Catalog (183)

Offered is an exceedingly unique and unusual, 1939 copyright, Marine, Illinois, 10 page, all-paper (including front and back covers), advertising "Give-Away" pamphlet which tells the complete story of LITTLE BLACK SAMBO. It features both full color and black ink with red accent illustrations. In such near perfect condition, it must never have been read or played with!

The lower back exterior cover reads: "Remember Jos. Pohl & Sons, Inc. and J. I. Case Sales and Service, Marine, Illinois, Dial Phone 2501" as well as "No.528", "Made in USA". On the bottom of the first page, the publisher and copyright date are printed: "MCMXXXIX (1939) Sam'l Gabriel Sons & Company, New York".

Such an unique and very exceptional piece of early 20th-century, Marine, Illinois, historical ephemera!

The story of Little Black Sambo, of course, was to become a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is an amazing 9.5 out of 10, for this ALL PAPER PAMPHLET that is now approximately 85 years of age! All pages have been photographed which clearly show condition throughout. The pamphlet is bound together via two rusty staples which remain intact and are firmly holding all pages and the covers together. All of the very colorful illustrations remain quite bright and vibrant. Measures approximately 5.25 inches wide x 7.25 inches tall.

Amazing condition for an 85 year old, paper advertising story pamphlet that clearly was never enjoyed by a young child - and one that may very well be the only copy remaining in existence! For the collector and lover of the tale of Little Black Sambo, this is a must-have!

To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

Offered is a lovely and serene oil painting of an older black gentleman fishing by the riverside. The painting is done in a flowing, Impressionist style, with a masterful use of quick, loose brushstrokes and much natural light, which contributes to this peaceful scene. The artist then focuses on careful attention to detail in her execution of the lone fisherman.

The primary colors utilized are a tonal range of yellows, blues and greens suggesting a spring or early summer day. The gentleman is taking a quick look at his bait bucket as his fishing pole line rests on the river bottom.

The canvas measures 16 wide x 20 inches long, and is signed, "Marge Gartlan", an unknown artist. The back of the canvas shows some foxing, but none is present on the front, so the painting, itself, is not effected. In the lower left corner (see photo) a very faint and superficial line, beginning above the artist signature and extending toward the gentleman's right calf, is noted- perhaps a rub occurring during storage? It does not detract from the painting.

The painting will require re-framing as it is currently housed in a hastily and poorly painted frame- as it was found- but which, certainly, desires more.

Nonetheless, this oil, as it presently stands, radiates peace and tranquility in nature, and will grace any art or Black Americana collection!

Offered are a grouping of 11, circa 1920-30s, colorfully chromolithographed trade cards published by the Liebig Extract of Meat Company of London as well as a smattering of other French and Belgian producers of sweets and clothing for men and women.

"Picture cards" as they were called then, feature very colorful and highly detailed images on the front side with product advertising generally on the back side. For those with advertising on the backside, the advertising, in most cases, is written in French. These cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of the food stuff or article of clothing that had just been purchased.

All but one of the cards measure approximately 2.75 inches x 4.25 inches, with the remaining card measuring approximately 2.50 inches x 5 inches. All but two are in very good condition with no observable flaws or damage.

The two exceptions:
-the 2.50 inch x 5 inch card- which has been scissor-trimmed, has a fold line down the center, and was pulled from a scrap book obscuring some of the printing on the backside-
-and one Liebig card which is missing one corner edge.
Condition quite remarkable given their 80-100+ years of age.

A nice early collection of trade cards!

Offered is a series of 18, circa 1920s, colorfully lithographed trade cards published by the Liebig Extract of Meat Company of London. Each "picture card" as they were called then, features very colorful and highly detailed images on the front side with extensive educational information on the back side, written in French, on the various African tribes living in the Belgian Congo during this time period. The cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of all of the delicious soup extracts and bouillons it produced.

The cards measure approximately 2.75 inches x 4.25 inches and are in very good condition with no observable flaws or damage- quite remarkable given their 100+ years of age. Liebig cards were lavishly produced in Germany from 1875 to 1930 using chromolithographic printing techniques incorporating 12 different colors- an extravagance! The cards were enclosed as "give-aways" with purchase of Liebig products, and the Liebig Company was the first to give away serialized images with its products.

The Liebig Extract of Meat Company was established in London in 1865 by Belgian entrepreneur, George Christian Giebert, when he became interested in commercializing the Belgian chemist, Baron Justus von Leibig's, formula for beef extract. The venture was a resounding success, producing various meat extracts, soups and bouillons into the early 1970s.

Offered is a fabulous grouping of 10, VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

The die cuts are a representation of every day European black folk of the 1880s- from a mother holding her infant to an officer in the army, these ten charming die cuts make for a thought-provoking display! Interestingly, yes, these die cuts do indeed have a bluish tinge to their skin color- an occurrence for which no explanation can be offered.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. This grouping would look fabulous framed!

