The String Holder is stamped "JAPAN" and “Theo Hinode” on the inside of the base (The Hinode Company is the Japanese Ceramic Company.). Mammy has a hole in the center of her chest area, just above her folded hands, to accommodate the string which would be pulled from the ball of string placed inside her body from the back of the piece. This wonderful piece even comes complete with vintage hanging string---Mammy has two holes at the back of her head to accommodate this! The entire piece is glazed with the exception of Mammy's red kerchief which is cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have some “bald areas” where the paint has come off her kerchief. Please take a moment to view all photos to ascertain condition and appeal of this fabulous and functional, vintage string holder!
A lovely and colorful piece that can be displayed on a shelf or hanging from the wall!
Measuring 9 by 11 inches framed, this litho retains its vibrant colors!
A delightful piece which features the accompanying text on the reverse side.
The frame is a temporary and inexpensive one to allow the potential buyer to view the story on the backside, but the piece should be properly framed to enable its continued conservation once purchased.
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
In 1912, in a stroke of advertising genius, Mayo's Tobacco Company packaged their cut plug tobacco in round tins with a lithographed character. Each held 1 pound of tobacco. It was opened by removing the head!
These "Roly-Polys" were a unique shape that distinguished them from the rectangular and lunch box-shaped tins that surrounded them on store shelves. There were a number of different characters that were available, and smokers were encouraged to collect the entire set. The six original tins were the Satisfied Customer, the Storekeeper, the Singing Waiter, the Dutchman, Scotland Yard....and Mammy!
Mayo called this packaging a "Brownie" tin...apparently the company suggested that the tins be used as brownie containers after the tobacco was used, and designed them accordingly. They were never a plentiful tin, and today, are becoming increasingly more and more difficult to find.
The Mayo tobacco tins were distinguished by little packages of Mayo Cut Plug tobacco shown somewhere on the character. Notice that the Mammy tin has a tiny tobacco tin tucked into her front pocket.
Mammy's dimensions are 7"x7". She is in good condition, as evidenced by the photos which clearly detail the flaws she has acquired over her 100+ years of existence. The body of the tin has minor paint loss to the litho as seen in photos, minor and subtle surface scratching (see photos), and small areas of denting to the top of mammy's head (see photo) and to her base near the cigarette pack protruding from her pocket (see photo). The body has some light soiling and has the appropriate wear at contact points. The tin has no repaint but does have some light, interior rusting to the interior of the base as well as a couple of tiny size holes which can be seen in the 12th photo (tiny holes show up as white spots in the photo). The base was held up to the bright, outdoor light to illuminate the holes- which actually make them appear more prominent than they actually are!
The base of the tin is labeled "made in factory # 42, in the 2nd District of Virginia".
**The depth of color is better viewed "in person" as opposed to what I was able to capture in a photo.**
A must-have addition to any SERIOUS Black Americana collection! A note on the rarity of this item....this is only the second Mayo Cut Plug tin that I have had the pleasure of offering for sale in my 20+ years specializing in Black Americana! The tin displays beautifully!!
Fabulous colored illustrations as represented by photos adorn this 19 page book! Ten to eleven darling little poems and/or short stories are written in "dialect", reflective of the Caucasian cultural mores of the period.
Interior pages are in fine condition--they are tightly bound together with the 3 original staples and remain brilliantly colored; front and back covers have loosened from these interior pages, and the covers have been taped along the exterior spine in a failed attempt to keep them attached to the tightly bound interior pages. The covers have edge wear, small edge creases, and surface scuffing with minor surface paper loss here and there (see photos). Additionally, the front cover has a small remnant of an old paper sticker in the upper right quadrant.
A charming addition to one's Black Americana collection!!
This vintage piece of Black Americana is in wonderful condition absent a very tiny break at the tip of the base (see photo); it is not easily evident that the very extreme edge of the right base is missing a tiny piece.
The frame easily dissassembles into 3 parts for safe shipping and/or storage (see photo).
"The Golliwogg at the Sea-Side", published in 1898 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 3rd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.
This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 32 full-color illustrations and tells the story of Golly's adventures at the sea shore. Golly and his friends, suffering from boredom, go off to the seashore to try their hand at sunbathing, swimming in the ocean, crab fishing, boating—all with considerable catastrophe—until finally trying a hoped-for-peaceful hayride through the countryside—all for naught!!
The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
The book is in very fine but not perfect condition-- not surprising given the book's 113 years of age! Wear to hard-board-cover edges and corners. Binding remains strong and tight with center-taping coming a bit lose on one side, but not effecting integrity. A couple of the pages have 1/2inch tears at base, likely the result of simply turning the pages. Book is complete, with no missing pages.
Truly a fabulous find! Only the 2nd time I have EVER had the pleasure of offering one of these wonderfully-rare, 1st edition, Upton, children's book in my 26 years of dealing in Black Memorabilia!!
The statuette is constructed of lucite and is placed on a painted wood base. The piece is very nicely hand-painted and detailed. It depicts Ms. Baker in her famous banana skin skirt, wearing large loop earrings and holding her long, slender, silver cigarette holder. Her anatomical assets are duly accented in aluminum. The base is constructed utilizing the Art Deco design styling of the 1930's--the decade in which Ms. Baker first acquired her fame. The card holder, itself, is also aluminum.
