, she was likely put to death. But was she innocent or guilty? Because she was a slave, it, heinously, did not matter as she would be allowed no voice...

Entitled "A Chip O' The Old Block", the theme of this 1906 copyrighted lithograph features a derogatory stereotype not recognized as such when it was published 115 years ago. A very young African American toddler, bare-bottomed and still just crawling, is attempting to catch a fleeing hen - the caption implying, just as would his parent. The great irony here is that the artwork is quite skillfully and beautifully executed.

Measuring 8.5" wide x 6.6" long, the original frame is unusually embellished in the lower left hand corner with a very detailed, three-dimensional image of a wicker baby carriage fashioned from an unidentifiable medium. The carriage is missing part of the handle, part of one carriage wheel, and a teeny bit has also been lost on the upper part of that same wheel, but these missing pieces do little to take away from this embellishment's unique character. This is a unique and interesting piece, indeed!

The lithograph measures 5.5" wide x 3.5" long and is signed "Wall" in the grass under the toddler's left foot. The copyright date, 1906, and the publisher, The Ullman Mfg. Co. of New York, appear in the lower right corner. The original backside paper liner is missing.

This extremely colorful, lighthearted, and energetic, signed, fine quality, Limited Edition, giclee print depicts a lively outdoor dining scene full of gaiety and camaraderie.

The image, itself, measures 32" long x 24" wide, while the framed artwork in total measures 41" long x 32.5" wide. The giclee print was framed using museum-quality, acid-free double-mat board and backing materials, within a fine quality solid wood frame and topped with non-glare glass. This artwork was purchased directly from artist, Kelvin W. Henderson, it was signed by him at the time of our purchase, and it cheerily hung in our dining room for ten years!

The artwork is actually brighter in color than my camera was able to capture- closeups appear a bit "darker" than reality. Condition is absolutely perfect! And its presence---well, it will command one's attention hanging on an entire wall-space all by itself! It is, as stated earlier, a Limited Edition giclee lithograph-- Number 18 of a 150 Limited Edition series, with an additional 50 canvas editions. The provenance of this piece with all details is attached on the back side of the artwork as seen in one of our photos. A buoyant and effervescent piece of art!

As this piece exceeds typical shipping criteria in terms of dimensional size and weight, we regret that we cannot offer free shipping. We will provide a $25 shipping credit, but the remaining cost of shipping will rest upon the purchaser.

Offered is this 1932 copyright, LITTLE BLACK SAMBO Book with lovely illustrations signed "EULALIE", A Platt and Munk Company Book publication. Softcover, 10 unnumbered pages. These beautifully illustrated drawings alternate by page between full color and black ink. The Platt and Munk Company was renowned for its exquisite, highly-detailed illustrations of children's books.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! This softcover book has seen little use with just a teeny bit of wear to book edge points. The front and back inside covers are separated at the lower of the two binding staples downward; the remainder of the cover binding is intact as are all pages. There is mild, vertical creasing to the book throughout near page edges (see photos), likely from someone folding the book at some point in its lifetime; the front cover at the lower right corner also shows crease lines. None of the crease lines effect structural integrity. No pen/pencil markings.

Amazing condition for a nearly 90 year soft-cover book!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring approximately 3 1/4 inches long x 2 1/4 inch wide x 1 1/8 inches deep, this vintage, sweetly depicted, steam-molded Brown Doll Face from the 1930’s has never been used! Eyes and lips are both hand-painted; condition is quite fine with no stains, tears, or discoloration—ready to be used!

Wonderful vintage 1940s hand-made sewing needle case of a little black girl with yellow bows in her braided hair and a pumpkin colored dress. Front of dress lifts up and there are two flaps for storing sewing needles. Very nicely made with fine detailing to face and hair construction--her little curls are tiny French knots. Excellent condition. Measures 6" long by 3" at the widest.

Offered is a rarely found, Ca 1920s, celluloid mourning pin back brooch featuring a young African American man.