Approximate measurements are as follows:
6 Musicians: 4.75" tall x 3.75" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the figures reveals that there are no restorations or repairs to any of the 6 figures whose verso can be viewed. Note that 4 of the figures remain loosely attached to the black construction paper; it will be left to the buyer to choose whether or not to detach them.

This entire grouping of die cuts is being sold as one single fabulous offering at $55.00.

Offered is a fabulous grouping of 6, VERY RARELY FOUND, 1880's, Black Americana Musician die cuts printed in Germany and sold by the Bim Brothers, London.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. This grouping would look fabulous framed!

Approximate measurements are as follows:
6 Musicians: 6.6" tall x 3.50" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of all 6 figures reveals that only the violinist has received some restoration- a single piece of archival tape reinforcing a crease.

This entire grouping of die cuts is being sold as one single offering at $45.00.

Offered are two, VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

This offering features two lovely die cuts- one, a well-to-do Victorian era husband and wife out for a stroll, and the second, a colorfully dressed musical trio playing banjo, concertina (small accordion) and tambourine. The musical trio remains connected- adding to its value- and uncut, number 7568.

The products for which these die cuts were meant to endorse is unknown. The litho features a very glossy finish, and the die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Either would look fabulous framed- individually or as a grouping! Think gift!

Approximate measurements are as follows:
The Older Couple: 6" tall x 4.25" wide
The Musical Trio: 5" tall x 4.50" wide.

Priced each at $45.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the older couple reveal no restorations or repairs. The Trio of Musicians remain very loosely adhered to a piece of black construction paper so the verso cannot be viewed. (I leave removal to the buyer.) Inspection of the front side suggests no repair or restoration to this piece.

Offered is a beautiful variety grouping of VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

This offering features two lovely die cuts- one, a well-to-do Victorian era husband and wife sitting down to dinner, and the second, a colorfully dressed bride and groom at the altar about to take their wedding vows. The third offering is a glossy finish mini-size litho featuring three siblings arriving at school with book bags on their backs, and one sporting an umbrella in case it later rains. Three children peer out the school window awaiting their arrival.

The products for which these die cuts and litho were meant to endorse is unknown. The litho features a very glossy finish, and the die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping! Think gift!

Approximate measurements are as follows:
The dining couple & the Wedding: 4" tall x 5.75" wide
School children: 6" tall x 4.50" wide

Priced each at $45.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of all three pieces reveal that only the wedding die cut has a small restoration made to one of the altar candlesticks using archival quality tape. There have been no repairs or restorations made to either the school litho or the Dinner die cut.

Offered are a fabulous variety grouping of VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

The assortment features die cuts of musicians, jugglers, a boxer, actors, a bagpipe player, comically portrayed African natives, and die cut heads of adults as well as die cut heads of children. All but the four African die cuts remain connected as a grouping, just as they were when originally produced and shipped from the factory- a very rare find which increases each grouping's value.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping!

Approximate measurements are as follows:
The 2 standing, connected figures: 3.25" tall x 4.50" wide
Connected Adult Heads: 2.25" tall x 3.75" wide
Connected children Heads: .75" tall x 4.50" wide
4 African loose figures: 2" tall x 1" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there. The photo of the verso of all reveals that no repairs or restorations were made to any of the die cuts in this offering.

This entire grouping of die cuts is being sold as one single offering at $55.00.

Offered are two, VERY RARE, 1880's, Black Americana advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature African Americans- one showcasing a family of five out for a stroll in the park, and the other featuring a group of nine folks of varying ages playing musical instruments and dancing in celebration.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the strolling family measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the nine celebrators measures approximately 10.25 inches wide x 7.25 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, bend lines and light edge wear. The advertisement featuring the celebrators has significant edge wear and some paper loss along the horizontal top and bottom of the piece; however, with proper matting and framing, these imperfections can be easily and completely hidden.

The advertisements are PRICED EACH as follows: $35 for the family of five out for a stroll and $25 for the advertisement featuring the 9 celebrating and dancing folk.

Offered are two, VERY RARE, 1880's, romantically-themed advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature well-dressed African American gentlemen attempting to woo and capture the exclusive attentions of pretty young African-American ladies, one via a banjo serenade and the other via an offer of lovely flowers.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the banjo playing gent (with that snarling black dog in the lower right corner) measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the shy woman being presented with pretty flowers measures approximately 7.25 inches wide x 9 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, lines and light edge wear. The advertisements are priced at $35 each or two for $60.

Offered is an utterly fabulous, one-of-a-kind, 1880s, piece of original artwork by Edward West Merrill (1841-1910) of Concord, New Hampshire.

Merrill, known for creating extraordinary art collages of cut paper, cut birch bark, ink, and watercolor mounted on black construction weight paper, fashioned this particular piece depicting the fictional African-American Blackville Debating Society, by encompassing all of these preferred artistic mediums.

One can see the beautiful grain of the white birch bark Merrill used to execute each figure and form, which he then detailed using black ink and added depth and color by applying varying natural tones of watercolor. Merrill added additional elements of detail to the black mounting paper using a lighter toned ink, such as the entrance/exit door to the left of the moderator. The resulting work of art is simply exquisite!

