Catalog (183)

Offered is the extremely rare, circa 1930s, children's toy sand pail, marked "HappyNak Seaside Pail No4, Made in England" along the folded tin seam of the pail. This darling toy pail clearly had very limited production as it rarely appears on the antiques market for sale, nor can it be readily found in the many existing Black Americana or Black Memorabilia reference books or online sites.

Measuring a diminutive 3 1/2" high excluding the bale handle and 5.75" high including it, this adorable tin pail features colorful graphics of five little golliwoggs playing kickball! The interior and base are painted a bright sky blue while the interior base features a copper color finish over the tin.

The pail has with very minimal wear, with tiny bits of paint loss noted at each entry point of the bale handle into the pail. Some bits of paint loss are also noted on the rim, and there is crackle to the finish, rating it an 8 out of 10.

A very rarely found and quite visually appealing piece of Black Memorabilia!

To see other Golliwogg items currently being offered, enter "golliwogg" into the SEARCH box on our home page.

Offered is a near-mint, 1935, 2nd edition of Helen Bannerman's, original Little Black Sambo story, accompanied by five additional and delightful Little Black Sambo stories by noted author and illustrator Frank Ver Beck. Published by the Platt & Munk Company of New York which was renown for hiring highly talented artists and illustrators- of which Frank Ver Beck was one -all of whom contributed to the company's reputation for publishing exquisitely illustrated children's books.

The first story, illustrated by Frank Ver Beck, is the much-beloved children's classic written and illustrated in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

The following five stories written and illustrated by Frank Ver Beck follow Helen Bannerman's original tale, all featuring Little Black Sambo and his encounters with a variety of different animals, from a Baby Elephant and a Tiger Kitten, to Monkeys, Bears and Crocodiles! Each of Ver Beck's tales were originally published as individual mini-size books, which today, are extremely difficult to come by and are quite expensive to acquire if found. Ver Beck's stories are as delightful as Helen Bannerman's original, and publishing them all together in one single volume proved to be a successful marketing strategy for Platt & Munk. His illustrations are detailed, highly imaginative and just delightful! Representative photos are offered from each of the six stories.

De-accessioned from a school library (the name of the school inside the front cover is indecipherable), this 88 year old book is in wonderful, near mint condition! The only flaws are light soiling to the exterior covers, with subtle edge wear to cover end points and two, teeny indentations into the covers- one on the front cover at the middle top and the second to the back cover at the middle bottom. Both are quite unremarkable. Just fabulous condition!!! A must-have for the lover of Little Black Sambo stories!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This vintage 1920's Austrian, cast iron figural group is an authentic piece that was carefully hand-painted some 100 years ago! Austrian pieces of this era were known for their fine craftsmanship and attention to detail.

The darling boy and girl seated on a tree stump measures 2 3/8 inches high. With the exception of the girl's missing right leg, this seldom-found piece is in overall fine condition with age-related paint scrapes here and there. (please see all photos)

A very unusual and interesting figure group that displays exceedingly well!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.

This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.

The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.

A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!

To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

This delightful Black Boy Rag Doll has a face with a story to tell! What an expression!

Measuring 13 inches tall, he is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive and are exceedingly well done. His hair has been styled in tightly wound little ringlets.

His brown-patterned, machine-stitched shirt and pants are also vintage 1930-40's fabric, accented with two miss-matched buttons holding up cute red suspenders.

A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Artist who is now deceased.

Please take a moment to view his big sister by typing the words "Maine Doll" into the SEARCH box.

A very RARE and highly appealing Black Memorabilia Advertising Die cut!

Marked "Copyright 1924", in the lower left hand corner, this extremely hard-to-find advertising piece measures 10.5 inches wide x 13.5 inches high. Colorful and visually interesting, the heavy cardboard die cut depicts an engaging Uncle Wabash serenely strumming his banjo on his front porch! Guess the message to the consumer was, "Eat one of Uncle Wabash's cupcakes to experience your own little slice of heaven and serenity!"

