$75.00
$65.00
Very colorful and expressive detailing of the cats! The cardboard covered-bottom is marked "Made in Germany" in the lower right. A tin frame supports the game, with a glass cover on the front side and a mirror on the reverse side.
In excellent condition considering its 110+ years of age. The glass cover is free of cracks. Game color is still quite bright. The original mirror has a few spots of silvering and light scratching but is free of cracks.
An interesting, vintage game piece to add to one's toy, dexterity game or Halloween collection!
$1,275.00
The sign with its flat black background, features a decorative free-hand, skill-fully executed, corner-looped edge design in old white paint advertising: SLEEPING ROOM FOR RENT.
Beneath the words 'FOR RENT', the words "WHITE ONLY" have been covered over with a layer of similar-colored background paint. Both words are still visible beneath this layer of paint with the word "WHITE" being most readily visualized.
I believe that this "paint-over" can be easily, professionally removed, and I toyed with the idea of having this done, but then felt that I should offer the sign as it is in its current state, as it is reflective of a small yet positive progression in history, in the viewpoint of at least this proprietor in our society in this time period. What prompted this change of viewpoint, which obviously occurred decades before the Civil Rights Act of 1964, is forever lost to history. The place of origin of this sign is unknown.
The sign is hand-painted on Masonite, a smooth-faced, compressed wood hardboard that was invented in the 1920s and was in popular use during the Depression-ridden 1930s due to its relatively inexpensive price tag. The sign has nine holes to facilitate hanging: three on each end and three down the center of the sign. The sign retains an original surface patina with age-related crackling to the lettering. In addition to the words "White Only" being painted over, a decorative flourish centered between the words "Sleeping Room" and "For Rent" has also been painted over, reason unknown. Mild surface paint loss, scuff-marks, and edge wear are present, commensurate with a 90+year old sign.
An exquisite example of Segregation Era signage that tells a story of prejudice evolving to an acceptance of equality.
$295.00
Measuring 4 inches wide x 3 3/4 inches high, the black color-toned set was manufactured by A.D. Handy, Stereopticon & Supplies, Boston.
The four slides tell the story, through drawings and southern black dialogue, of a black boy attempting to steal a watermelon (slide 1). Four other black boys hiding behind a fence and watching, spook him, making the boy think there is a ghost behind him (slide 2)! Dropping the watermelon in fright, he dashes off for safety (slide 3). The shattered watermelon is then left on the ground, already broken into bite-sized pieces for the 4 other boys to enjoy!
This offering is truly an exceptionally scarce Black Americana collectible!!
$125.00
Veterinary signs of any type are quite scarce! Wonderful patina!
$495.00
Complete, National American Red Cross anatomical charts of this early 20th Century time period are quite an unusual find in today's market. Charts such as these were a frequently referenced visual aide for both the medical and nursing student, and due to this frequent educational use, not many have survived.
These wonderfully detailed teaching charts each measure 28.25" high x 20" wide and (to the best of our knowledge) are made of a wax-coated, heavy-weight, linen canvas. The top and bottom only of each chart are framed by black painted, wooden supports designed to facilitate the hanging of each chart.
The condition of each chart demonstrates mild crackling of surface and light wear and tear, as well as discoloration consistent with their 100+ years of age. Slight, unobtrusive loss of fabric is also apparent. Overall, the condition and patina of these charts are commensurate with vintage teaching tools that had been frequently referenced.
The charts are published by P. BLAKISTON'S SON & CO., Philadelphia, Pennsylvania. In 1880, this company focused its production upon the publication of high quality medical and scientific books, charts, and graphs.
$195.00
Cardboard candy boxes with African-American themes remain EXTREMELY RARE finds in today's market due to their inherent fragile nature!!!
This wonderful piece is in very good condition with the expected aging, and edge and corner wear given its 100+ years of age.
The top left seam of the cover has the most edge wear of all areas of the box, and the bottom right seam of the cover has split (see photos for each), but otherwise, the box remains intact with no missing pieces! A very subtle crease runs along the top of the box cover above the word "CLARK", but it is indeed very obscure and difficult to photograph. Please note that the corner edge taping to all four corners of the box base is original manufacture meant to provide extra stability to that section of the box that held the weight of the candy. The box base is in near-perfect condition!
D. L. Clark Company History:
David L. Clark (1864-1939) was born in Ireland and came to America when he was eight years old. He entered the candy business working for a small manufacturer in New York. After three years as a salesman, he bought a wagon, horses and merchandise, and went into business for himself.
The D. L. Clark Company was founded in 1886 when Clark started manufacturing candy in two back rooms of a small house in Pittsburgh's North Side. He began selling his candy in the streets of Pittsburgh. During his lifetime, his company became a leading candy manufacturer.
By 1920, the D. L. Clark Company was making about 150 different types of candy, including several five-cent bars, specialty items and bulk candy. Clark was also manufacturing chewing gum in a building across the street from his candy factory. In 1921, they incorporated Clark Brothers Chewing Gum Company as a separate business.
By 1931, the candy bar business was so expansive that Clark decided to sell the gum company, and it was renamed the Clark Gum Company.
The D. L. Clark Company remained in the hands of the Clark family until it was sold in 1955 to the Beatrice Food Company who operated the company until 1983 when in turn, it was sold to the Pittsburgh Food and Beverage Company. In 1995, the Pittsburgh Food and Beverage was thrown into bankruptcy. The company was shut down for several months and its assets divested. Restructured as Clark Bar America, the company operated until May of 1999, when it was purchased by New England Confectionery Company (NECCO), the oldest candy manufacturer in the United States.