Merrill's subject matter ranged from various genre pieces to racist scenes inspired by Solomon Eytinge, Jr.'s, (1833-1905) "Blackville" series that Eytinge created for Harper's Weekly in the 1870s. Merrill's artwork offered here was inspired by Solomom Eytinge's "Blackville" lithograph printed in the January 4, 1879, edition of Harper's Weekly. (A photo of Eytinge's litho is presented for client reference and comparison to E.W. Merrill's work and is not available for sale.) When comparing the two pieces, one will note that Merrill changed his artwork from that of Eytinge's by eliminating one of the "scorner's" in the right corner, many of the club members featured at the bottom Eytinge's litho as well as the signage above the debate moderator and by adding the 25 lb "Best Soap" box under the moderator's table leg.

At the base of this work reads the following: The Blackwell Debating Society- "Wedder Lord Dorwin Involved Hisself or Somebody Else." -The Scorner in the Corner Will Reply Drawn By E.W. Merrill Concord NH .

Measurements including the handsome, original oak frame are 26" wide x 18.5" in length. The original hanging eyelets have been removed for ease in shipping and are present under the tape as seen in the photo of the verso of the artwork.

This very rare, 1894, historically significant work of factually-based fiction by Marietta Holley, recounts the author's perspective of what life in the post-Confederate South was like, detailing the significant adjustment Southerners experienced once the Civil War ended and slavery was wholly abolished.

This nearly-lost historical work was originally published in 1892 exclusively for the subscription market and was entitled, "Samantha on the Race Problem". Two years later when the work was to be sold on the "popular" market, the publishers, Dodd, Mead and Company, New York, deemed it appropriate to re-title the work, "Samantha Among the Colored Folk", including the subtitle, "My ideas on the Race Problem" on the title page only. Interestingly, this re-titled, 1894, popular market edition still retains the title, "Samantha on the Race Problem" at the top of each of its 387 pages! This is truly a fascinating read, particularly for those who have a keen interest in this tumultuous period of American history.

The author, Marietta Holley of New York, born in 1836, was an American humorist who employed satire to comment on American society and politics. Early in her career, she published not as Marietta Holley, but as "Josiah Allen's Wife", sometimes with her own name also added in parentheses beneath his, as is the case in this particular edition. Interestingly, Marietta was never married, and Josiah Allen never existed. She eventually published under her own name enjoying a prolific writing career and becoming a bestselling author by the turn of the 20th century, although, sadly, she was largely forgotten by the time of her death in 1926.

Illustrated by Edward Windsor Kemble, this work contains over eighty of his pen and ink drawings. Each drawing is titled and a listing of all illustrations can be found at the beginning of the book. Kemble, who enjoyed a prolific career as a political cartoonist for a variety of the top US newspapers and periodicals, was well-known for his caricatures of African Americans, and he illustrated for some of the most famous American writers of the day such as Mark Twain (The Adventures of Huckleberry Finn), Harriet Beecher Stowe (Uncle Tom's Cabin") and Washington Irving (Knickerbocker History of New York).

Written in dialect, this nearly 130 year old book bears evidence of its many, many years. The cloth-bound hardcover is very well-worn along all edges with the cloth spine showing the worst of the wear: small tears at top and bottom with some very small areas of missing fabric. The binding is separating from the spine, but all 387 pages still remain bound and attached (some pages just barely - see photos) with the exception of page 109/110 (see photo) which is present, but for some reason, was cut with scissors from the book. A good number of pages have some degree of staining (see photos), there is foxing throughout, and a very teeny tear here and there. An inked ownership inscription exists on the inside front cover.

Having described its significantly aged condition, it must again be emphasized that this 1894, 2nd edition, is EXTREMELY rare, seldom found available for purchase on the retail marketplace.

"Samantha Among Colored Folks - My Ideas On The Race Problem" is a must-read for those interested in the author's perspective of the societal, political, racial and economic struggles which existed in the post-Civil War South.

This charming grouping of THREE vintage, wooden, Black Railroad Porter and Mammy clothes brushes were all made in the 1930's by the Rhody Brush Company of Woonsocket, Rhode Island.

The two larger brushes have natural bristles, while the small red Mammy has solid red "plastic" brushes. They range in height from the Mammy at 6.5 inches and the Railroad Porter at 8 inches tall, to the smaller Mammy at 4.5 inches tall.

The two larger brushes are priced at $85 each. The small red 4.5" Mammy, is priced at $60.

All three brushes are in very good condition with evidence of having been very lightly used as described below:

Red Railroad Porter(A): small, superficial "dings" to paint here and there, with three teeny specks between the eyes. The majority of paint wear is seen around the bottom of the pedestal that the porter is standing on. The brush bristles are a mix of faint red and natural coloring.

Small Red Mammy(C): paint in excellent condition with only one superficial ding to the paint on her left side. An unusual feature: the black bow painted atop her hat!

Large Green Mammy(B): --paint in very good condition with tiny dings here and there and subtle paint wear to her hat on the right side. Slight bend to bristles, likely due to storage conditions at some point in time. Has a bit of faded green string around her neck which once may have been tied into a bow.

Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.

Enter "BRUSH" into the SEARCH BOX to find other Black Americana brushes for sale.

Offered is this very rarely found, 1938, LITTLE BLACK SAMBO book with beautiful, full color illustrations by Hidegard Lupprian, a McLoughlin Brothers Inc, Springfield, Massachusetts, book publication. Hardcover, 53 unnumbered pages.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All wear on this brightly colored hardcover book was absorbed by its cover with minor wear to book edge points, book cover edges, and spine edges. Light scuffing to front and back covers. The interior binding is intact and tight as are all pages. No missing pages, rips, creasing, pen/pencil markings or bends to pages with one exception: the initial front blank page is missing its lower corner, and it also has five circular hole punches running at the bottom of the page. Child mischief, no doubt!

The fourteen colored illustrations remain very bright and vibrant with the McLoughlin Bros. well known for their very fine artistry. Three black ink illustrations. Pages printed with a larger font suitable for young readers. Subtle age discoloration to pages.

Wonderful condition for a nearly 90 year old book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply enter “Sambo” into the search box on our website homepage.

Measuring just 2.5" tall and wide, this diminutive, metal, Black Face, Googly Eye toy or game is all original and completely functional despite its near 100 years of age!

Pull the original string attached at the base, and Mr. Googly's eyes move into all sorts of silly positions! Three photos are included to demonstrate the variety of eye positions possible.

The paint is in wonderful condition with just the tiniest, pinprick size dots of loss noted here and there, and only well-seen under magnification. A small crease under the nose is present with no impact to the toy's integrity. This toy was also designed to be wearable, and on the backside one of the two original clothing pins remain.

The toy is marked "Made in Germany" on the reverse side. Two photos were taken in an attempt to clarify this marking, although the beginning and the end of the word "Germany" have worn away over time, making the task difficult!

A seldom found vintage toy in functional, all-original condition! Displays nicely!

Enter "Googly" into the SEARCH box to see our other Googly-Eye collectibles!

Offered is the extremely rare, circa 1930s, children's toy sand pail, marked "HappyNak Seaside Pail No4, Made in England" along the folded tin seam of the pail. This darling toy pail clearly had very limited production as it rarely appears on the antiques market for sale, nor can it be readily found in the many existing Black Americana or Black Memorabilia reference books or online sites.

Measuring a diminutive 3 1/2" high excluding the bale handle and 5.75" high including it, this adorable tin pail features colorful graphics of five little golliwoggs playing kickball! The interior and base are painted a bright sky blue while the interior base features a copper color finish over the tin.

The pail has with very minimal wear, with tiny bits of paint loss noted at each entry point of the bale handle into the pail. Some bits of paint loss are also noted on the rim, and there is crackle to the finish, rating it an 8 out of 10.

A very rarely found and quite visually appealing piece of Black Memorabilia!

To see other Golliwogg items currently being offered, enter "golliwogg" into the SEARCH box on our home page.

Offered is this exceedingly rare and unusual, circa 1910, Dallas, Texas, 10 page, all-paper (including front and back covers), advertising "Give-Away" pamphlet which tells the complete story of LITTLE BLACK SAMBO, featuring both black line and color illustrations. I have not seen anything quite like this before!

On the back cover are the advertisements of six local, Dallas, Texas, merchants who joined together to produce this little pamphlet for children as an advertising promotion for each of their respective businesses. Named are the Stacey Baking Company, T.P. Hudson Kodak Picture Developer and Sundry Shop, Moore Brothers Laundry and Dye Works, Star Messenger Service, McKinney Furniture Company, and Thornton and Bracey Fine Stationery and School Supplies.

Such an unique and very exceptional piece of turn-of-the-20th-century, Dallas, Texas, historical ephemera!

The story of Little Black Sambo, of course, was to become a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending! Condition is an amazing 7.5 out of 10, remembering, of course, that this is an ALL PAPER PAMPHLET that is now approximately 110+ years of age! All pages have been photographed which clearly show condition throughout.

The pamphlet is bound together via two staples which remain intact and are firmly holding all pages and the covers together. The front and back covers have separated from one another at the top and bottom of the pamphlet up to each respective staple; however, the area between the two staples remains intact. A few tiny edge rips are present as noted in photos. The black line drawings have been "expertly" colored-in with crayon by a budding artist of long ago who carefully and very diligently stayed within the lines. As such, one tends not to even notice that this "artwork" was not original to the publication. Original in-color illustrations remain very bright and vibrant. Pages have darkened with age. Measures approximately 6.75 inches x 9.5 inches.

Interestingly, in addition to relating the complete tale of Little Black Sambo, four pages are devoted to illustrations that identify specific characters and situations within the story, all individually entitled such as "First Tiger", "Tigers Fighting", "Purple Shoes Gone", "Lucky Sambo", "Pancake Supper", etc.

Amazing condition for a 110+ year old advertising story pamphlet that was clearly enjoyed by at least one youngster long ago - and one that may very well be the only copy remaining in existence! For the collector and lover of the tale of Little Black Sambo, this is a must-have!