Constructed of celluloid with a metal back and pin to allow attachment to one's clothing, this diminutive mourning pin measures just 7/8th inch in diameter.

The image remains quite crisp with surface crackling of the celluloid that does not effect the integrity of the overall structure of the pin. In the highly magnified photos, the crackling appears much, much more intrusive to the eye than when viewed simply with one's eyes, alone.

The backside of the pin carries the maker's mark and manufacturing locations, some of which is partially obscured: "T. J. M..., Dearborn, Chicago".

Measuring 1 3/4 inches in diameter x 5/16 of an inch high, this rarely-found, circa 1920’s, dexterity game depicts a small black boy with Fez blowing bubbles out of a pipe! The puzzle is quite colorful and is very visually appealing! The puzzle contains 4 tiny white balls of unknown material, that, with the proper manual dexterity, are to be placed in the four bubbles the boy is blowing!

Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the graphic remaining free of scratches and abrasions. The mirrored back shows evidence of subtle, minor scratching. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

A delightful piece of early Black Memorabilia!

Published in 1926 by the Whitman Publishing Company of Racine, Wisconsin, this very seldom-found, miniature-size, softcover book measuring just 4x5 inches, offers a very unique continuation of the original Little Black Sambo story! It is thought that this mini size Sambo book was manufactured as a salesman's sample edition, meant to be strictly used as a marketing prop to sell orders for the full-size edition of the same book.

Entitled A New Story of Little Black Sambo, this tale picks up the story with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. A tiger soon arrives threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Tusker the Elephant arrives, successfully chasing off the tiger and saving Sambo. Sambo then returns home, where an angry Black Mumbo spanks him with a hairbrush for running off, despite the gift of coconuts Sambo hoped would appease his mother. The conclusion of the tale then moves forward one month later when the family goes to visit Little Black Sambo’s cousins, the Bimboes, who admire his fine Sunday best clothing that he was finally allowed to wear again!

Although no author is attributed, it is thought by some that the tale was co-authored by the book's two illustrators, Clara Bell Thurston, who rendered all of the lovely colored drawings and Earnest Vetsch, who rendered the "black and white" illustrations (which, actually, are done in navy blue ink) as well as the fancy hand-lettering of the text which further embellishes the book.

With 36 unnumbered pages which alternate between the superbly rendered color and navy blue line illustrations, this unique little book is in quite good condition. No fading of color, no rips, creases or missing pages. Binding is tight with all three original staples present. Cover edges are subtly worn, and age-related, light soiling is present. Tusker the elephant has been lightly colored with colored pencil in some places as is Sambo's grass hut, and evidence of penciled-in page numbers, long since erased, is noted. (Any blurring in photos is due to camera technique and does not reflect book condition.)

This rarely-found, miniature-size (possibly a rare salesman's sample) edition of the continuation of the original Little Black Sambo story is a must have for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

A wonderful and quite rare piece of 1950's Black Memorabilia!!

This unique, Japanese made, 6" tall Black Sailor or Pirate ceramic nodder by UCAGCO is in mint condition--no cracks, chips, paint wear or repaint!!! Any white spots, etc in photos are purely the function of poor photography!

This interesting fellow wears blue and white striped pants, yellow and green shirt, and yellow jacket. His head nods "yes" and his flowered-painted fan can be made to wave in any direction.

Both head & fan have "Pat T.T." impressed on the weighted stem.

Truly a quite rarely-found piece of Black Americana with a book value exceeding $450.00.

Please see the two additional Black Memorabilia nodders also available by Ardalt Co., Japan - the darling Black Girl Child Nodder and her companion piece, the adorable Black Boy Child Clown Nodder.

Offered for purchase is a RARELY FOUND, salesman sample box of Sharpoint Black Face Wire Cobbler's Nails measuring a very diminutive 1.75" tall x 1" wide! (Please note: the larger box pictured in the photographs has been SOLD. This offer is for the smaller box.)

