Prominent facial features- eyes and brows, nose, cheekbones, lips and teeth -and tight curly hair rise from the surface of the bowl. The bowl is rather heavy for its diminutive size and has no markings. Measures 4 inches in diameter and 1.5 inches high. Condition is excellent with some tarnishing that may be cleaned if desired; our preference was to offer this 140+ year old piece in as found condition.
An outstanding and highly collectible offering to add to one's advanced Black Memorabilia collection!
The trademark for Sharpoint is a cleverly-designed, eye-catching, broadly smiling image of an African American gent. If one looks closely, one can clearly see the words "Sharpoint Cobblers Nails" printed within the black space of the gent's mouth! A very "sharp" advertising strategy!
Sharpoint Wire Cobbler's Nails were manufactured by the Charles F. Baker Co, Boston, Massachusetts. The smaller box retains its end flap which features both the manufacturing and patent information, with the patent number corresponding to a 1933 USA Patent date. Each box amazingly still retains the original cobbler's nails!
The boxes are in very good condition considering their age and the fact that they held tiny, sharp nails for over 80 years! As stated earlier, the smaller box does retain the end flap which features manufacturing info. The larger box is missing this flap. The cover litho on each box remains very crisp and clear. Typical, age-related edge wear is noted. Please peruse all photos for condition details. The boxes have been shrink-wrapped to protect the integrity of the cardboard, and they do contain the nails.
These VERY, VERY RARELY FOUND SALESMAN SAMPLE size boxes WITH ORIGINAL NAILS are offered at $125 each, or the two boxes can be purchased as a pair for $198.00 firm.
This circa 1920-30's Johnny Griffin item is constructed in solid brass and is known as a document clip used to hold together important papers. It remains functional for such use today or may be simply used as an attractive desk paperweight!
It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/8 inches long x 2 3/8 inches wide. It does not retain any marking other than a mold number 5241.
Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear! The six comical cartoon postcards are much more brightly and vividly colored than the photos depict. The four photo postcards also feature titles describing their subjects.
A delightful grouping that would be much-appreciated framed!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
This seldom found copy was originally published in 1932 by Rand McNally & Company of New York.
This copy has superficial scratches to the front and back covers, as well as surface soiling, and wear on book cover edges.(see photos). The front cover has a slight tear at the crease that does not effect strength or integrity of the cover board. A couple of pages have minor staining. The binding is super-tight and all pages remain present.
Topsy's adventures are divided into three chapters in length, approximately 59 numbered pages. Book is filled with a variety of black-ink and black and red illustrations as represented in photos. The story of Topsy was likely inspired by the Little Black Sambo stories which originated at the turn of the 20th century. PLEASE NOTE: in the photos, the printing seems light and faded- not so! It is merely the function of over-lighting or light reflection.
A wonderful and truly RARE book not to be missed!
Please see the other Topsy Turvy book available for separate purchase, a 1938 copy of Topsy Turvy's PigTails.
The female doll depicts a black mammy out for a stroll with black umbrella in hand. This gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features – characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This doll has (not uncommonly) lost hers long ago, but a bit of the original shingle is still attached to the soles of both shoes. Clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. She also wears gold hoop earrings! Her body, which is well-stuffed to be anatomically correct, is black cotton fabric stuffed with cotton batting.
The white haired and bearded male country gentleman doll is similarly attired in machine-sewn cotton britches with a patch at the knee and suspenders along with a tan cotton striped shirt and red kerchief around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted chicken that has sustained a tiny bit of fabric loss to its face. His left arm once held a wooden walking stick which is long gone, but alternatively, he now uses his free hand to hold the arm of his lovely lady! His asphalt shingle is also missing with remnants evident of it present on the soles of his shoes.
Two very special dolls that represent a snapshot of history, capturing the lives of poor southern black folk of the Depression era.
The dolls are priced at $225.00 each, or they may both be purchased as a pair at the discounted price of $395.00. Please note that no further advertised discount is applicable to this special paired pricing offer.