$325.00
Marked "Copyright 1924", in the lower right hand corner, this extremely difficult-to-find advertising piece measures 10.5 inches wide x 13.5 inches high. Colorful and visually interesting, the heavy cardboard die cut depicts an engaging, elder, Uncle Wabash serenely strumming his banjo on his front porch! Guess the message to the consumer was, "Eat one of Uncle Wabash's cupcakes to experience your own little slice of heaven and serenity!".
Condition of this charming piece of Black Historical advertising ephemera is quite good given its 100 years of age!! Old water staining to bottom of the die cut does little to detract from this rare piece. Crease line to one cupcake edge (see closeup photos). Appropriate age-related foxing to back.
$995.00
(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)
The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".
Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.
Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.
All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.
As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.
$225.00
Pill machines were designed to enhance the productivity of the early pharmacist, and this design was, indeed, popular for many, many years. This pill machine is designed with 24 tubes for medicine-making.
The condition is very good, sporting a nice patina commensurate with its age and use. It is constructed of walnut and embellished with brass edge guards as well as brass grooved molds. The paddle has a number of early small dings and a small, faint hairline split on the top edge. The base measures approximately 12" L x 7" W x 1.75" H including the footed base. The paddle is 16.5"L x 3"W.
An apothecary classic, ready for your collection.
$165.00
This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone decorative frame! Likely originally produced to advertise a specific, product, store or location, but then was never utilized for that purpose.
A sweet piece, perhaps, one-of-a-kind!
$395.00
Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.
The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.
Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.
This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.
The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.
$245.00
The front side graphic showing an African American woman picking cotton with her little girl at her side retains its vivid coloring and is in near mint condition with very minor wear specs here and there visible along the black tray rim. The tray underside shows a bit more wear along the tray rim and around the tray base edge.
The front of the tray bears the advertisement, “ The Source of Cottolene- ‘Nature’s Gift From the Sunny South’”, and obviously refers to the cotton plant as the source of Cottolene Lard or shortening which was manufactured by the N.K. Fairbanks Company.
In extraordinarily microscopic-size lettering on the bottom front of the tray at the base of the cotton-picking scene can be read (with a super-magnifying glass), the name of the manufacturer of this metal tip tray: " Passaic Metal Ware Co. Litho. Passaic NJ".
The tray underside depicts a can of Cottolene lard which provides the backdrop for the Fairbanks Company product advertising. It advertising reads, "Way Down South in the Land of Cotton’ If you could see cotton growing in the fields in all its purity, could observe the skill and care used in extracting and refining the oil, you would appreciate while COTTOLENE- the perfect shortening- is so much purer and more healthful than lard could ever be. COTTOLENE is pure and wholesome as the finest olive oil; makes food palatable, digestible, healthful. COTTOLENE shortens your food- lengthens your life.” Wow, quite a testimony!!
A wonderful crossover piece that is becoming very difficult to find and is equally appropriate for one’s Advertising, Black Memorabilia, or Tip Tray collection!
$95.00
The very popular Mary Jane paper doll series was featured each month in Good Housekeeping Magazine for months, with little girls everywhere excited to immediately cut out the doll and her accessories for play!
From the 1920s through the 1960s, paper dolls were an extremely popular play toy with a wide variety of paper doll "books" sold in the 5 & 10 cent stores of the day, such as Woolworth, Berdine and Kresge, to name a few. The Mary Jane paper doll always conformed to seasonal themes, with the coloring and artistry of Berta and Elmer Hader never failing to please little girls everywhere.
Professionally matted and framed some many, many years back, this lovely piece of wall art advertising measures 10.5 inches wide x 13.5 inches long and remains in excellent original condition given its 100 years of age! Any discoloration, fading or irregularity of color, or reflection seen in photos is related to the difficulty photographing an object under glass and is NOT an imperfection to the piece. Coloring remains consistent throughout.
Given the extreme play-time popularity of paper dolls, it is very rare to find an uncut sheet such as this! What an interesting and unusual fall-time and/or Halloween decoration piece!
Some history on the Haders:
Berta and Elmer Hader worked together to design children's sections for Good Housekeeping, McCall's, Pictorial Review, Asia, Century, and The Christian Science Monitor. They created pictures and cut-outs, often featuring children dressed in national costumes. In Berta and Elmer Hader's Picture Book of Mother Goose, the couple collated pen-and-ink and color drawings they had done for Monitor and Good Housekeeping to great acclaim. When the US Postal Service dis-allowed the sending of magazines with cut-out segments in 1926, the Haders switched gears, gaining a contract with MacMillan for a series of children's books. They began writing the stories for some of the books in this period. Demand for their product soared, and they worked incessantly from 1927–1931, illustrating, in some cases writing, producing, and helping to sell thirty-four titles. They stayed busy for the rest of their lives, producing another seventy or so books before they retired in 1964. One book in particular, Billy Butter (1936), so impressed writer John Steinbeck that he requested Elmer Hader do the cover to The Grapes of Wrath (1939). Hader eventually did covers for two other Steinbeck works, East of Eden (1952) and The Winter of Our Discontent (1961).
$115.00
The larger boxed set contains 38 vials which are nearly empty and sport complete paper labels. There are 2 missing vials from this kit. It measures 6" long x 5" wide x 1.5" high. The inside cover of this larger boxed set lists the names of the 38 allergens contained in the kit.
The small boxed set contains 28 corked top vials which have the same type paper labels as found in the larger kit. This kit measures 5" long x 2" wide x 1.5" high and is missing (or never contained) 8 vials.
These skin sensitivity testing kits contain vials which are specific to the southern California area.
An interesting and scarce duo indeed!