Condition is mint with just the teeniest of surface scratches here and there apparent only when the piece is held to the light. Some slight pitting to the aluminum card holder edges.
Josephine Baker (June 3, 1906 – April 12, 1975) was an American-born French entertainer, most noted for her celebrated Folies Bergère singing career. In her early career, she was a feted dancer and is often credited as a movie star, although she only starred in 3 films in her early career. She was given the nicknames "Black Venus" or "Black Pearl" and "Créole Goddess", while in France she was known in the old theatrical tradition as "La Baker". She became a citizen of France in 1937. She is also credited for her contributions to the Civil Rights Movement in North America and for being an inspiration to generations of African-American female entertainers.
Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the graphic remaining free of scratches and abrasions. The mirrored back shows evidence of subtle, minor scratching. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
A delightful piece of early Black Memorabilia!
The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through her neck (see photos).
Condition is mint, and the piece is signed on the bottom of her right foot: “Hand Painted Lenwile China Ardalt Japan 6530 B”.
Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!
Please see the equally-difficult-to-find companion piece also available - the Black Boy Child Clown Nodder by Ardalt, Japan!!!
In fabulous condition with 90+ years of all original surface patina, this phenomenal piece is very highly detailed and displays wonderfully! It authentically depicts the highly fashionable Art Nouveau styling which was so wildly popular at the turn of the 20th century. This brass ashtray promotes the English settlement of the CONGO on the African continent, and thus, the words "CONGO" are impressed across the native's chest. The earliest version of this ashtray was crafted in BRONZE did not feature the Congo label across the native's chest.
A must-have piece for the sophisticated Black Americana collector!
The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.
Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.
Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.
This circa 1900-1910 Johnny Griffin item is a double image still bank that features 2 images of Johnny's head placed back-to-back. It was manufactured by the A.C. Williams Company of Ravenna, Ohio, which at the turn of the 20th century and up until World War II, was the largest toy and still bank manufacturer in the world. (At the start of WWII, production declined sharply as iron was needed for military consumption, marking the end of an era.) The bank is constructed of cast iron in two pieces which unscrew to facilitate the emptying of coins. There is a coin slot at the top of Johnny's head for use in depositing the coins. This sweet bank remains functional for banking use today or may be simply used as an attractive desk paperweight!
It is in all original condition with delightful patina- not a reproduction- and measures 3 inches high x 2 1/2 inches wide. It retains traces of the original gold leaf paint and may (or may not!) have a replaced screw.
The Johnny Griffin image- in the arena of Black Americana collectibles- should form the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
Colors are extraordinarily vivid, a fabulous display piece -retains original cardboard backing and original stand, but, alas, no game darts! The darts are extraordinarily rare and are seldom found!
Present are minor surface blemishes, surface scratches, some surface rust specks, as well as minor edge crimps that one would expect of a 90+ year old toy -all of which fail to detract from the fabulously bold visual imagery of this piece! (The most prominent scratch is on Sambo's target.)
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
This 1920-30s, hinged, wooden game piece box features an original, hand-executed, ink-on-paper drawing of a black figure in a tuxedo that has been pasted to the box cover. The drawing has been preserved with a shellac covering.
The box contains fifty, sequentially numbered 1-50, wooden game pieces painted red and white. The game pieces are in mint condition and appear to have only been lightly used. They remain firmly in place within the box with the support of non-stick, archival tape which may be easily removed without damage to the game pieces, if desired.
The game box measures 5.25 inches wide x 10.50 inches long x 1 inch high.
Truly a one-of-a-kind piece of vintage Black Memorabilia! Displays wonderfully!
Measuring 10.75 inches wide x 8.25 inches long, the book has seen gentle use as evidenced by the fairly good condition of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, neck creasing and edge wear is expected and evident. Corner and edge wear of front and back boards is present, as is a brown oval stain on the front board near the word "little". Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence age discoloration and some foxing, and a bit of vintage staining from handling on the back board.
The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. I did not have sufficient space to post photos of all pages, but those present are representative of overall condition. Some pages evidence foxing, but all pages are free of rips and creasing. The binding is tight and the book retains its original, red, binding spiral.
Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of villainizing freed black males while simultaneously allowing violence acts to befall the black characters portrayed in the rhyme.
This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.
To view other versions of this book presently available for separate purchase, please type the words "ten little" into the SEARCH box on our home page.
This pleasant diecut is in excellent condition and comes protected in an attractive, walnut-tone, oval decorative frame! The frame bears some minor veneer loss that does not impact the frame integrity, nor is it immediately noticeable.
A sweet piece!
This circa 1940's (perhaps even earlier!) Mammy has a polished cotton half body firmly stuffed with cotton batting which is attached to a fabric-covered, cardboard platform that enables her to sit. Such a doll is often referred to as a platform or toaster doll as her voluminous skirt was designed to cover unsightly kitchen appliances - most commonly the toaster!
Most notable is this Mammy's exquisitely executed, hand-embroidered face, and her elaborate dangling beaded hoop earrings!
Mammy's clothing is machine stitched and is absent of holes, rips or repairs. While all her patterned clothing retains its original and uniform coloring, all of the purple cloth has faded- obviously a less stable dye used there. When one opens the folds of the cloth, one sees the rich, deep purple it once was!
An unusually well-detailed doll for its type!