To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a beautiful, C1930s, hand-woven basket plate or tray from the Hausa People of Nigeria, Africa, measuring approximately 13 inches in diameter.

Baskets such as these are made by the women in the Hausa tradition utilizing vegetable fiber, grasses and straw, all of which are typically harvested in the summer. The top of the basket is very smooth, while the base is rougher and unfinished in appearance.

These baskets are often given as wedding gifts and are traditionally used to store grain.

In addition to the natural color of straw, these baskets generally include the colors brown, red, and green, as does this one, which features two individuals joined together (celebrating marriage) as well as colorful triangular figures, one atop the other, representing the joining of two homes or families.

Condition is very good with just four single stitches missing along the basket rim (see photos).

Measuring 9 inches high, these delightful examples of Folk Art styling represent three of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women employed under President Franklin Delano Roosevelt's (FDR) Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features, with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The gray-hair and bearded, chicken-toting black country gent on the left is attired in machine-stitched clothing wearing blue cotton britches with red suspenders along with a blue and cream striped cotton shirt and a red kerchief around his neck. His hat is constructed of navy blue-colored felt. This country gent holds a very finely-crafted and detailed brown chicken under his left arm, while his right hand clutches a wooden walking stick. Note the lustrous chicken feathers protruding under his arm when he is viewed from the back. He appears to be a bit disgruntled about something given those raised eyebrows!

The female doll depicts a lady out for a stroll with her black umbrella in hand. This sweet gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features. Her head is turned to her right as if to see who had just called out her name. This gentlewoman's clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. topping off her outfit are a pair of gold hoop earrings!

The gray-hair, bearded, chicken-toting black country gent doll on the right, is also attired in machine-stitched clothing wearing brown cotton britches with a patch on the left leg, and a bright red hankie protruding from the right pocket. His matching brown suspenders along with a red and cream striped cotton shirt and a red kerchief around his neck complete his outfit, while his brown felt hat tops it all off. This country gent also holds a very finely-crafted and detailed brown fabric chicken with lustrous feathers under his left arm, while his right hand clutches a wooden walking stick. This gent, however, is in much finer spirits than his male companion is, wearing a very pleasant expression on his face!

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! All three in perfect condition and priced at $295.00 each.

Measuring 9 inches high, these delightful examples of Folk Art styling represent three of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women employed under President Franklin Delano Roosevelt's (FDR) Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The Country Preacher is fully decked out to conduct worship services, from his black, wide-brimmed top hat down to his leather shoes, the left one, unfortunately, showing a bit of wear with his socked big toe peeking out! His machine-stitched clothing is all in the color black with the exception of his white ministerial collar. The preacher holds his real-wood walking stick securely in his right hand while clutching the Holy Bible under his left arm. Note the colorful red handkerchief that was placed in a back pants pocket, peeking out between the tails of his suit coat. The fully bearded preacher wears silver, wire-rimmed spectacles surrounding his soft and compassionate eyes and offers an open smile showing his front two teeth!

The white haired, bearded male country gentleman doll is attired in machine-sewn cotton, blue-striped britches with a patch at the left knee, black suspenders and a tan striped cotton shirt with a red kerchief tied around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted fabric chicken that has sustained a tiny bit of fabric loss to its face, while his left arm holds a wooden walking stick. His complete asphalt shingle is missing, but remnants remain firmly attached on the soles of his shoes. He bears a very sweet, surprised expression on his face as evidenced by his slightly upturned eyebrows!

The female doll in this grouping is clad in a red and white checkered, machine-stitched dress topped over with a cream-colored linen apron which evidences, here and there, some very light, age-related discoloration. Her apron pocket displays a red and white polka-dotted hankie- a lovely detail-, while a bright, multi-colored head wrap protectively covers her graying hair from dust and grime while she completes household chores. Her outfit is fully completed with the cream-colored linen chemise and pantaloons underneath her dress, and she wears black leather shoes. Even though she is working at chores, as evidenced by the wicker-straw broom she holds in her right hand, she has not forgotten to wear her brass-toned, double hoop earrings! And she wears a pleasant expression on her hand-stitched face, showing a bit of a smile and her two front teeth.

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! The Preacher and Lady with the Broom are priced at $295.00 each, with the Country Gent Holding a Chicken priced at $275.00 to compensate for his incomplete asphalt shingle.

Published, designed and printed by Juvenile Productions, LTD, London, England, #1711, circa 1920s, this SELDOM FOUND, soft cover children's book presents a very different, very unique tale inspired by the traditional Little Black Sambo story written by Englishwoman, Helen Bannerman in the early 1900s.

This version, is indeed more aligned with the style of the 19th century stories written by the famous Brothers Grimm of Germany, featuring fairies, a Fairy Queen and tiny elves!

It also, quite unfortunately, utilizes obtuse monikers that, sadly, were in common use during this time period, referring to Sambo as a PICCANINNY and naming his parents, Mr. and Mrs. DARKIE. If not for this usage, this little story would be regarded as very sweet and charming.