Condition of this charming piece of Black Historical ephemera is quite good given its nearly 100+ years of age!! Old water staining to bottom of the die cut does little to detract from the piece. Crease line to one cupcake edge. Appropriate age-related foxing to back.

Offered is this wonderful, early 1940s, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book, and this edition was used over a period of ten years, with changes made only to the cover. The company's final publication of this story came before the onset of WWII, making this copy a very rare find.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All the wear on this cloth-bound hardcover book was absorbed by its cover with wear to book edge points and book cover edges. The interior binding is intact and tight as are all pages. No creasing or bends to pages. Illustrations remain very brightly colored and vibrant and are particularly notable for their fine artistry. A couple of very small page edge tears (less than 1/2") are present. A penned inscription is noted: "To Evelyn Field From Dorothy Field Christmas 1943".

Amazing condition for an 80 year M.A. Donohue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is the 1955 edition of Helen Bannerman's, Little Black Sambo book published by the Platt & Munk Company of New York and illustrated by one of P & M's noted artists, Eulalie. The Platt & Munk Company was renown for hiring highly talented artists and illustrators, all of whom who contributed to the company's reputation for publishing exquisitely illustrated children's books.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

In utterly excellent condition with the only flaws noted to this hardcover book being extremely minor corner edge wear, it also comes with its original dust cover which has been subjected to significant wear and tear as seen in photos: a missing piece, taped edges, scuffs, light soiling, and minor tears. The dust cover shows its 65 years of age while the book, itself, is nearly mint.

Both the black and white as well as color illustrations are just superb! Unnumbered pages alternate between color and black line illustrations.

A must have addition for the collector of Little. Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring approximately 3 1/4 inches long x 2 1/4 inch wide x 1 1/8 inches deep, this vintage, sweetly depicted, steam-molded Brown Doll Face from the 1930’s has never been used! Eyes and lips are both hand-painted; condition is quite fine with no stains, tears, or discoloration—ready to be used!

This vintage 1920's cast iron figure is an authentic piece that was carefully hand-painted long ago. The interesting little hooded drummer measures just 1.5 inches high and is in fine condition with paint scrapes here and there (see all photos). Great facial detail! An interesting figure that displays exceedingly well! Please see the other African-American cast iron figures available for purchase!

Offered is a very interesting, scarcely-seen, Black Americana child's toy from the 1930's era.

Measuring 7" long x 4.5" high x 4" wide, this colorful toy features two African-American boxers who are activated by jiggling the paddle which causes the boxer's arms and legs to freely fly about.

The boxers have painted wooden bodies with lithographed tin arms and legs. They are attached to the wooden paddle by a thin metal wire.

The toy is complete and in all-original condition and has not been subjected to any repair or repaint. Wear to the painted faces is evident as noted in the extreme close-up photos provided. No manufacture marking evident.

This seldom-found toy displays very nicely and would be a delightful addition to a Black Americana toy collection.

Offered is a fabulous grouping of 10, VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

The die cuts are a representation of every day European black folk of the 1880s- from a mother holding her infant to an officer in the army, these ten charming die cuts make for a thought-provoking display! Interestingly, yes, these die cuts do indeed have a bluish tinge to their skin color- an occurrence for which no explanation can be offered.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. This grouping would look fabulous framed!

Approximate measurements are as follows:
6 Musicians: 4.75" tall x 3.75" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the figures reveals that there are no restorations or repairs to any of the 6 figures whose verso can be viewed. Note that 4 of the figures remain loosely attached to the black construction paper; it will be left to the buyer to choose whether or not to detach them.

This entire grouping of die cuts is being sold as one single fabulous offering at $55.00.

Utterly fabulous Black Mammy Half Doll or Platform Doll or Toaster Doll!

This circa 1940's (perhaps even earlier!) Mammy has a polished cotton half body firmly stuffed with cotton batting which is attached to a fabric-covered, cardboard platform that enables her to sit. Such a doll is often referred to as a platform or toaster doll as her voluminous skirt was designed to cover unsightly kitchen appliances - most commonly the toaster!

