Featured Items (15)

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

Offered is a lovely and serene oil painting of an older black gentleman fishing by the riverside. The painting is done in a flowing, Impressionist style, with a masterful use of quick, loose brushstrokes and much natural light, which contributes to this peaceful scene. The artist then focuses on careful attention to detail in her execution of the lone fisherman.

The primary colors utilized are a tonal range of yellows, blues and greens suggesting a spring or early summer day. The gentleman is taking a quick look at his bait bucket as his fishing pole line rests on the river bottom.

The canvas measures 16 wide x 20 inches long, and is signed, "Marge Gartlan", an unknown artist. The back of the canvas shows some foxing, but none is present on the front, so the painting, itself, is not effected. In the lower left corner (see photo) a very faint and superficial line, beginning above the artist signature and extending toward the gentleman's right calf, is noted- perhaps a rub occurring during storage? It does not detract from the painting.

The painting will require re-framing as it is currently housed in a hastily and poorly painted frame- as it was found- but which, certainly, desires more.

Nonetheless, this oil, as it presently stands, radiates peace and tranquility in nature, and will grace any art or Black Americana collection!

Offered is this circa 1910-1921, very scarce, Kroydon DEEP GROOVE Golf Club with atypically-designed grooves called BRICK FACE.

Deep grooved clubs were designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

The back of the club is stamped as follows: "Kroydon U5 ?....? J.F. MATHEWS", and measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight and sturdy. The head of the club shows mild and honorable wear, good grooves with mild unobtrusive pitting to the lower surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Offered is a fabulous pair of antique Apothecary Show Globes which includes one fancy Victorian style hanger. Photos provide close-up views of these intricately detailed, high-end show globes, and the 1891 photo from the WHITALL TATUM COMPANY catalog, establishes the age of these beauties.

The overall condition of the globes is very good with the imperfections and wear expected given their 130+ years of age. The decorative frames are sturdy and the globes hold water with ease. At some point long ago, the metal components were painted a gold/brass color. Today, the paint retains a delightful brass tone with an antiqued patina.

The attention to detailing and design of these show globe frames are second to none, pushing these show globes into a class by themselves. Note the intricacy and the elegance of design incorporated into both the show globe collar and the finial - simply outstanding!

The show globes measure 22 inches tall from the top of the crowns to the tip of finials. The exterior of the hand blown glass globes are in good condition. The interior of the globes note a modest yet common and unobtrusive haze which will not be visible when the globes are filled with the colored water of your choice. Additionally, the haziness should clean up if desired.

A singular, fancy wall bracket that swivels from side to side is included, measuring about 15" long x 9" high .

Acquisition of these rarely found, matching, beautifully stunning show globes is an opportunity not to be missed!

Offered is a circa 1910, original piece of art entitled "Who Said Watermelons". This captivating charcoal on paper portrait of a young African American boy, very much resembles the iconic, fictional figure painted by an unknown artist in the mid 1800's, a figure who has come to be known as 'Johnny Griffin' or the 'Young Black boy with the Torn Hat'.

Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth through the expert use of light and dark, while capturing the intriguing expression on this young boy's face. Just what is he thinking?

Was this enchanting charcoal portrait completed as a study in preparation for a final, more complex piece, or was it, indeed, the final execution of a subject caught in passing?

Condition is quite fine. Note the faint trace of the artist's title for this work done in a lighter charcoal hiding behind the darker, final printing of the title. Framed in an old black wooden frame, this intriguing charcoal portrait would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.

While the precise age of this late 18th to early 19th century old shackle is unknown, this type of ankle shackle has been documented to have been in use as far back as the 1780's by English slave traders, and was likely in continued use up until the 1860 onset of America's Civil War.

In 2015, the International Slavery Museum in Liverpool, England, acquired a set of ankle shackles very similar to the set offered here. In referring to the museum's acquisition, the museum's Head, Dr Richard Benjamin, related the following:

“A similar pair of shackles was purchased in Liverpool by the campaigner Thomas Clarkson in his antislavery crusade as evidence against the transatlantic slave trade. They were presented in front of Privy Council in 1788 as part of its enquiry into the transatlantic slave trade. An engraving of the shackles with a detailed description also appeared in Clarkson’s antislavery pamphlet."

These hand-forged, wrought iron ankle shackles remain in all-original and untouched condition, measuring approximately 11.75 inches in length. The cuff sizes vary slightly ranging from approximate lengths of 3.75 to 4 inches and approximate widths from 2.75 to 3 inches, a set likely used on a female slave. The shackles can be described as consisting of a wrought iron bolt with a pair of loops slid onto it via holes in both ends of each loop. One end of the iron bar is fixed closed by a triangular-shaped flange large enough to prevent the loops from being removed from the bar. The other end of the bar ends in a circular "eye" that is secured closed by a hand-wrought circular "lock washer" inserted at the time the shackles were applied.

An utterly gruesome, tangible testament to the malevolence and horrors of slavery and the transatlantic slave trade.

Offered is an absolutely fabulous, early 20thC, reverse-painted-on-glass, MOYER'S PHARMACY Drug Store Sign.