The book contains 10 pages, all of which have been photographed here, with illustrations alternating between full color and black line drawings. Color throughout remains brilliant and crisp! Other than some slight rubbing to page edges, very slight foxing here and there, a top corner crease on three pages, and some rusting to the two original staples which still securely bind the pages together, this VERY UNCOMMON book remains in superb condition for its approximate 100 years of age! Measures 7.75 inches high x 5.25 inches wide.

To find our other Little Black Sambo offerings, simply type "Sambo" into the search box on our home page.

Measuring just 2.25 inches in height (minus the hair!!), this extremely RARE, clear glass Golliwogg Perfume Bottle was sold by VIGNY Perfumeries of Paris, France in the 1920’s.

The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. The bottle design and name are based on a character created by Englishwoman, Florence K. Upton, around the turn of the 20th century. The bottle, itself, was made by Verreries Brosse.

This darling, all-glass piece remains in superb condition-other than its partially missing label on the base of the bottle. If complete, this wonderful, original paper label would read in full, “Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Most importantly of all, the bottle retains its fabulous, all-original, front label which reads, "Le Golliwogg de Vigny France".

The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling, which was hand-painted in France, remains as clear and crisp as the day it was applied! Even his black furry hair, which is genuine Siberian Seal fur, retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with double rows of black polka dots, and his feet are accented in black.

A very, very special, rarely-found piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

Offered is this wonderful, early 1940s, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book, and this edition was used over a period of ten years, with changes made only to the cover. The company's final publication of this story came before the onset of WWII, making this copy a very rare find.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All the wear on this cloth-bound hardcover book was absorbed by its cover with wear to book edge points and book cover edges. The interior binding is intact and tight as are all pages. No creasing or bends to pages. Illustrations remain very brightly colored and vibrant and are particularly notable for their fine artistry. A couple of very small page edge tears (less than 1/2") are present. A penned inscription is noted: "To Evelyn Field From Dorothy Field Christmas 1943".

Amazing condition for an 80 year M.A. Donohue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a colorful, 1883, lithographed, Lime Kiln Club, Black Americana, Cigar Label by Mensing & Stecher of Rochester, New York (company noted in the lower left corner). The lithographed 8" x 6" label would have been placed on the inside cover of the traditional wooden cigar box of that era. This highly detailed label features a caricature image of a very boisterous group of African Americans at a lodge meeting. The moderator is trying to get order while some of the members talk and fight amongst themselves with one even holding a pistol.

A trademark label affixed to the bottom of a sour mash whiskey barrel, "ICMCo" stands for the Ithaca (New York) Cigar Manufacturing Co. for whom the label was made.

Interestingly, this cigar label was based on a racial parody book featuring a fictitious fraternal organization of African-Americans, titled 'Brother Gardner's Lime-Kiln Club' by "M. Quad". Quad, in actuality, was noted newspaper columnist and satirist, Charles Bertrand Lewis, of the Detroit Free Press.

Framed in an 8.75" x 10.75" silver-toned wood frame, this Lime Kiln Club lithographed label is extraordinarily scarce and highly sought after. It is listed as one of the top 100 blue chip cigar labels by "InStone 100" (a cigar label rating organization). The lower right hand corner notes the US Patent Office Registry date of May 22nd 1883. This 19th century piece would benefit from professional framing using archival, acid-free materials to enhance its life for many more years to come.

Condition: The color remains as brilliant as the day this 140 year old label was produced! Four unobtrusive and minor tears are noted: two in the lower left corner area, one at the center top near the moderator's gavel, and one between the K and I in Kiln. A crease is noted in the white margin above the label title, and a water mark is present in the lower right side of the white margin. However, none of these blemishes detract from this highly intricate lithograph! Take a few moments to carefully study all of the activity and detailing in this colorful piece!

Offered is a circa 1910, original piece of art entitled "Who Said Watermelons". This captivating charcoal on paper portrait of a young African American boy, very much resembles the iconic, fictional figure painted by an unknown artist in the mid 1800's, a figure who has come to be known as 'Johnny Griffin' or the 'Young Black boy with the Torn Hat'.

Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth through the expert use of light and dark, while capturing the intriguing expression on this young boy's face. Just what is he thinking?

Was this enchanting charcoal portrait completed as a study in preparation for a final, more complex piece, or was it, indeed, the final execution of a subject caught in passing?

Condition is quite fine. Note the faint trace of the artist's title for this work done in a lighter charcoal hiding behind the darker, final printing of the title. Framed in an old black wooden frame, this intriguing charcoal portrait would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

Offered are five different, circa 1890-1901, Jim Crow era, stereoview cards, highlighting African-American history at the turn of the 20th century, some 120+ years ago. They feature: grueling rice field labor in South Carolina, a slave market in St. Augustine, Florida, a group of Florida sugar cane grinders, five English Springer Spaniels at U.S. Field Dog Trails being held at bay by a young black man, and seven very young black children seated on a mule awaiting orders for work in the fields.

