Copies of this book purporting to be 1st editions are frequently found on the internet, but it must be noted that unless the book has the 1943 copyright date, and the book contains SEVEN animated pages, it is NOT a FIRST EDITION. Subsequent year editions contained only 6 animations, with the latest edition from 1949 having only 5. Do not be fooled!
This 81 year old edition is in good condition with all pages present. All pages are free of rips, folds, water marks and writing, and all remain tightly bound via the original red plastic spiral binding. Some small, unobtrusive, age-related stains here and there. Illustration color on front cover and all interior pages is just magnificent!
The book exterior shows rubs and wear to edges and corners with some paper separation at the spine as seen in photo. The front cover appears to have partially detached from the binding at some earlier point, but was nicely reinforced on the interior side with specialty archival, acid-free book tape that is securely holding it in place. The back cover was also likewise reinforced providing fine stability to the book covers. The book measures approximately 8.75 inches long x 7 inches wide.
As stated, the 1st edition has 7 animated pages. All animations operate via a paper tab, trademarked by Julian Wehr, which is moved back and forth to cause animation. Six of the seven animations work perfectly. One animation remains fully intact but does not move, likely due to the separation of interior connecting tabs that facilitated movement. The only other imperfection to be noted is a single missing umbrella panel on animation #5 that would have moved as the tiger menacingly held it over frightened Little Black Sambo's head.
The SEVEN ANIMATIONS are as follows:
1) Sambo walking with umbrella
2) Sambo giving his jacket to the tiger
3) Sambo giving his pants to the tiger
4) Tiger grabbing for Sambo
5) Tiger opening umbrella
6) Tigers fighting
7) Jumbo, Mumbo and Sambo eating pancakes
This genuine 1st edition is seldom found and is a must-have for those who collect Little Black Sambo books!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
Constructed of hand-cut, ¼ inch wide, black painted wood, this darling little black girl has hand-painted eyes and smiling lips, and is dressed in a hand and machine stitched, cloth-stuffed, one piece, black, tan and green dress! She has a hole in each ear, a metal hanging loop atop her head and one metal hook on each shoe for hanging keys or potholders!
She is in fine condition given her 70+ years of age and has great “patina”. Some minor paint loss, a few teeny holes in her outfit, but very visually appealing Black Americana Folk Art, none the less!
Cardboard candy boxes with African-American themes remain EXTREMELY RARE finds in today's market due to their inherent fragile nature!!!
This wonderful piece is in very good condition with the expected aging, and edge and corner wear given its 100+ years of age.
The top left seam of the cover has the most edge wear of all areas of the box, and the bottom right seam of the cover has split (see photos for each), but otherwise, the box remains intact with no missing pieces! A very subtle crease runs along the top of the box cover above the word "CLARK", but it is indeed very obscure and difficult to photograph. Please note that the corner edge taping to all four corners of the box base is original manufacture meant to provide extra stability to that section of the box that held the weight of the candy. The box base is in near-perfect condition!
D. L. Clark Company History:
David L. Clark (1864-1939) was born in Ireland and came to America when he was eight years old. He entered the candy business working for a small manufacturer in New York. After three years as a salesman, he bought a wagon, horses and merchandise, and went into business for himself.
The D. L. Clark Company was founded in 1886 when Clark started manufacturing candy in two back rooms of a small house in Pittsburgh's North Side. He began selling his candy in the streets of Pittsburgh. During his lifetime, his company became a leading candy manufacturer.
By 1920, the D. L. Clark Company was making about 150 different types of candy, including several five-cent bars, specialty items and bulk candy. Clark was also manufacturing chewing gum in a building across the street from his candy factory. In 1921, they incorporated Clark Brothers Chewing Gum Company as a separate business.
By 1931, the candy bar business was so expansive that Clark decided to sell the gum company, and it was renamed the Clark Gum Company.
The D. L. Clark Company remained in the hands of the Clark family until it was sold in 1955 to the Beatrice Food Company who operated the company until 1983 when in turn, it was sold to the Pittsburgh Food and Beverage Company. In 1995, the Pittsburgh Food and Beverage was thrown into bankruptcy. The company was shut down for several months and its assets divested. Restructured as Clark Bar America, the company operated until May of 1999, when it was purchased by New England Confectionery Company (NECCO), the oldest candy manufacturer in the United States.
Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the graphic remaining free of scratches and abrasions. The mirrored back shows evidence of subtle, minor scratching. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
A delightful piece of early Black Memorabilia!