This striking example was clearly designed to attract customers with its coloring and bold combination of script and block lettering- all executed in reverse on the underside of the glass. The reverse-painting technique adds additional elegance to the artistic quality of the sign's design. The very sturdy frame is constructed of wood that is enveloped in a heavy gauge metal. The metal portion of the frame has hints of having been painted a few times over the years and shows age appropriate wear.

The sign measures 36"L x 16"W x 1" thick and is in very good condition. There are various mounting holes present. As expected with old glass, some unobtrusive blemishes and small scratches are also present, commensurate with the sign's 100+ years of age. Two very small spots of paint loss are also evident as seen in the photos.

An utterly eye-catching and distinctive, vintage pharmacy sign that will complement any collection!

Offered is a vintage 1940 - 1950 era Drugstore Pharmacy BABY NEEDS advertising sign from Johnson and Johnson which features an adorable, blue-eyed baby in a lace bonnet. This sign was likely placed in a prominent section of the drugstore, guiding shoppers to the area which sold all manner of products to care for baby.

This lovely advertising sign sports an eye-catching robin's egg blue border that encapsulates J&J's iconic infant image.

The painted sign measures 33.5"L x 7"W x .35" Thick and is constructed of wood. The back has two wood support brackets attached as seen in the photo. The condition is very good with a few scratches and light surface wear.

An absolute must-have sign with fabulous "visual presence" that's sure to add energy to your collection!

Presented as a historical and cultural artifact, this seldom-found, vintage, 1942, Ten Little Colored Boys book illustrated by Emery I. Gondor and published by Howell, Soskin Publishers, New York, is in very good condition.

Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.

The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.

The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.

Offered is a wonderful group of seven, circa 1920-1930's, John Wyeth apothecary bottles sporting fancy, shield-shaped, foil labels.

They are being sold separately for $55.00 each. The POISON bottle BELLADONNA is SOLD as is GELATINE CAPSULES QUININE.

Decorative stock bottles such as these beauties were meant to be refilled and reused and were the pride of the pharmacy staff. Eye-catching, reflective medicine bottles such as these also served as an advertising mechanism as they often were placed prominently on the front row of pharmacy cabinets.

Each amber colored bottle measures 8.5 inches tall, has a narrow or wide mouth and sports a stopper with ground glass construction. The bottles date to the 1920-1930's era.

The condition of these empty bottles are excellent. Some of the stoppers are stuck in place.

The bottles sport either gold or silver toned foil labels which show slight wear and staining, commensurate with age and use.

A lovely group indeed!

Offered is a very difficult-to-find grouping of twelve, matching, 19th century, porcelain, apothecary cabinet drawer pulls.

Each pull measures about 2"W x 1 3/4"H x 1 1/2" front to back (not including bolt).

The condition of the pulls is very good with only a few minor manufacturing imperfections that add to the desired patina of an antique of this age and period.

Most of the pulls sport the following, sometimes illegible, maker's mark on the bottom of the knob: "PAT. FEB 12, 89 - M.D.B. CO. - ST. LOUIS, MO".

The pulls are priced at $540 for the matching set of twelve or can be purchased individually at $45.00 PER PULL. Ready for display in your apothecary collection or for retro-chic decorating use on an actual cabinet, be it antique or contemporary!

Offered is a more diminutive example of a late 19thC Pharmacy "tool of the trade" known as a pill machine but often referred to as a pill roller.

Pill machines were designed to enhance the productivity of the early pharmacist, and this design was, indeed, popular for many, many years. This pill machine is designed with 24 tubes for medicine-making.

The condition is very good, sporting a nice patina commensurate with its age and use. It is constructed of walnut and embellished with brass edge guards as well as brass grooved molds. The paddle has a number of early small dings and a small, faint hairline split on the top edge. The base measures approximately 12" L x 7" W x 1.75" H including the footed base. The paddle is 16.5"L x 3"W.

An apothecary classic, ready for your collection.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin tie rack is constructed in solid brass. It remains functional for such use today; however, only two of the five original tie hooks remain.

It is in all original condition with fabulous patina- not a reproduction- no replaced parts- and measures 13 inches long.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 3.25 inches high, this delightful English child or baby transfer porcelain mug is a quite rare find!

In excellent condition with the exception of some minor wear to the gilt rim and scripted banner, the cup or mug features two gentleman sharing a tub bath- one Caucasian and one African-American. The African-American gent is surrounded by musical notes indicating that he is doing quite a bit of whistling, while the Caucasian gent covers his ears in annoyance. The scripted banner above their heads reads, "Whistling Rufus." "There's music in the air."

The mug is signed in the lower right corner of the tub, "Copyright Sid Smith". The base bears the black crown and banner stamp of Allertons, England as well as the printed, red-inked number "2089".

Offered for your consideration is an appealing, circa late 1900s, deep aqua blue painted wood jewelers sign. The sign was acquired from a Columbia, South Carolina estate and measures approximately 63" long x 7" wide. It is in very nice overall condition except for areas of paint loss, some crackling and general wear of a vintage sign. An unobtrusive 4 inch split is noted near the left edge and some scattered paint flecks add to a wonderful patina. A modest scratch is apparent through the word "JEWELLER".

Lettering is original and in very good condition except for some unobtrusive scuffing and loss. Please note that the lettering is bordered with black enhancement. There are 2 holes, one on each side which were originally used for mounting on the building exterior.

Will make a great addition to your collection.