The stereoview cards are titled: "Hoeing Rice, South Carolina", "Old Slave Market At St. Augustine, Florida", "Native Cane Grinders in Sunny Florida", "Who said quail?" (young man holding English Springer Spaniels) and "Waitin Fo De End Man" (7 Boys Sitting on a Mule).

The cards are priced at $35.00 each or all five cards for $140.00. All are in fine condition, and all but "Waitin Fo De End Man" and "Who said quail?" have a detailed, historical description on the reverse side.

As each is priced separately as stated, please specify which stereoview card(s) you wish to purchase so that we can customize your order form.

Offered is a rarely found, Ca 1920s, celluloid mourning pin back brooch featuring a young African American man.

Constructed of celluloid with a metal back and pin to allow attachment to one's clothing, this diminutive mourning pin measures just 7/8th inch in diameter.

The image remains quite crisp with surface crackling of the celluloid that does not effect the integrity of the overall structure of the pin. In the highly magnified photos, the crackling appears much, much more intrusive to the eye than when viewed simply with one's eyes, alone.

The backside of the pin carries the maker's mark and manufacturing locations, some of which is partially obscured: "T. J. M..., Dearborn, Chicago".

Offered is a rarely found, Ca 1890s, celluloid and brass mourning brooch featuring a handsome, young African American man.

Housed in an ornate, brass frame, the mourning pin measures 1 1/8th inch in diameter.

The celluloid image is quite crisp with some staining evident in left lower and side edges that do not obstruct the gentleman's image. The magnified photos emphasize this staining to a much greater degree than what is evident when viewed with just the naked eye. The brooch is missing its backside pin.

Offered is a rarely found, Ca 1890s, tintype mourning brooch featuring a young and attractive, African American woman.

Housed in an ornate, brass frame complete with backside pin to allow attachment to one's clothing, the mourning pin measures 1 3/16th inch in diameter.

The image is quite clean and crisp with a very tiny imperfection noted on the image just above the woman's head at the frame edge.

These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.

While the precise age of this late 18th to early 19th century old shackle is unknown, this type of ankle shackle has been documented to have been in use as far back as the 1780's by English slave traders, and was likely in continued use up until the 1860 onset of America's Civil War.

In 2015, the International Slavery Museum in Liverpool, England, acquired a set of ankle shackles very similar to the set offered here. In referring to the museum's acquisition, the museum's Head, Dr Richard Benjamin, related the following:

“A similar pair of shackles was purchased in Liverpool by the campaigner Thomas Clarkson in his antislavery crusade as evidence against the transatlantic slave trade. They were presented in front of Privy Council in 1788 as part of its enquiry into the transatlantic slave trade. An engraving of the shackles with a detailed description also appeared in Clarkson’s antislavery pamphlet."

These hand-forged, wrought iron ankle shackles remain in all-original and untouched condition, measuring approximately 11.75 inches in length. The cuff sizes vary slightly ranging from approximate lengths of 3.75 to 4 inches and approximate widths from 2.75 to 3 inches, a set likely used on a female slave. The shackles can be described as consisting of a wrought iron bolt with a pair of loops slid onto it via holes in both ends of each loop. One end of the iron bar is fixed closed by a triangular-shaped flange large enough to prevent the loops from being removed from the bar. The other end of the bar ends in a circular "eye" that is secured closed by a hand-wrought circular "lock washer" inserted at the time the shackles were applied.

An utterly gruesome, tangible testament to the malevolence and horrors of slavery and the transatlantic slave trade.

Entitled "A Little Colored Boy and Other Stories, this extremely scarce, small folio book was the property of Reverend J. H. Jackson, pastor of the Greenburg, Indiana, A.M.E. (African Methodist Episcopalian) Church.

The book contains lovely black ink line drawings and etchings which accompany a great variety of wonderful short stories for children designed to teach strong moral values, attitudes and behaviors. The story, A Little Colored Boy, is the first and the longest tale in the book. Undoubtedly, Reverend Jackson often used this book in teaching the congregation's children their Sunday school lessons.

The book is inscribed in faded blue ink inside the front cover as follows: "Rev. J. H. Jackson Book. Pastor Greenburg Indiana's A.M.E Church".

Published by the Abingdon Press of Cincinnati and New York, the book contains no publishing date. However, it was likely published in the late 1890's as one story references President Grover Cleveland's eldest child who was born in 1891: "Little Ruth Cleveland, when she was the baby of the White House,..."

President Cleveland served two separate presidential terms of four years each from 1885-1889 and again from 1893- 1897. It is highly likely that this book was published during Cleveland's 2nd term of office or shortly thereafter when the populace would have been well familiar with "Little Ruth", who was popularly known as "Baby Ruth".

The book measures 4.5"x 6.5" and contains over 30 little stories within its 64 pages. Hardcover, the book is in amazing condition for its age, an 8 out of 10. The cloth-bound cover has minimal wear with only one 1/4' long split on the rear binding and some staining certainly commensurate with its 120+ years of age. The binding and pages are tight. Some minor, age-related staining here and there throughout the book, with one page noted as having a tiny tear at its top.