Entitled A New Story of Little Black Sambo, this tale picks up the story with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. A tiger soon arrives threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Tusker the Elephant arrives, successfully chasing off the tiger and saving Sambo. Sambo then returns home, where an angry Black Mumbo spanks him with a hairbrush for running off, despite the gift of coconuts Sambo hoped would appease his mother. The conclusion of the tale then moves forward one month later when the family goes to visit Little Black Sambo’s cousins, the Bimboes, who admire his fine Sunday best clothing that he was finally allowed to wear again!
Although no author is attributed, it is thought by some that the tale was co-authored by the book's two illustrators, Clara Bell Thurston, who rendered all of the lovely colored drawings and Earnest Vetsch, who rendered the "black and white" illustrations (which, actually, are done in navy blue ink) as well as the fancy hand-lettering of the text which further embellishes the book.
With 36 unnumbered pages which alternate between the superbly rendered color and navy blue line illustrations, this unique little book is in near mint condition. The original paper dust jacket is present and in wonderful condition, and at some point, it was protectively covered with a contemporary, clear, dust jacket protector that can be removed if so desired. No fading of color, no rips, creases or missing pages. Binding is tight with all three original staples present. Cover edges are subtly worn, and a one-time owner, Neva Merchant, signed her name on both front and back interior covers.
This very rarely-found, miniature-size edition of the continuation of the original Little Black Sambo story is a must have for the collector of Little Black Sambo books!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
The image, itself, measures 32" long x 24" wide, while the framed artwork in total measures 41" long x 32.5" wide. The giclee print was framed using museum-quality, acid-free double-mat board and backing materials, within a fine quality solid wood frame and topped with non-glare glass. This artwork was purchased directly from artist, Kelvin W. Henderson, it was signed by him at the time of our purchase, and it cheerily hung in our dining room for ten years!
The artwork is actually brighter in color than my camera was able to capture- closeups appear a bit "darker" than reality. Condition is absolutely perfect! And its presence---well, it will command one's attention hanging on an entire wall-space all by itself! It is, as stated earlier, a Limited Edition giclee lithograph-- Number 18 of a 150 Limited Edition series, with an additional 50 canvas editions. The provenance of this piece with all details is attached on the back side of the artwork as seen in one of our photos. A buoyant and effervescent piece of art!
As this piece exceeds typical shipping criteria in terms of dimensional size and weight, we regret that we cannot offer free shipping. We will provide a $25 shipping credit, but the remaining cost of shipping will rest upon the purchaser.
A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two young daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was converted over time to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!
Condition is a 9 out of 10! This book has seen little use with just a teeny bit of wear to book edge points as well as very minor wear in a couple of areas on the exterior binding. Otherwise, intact and tight with no tears, creases, pen/pencil markings or soiling!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".
The plate depicts Uncle Tom seated in a horse-drawn wagon while heavy iron shackles are being clamped around each of his ankles. The text on the plate reads: "Uncle Tom packed up for the 'Down South' Market. Haley made fast a heavy pair of shackles to Tom's ankles".
Plates such as this were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery, abolishing it in 1833.
The plate measures 8 1/2 inches in diameter and the interior is decorated with the black transfer-printed, Uncle Tom vignette. The rim is quite beautifully embossed with highly decorative swirls which encase two different flying birds- one clutching an olive branch in its beak and the other chasing after a butterfly.
The plate is of great interest due to its slavery-related subject matter and its high degree of rim decoration. Condition of the plate is fair to good due to the numerous edge flakes present along the rim and the two tiny ones within the transfer. The plate has a use-related age crack that is clearly visible on the backside of the plate and which is also partially visible on the front side. This crack is quite tight and does not pose any concern to the structural integrity of the plate.
Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.
This lovely and historic plate has been priced to reflect its blemishes.
Measuring 4 inches wide x 3 3/4 inches high, the black color-toned set was manufactured by A.D. Handy, Stereopticon & Supplies, Boston.
The four slides tell the story, through drawings and southern black dialogue, of a black boy attempting to steal a watermelon (slide 1). Four other black boys hiding behind a fence and watching, spook him, making the boy think there is a ghost behind him (slide 2)! Dropping the watermelon in fright, he dashes off for safety (slide 3). The shattered watermelon is then left on the ground, already broken into bite-sized pieces for the 4 other boys to enjoy!
This offering is truly an exceptionally scarce Black Americana collectible!!
This never-used tote bears the original paper tag which states, "Handmade by African Cripple; Ematupeni / Zimele Cripple Care Centers; Durban, England".
