The cover has a crack as seen in the photo, but the jar otherwise is quite fine lending flair and elegance to your apothecary collection.
First is a most unusual carton of 6 vials labeled "PITANTHM" which is a uterine stimulant used to promote labor. Inside the small 3.5" x 2.75" box are six unused ampules nesting within. The circa 1940's ampules measure 2" tall and sport a very cute paper label and are in perfect shape. The box shows mild wear, some stain and fading.
Secondly is an unused, Parke Davis, sex hormone ampule labeled "ANTUITRIN". The box measures 4" x 2" and is complete with a paper insert with directions, dose and indications including a date of 8-48. The medicine is in mint condition. The distilled water vial is about 3" high and the medicine ampule is about 2 inches tall with both sporting perfect labels. The box is in very good condition with some stains, wear and minor label loss.
A pair not to be missed!
The 8.5 inch tall bottle has the manufacturer's letters “W.T.CO. – Pat. 1889 - USA” embossed on the base.
This label under glass (LUG) tincture bottle is in fine condition. The stopper sports ground glass construction as well. The label is complete and displays well.
This appealing bottle originated from a former pharmacy in Putnam, CT, which closed in 1949.
This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.
Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.
Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.
A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!
This neat sign measures 14 inches high by 11.5 inches wide, and the frame is approximately 16.5 x 12.5 inches.
The condition of the sign is good, noting clear, crisp lettering with light foxing, mild edge wear and a few tiny blemishes commensurate with age. The frame sports an old, light green, crackled and worn painted surface and pairs well with the barber's sign.
Found in Georgia outside of Savannah, this sign likely was the creation of a small town barber or his associate since it was less expensive to hand-craft a sign like this rather than to formerly commission the creation of one.
Ready to hang!
Interestingly, whomever wrought this very detailed, family-history sampler omitted just one significant detail- the family surname!
On the left side of the sampler, the Scotch ethnicity is wrought along with the occupations of Parson and Doctor, with a 1725, antique salt box style home the domicile of the parson (?) wrought below the later 1940 domicile of the doctor (?) at New York City's Park Avenue address.
The right side of the family sampler depicts French origins with a 1777 mentor (teacher) and his red schoolhouse wrought below the 1861 farmer residing in the town of Morrisania (Morristown, NJ?).
The central aspect of the sampler depicts a number of images: a very stylish horse drawn carriage with driver and a sun umbrella--holding, female occupant, a well-landscaped, bright yellow homestead dated 1777, the ethnicity of "English" stitched out, and finally, a tall-spired village church with accompanying date of 1752.
The French Fleur de Lis is wrought into the sampler as well as the very ancient, stylized, so-called-today "swastika" cross, a symbol that can be traced back to ancient Byzantine times and which was frequently featured in early Native American culture as a symbol of abundance.
The sampler hem is completely hand-stitched. The sampler, itself, is in very fine condition retaining bright coloration and an absence of holes, tears or discoloration of any kind. Background color of the linen is an even, mellow, tannish-off-white.
A well-executed cross stitch sampler very much shrouded in mystery as to family origin!
The graphic showing an African American woman picking cotton with her little girl at her side retains its vivid coloring and is in near mint condition with only one tiny speck of paint loss at the base of the little girl’s apron. Very minor wear is visible along the front edge of the tray rim as well as along the base edge as seen in photos. Overall condition is quite exceptional!
The front of the tray bears the advertisement, “ The Source of Cottolene- ‘Nature’s Gift From the Sunny South’”, and obviously refers to the cotton plant as the source of Cottolene Lard or shortening which was manufactured by the N.K. Fairbanks Company.
In extraordinarily microscopic-size lettering on the bottom front of the tray at the base of the cotton-picking scene can be read (with a super-magnifying glass), the name of the manufacturer of this metal tip tray: " Passaic Metal Ware Co. Litho. Passaic NJ".
The tray underside depicts a can of Cottolene lard which provides the backdrop for the Fairbanks Company product advertising. It advertising reads, “ ‘Way Down South in the Land of Cotton’ If you could see cotton growing in the fields in all its purity, could observe the skill and care used in extracting and refining the oil, you would appreciate while COTTOLENE- the perfect shortening- is so much purer and more healthful than lard could ever be. COTTOLENE is pure and wholesome as the finest olive oil; makes food palatable, digestible, healthful. COTTOLENE shortens your food- lengthens your life.” Wow, quite a testimony!!
A wonderful crossover piece equally appropriate for one’s Advertising, Black Memorabilia, or Tip Tray collection!
The sign measures 14 inches wide x 10 inches high, and is quite bright and visually appealing.
This painted metal sign remains in fine condition with minor surface scratching, tiny areas of paint loss and tiny areas of superficial rusting, all as noted in photos.