”Black Topsy” is dressed in a striking pink, green, orange, and black cotton, geometric-patterned dress- very Art Deco! Her mouth and nostrils are stitched in red thread and she has white pearl button eyes.
The Caucasian doll is dressed in a cotton lavender dress- also with a geometric, Art Deco pattern in black, green and yellow. Her blouse and bandanna are lavender sateen. Her entire face has been finely stitched. She has pink nostrils and mouth, black eyebrows, and her black stitched eyes have pretty lashes that highlight her silvery gray irises! She has the very palest of staining to her face above her nostrils, but it is barely noticeable, and there is some light fading to her sateen bandanna.
Condition and detailing of both sides of this Topsy Turvy is really quite extraordinary, setting her apart from other Topsy’s!! A wonderful addition to one’s doll or Black Memorabilia collection!
All are marked "JAPAN", measure approximately 3 inches in height, have great color and are in excellent condition! Please see photos for detail shots!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two young daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was converted over time to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!
Condition is 8 out of 10. This book has seen careful but frequent use with moderate wear to book cover edges as well as the red cloth spine cover. While the binding remains quite tight, surface soiling to covers and some interior pages is evident. The inside front cover reveals a penned inscription from an aunt to her nephew at Christmas, 1932.
This book retains outstanding, bold and brilliant coloring of all illustrations--- just fabulous---given its 89+ years of age!
There are small tears at the bottom of the following pages very near the bound side of the pages ranging from 1/2 to 1.5 inches long; some tears have old tape repairs: pages 9, 18, 19,20, 28, 33, 47, 49, 58.
A unique copy!
Remaining in its original frame, this watercolor retains its vibrant color. A lovely piece of Black Americana executed with some naivete!
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
From 1901-1924, Bruckner produced this original, 12" Topsy Turvy doll for Horsman's Babyland Rag Doll line that features Caucasian, "Betty", on one end and African American, "Topsy", on the other. The inspiration for this doll is based on the character of Topsy in Harriet Beecher Stowe's classic 1852 novel, "Uncle Tom's Cabin".
The Bruckner Topsy Turvy doll was advertised in a 1907 Babyland Rag Doll catalog as follows:
"TOPSY-TURVY---What is this?
Looks like just a pretty miss.
But turn her over and you'll find,
She is quite another kind.
First she's White and then she's Black,
Turn her over and turn her back.
Topsy that side--Betty this--
Yet complete, each little Miss."
The detail on this hard to find classic doll is lovely. Both heads indeed have the pressed, molded mask faces with lithographed features. Topsy's face is in mint condition! Betty's face is very fine with superficial rubs to the flesh-toned coating of her mask; her lithographed facial features, however, remain beautiful. (Such rubs are not unexpected as these particular doll masks are, unfortunately, prone to rubbing.)
Grinning Topsy has red bows tied to her black mohair braided pigtails which are tucked into her red headscarf. Her red blouse, which matches her head scarf, is trimmed with cream banding around the sleeve and neck edges. The cream scarf she wears around her shoulders tucks into her very full, red/cream checked, gingham skirt. Flip her over, and....
Betty's more subtle Anglo face and her hair are lithographed. She wears the same red/cream checked gingham fabric of which both her dress and ruffled bonnet are constructed. Over her very full gingham dress, Betty also wears a sheer, ruffled pinafore.
Both dolls have the typical "mitten" hands of the stuffed rag dolls of this era. There are no other difficulties to report other than the rubs to Betty's face and some tiny, stray (original) glue spots here and there. No rips, tears, soiling, or odors, and she has been stored in a smoke-free home. The photos show it all- these two girls are a charming pair! A very difficult to find doll in near excellent condition!