The trademark for Sharpoint is a cleverly-designed, eye-catching, broadly smiling image of an African American gent. If one looks closely, one can clearly see the words "Sharpoint Cobblers Nails" printed within the black space of the gent's mouth! A very "sharp" advertising strategy!

Sharpoint Wire Cobbler's Nails were manufactured by the Charles F. Baker Co, Boston, Massachusetts. This remaining smaller box retains its end flap which features both the manufacturing and patent information, with the patent number corresponding to a 1933 USA Patent date. Amazingly, the box still retains the original cobbler's nails!

The box is in very good condition considering its age and the fact that it has held tiny, sharp nails for over 80 years! The cover litho remains very crisp and clear. Typical, age-related edge wear is noted. Please peruse all photos for condition details. The box has been shrink-wrapped to protect the integrity of the cardboard, and again, it does contain the original nails.

This VERY, VERY RARELY FOUND SALESMAN SAMPLE size box WITH ORIGINAL NAILS is offered at $125.

Offered is an authentic signed baseball from former Negro League player CLIFFORD LAYTON. The ball was signed for me at an autograph show and is dated 4-15-05.

Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.

A brief history of the Negro League:

African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

Measuring just 11 inches tall, this sweet cloth doll with a composition face may be placed in either a standing or sitting position.

Her composition face is in impeccable condition with sharp, well-drawn painted facial features. Her face is further accented by 3 darling curls peaking out from under her brightly colored cloth bandanna!

Her body is machine-stitched cotton fabric stuffed with sawdust. On the back of her right thigh, her place of origin is stamped: "POLAND". Her little flowered skirt is also machine stitched and is the only piece of clothing that may be removed.

Condition is superb with the exception of a hand-stitched repair to the seam line of her left foot where the foot is joined to the leg. Does not detract.

Offered is a RARE, UNCUT, C1917, pair of the adult members of the Aunt Jemima Rag Doll Family, Aunt Jemima and Uncle Mose. (Uncle Mose is Aunt Jemima's Husband, and he is labeled Uncle Mose on his upper back).

These dolls were conceptualized as advertising pieces and were only obtainable from the Aunt Jemima Mills of St. Joseph, Missouri, in return of 24 cents in stamps along with 4 box tops from select Aunt Jemima products for the full set which also included children, Little Diana and Wade Davis, OR for JUST ONE DOLL, 1 box top and 6 cents in stamps! Dolls were then shipped promptly, postpaid upon receipt!

The original purchaser of these uncut dolls, Mrs O. W. Lewis of Ethel, Missouri, clearly only ordered the Aunt Jemima and Uncle Mose dolls, as these dolls remained within the family, untouched in the original mailing envelope, until their recent discovery by the purchaser's descendants.

It is quite unusual to find uncut versions of these dolls -along with the original mailing envelope which typically is quickly tossed away- as more commonly, the dolls are found by chance as "singletons" here and there-- already cut, sewn, stuffed and played with as opposed to the pristine, uncut versions offered here.

The pair is in quite wonderful condition given their 100+ years of age and are suitable for framing. Each doll is printed on a separate piece of linen, and the color of each doll remains amazingly crisp and brilliant! Aunt Jemima measures 10.5" wide by 35" long, and Uncle Mose measures 10" wide by 35" long. (Please note that any variation in color noted in photos is a result of lighting issues and light reflection only. Background of linen remains its original, crisp, bright white with each doll retaining its "like-new" consistent and brilliant color.)

Mild foxing is noted only on Aunt Jemima and not on Uncle Mose, likely due to the manner of storage. The Uncle Mose doll fabric was folded and stored inside of the Aunt Jemima fabric, and then they were placed inside of the envelope, with only Aunt Jemima coming into contact, for decades, with the high-acidic content of the envelope which caused the foxing. Fold lines are evident as well; however, these fold lines are the result of original factory packaging and storage in the envelope for over 100 years. Other than the foxing as described, the pair remain in truly fine condition!

