One plate depicts the sale of Uncle Tom while the other plate depicts the death of little Eva. The text on each plate is in German: "Evas Todt" or in English, "The Death of Eva", and "Slavel Tom Von LeGree Gekauft" or in English, "The Slave Tom Purchased by (Simon} LeGree".
Produced for use by children as subtle educational tools, the plates measure 7 5/8 inches in diameter and are decorated with black transfer, printed, Uncle Tom vignettes.
The condition of both plates is quite superb with subtle crazing lightly evident on the backs of plates only. Also on the backs of each plate are tiny, factory-flaw imperfections where glazing failed to bind to the earthenware (represented in close-up photo). The "Sale of Uncle Tom" plate has three such imperfections on its back side along with a tiny area of bleeding of transfer color under the glaze (see close-up photo). The "Death of Eva" plate displays more evident crazing on the back as compared to the "Sale of Tom" plate along with three factory-flaw imperfections, as described above. The "Eva" plate also appears to have three, extremely fine, light, scratch lines running across the front of the plate that are most readily noticeable only in close-up photos; when one runs a finger along the lines, the imperfections are so fine that they cannot be felt and certainly represent no threat to structural integrity.
The plates were produced by the Schramberg Pottery of Baden-Wuerttemberg, Germany, founded in 1820 by stoneware expert, Isidor Faist. The plate featuring the sale of Uncle Tom is impressed "Schramberg" while the other plate has no marking. It is evident, however, that both plates were manufactured by the Schramberg factory.
The arm on one side is stamped in increments 1 through 9 (pounds) and 7-30 on the opposite side. Photo #5 shows two fancy and not often seen, "cross-shaped" embellishments.
The condition is very good with some mild wear, traces of rust, and faint pitting of the iron, all commensurate with an early tool of the trade.
A very decorative, scarce example of early craftsmanship.
The REXALL ITCH OINTMENT is unused and is indicated as a treatment for scabies.
Hobson's tin DERMA ZEMA OINTMENT is complete with box and is unused, new-old stock!
The DOAN'S PILLS tin still retains some of its original pills.
The VAPEX INHALER is in original, unused condition.
The BAYER ASPIRIN tin still has 3 pills inside.
The small, empty, Eli Lilly ATROPINE SULFATE bottle once housed 100 hypodermic tablets.
The Doan's, Bayer and Lilly items are in good condition with wear commensurate with age and use. The remaining three items are in very good condition.
For purposes of size perspective, the Hobson and Rexall ointment tins measure almost 3 inches.
The bowl has glaze crazing typical of an 85+ year old piece of pottery with no cracks or hairlines. Three imperfections are noted and are in close proximity to one another (see photo): a manufacturer’s abrasion that is coated in original glazing and two small, superficial (1/8” and ¼”) flakes.
An lovely piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!
Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.
In addition to making children's games, The Milton Bradley Company, for many, many years, produced an extensive array of school supplies, equipment, and materials!
A wonderful addition to School or Artist Memorabilia collection!
Although two boxes are pictured in the photo, sale is for ONE BOX ONLY.
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
This figure, known as the Cotton Seller with Child, is most particularly hard to find and thus is quite highly sought after as it features a very young, female black child standing in a basket of newly-picked cotton. The Vargas family seldom included children or infants in their depictions of the numerous trades of black New Orleans folk, making any characterization featuring a child or an infant more than significantly rare.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This female, Mama, Cotton Seller wears a red and white kerchief on her head, a red and white checked scarf around her neck, and a yellow and white checked shirt and skirt with an apron that matches her head scarf - all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. At her feet is a very large, wax-constructed basket made to simulate wicker that is filled with cotton and within which her young female child stands. The Cotton Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base is stamped "Genuine VARGAS New Orleans, LA".
This wonderful figure is in amazing condition for her 75+ years of age with no apparent or visible imperfections other than some missing fingers, a condition which is quite common among found Vargas figures.
The Cotton Seller's young, female child also has some missing fingers, and additionally, her neck shows a contiguous crack all the way around. Because her structure is also supported by internal wiring, her head remains securely attached to her body. Please note that the child is merely placed inside the cotton basket and was never securely glued into it. The wax cotton basket, which was originally glued to the wooden base, has become loosened from it; however, when placed on the base, it will easily remain in place for display.
The 3 dolls were grouped together in a creative display that supported the sale of Aunt Jemima Pancake products! Their costumes are all identical and were hand-stitched and made especially for the planned Aunt Jemima display.
Each of the dolls remain intact inside an encasement of glue and paper wrapping and are attached to home-made, plaster-of-Paris-based, rectangular platforms. The platforms were created in 1958 as is written on the bottom of each base, and the dolls remained in place until the store closed in the early 1980s.
The large doll is 11 inches tall and evidences age-crackling to her composition face and hands; her right hand is actually missing a small piece of composition (see photo). Black hair peeks out from inside her checkered head scarf framing her sweet face!
The doll on the left side is the shortest, measuring 5 3/4 inches high. She is in fine condition and her eyes are placed in an interesting sideward glance.
The doll on the right measures 6 1/4 inches tall. Her composition is in fine condition with the exception to some small loss at the very top of her head (see photo).
Certainly a very visually appealing trio, sold all together as a group of three!