In fabulous condition with 90+ years of all original surface patina, this phenomenal piece is very highly detailed and displays wonderfully! It authentically depicts the highly fashionable Art Nouveau styling which was so wildly popular at the turn of the 20th century. This brass ashtray promotes the English settlement of the CONGO on the African continent, and thus, the words "CONGO" are impressed across the native's chest. The earliest version of this ashtray was crafted in BRONZE did not feature the Congo label across the native's chest.
A must-have piece for the sophisticated Black Americana collector!
Fabulous colored and black and white illustrations as represented by photos adorn this 26 page book! The book features the adventures of a little Southern boy who lives with his gran'mammy and gran'daddy in a log cabin set down in a cotton field.
Interior pages are in very nice condition, are clean and bright and are tightly bound together. The hard bound cloth covers are in fine condition, with slight wear to cover spine edges and book corners typical of a book of its age. There are two drip marks at spine and a few on the rear. Otherwise clean. A 1" tear at top of frontispiece is present along with a tiny one at bottom. No other damage. An early owner's name and gift date is inscribed in ink on the interior front cover. This is a first edition as later editions had the cloth board without the color pastedown. Illustrated on every page, alternating color and black and white.
A charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!
Measuring 33 inches tall and 12 inches deep at its maximum depth, the bell hop carries a black tray topped off with a hefty aluminum ashtray. The ashtray is large enough to serve as a receptacle for a smaller potted plant, updating the use of this wonderful sculpture to a modern-day purpose!
The bellhop is quite sturdy as it is constructed of 3/4 inch thick wood, and it is well-balanced, as it is mounted upon a 12 inch diameter wooden base of equal thickness. Condition is wonderful with a great aged patina. At some point long ago, the bell hop lost the front half of his foot, but this loss was cleverly repaired so that it is not readily evident. Also cleverly repaired some many, many years ago, is the bellhop's wrist which appears to have been either broken off or cracked, but which has been nicely repaired and repainted.
A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
Measuring 21.5 inches long, this delightful and appealing cloth Golli is unmarked and is thought, by his original and quite elderly owner, to have been made in the mid 1940's! (She speculates that he could even be a bit older than that, but she remembers not acquiring him until after the end of WWII.)
His nose and mouth are hand-stitched and he has round, cloth covered button eyes- the pupils were hand-colored using black ink! His nicely coiffed, black hair appears to have been styled from soft, "stuffed animal-type" fur! Rather interesting and ingenious! He has a machine-stitched, cotton batting stuffed, black sock cloth body. His colorful wardrobe is also machine stitched- green wool mourning coat, gold vest, and red and white polka-dotted cotton pants and matching bow tie!
He is in wonderful condition with the exception of some tiny moth holes to the back of his mourning coat (see photos) as well as another tiny moth hole to the back of his right arm and back right pants leg. The polka dot clothing shows the slightest hint of fading. His dark black fur hair also shows some age-related color change to brown at the roots. Hmm...then again...perhaps he's simply overdue for another hair coloring appointment at the Salon!
A very sweet addition to one's Black Memorabilia or Golliwogg collection!
These signs were found in March of 1971, inside the abandoned and decaying basement of the former Philadelphia Enameling Works factory at the corner of 13th and Vine Streets in Philadelphia, Pennsylvania. The gentleman from whom these signs were purchased, bought these segregation signs along with hundreds of others signs of all types found in the basement of this former factory (see last photo) and has very kindly written a letter of provenance which has been photographed here and which will be included with these signs upon their sale.
These historic signs are enameled on both sides, and on the front sides are written, "COLORED MEN" and "COLORED WOMEN". The signs feature black lettering on a white background.
The signs are in all-original condition with some very minor discoloration and very unobtrusive edge discoloration pinpoints and some enameling loss here and there as seen in photos.
Extremely RARE, UNUSED, one-of-a-kind, museum-worthy pieces of Black American history that are quite likely the only ones of their kind extant today! Condition is amazing!
Please take a moment to view additional segregation signs by simply by typing the word "segregation" into the SEARCH box on our homepage.