Most notable is this Mammy's exquisitely executed, hand-embroidered face, and her elaborate dangling beaded hoop earrings!

Mammy's clothing is machine stitched and is absent of holes, rips or repairs. While all her patterned clothing retains its original and uniform coloring, all of the purple cloth has faded- obviously a less stable dye used there. When one opens the folds of the cloth, one sees the rich, deep purple it once was!

An unusually well-detailed doll for its type!

Measuring 7.5 inches long x 10 inches high, this rarely-found, circa 1930's, wooden pull toy depicting a Smiling Black Boy is fully functional! He was manufactured by Wood Commodities Corporation, New York, and was called, not the typical Sambo as one might expect, but "Little Jasper"!

Little Jasper was created by George Pal, a cartoonist who worked for Paramount Studios and who created the Puppetoons, a popular cartoon series played in movie theaters of the era prior to the screening of the feature film.

Push or pull him along, and he twirls around while the two present wooden flowers spin along with him! (One wooden flower top is, unfortunately, missing--the only imperfection to this fabulous toy!)

Overall condition is rated as excellent, barely-used condition! There is very insignificant edge wear to paint here and there, but the four wheels don't show even the tiniest trace of wear from use, suggesting that this toy quite likely sat either in a display cabinet or was packed away for its entire existence! Even the original, paper manufacturing sticker remains intact and in pristine condition!

"Little Jasper" is very RARELY found, and the opportunity to acquire him should not be overlooked!

Measuring 9 inches high, these delightful examples of Folk Art styling represent three of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women employed under President Franklin Delano Roosevelt's (FDR) Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features, with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The gray-hair and bearded, chicken-toting black country gent on the left is attired in machine-stitched clothing wearing blue cotton britches with red suspenders along with a blue and cream striped cotton shirt and a red kerchief around his neck. His hat is constructed of navy blue-colored felt. This country gent holds a very finely-crafted and detailed brown chicken under his left arm, while his right hand clutches a wooden walking stick. Note the lustrous chicken feathers protruding under his arm when he is viewed from the back. He appears to be a bit disgruntled about something given those raised eyebrows!

The female doll depicts a lady out for a stroll with her black umbrella in hand. This sweet gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features. Her head is turned to her right as if to see who had just called out her name. This gentlewoman's clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. topping off her outfit are a pair of gold hoop earrings!

The gray-hair, bearded, chicken-toting black country gent doll on the right, is also attired in machine-stitched clothing wearing brown cotton britches with a patch on the left leg, and a bright red hankie protruding from the right pocket. His matching brown suspenders along with a red and cream striped cotton shirt and a red kerchief around his neck complete his outfit, while his brown felt hat tops it all off. This country gent also holds a very finely-crafted and detailed brown fabric chicken with lustrous feathers under his left arm, while his right hand clutches a wooden walking stick. This gent, however, is in much finer spirits than his male companion is, wearing a very pleasant expression on his face!

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! All three in perfect condition and priced at $295.00 each.

Offered is a highly-collectible and seldom-found, circa 1850's, Staffordshire, England, earthenware, pictorial ABC plate featuring a Southern US slavery theme: slaves picking cotton.

Entitled "Gathering Cotton", the plate depicts eight slaves, including two children, picking cotton and placing it in woven straw baskets.

Plates such as this, particularly those with the alphabet embossed around the rim, were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery abolishing it in 1833, but continued to produce slavery-themed plates for the American market.

This plate measures only a diminutive 5 1/2 inches in diameter, and the interior is decorated with the black transfer-printed scene which was then hand-painted in colors prior to firing. The rim is embossed with decorative swirls as well as the alphabet in capital letters.

Condition of the plate is quite good. It has a use/age-related spider-crack that is visible on the backside of the plate and is also partially visible on the front side. (see photos) This spider-crack is quite tight and does not pose any concern to the structural integrity of the plate. Also noted is some subtle edge roughness which occurred during firing; hardly noticeable when the plate is displayed on a stand. This plate has graced my collection for the past 30 years!

Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.

This delightful grouping of 3 black Aunt Jemima composition dolls from the 1930s enjoyed an interesting, more recent life as advertising display pieces in an old Vermont Country store!

The 3 dolls were grouped together in a creative display that supported the sale of Aunt Jemima Pancake products! Their costumes are all identical and were hand-stitched and made especially for the planned Aunt Jemima display.

Each of the dolls remain intact inside an encasement of glue and paper wrapping and are attached to home-made, plaster-of-Paris-based, rectangular platforms. The platforms were created in 1958 as is written on the bottom of each base, and the dolls remained in place until the store closed in the early 1980s.

The large doll is 11 inches tall and evidences age-crackling to her composition face and hands; her right hand is actually missing a small piece of composition (see photo). Black hair peeks out from inside her checkered head scarf framing her sweet face!

The doll on the left side is the shortest, measuring 5 3/4 inches high. She is in fine condition and her eyes are placed in an interesting sideward glance.

The doll on the right measures 6 1/4 inches tall. Her composition is in fine condition with the exception to some small loss at the very top of her head (see photo).

Certainly a very visually appealing trio, sold all together as a group of three!

Offered are two, VERY RARE, 1880's, Black Americana advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature African Americans- one showcasing a family of five out for a stroll in the park, and the other featuring a group of nine folks of varying ages playing musical instruments and dancing in celebration.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the strolling family measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the nine celebrators measures approximately 10.25 inches wide x 7.25 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, bend lines and light edge wear. The advertisement featuring the celebrators has significant edge wear and some paper loss along the horizontal top and bottom of the piece; however, with proper matting and framing, these imperfections can be easily and completely hidden.

The advertisements are PRICED EACH as follows: $35 for the family of five out for a stroll and $25 for the advertisement featuring the 9 celebrating and dancing folk.

Measuring approximately 10.5 inches tall, these sweet, hand-made, circa 1930's, Great Depression era, Mammy and Pappy dolls feature dried apples as heads! Common household items such as chicken or turkey breast bones, dried corn cobs, old rubber baby bottle nipples, wooden clothespins and dried fruit were frequently employed to make play-dolls when money was tight and store-bought toys were beyond reach!

These two folk art pieces came straight from the 93 year old great grandma who played with them as a child!

While the heads were constructed from dried apples painted black, the bodies were cut from various pieces of sponge which were then hand-sewn together. Hands were cut from pink--- and not brown or black felt--very interesting---while the teeth were formed from tiny white beads, and the white fuzzy hair fashioned from nothing more than small, cotton batting pieces. Eyes are glued-on googly eyes.

The homemade clothing is nicely constructed via a combination of hand and machine sewing. Mammy's green, teal and rust flowered dress is embellished with a bit of lace at the sleeves, and she also wears a fancy, white eyelet petticoat and a soft pink crocheted shawl. She is barefoot. Pappy's light blue shirt features 3 button detailing, and he wears denim pants and black felt shoes and hat with a red felt vest.

Condition is quite fine with no observable issues! No odors, rips, stains or missing parts. A very sweet pair!

Measuring approximately 3" x 3", this rarely found tin mechanical toy features a monkey at the unfortunate mercy of a black lady hitting him with a mallet!

Unmarked, the toy was likely produced in post WWII Germany. It is in wonderful, barely-used condition with just the tiniest degree of scratching wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the woman to hit the poor monkey on the head with a mallet!

A RARE toy with crisp color and which displays wonderfully!

Offered is a circa 1910, original piece of art entitled "Who Said Watermelons". This captivating charcoal on paper portrait of a young African American boy, very much resembles the iconic, fictional figure painted by an unknown artist in the mid 1800's, a figure who has come to be known as 'Johnny Griffin' or the 'Young Black boy with the Torn Hat'.

Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth through the expert use of light and dark, while capturing the intriguing expression on this young boy's face. Just what is he thinking?

Was this enchanting charcoal portrait completed as a study in preparation for a final, more complex piece, or was it, indeed, the final execution of a subject caught in passing?

