The hardwood case measures 4.5"L x 3"W x 1.5"H and is in very nice condition. "HENRY TROEMNER MAKER PHILADA" is stamped in red on one side of the case. The box top retains remnants of a State Weights & Measures certification sticker and an old decal with the letter "M" noted.
The brass gram weights have the expected patina and tarnish of a vintage piece. The aluminum milligram weights and tweezers are all in fine condition.
A nice addition to your collection!
It has been noted that their creation was encouraged through President Franklin Delano Roosevelt's Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943. The WPA was designed to provide jobs across the country during the Great Depression. While most jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP). The creation of these dolls fell under the WPA Federal Art Project, with the goal of representing the various aspects of the culture, work and lives of the Southern black community of this time period.
The female doll depicts a black mammy out for a stroll with black umbrella in hand. This sweet gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features – characteristic of these WPA dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This doll has (not uncommonly) lost her asphalt shingle long ago, but a bit of the original shingle is still attached to the soles of both shoes. Clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. She also wears gold hoop earrings! Her body, which is well-stuffed to be anatomically correct, is black cotton fabric stuffed with cotton batting.
The white haired and bearded male country gentleman doll is similarly attired in machine-sewn cotton britches with a patch at the knee and suspenders along with a tan cotton striped shirt and red kerchief around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted chicken that has sustained a tiny bit of fabric loss to its face. His left arm once held a wooden walking stick which is long gone, but alternatively, he now uses his free hand to hold the arm of his lovely lady! His asphalt shingle is also missing with remnants evident of it present on the soles of his shoes.
Two very special dolls that represent a snapshot of history, capturing the lives of poor southern black folk of the Depression era.
The dolls are priced at $245.00 each. AS these two dolls were originally purchased out of a lovely and quite comprehensive doll collection as a PAIR, if desired, they may also be purchased as a PAIR at a very special discounted price of $395.
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
Measuring approximately 12.5 long x 7.75 wide, this extraordinary and historical document is handwritten and appears to have been scribed by an individual other than the slave owner, Richard Dunn, as Mr. Dunn's signature is simply a "mark" labeled as such with his first and last name scribed around his "mark". The document is in excellent condition save the fold marks; this document clearly has been stored in this folded state for the past 170 years. It is suitable and ready for archival preservation- appropriate acid-free backing and matting materials with framing.
The text of the document is as follows:
"Know all men by these present that whereas my negro woman named Eliza having a strong desire for freedom and so I Richard Dunn of the county of Knox and the state of Tennessee being in possession of said woman Eliza and three children named William, Nancy and Mary Elizabeth. Now this is to show that I the said Richard Dunn for and in consideration of a certain sum of money to me in hand paid to my full and perfect satisfaction do hereby renounce my own right the right of my heirs or the right or claim of all manner of persons whosoever the said Eliza and her heirs forever to have and enjoy all the rights and privileges of a free white citizen so far as the laws of the state will permit and with regard to the law in such case made and provided it is necessary to have such matters attended to in open court I hereby (if it should not be done in my lifetime) make it obligatory in my heirs executors or administrators (as the case may be) to have the freedom of the above named woman and her children secured to them forever so as to enjoy all the rights and privileges of free white citizens so far as the law of the land will permit."
"In witness whereof I have hereunto set my hand and seal this 7th day of Nov. one thousand eight hundred and forty nine."
Signed, sealed ?GC?.
in presence of us,
Richard Dunn his mark
Truly an extraordinarily rare piece of historical ephemera documenting a tiny light shining within a very dark period in American history. One can only be hopeful that Eliza and her three children one day achieved the freedom that this document promised.
This 4 inch, amber bottle is in fine shape, it has a labeled cork plus a label on back with directions for an antidote.
The front label has a tiny, missing piece by the letter 'K' in the word PINK. Both labels are mildly faded and lightly stained from age.
Both dolls are in near perfect condition with the exception of a tiny teardrop mark under brother's left eye and a tiny hole next to sister's left side of face on her hairline. Detailing is very sweet with nicely embroidered facial features and color-coordinated, machine-stitched clothing. Hair is authentic looking made of fuzzy wool yarn-- brother's hair is curly and nubby--- sister's is done in a head full of bow-tied pigtails! Bodies are machine-stitched, brown cotton that are each stuffed with cotton batting.