A rare opportunity for the advanced collector to acquire an uncut, complete pair of C1917, Aunt Jemima and Uncle Mose Advertising Rag Dolls, suitable for framing!

This offering will only be sold as a pair; offers for an individual piece will not be entertained.

A wonderful and extremely RARE, 1st Edition, hard cover book by Carolyn Sherwin Bailey, copyrighted 1938 by Platt and Munk Publishers and measuring 6.50 x 8.25 inches. Platt and Munk Publishers, like McLoughlin Publishers, were widely known to employ the most talented illustrators of the time period. Platt and Munk books are highly sought after for this reason.

Fabulous colored and black and white illustrations (see photos) adorn this 26 page book! The book features the adventures of a little Southern boy who lives with his gran'mammy and gran'daddy in a log cabin set down in a cotton field.

Interior pages are in very nice, near mint condition, are clean and bright and are tightly bound together. The only intrusion is a former owner's name, "Weaver", written in blue ink on the interior cover page (see photo). The hard bound cloth covers are in fine condition, with very, very slight wear to cover spine edges and book corners typical of a book of its age. This is a verified first edition as later editions had the cloth board without the color pastedown. Illustrated on every page, alternating color and black and white. This copy includes a worn, tattered, but nearly complete dust cover, which accounts for the pristine condition of the front and back hardcovers.

A very charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!

This 1930s, Art Deco, VIGNY, 2 ounce, Golliwog Perfume Bottle is a rare find! This particular marketing of the very highly sought-after and well-known Paris Vigny Golliwogg perfume, was sold by the famous Fred Harvey stores which dotted the new railroad lines running through the American Southwest.

This 4 inch tall bottle retains the majority of its Fred Harvey price sticker on its base. Remnants of perfume are still visible, and the bottle's original paper labels remain in wonderful condition. This version of Vigny Golliwogg perfume is extraordinarily difficult to find as it was specifically marketed only in the Fred Harvey rail line stores.

A very scarce and delightful addition to one's Vigny Golliwogg Perfume collection!

A bit of Fred Harvey History:
Frederick Henry Harvey (June 27, 1835 – February 9, 1901) was a Liverpool, England-born entrepreneur who immigrated to the United States in 1853 at the age of 17. His first employment in the US was in a NYC restaurant where he quickly worked his way up from pot scrubber to waiter and line cook- an experience which later impacted his life choices.

In 1876 after working within a number of retail industries, Harvey returned to his first "love"- the restaurant business. As a result of his acquaintance with the superintendent of the Atchison, Topeka and Santa Fe Railroad, Harvey opened a very successful chain of "eating houses" all along the rail line. At its peak, a total of 84 Harvey Houses existed, all of which catered to wealthy and middle-class visitors alike. Souvenir shops and hotels were added by the innovative Harvey, and he became known as "the Civilizer of the West".

Fred Harvey is credited with creating the first restaurant chain in the United States, and he is also recognized as a leader in promoting tourism in the American Southwest in the late 19th century. Fred Harvey and his employees successfully brought unique and higher standards of both civility and dining to a region widely regarded in the era as "the Wild West."

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

Offered is a highly-collectible and seldom-found, circa 1850's, Staffordshire, England, earthenware, pictorial ABC plate featuring a Southern US slavery theme: slaves picking cotton.

Entitled "Gathering Cotton", the plate depicts eight slaves, including two children, picking cotton and placing it in woven straw baskets.

Plates such as this, particularly those with the alphabet embossed around the rim, were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery abolishing it in 1833, but continued to produce slavery-themed plates for the American market.

This plate measures only a diminutive 5 1/2 inches in diameter, and the interior is decorated with the black transfer-printed scene which was then hand-painted in colors prior to firing. The rim is embossed with decorative swirls as well as the alphabet in capital letters.