Condition is quite fine. Note the faint trace of the artist's title for this work done in a lighter charcoal hiding behind the darker, final printing of the title. Framed in an old black wooden frame, this intriguing charcoal portrait would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

This 1930s, Art Deco, VIGNY, 2 ounce, Golliwog Perfume Bottle is a rare find! This particular marketing of the very highly sought-after and well-known Paris Vigny Golliwogg perfume, was sold by the famous Fred Harvey stores which dotted the new railroad lines running through the American Southwest.

This 4 inch tall bottle retains the majority of its Fred Harvey price sticker on its base. Remnants of perfume are still visible, and the bottle's original paper labels remain in wonderful condition. This version of Vigny Golliwogg perfume is extraordinarily difficult to find as it was specifically marketed only in the Fred Harvey rail line stores.

A very scarce and delightful addition to one's Vigny Golliwogg Perfume collection!

A bit of Fred Harvey History:
Frederick Henry Harvey (June 27, 1835 – February 9, 1901) was a Liverpool, England-born entrepreneur who immigrated to the United States in 1853 at the age of 17. His first employment in the US was in a NYC restaurant where he quickly worked his way up from pot scrubber to waiter and line cook- an experience which later impacted his life choices.

In 1876 after working within a number of retail industries, Harvey returned to his first "love"- the restaurant business. As a result of his acquaintance with the superintendent of the Atchison, Topeka and Santa Fe Railroad, Harvey opened a very successful chain of "eating houses" all along the rail line. At its peak, a total of 84 Harvey Houses existed, all of which catered to wealthy and middle-class visitors alike. Souvenir shops and hotels were added by the innovative Harvey, and he became known as "the Civilizer of the West".

Fred Harvey is credited with creating the first restaurant chain in the United States, and he is also recognized as a leader in promoting tourism in the American Southwest in the late 19th century. Fred Harvey and his employees successfully brought unique and higher standards of both civility and dining to a region widely regarded in the era as "the Wild West."

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

Measuring 8.25 inches long, this vintage, Black Mammy Spoon rest was made in JAPAN in the 1950's. Along with its jolly, wide-eyed caricature, the spoon rest features a purple-colored tulip painted on both sides and reads “SPOONREST” in black lettering at the top of the Mammy's polka-dotted, purple headscarf. Note small "hanging hole" in back for display on the kitchen wall!

Very few of these pieces survive due to the high level of use they encountered. This piece has obviously not seen much if any use as the paint remains absolutely perfect! A single, very minor, very tight age crack is present at the outer edge of the handle bottom. Two superficial craze lines noted: one at the base of the right-side tulip, the second noted at the "R" in "SPOONREST". No other imperfections.

This fine and very hard-to-find piece of Black Memorabilia is an essential addition for the advanced collector! Fabulous detailing!!

Measuring just barely 6 inches in length, this fabulous example of 1920's folk art and hand craftsmanship exemplifies the stereotypical Mammy of the early 20th century.

Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.

A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!

Measuring 12.25 inches long x 8 inches in width, this two-sided, 19th century estate document listing all of the worldly goods of LEWIS MATTAIR is de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below). The document is undated but is estimated to be circa 1865-66 based on current research of federal and state archival documents.

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring approximately 11 inches tall, this wonderful, vintage 1940s, Black Americana Chef cookie jar, remains in all original condition-- no repairs or repaint-- and it is NOT a reproduction!

This wonderful piece is unmarked but is documented in numerous guides as the Black Chef cookie jar made in the 1940's by the National Silver Company. It likely once had a "NASCO" foil label on its base which dried up and fell off over the course of the jar's lifetime.

Fabulous cobalt blue accenting makes this cookie jar quite striking in its appearance. A great display piece!

As stated, the cookie jar remains in all original condition-- a rarity for a cookie jar of this vintage! Please take the time to view all photos as they represent condition quite nicely. Glaze crazing typical to the age of this 60+ year old piece is evident as well as small surface flakes present here and there along lid cover edge- a very common site for flakes/chips on any lidded ceramic piece given that the lid was continually taken on and off during use and thus easily subject to damage. A single superficial hairline occurring during firing can be seen on the interior base; it does not go through to the exterior.