A pair of cuties!!!
These lovely nostrums sport brightly colored graphics and include full contents.
The condition of both medicines is very good with the expected minimal wear as well as the minor scuffs and imperfections of vintage pieces.
The tin measures 4 inches tall x 2.75 inches wide. The box measures 3.25 inches wide x 2.25 high and sports the original clear wrapping. A delightful, desirable duo of vintage lung and supposed "breathing-support" medicines not to be missed.
This pleasant diecut is in excellent condition and comes protected in an attractive, walnut-tone decorative frame!
A sweet piece!
Measuring approximately 7 inches tall x 3 inches wide, the canister is constructed of sturdy cardboard sides with an artistically-rendered paper label, while the base and lid are metal.
The condition is generally quite good with wear and staining appropriate to the age and use of the piece. Please view photos for details.
This is part of many “female specific” old pharmacy stock items for sale.
Remaining in its original frame, this watercolor retains its vibrant color. A lovely piece of Black Americana executed with some naivete!
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
This particular tin retains its original, paper, US Internal Revenue tax stamp with an additional red ink imprint clearly dating this tin November 1941.
The image of an African woman with the racist title of “Nigger Hair” imposed over her shoulders was used by The American Tobacco Company of Wisconsin to promote its product; the lithographed tin was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin. Interestingly, it must be noted that after World War II, the product name "Nigger Hair" was changed to "Bigger Hair", although the exact same image of an African Woman continued to be used. The company simply added the words “Fiji Islander” to the left of her face in a very, very weak attempt to broaden the product’s appeal by moving further away from the earlier, severely derogatory moniker. At that time, the material out of which the tobacco container was constructed was changed from tin to heavy cardboard.
Measuring 7 inches high x 5 ¾ inches wide, the condition of the tin is a fabulous 9 out of 10--- sporting a lithograph on the front side with extremely teeny, minor, superficial scratches and rubs, and on the back side, tiny scratches along with tiny areas of paint loss (please see photos for condition). There is a very subtle crimp on the seam side of the tin at the base- difficult to see and impossible to photograph. The lid and the base of the tin show minor evidence of oxidation. The inside of the tin is clean with some minor oxidation evident. The tin is free of both rust and pitting.
The original orange color of the tin remains consistent over the entire tin although the color is a darker orange tone in actuality than what the camera “saw” when photographing it. Any imperfections are quite reasonable and expected given the age of this piece-- nearly 80 years of age!! This tin is just a wonderful example of early Black Americana advertising and looks so much better "in person" than what the camera was able to capture with its lens! Please note that any "white" areas in photos are flash or lighting reflections and are not imperfections to the tin.
The tin still retains its contents; it appears very little was consumed. The contents are quite antiquated and are no longer fit for human consumption and are presented for display purposes only. Additionally included is a grouping of discount tobacco coupons that were discovered inside the tin on top of the contents!
Truly an extraordinarily RARE piece of Black Memorabilia seldom found in this phenomenal condition complete with bail handle, lid and tax stamp! (Soft tissue paper has been wrapped around the bail handle to prevent any further scratching to the tin exterior.)
***For the ultimate collector of Nigger Hair Tobacco tins, an extraordinarily rare, 1949, Bigger Hair Tobacco container is also offered for sale- separately. The addition of the Bigger Hair Tobacco container will complete your collection from both a cultural and historical perspective! *** Type "tobacco" in our web cover page SEARCH box to locate it.
Both the Nigger Hair and the Bigger Hair Tobacco containers may be purchased together for the single price of $1195 with no further discounts applicable.
The pastoral image features a country maiden leading a cow from the woods while holding a can of Horlick's Malted Milk.
Imprinted on the cow's side is the following, "Ask for Horlick's at all Fountains and Hotels."
Around the circumference of the mirror, the product is further advertised:
"This maiden fair was dressed in silk,
She drinks the Horlick's Malted Milk."
" Tea of coffee it does replace,
In Health or Sickness,
Wins the Race."
Original mirrored backing is in very fine condition with just a few very minute , superficial scratches. Marked in microscopically written print ob bottom edge: The Whitemead & Hoag Company, Newark, New Jersey.
A beautiful little advertising piece!
Both of these colorful brushes have natural bristles with the Porter measuring 7.5 inches high and the Mammy measuring 6.5 inches high.