Condition of the plate is quite good. It has a use/age-related spider-crack that is visible on the backside of the plate and is also partially visible on the front side. (see photos) This spider-crack is quite tight and does not pose any concern to the structural integrity of the plate. Also noted is some subtle edge roughness which occurred during firing; hardly noticeable when the plate is displayed on a stand. This plate has graced my collection for the past 30 years!

Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.

Measuring 26.5" long x 13.75" wide, this fabulous, one-of-a-kind segregation sign is felt to be circa 1930s.

The sign with its flat black background, features a decorative free-hand, skill-fully executed, corner-looped edge design in old white paint advertising: SLEEPING ROOM FOR RENT.

Beneath the words 'FOR RENT', the words "WHITE ONLY" have been covered over with a layer of similar-colored background paint. Both words are still visible beneath this layer of paint with the word "WHITE" being most readily visualized.

I believe that this "paint-over" can be easily, professionally removed, and I toyed with the idea of having this done, but then felt that I should offer the sign as it is in its current state, as it is reflective of a small yet positive progression in history, in the viewpoint of at least this proprietor in our society in this time period. What prompted this change of viewpoint, which obviously occurred decades before the Civil Rights Act of 1964, is forever lost to history. The place of origin of this sign is unknown.

The sign is hand-painted on Masonite, a smooth-faced, compressed wood hardboard that was invented in the 1920s and was in popular use during the Depression-ridden 1930s due to its relatively inexpensive price tag. The sign has nine holes to facilitate hanging: three on each end and three down the center of the sign. The sign retains an original surface patina with age-related crackling to the lettering. In addition to the words "White Only" being painted over, a decorative flourish centered between the words "Sleeping Room" and "For Rent" has also been painted over, reason unknown. Mild surface paint loss, scuff-marks, and edge wear are present, commensurate with a 90+year old sign.

An exquisite example of Segregation Era signage that tells a story of prejudice evolving to an acceptance of equality.

Measuring 5 inches wide x 4.5 inches long, this 1920's, brass ashtray represents a very seldom-found offering of vintage Black Americana!

This piece was actually created to serve as an ashtray! It depicts a delightful image of a young black boy in a wide-brimmed straw hat!

In wonderful condition, this piece is stamped "LL" on back.

An uncommon piece of Black Americana that should not be overlooked!

Offered is this wonderful, early 1940s, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book, and this edition was used over a period of ten years, with changes made only to the cover. The company's final publication of this story came before the onset of WWII, making this copy a very rare find.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All the wear on this cloth-bound hardcover book was absorbed by its cover with wear to book edge points and book cover edges. The interior binding is intact and tight as are all pages. No creasing or bends to pages. Illustrations remain very brightly colored and vibrant and are particularly notable for their fine artistry. A couple of very small page edge tears (less than 1/2") are present. A penned inscription is noted: "To Evelyn Field From Dorothy Field Christmas 1943".

Amazing condition for an 80 year M.A. Donohue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered are three different 78 RPM records featuring JIM CROW era, minstrel music of the 1900-1920's. All three records come with their original paper jackets. They are priced at $30 each.

The records are in used condition with minor scuffing and/or scratching typical of used records of 80+ years of age. These records have not been recently played and are presented as historical artifacts, and as such, they are offered for sale without guarantee of "playing quality".

Offered are:

1) 1912 "I'se Gwine Back to Dixie" by the Haydn Quartet

2) 1923 "Two Black Crows Part 1 and Part 2" A Comedy Sketch by Moran and Mack

3) C1915 "No One Loves You Any Better Than Your Mammy" by Link-Nelson

As each is priced separately, please email us stating which item you wish to purchase so that we can customize your order form.

Measuring a diminutive 1.5 inches wide x 2.5 inches tall x .5 inches deep, this darling, French, paper packet or package features African, Zoulou-tribe natives as advertising symbols on the packaging, making for a very picturesque graphic!

The paper package contains nearly all of its original powder, having never been opened; however, as noted in the second photo, the corner edge wear has resulted in some minor leakage of the powder. Because of this, the package has been shrink-wrapped to preserve the remainder of the product.