Demonstrating some degree of age-related paint loss as seen in photos, Shufflin' Sam remains fully functional, shuffling his feet and twirling his blue umbrella when he is gently pulled along a flat surface. His manufacturer is unknown. On his base is written in ink, a very OLD price of $22.00!
The paint loss imperfections do not interfere with the toy's overall charming visual appeal! This exceptional toy has never been repaired or repainted; it remains in all-original condition!
Wooden toys were produced with less frequency than their tin counterparts and also tended to be less hardy, and thus, a far fewer number of them survive today as compared to the more frequently discovered tin and metal toys of the same era.
"Shufflin' Sam" is very RARELY found (The FIRST time I have ever been able to offer him!!!), and the opportunity to acquire him should not be overlooked!
In lovely condition with age crackling to the backside of the seashell, this stunning piece appears to have never been used for its original purpose as a hanging wall planter. The black paint is in impeccable condition and any white dots that appear in photos are the result of light reflection off of teeny glaze imperfections and are NOT chips, rubs or scratches to the surface. The gold stippling to the seashell is perfect!
The piece has a hole in the back to facilitate wall-mounting or it may be easily displayed on a shelf.
A very seldom found piece of vintage Black Memorabilia that is truly stunning in appearance!
Interesting and extremely eye-catching graphics on both box and tins! Displays just wonderfully!
The cardboard box has some expected wear as seen in photos with small rips and abrasions, but it retains its structural integrity- still able to support the weight of twelve metal polish tins! The majority of the tins are in very, very nice condition as well with expected, slight superficial scratches here and there. Three of the twelve tins have a bit more surface wear to their lids than the others and are pictured as a trio for the buyer’s perusal---still very appealing.
A very difficult to find vintage country store display piece!
All seven of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.
The three black railroad porter brushes, the large red Mammy brush with cloth bow and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Blue Porter with Cream colored pants: teeny, superficial "dings" to paint here and there with one teeny mark between the eyes.
Black and Cream Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Yellow Porter: paint wear primarily to right side of face and top of cap.
Large Red Mammy with Cloth Bow: paint in excellent condition with a couple tiny rubs here and there. Natural bristles have faint trace of original red painted dots to natural bristle skirt.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.
The following two brushes are also in very nice, barely used condition with minor imperfection as described below:
Large Red Mammy with hand-painted bow: brush has seen a little more use than the others(see photos)- very minor paint wear from use to Mammy's back. Black paint drip to collar area. Natural bristles dyed red.
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
The taller brushes are all priced at $85 each. The smaller, 4.5", green and red-dressed mammy brushes are priced at $60 each.
Please take the time to peruse our second grouping a Mammy and Porter brushes, listed separately.
Featuring a delightful, cartoon-like caricature of a black man, this board is in very good condition with minor edge wear, slight age-discoloration and a crease to the rim at the left end of the hat.
An interesting, seldom-found piece of Black Memorabilia!
Please disregard reflections in photos that are due to the presence of protective plastic wrap.
The bowl has glaze crazing typical of an 85+ year old piece of pottery with no cracks or hairlines. Three imperfections are noted and are in close proximity to one another (see photo): a manufacturer’s abrasion that is coated in original glazing and two small, superficial (1/8” and ¼”) flakes.
An lovely piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!
Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.
The statuette is constructed of lucite and is placed on a painted wood base. The piece is very nicely hand-painted and detailed. It depicts Ms. Baker in her famous banana skin skirt, wearing large loop earrings and holding her long, slender, silver cigarette holder. Her anatomical assets are duly accented in aluminum. The base is constructed utilizing the Art Deco design styling of the 1930's--the decade in which Ms. Baker first acquired her fame. The card holder, itself, is also aluminum.
Condition is mint with just the teeniest of surface scratches here and there apparent only when the piece is held to the light. Some slight pitting to the aluminum card holder edges.
Josephine Baker (June 3, 1906 – April 12, 1975) was an American-born French entertainer, most noted for her celebrated Folies Bergère singing career. In her early career, she was a feted dancer and is often credited as a movie star, although she only starred in 3 films in her early career. She was given the nicknames "Black Venus" or "Black Pearl" and "Créole Goddess", while in France she was known in the old theatrical tradition as "La Baker". She became a citizen of France in 1937. She is also credited for her contributions to the Civil Rights Movement in North America and for being an inspiration to generations of African-American female entertainers.
Constructed of tin with a tin embossed and lithographed image and a glass cover, this game has a paper advertisement on back which has been partially impaired presumably due to the removal of an old price sticker. The puzzle is in all-original condition with the embossed graphic remaining free of scratches and abrasions. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!