The Railroad Porter brush has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's ear is consistent with where one would hold onto the brush while using it.
The Mammy brush is in near excellent condition with little evidence of having ever been used. Love the expression on her face! If one carefully separates the natural bristles, it is evident that at one time they were dyed green to match her bodice, but have lost their applied color with the passing of time.
Please note that the white spots seen in the photos are lighting reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
The Mammy brush is priced at $85, the Porter priced at $70.
Please take the time to peruse our second grouping a Mammy and Porter brushes, listed separately.
The litho was executed by John Karst with his signature appearing in the lower left hand corner. Highly detailed, the litho reproduces a bustling New Orleans' dock scene featuring numerous slaves at work.
This litho was professionally re-framed using museum-quality, acid-free materials in 2004. The frame is a classic styled, black painted, beaded, hardwood accented with a dark rose, acid-free mat.
A fascinating glimpse into life on the docks of the Mississippi River at New Orleans!
Please note that any white spots or streaking appearing in photos are the result of light reflection and are not damage to the litho.
The neck opening, arm openings and the hem of her cream and red flowered dress are all hand-stitched. Her head and torso, cut from a piece of wood, are completely hand-painted, and the facial details and head scarf details were executed with a very fine-tipped paintbrush and were very nicely done! Mammy's dress contains a ball of old cotton string which is allowed exit through a small circular hole cut into her mouth.
Paint condition is very good with only slight edge wear and a couple of very subtle, tiny surface scratches. There are no rips, tears or wear to Mammy's dress, but some small staining splotches on the left side edges of her dress in front and in back are evident. A small eyelet was screwed into the top of Mammy's head with a string attached to allow for hanging and easy access.
The club on the left is stamped with the owner's initials "T.H" and "AC SPAULDING & BROS MAKERS", plus "MODEL D HAND FORGED". The shaft is secure and is modestly split above the hosel. The iron has a tarnished patina and smooth surface. The grip is constructed of brushed leather and is complete. The club measures 40.5 inches from the tip of the toe to the end of the handle.
The club on the right is stamped "ST. ANDREWS" and "MAKERS" with the letter "L" denoting that it is a lady's club. The club face exhibits minor, honorable wear as well as an age-appropriate patina with some rust and pitting on the hosel. The shaft shows appropriate wear, is almost straight, and is secure. The original, smooth leather grip has what appears to be an ancient piece of tape (which can be removed) on each end. The club measures 34.25 inches from the tip of toe to the end of the handle.
Prior to 1900, the vast majority of irons were smooth-faced. During this period, it was common for caddies to use emery cloth to lightly clean off rust from the club heads. Prior to the use of grooves or hand-punched dots being applied to the club face (to enhance backspin), caddies would use the emery cloth to roughen the "sweet spot" on the club face to promote backspin.
Beginning in the 1890's, hand-punched dots on the club face appeared and by 1905; patterns such as scored lines, dots and lines, criss-cross lines with or without dots became the norm.
The end of the smooth-face era for irons occurred around 1910, though some were still offered in catalogues after that date for those who resisted change.
Dr. T.D.M. Wilson graduated from Jefferson Medical College in 1875, and the following offered items from this estate auction provide an historical glimpse into his long medical career.
The first item is a fabulous 19th century brass DOCTOR T.D.M. Wilson sign measuring 14L x 9W inches, which likely adorned the entrance way to Dr. Wilson's office.
Also offered in this grouping is a rare group photo of Dr. Wilson (4th from the left) and other Phi Kappa Sigma members. The frame measures 16.5"L x 12.5"W. While the photo is a bit faded, the image is remarkable and includes a distinguished group of Phi Kappa Sigma members.
The third and fourth items in this grouping are a small, framed, 1909 AMA membership certificate with Dr. Wilson's name inscribed, and a very unusual IRS narcotic SPECIAL TAX STAMP from 1926. This Narcotic form is unique in that it names Dr. Wilson as the single physician allowed to dispense narcotics within the 23rd District of the State of Pennsylvania.
Finally, 2 handwritten letters postmarked in 1884 from Dr. Wilson to his loving wife are included, offering a small glimpse into his personal life.
Together, this is rich grouping of artifacts provides one a unique opportunity to further enhance one's collection of medical objects.