It is quite rare to find a vintage cookie jar in such fine overall condition! Reproductions abound on today's market, but authentic pieces such as this are quite scarce and are truly collecting treasures when discovered!

Measuring 2 1/8 inches in diameter x 3/8 of an inch high, this rarely-found, circa 1910, dexterity game depicts a smiling Top-Hatted Dandy! The puzzle is quite colorful and is very visually appealing! The puzzle contains the 3 tiny metal balls along with one white ball of unknown material, that, with the proper manual dexterity, are to be placed in the Dandy’s eyes and as buttons on his shirt!

Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the Dandy graphic remaining free of scratches and abrasions, and design typical of turn-of-the-century puzzles. The mirrored back shows evidence of 2 tiny areas of subtle, minor chipping along the perimeter edge, and the glass front has a small, very shallow surface chip at the base of the Dandy's shirt and an even tinier one to the left of the top hat. Unless one applies hard pressure to the surface of this glass, I cannot ever imagine this front glass breaking or shattering. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

A detailed image and a delightful piece of very early Black Memorabilia!

Measuring 6 1/4 inches high x 5 3/4 inches wide, this circa 1930's, VERY RARE, Japan made, Polka Dot Kerchief, Mammy Head String Holder is in near mint condition with no chips, cracks, or hairlines! Mammy is the mate to the Maruhon Ware Mammy series--Cookie Jar, Basket Handle Biscuit Jar, Teapot and related kitchen items-- all made with this same Mammy's face.

The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!

Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

This circa 1940’s Black Mammy doll is diminutive in size and delightfully detailed!

Measuring just 6 ½ inches tall with a skirt circumference of 4 ½ inches, her head, torso, and arms are constructed of fabric with an inverted basket serving as her skirt. Her clothing is machine-stitched with attention paid to detail: teeny gold fabric braiding serves as earrings and necklace; delicate lace accents her skirt hem; her red shawl features zig zag stitching accents; her face is finely hand-painted.

A sweet addition to one’s Black Memorabilia or Doll collection!

Offered are two, highly-collectible, circa 1860-70's, earthenware, pictorial plates featuring two scenes from the enormously popular, 1852, novel, Uncle Tom's Cabin by Harriet Beecher Stowe.

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

Each plate is priced separately at $195.00 each or both plates for $325.00.

One plate depicts the sale of slave, Uncle Tom, while the other plate depicts the death of little Eva. The text on each plate is in German: "Evas Todt" or in English, "The Death of Eva", and "Slavel Tom Von LeGree Gekauft" or in English, "The Slave Tom Purchased by (Simon} LeGree".

Produced for use by children as subtle educational tools, the plates measure 7 5/8 inches in diameter and are decorated with black transfer, printed, Uncle Tom vignettes.

The condition of both plates is quite superb with subtle crazing lightly evident on the backs of plates only. Also on the backs of each plate are tiny, factory-flaw imperfections where glazing failed to bind to the earthenware (represented in close-up photo). The "Sale of Uncle Tom" plate has three such imperfections on its back side along with a tiny area of bleeding of transfer color under the glaze (see close-up photo). The "Death of Eva" plate displays more evident crazing on the back as compared to the "Sale of Tom" plate along with three factory-flaw imperfections, as described above. The "Eva" plate also appears to have three, extremely fine, light, scratch lines running across the front of the plate that are most readily noticeable only in close-up photos; when one runs a finger along the lines, the imperfections are so fine that they cannot be felt and certainly represent no threat to structural integrity.

The plates were produced by the Schramberg Pottery of Baden-Wuerttemberg, Germany, founded in 1820 by stoneware expert, Isidor Faist. The plate featuring the sale of Uncle Tom is impressed "Schramberg" while the other plate has no marking. It is evident, however, that both plates were manufactured by the Schramberg factory.