The shrink wrapping makes the package very difficult to photograph; additionally, some minor leakage of the powder under the shrink wrap also obscures viewing. The first two photos are of the actual package currently offered for sale--with shrink wrap on and minor leakage of powder under the shrink-wrap. The remaining photos clearly show the details of the Zoulou packaging using an undamaged, unshrink-wrapped package that has already been sold, no longer available for purchase. These photos are offered purely for the convenience of the viewer so that the details of the Zoulou package can be readily seen without the encumbrance of the shrink wrap blocking package details; these photos do not represent the condition of the package currently being offered for sale. The first two photos represent the condition of the actual Zoulou package currently offered for sale, with the pricing reflecting condition.

The manufacturers of the Zoulou powder claimed that healing properties were associated with the powder.

A well-detailed, rarely-found example of turn-of-the-century use of graphics in advertising!

These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.

While the precise age of this late 18th to early 19th century old shackle is unknown, this type of ankle shackle has been documented to have been in use as far back as the 1780's by English slave traders, and was likely in continued use up until the 1860 onset of America's Civil War.

In 2015, the International Slavery Museum in Liverpool, England, acquired a set of ankle shackles very similar to the set offered here. In referring to the museum's acquisition, the museum's Head, Dr Richard Benjamin, related the following:

“A similar pair of shackles was purchased in Liverpool by the campaigner Thomas Clarkson in his antislavery crusade as evidence against the transatlantic slave trade. They were presented in front of Privy Council in 1788 as part of its enquiry into the transatlantic slave trade. An engraving of the shackles with a detailed description also appeared in Clarkson’s antislavery pamphlet."

These hand-forged, wrought iron ankle shackles remain in all-original and untouched condition, measuring approximately 11.75 inches in length. The cuff sizes vary slightly ranging from approximate lengths of 3.75 to 4 inches and approximate widths from 2.75 to 3 inches, a set likely used on a female slave. The shackles can be described as consisting of a wrought iron bolt with a pair of loops slid onto it via holes in both ends of each loop. One end of the iron bar is fixed closed by a triangular-shaped flange large enough to prevent the loops from being removed from the bar. The other end of the bar ends in a circular "eye" that is secured closed by a hand-wrought circular "lock washer" inserted at the time the shackles were applied.

An utterly gruesome, tangible testament to the malevolence and horrors of slavery and the transatlantic slave trade.

An unusual piece, this delightful, cloth Mammy Broom Doll from the 1940's measures 12.5 inches high with a total height of 31 inches including the broom.

Mammy's wonderful, smiling face is hand-stitched and her clothes are machine sewn. Her blouse is seersucker, and her head, arms, skirt, apron, and cap are cotton. Her head, arms, and upper torso are stuffed with cotton batting. The natural bristle broom fills out both Mammy's torso and skirt & the wooden broom handle extends upward through her neck and head.

Mammy is in all original condition with no mends or repairs. The structural integrity of the broom remains quite sound, and Mammy, herself, is free of holes and tears. Her once-red skirt has now faded to pink. Her white cotton apron and cap have been cleaned removing nearly all traces of old stains, dirt, and dust. Photo number 2 shows her outfit BEFORE cleaning; all other photos reflect her appearance after cleaning.

A fabulous piece of vintage Black Americana, and a seldom seen form of the Black Mammy Doll!

Measuring approximately 23 inches high X 18 inches wide, this heavy cardboard restaurant menu from the 1940’s has never been used! This menu board was designed by the manufacturer to be a consumable, throw-away --- for jotting down the ever-changing, daily menu “Specials”!

Featuring a delightful, cartoon-like caricature of a black man, this board is in very good condition with minor edge wear, slight age-discoloration and a teeny missing piece of the front rim of the hat.

An interesting, seldom-found piece of Black Memorabilia!

Please disregard reflections in photos that are due to the presence of protective plastic wrap.