The artistry of the wool felt, hand-appliqued cut-outs featuring a mother and her three children is further enhanced by colorful bead work which was carefully placed for symmetry in design and form! A gorgeous piece of vintage African Artwork!
Measuring 14 long x 14 wide x 2 deep, the bag retains a "brand-new" appearance with no fading, rips, stains, or other blemishes.
Please see the companion "tea cozy" offered for sale and priced separately.
Remaining in its original frame with original wooden and paper backing, this watercolor retains its framer's identifying sticker which reads, "Staton's Art Shop 5409 Germantown Ave." Perhaps this Germantown address indicates Philadelphia area origin? In the interests of proper conservation, the new owner should re-frame this lovely piece with appropriate acid-free materials.
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
A lovely watercolor- nicely executed!
This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.
Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.
Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
This Mammy nipple doll is more unusual and less seldom found because she holds a tiny, plastic, white baby in her left arm. Typically when found, the Mammy nipple doll has empty arms.
Mammy’s sweet little face has been hand-painted, and she has been nicely dressed in a red and white polka dot dress with linen apron and red flowered head scarf. The little baby wears a linen gown edged with lace and has a molded face.
Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has contorted a bit due to the ravages of time, she is in delightful condition!
Her cute face is composed of pearl button eyes with red fabric mouth. She wears a flowered bandanna and a pale blue apron over her pale blue patterned dress. Her clothes are stain free and are nicely constructed--note fancy sleeve detail!
This mammy bottle doll is one of 3 offered, all coming from the same estate--and all priced separately.
Mammy’s sweet little face has been carefully hand-painted, and she has been nicely dressed in a red dress with blue oval designs, a linen apron and red and black head scarf.
Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has contorted a bit due to the ravages of time, she is in delightful condition!
All of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.
The two railroad porter brushes are priced at $85 each. The two smaller 4.5", green and red-dressed mammy brushes are priced at $60 each.
The black and cream railroad porter brush and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Black and Cream Railroad Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.
The following brushes are also in very nice, barely used condition with minor imperfection as described below:
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Red and Cream Railroad Porter brush: has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's wear is consistent with where one would hold onto the brush while using it.
Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
Enter "BRUSH" into the SEARCH BOX to find other Black Americana brushes for sale.
This circa 1920-30's Johnny Griffin item is constructed in solid brass and is known as a document clip used to hold together important papers. It remains functional for such use today or may be simply used as an attractive desk paperweight!
It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/8 inches long x 2 3/8 inches wide. It does not retain any marking other than a mold number 5241.
Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).
The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features, with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!
The gray-hair and bearded, fishing pole and tin-bait-can-toting, black, country gent on the left, is attired in machine-stitched clothing wearing faded tan cotton britches with knee patches and a red handkerchief poking out of a side pocket. His shirt is a pale orange cotton, and he wears a red polka dot kerchief around his neck. His hat is tan straw with black ribbon trim encircling the space where the missing top of his hat is supposed to be, exposing his gray hair! Over his shoulders he carries a bunch of firewood held together with rope- perhaps to use to cook that fish dangling off the end of his fishing pole.
The female doll depicts a lady out for a stroll with a black umbrella in her right hand and a bag of laundry in her left. Did she just pick up that laundry from a customer or is she delivering freshly washed clothes? This sweet gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features. Her head is turned slightly to her right as if to see who had just called out her name. Her clothes are all machine-sewn cotton, and she wears an assortment of different patterns: a chambray blue floral blouse, a cream and blue striped apron, and a navy blue and cream checked skirt. Topping off her outfit are a pair of gold bead hoop earrings and two prominent, round, red buttons at the top of her blouse! She has lost her asphalt shingle stand.
The Country Preacher is fully decked out to conduct worship services, from his black, wide-brimmed top hat down to his leather shoes, the left one, unfortunately, showing a bit of wear with his socked big toe peeking out! His machine-stitched clothing is all in the color black with the exception of his white ministerial collar. The preacher holds his real-wood walking stick securely in his right hand while clutching the Holy Bible under his left arm. Note the colorful red handkerchief that was placed in a back pants pocket, peeking out between the tails of his suit coat. The fully bearded preacher wears silver, wire-rimmed spectacles surrounding his soft and compassionate eyes and offers an open smile showing his front two teeth!
Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! All three in perfect condition and priced at $295.00 each.
Please see our other three 1930s Alabama WPA dolls, available in a separate listing and also pictured here, last photo.