Measuring 5 inches wide x 4.5 inches long, this 1920's, brass ashtray represents a very seldom-found offering of vintage Black Americana!

This piece was actually created to serve as an ashtray! It depicts a delightful image of a young black boy in a wide-brimmed straw hat!

In wonderful condition, this piece is stamped "LL" on back.

An uncommon piece of Black Americana that should not be overlooked!

Offered is a rarely found, Ca 1920s, celluloid mourning pin back brooch featuring a young African American man.

Constructed of celluloid with a metal back and pin to allow attachment to one's clothing, this diminutive mourning pin measures just 7/8th inch in diameter.

The image remains quite crisp with surface crackling of the celluloid that does not effect the integrity of the overall structure of the pin. In the highly magnified photos, the crackling appears much, much more intrusive to the eye than when viewed simply with one's eyes, alone.

The backside of the pin carries the maker's mark and manufacturing locations, some of which is partially obscured: "T. J. M..., Dearborn, Chicago".

Offered is an exceedingly unique and unusual, 1939 copyright, Marine, Illinois, 10 page, all-paper (including front and back covers), advertising "Give-Away" pamphlet which tells the complete story of LITTLE BLACK SAMBO. It features both full color and black ink with red accent illustrations. In such near perfect condition, it must never have been read or played with!

The lower back exterior cover reads: "Remember Jos. Pohl & Sons, Inc. and J. I. Case Sales and Service, Marine, Illinois, Dial Phone 2501" as well as "No.528", "Made in USA". On the bottom of the first page, the publisher and copyright date are printed: "MCMXXXIX (1939) Sam'l Gabriel Sons & Company, New York".

Such an unique and very exceptional piece of early 20th-century, Marine, Illinois, historical ephemera!

The story of Little Black Sambo, of course, was to become a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is an amazing 9.5 out of 10, for this ALL PAPER PAMPHLET that is now approximately 85 years of age! All pages have been photographed which clearly show condition throughout. The pamphlet is bound together via two rusty staples which remain intact and are firmly holding all pages and the covers together. All of the very colorful illustrations remain quite bright and vibrant. Measures approximately 5.25 inches wide x 7.25 inches tall.

Amazing condition for an 85 year old, paper advertising story pamphlet that clearly was never enjoyed by a young child - and one that may very well be the only copy remaining in existence! For the collector and lover of the tale of Little Black Sambo, this is a must-have!

To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 11 inches tall, this wonderfully detailed, circa 1930's, gentleman, African-American doll is phenomenally well detailed!

ENTIRELY hand-stitched, this gent is dressed in fancy striped pants, straw shoes and hat, green belt, and in a navy blue and white polka dot shirt with a tiny breast pocket that holds a teeny pack of CAMEL cigarettes, labeled with a "C"! His outfit is topped off with a red tie that is held in place by a bean tie tack!

His face is hand-stitched with careful attention noted to the creation of his molded, 3-D nose. The weather must be warm as he wearily wipes his hot neck with a red and tan checked handkerchief!

A delightful African-American Southern character doll!

Offered is this very rarely found, 1938, LITTLE BLACK SAMBO book with beautiful, full color illustrations by Hidegard Lupprian, a McLoughlin Brothers Inc, Springfield, Massachusetts, book publication. Hardcover, 53 unnumbered pages.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All wear on this brightly colored hardcover book was absorbed by its cover with minor wear to book edge points, book cover edges, and spine edges. Light scuffing to front and back covers. The interior binding is intact and tight as are all pages. No missing pages, rips, creasing, pen/pencil markings or bends to pages with one exception: the initial front blank page is missing its lower corner, and it also has five circular hole punches running at the bottom of the page. Child mischief, no doubt!

The fourteen colored illustrations remain very bright and vibrant with the McLoughlin Bros. well known for their very fine artistry. Three black ink illustrations. Pages printed with a larger font suitable for young readers. Subtle age discoloration to pages.

Wonderful condition for a nearly 90 year old book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply enter “Sambo” into the search box on our website homepage.