A highly unusual find!

Offered is this early 1930's, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book. It is believed that this edition was the company's final publication of this story which was used over a period of ten years up until WWII, with changes only to the cover design. M.A. Donohue's Little Black Sambo books, today, are a very rare find!

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! All the wear on this brightly colored hardcover book was absorbed by its cover with wear to book edge points, book cover edges, and splits to the exterior spine. The interior binding is intact and tight as are all pages. No rips, creasing or bends to pages or pen/pencil markings. Illustrations remain very brightly colored and vibrant and are known for their very fine artistry. There is a small spot of brown paint that likely dropped onto the book while it was closed because a tiny remnant of this paint appears on the very edge of each page approximately one inch from the top of the pages (as seen in photos). Interestingly, both the front and back covers are identical in design!

Amazing condition for a nearly 90 year M.A. Donahue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Published in 1926 by the Whitman Publishing Company of Racine, Wisconsin, this very rare, miniature-size, HARDCOVER book measuring just 4x5 inches, offers a very unique continuation of the original Little Black Sambo story! It is thought that this mini size Sambo book was manufactured as a salesman's sample edition, meant to be strictly used as a marketing prop to sell orders for the full-size edition of the same book.

Entitled A New Story of Little Black Sambo, this tale picks up the story with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. A tiger soon arrives threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Tusker the Elephant arrives, successfully chasing off the tiger and saving Sambo. Sambo then returns home, where an angry Black Mumbo spanks him with a hairbrush for running off, despite the gift of coconuts Sambo hoped would appease his mother. The conclusion of the tale then moves forward one month later when the family goes to visit Little Black Sambo’s cousins, the Bimboes, who admire his fine Sunday best clothing that he was finally allowed to wear again!

Although no author is attributed, it is thought by some that the tale was co-authored by the book's two illustrators, Clara Bell Thurston, who rendered all of the lovely colored drawings and Earnest Vetsch, who rendered the "black and white" illustrations (which, actually, are done in navy blue ink) as well as the fancy hand-lettering of the text which further embellishes the book.

With 36 unnumbered pages which alternate between the superbly rendered color and navy blue line illustrations, this unique little book is in near mint condition. The original paper dust jacket is present and in wonderful condition, and at some point, it was protectively covered with a contemporary, clear, dust jacket protector that can be removed if so desired. No fading of color, no rips, creases or missing pages. Binding is tight with all three original staples present. Cover edges are subtly worn, and a one-time owner, Neva Merchant, signed her name on both front and back interior covers.

This very rarely-found, miniature-size edition of the continuation of the original Little Black Sambo story is a must have for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a RARE, UNCUT, C1917, pair of the adult members of the Aunt Jemima Rag Doll Family, Aunt Jemima and Uncle Mose. (Uncle Mose is Aunt Jemima's Husband, and he is labeled Uncle Mose on his upper back).

These dolls were conceptualized as advertising pieces and were only obtainable from the Aunt Jemima Mills of St. Joseph, Missouri, in return of 24 cents in stamps along with 4 box tops from select Aunt Jemima products for the full set which also included children, Little Diana and Wade Davis, OR for JUST ONE DOLL, 1 box top and 6 cents in stamps! Dolls were then shipped promptly, postpaid upon receipt!

The original purchaser of these uncut dolls, Mrs O. W. Lewis of Ethel, Missouri, clearly only ordered the Aunt Jemima and Uncle Mose dolls, as these dolls remained within the family, untouched in the original mailing envelope, until their recent discovery by the purchaser's descendants.

It is quite unusual to find uncut versions of these dolls -along with the original mailing envelope which typically is quickly tossed away- as more commonly, the dolls are found by chance as "singletons" here and there-- already cut, sewn, stuffed and played with as opposed to the pristine, uncut versions offered here.

The pair is in quite wonderful condition given their 100+ years of age and are suitable for framing. Each doll is printed on a separate piece of linen, and the color of each doll remains amazingly crisp and brilliant! Aunt Jemima measures 10.5" wide by 35" long, and Uncle Mose measures 10" wide by 35" long. (Please note that any variation in color noted in photos is a result of lighting issues and light reflection only. Background of linen remains its original, crisp, bright white with each doll retaining its "like-new" consistent and brilliant color.)

Mild foxing is noted only on Aunt Jemima and not on Uncle Mose, likely due to the manner of storage. The Uncle Mose doll fabric was folded and stored inside of the Aunt Jemima fabric, and then they were placed inside of the envelope, with only Aunt Jemima coming into contact, for decades, with the high-acidic content of the envelope which caused the foxing. Fold lines are evident as well; however, these fold lines are the result of original factory packaging and storage in the envelope for over 100 years. Other than the foxing as described, the pair remain in truly fine condition!

A rare opportunity for the advanced collector to acquire an uncut, complete pair of C1917, Aunt Jemima and Uncle Mose Advertising Rag Dolls, suitable for framing!

This offering will only be sold as a pair; offers for an individual piece will not be entertained.