Catalog: Archives: Collectibles (190)

A delightful and visually appealing Black Memorabilia kitchen item!

This circa 1940's Mammy and Uncle Mose ceramic Vinegar and Oil Set is marked "JAPAN" on each figure's base.

The pair measures approximately 5.25 inches tall and is in wonderful, all original condition! No chips, cracks or repairs. Mild surface crazing present as is appropriate to the age. Uncle Mose is missing a portion of his original cork neck stopper - a very minor inconvenience!

A less seldom seen pair!

A wonderful and extremely RARE hard cover book with original paper dust cover by Kate Gambold Dyer, copyrighted 1942 by Platt and Munk Publishers and measuring 8 x 9.25 inches.

Fabulous black and red line illustrations as represented by photos adorn this 38 page book! The book features the Christmas-time adventures of eight year old Turquoise "Turky" Trott, one of six of Mammy Trott's children. Featured in the book is a Black Santa!

Interior pages are in fine condition--they are tightly bound together; front and back covers are also tight. The hard bound covers appear to be in mint condition, having remained protected by the original dust cover which has remarkably minimal wear to its edges and retains its brilliant coloration. A penciled in number has been written on the interior front of the book. Stamped on the edge of the interior of the paper dust cover is the original 1942 selling price of 85 cents!

A charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!

Offered is an extremely RARE 1847 Slavery Manumission document from Knox County, Tennessee, executed for Richard Dunn and referencing his slave, Eliza, and her three children, William, Nancy, and Mary Elizabeth. Archived 1842 Tennessee Early Tax List records indicate that Richard Dunn owned 302 acres of land, was employed in agriculture and owned one slave valued at $400 in that year; perhaps this slave was Eliza (pre-children).

Measuring approximately 12.5 long x 7.75 wide, this extraordinary and historical document is handwritten and appears to have been scribed by an individual other than the slave owner, Richard Dunn, as Mr. Dunn's signature is simply a "mark" labeled as such with his first and last name scribed around his "mark". The document is in excellent condition save the fold marks; this document clearly has been stored in this folded state for the past 170 years. It is suitable and ready for archival preservation- appropriate acid-free backing and matting materials with framing.

The text of the document is as follows:

"Know all men by these present that whereas my negro woman named Eliza having a strong desire for freedom and so I Richard Dunn of the county of Knox and the state of Tennessee being in possession of said woman Eliza and three children named William, Nancy and Mary Elizabeth. Now this is to show that I the said Richard Dunn for and in consideration of a certain sum of money to me in hand paid to my full and perfect satisfaction do hereby renounce my own right the right of my heirs or the right or claim of all manner of persons whosoever the said Eliza and her heirs forever to have and enjoy all the rights and privileges of a free white citizen so far as the laws of the state will permit and with regard to the law in such case made and provided it is necessary to have such matters attended to in open court I hereby (if it should not be done in my lifetime) make it obligatory in my heirs executors or administrators (as the case may be) to have the freedom of the above named woman and her children secured to them forever so as to enjoy all the rights and privileges of free white citizens so far as the law of the land will permit."
"In witness whereof I have hereunto set my hand and seal this 7th day of Nov. one thousand eight hundred and forty nine."
Signed, sealed ?GC?.
in presence of us,
Andrew McCall
Elijah Dunn
Martha Dunn

Richard Dunn his mark

Truly an extraordinarily rare piece of historical ephemera documenting a tiny light shining within a very dark period in American history. One can only be hopeful that Eliza and her three children one day achieved the freedom that this document promised.

Measuring approximately 7.25 inches high, this difficult to find, Black Americana Vargas wax figure is mounted on its original wooden platform and is one of a series of fascinating "street character wax dolls" conceived of and crafted by Mrs. Concepcion Vargas Alfonso, daughter of the world-renowned, turn-of-the-20th century, New Orleans, Spanish sculptor, Francisco Vargas.

From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry of her famous father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been daily seen on the streets of the city.

While the majority of Vargas figures were sold exclusively through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, a small number of Vargas figures were also sold through Kate Latter's Candy Shop in New Orleans. The shop, opening during the Great Depression years, had significant financial difficulties and closed after only five years (1933-1938) in business. This particular Vargas figure was one that was sold there, and it retains a gold foil sticker advertising the shop underneath its wood base.

Vargas figures are completely hand-made, one-of-a-kind dolls that are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.

This figure, known as the Sugar Cane Seller, was recently de-accessioned from the Louisiana State University Rural Life Museum collection, Baton Rouge, LA, having been acquired by the museum from a private collector in January 1979.

The Sugar Cane Seller is one of the more difficult to find of the Vargas figures. In his right hand he holds three stalks of newly cut sugar cane, and in his left hand he holds a silver-colored, light-weight, metal machete.

Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentleman Sugar Cane Seller wears a red and yellow checked kerchief around his neck, a green shirt with yellow polka dots, black and tan striped pants, and black "leather" shoes. His costume is entirely constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. The Sugar Cane Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. Underneath the wood base is found the Kate Latter's Candy Store sticker as well as an inventory sticker from the LSU Rural Life Museum.

This wonderful figure is in fine condition for his 90+ years of age with the following minor restorations likely performed by the professionals at the LSU Rural Life Museum: a restored right hand (that is presently missing a thumb), and restoration to the back of the vendor's hat, noted by the lighter colored wax. The sugar cane stalks appear to have been reattached in place, and his left hand is also missing the thumb. Due to the fragility of the wax fingers, it is not uncommon to find them missing or partially present.

The Sugar Cane Seller's light-weight metal machete was once attached to the left hand. It is my opinion that this metal machete was fashioned by professionals at the museum to replace the original cardboard version. Its weight, however, appears to be too much for the wax hand to hold, and thus, it became unattached while still in the museum's collection. As seen in the photos, the machete can be successfully rested inside the hand provided it is placed so that it is balanced, with equal lengths of the machete in front of and behind the hand.

A true must-have, rarely-found piece for the ardent collector of New Orleans Black folk character figures!

Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.

Measuring 9 inches high, these delightful examples of Folk Art styling, are two of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women.

It has been noted that their creation was encouraged through President Franklin Delano Roosevelt's Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943. The WPA was designed to provide jobs across the country during the Great Depression. While most jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP). The creation of these dolls fell under the WPA Federal Art Project, with the goal of representing the various aspects of the culture, work and lives of the Southern black community of this time period.

The doll clad in all black depicts the VERY rarely-found, black country preacher out for an afternoon stroll with his wooden walking stick in one hand and the Holy Bible clutched in the other. The preacher wears a machine-stitched suit thoughtfully detailed with fine, white shirt cuffs poking out from beneath his jacket and the white Reverend's collar at his neck. His left shoe reveals a hole with a sock-covered toe poking through! The preacher's stove-pipe-style hat is placed snugly on his head covering most of his gray hair although his full gray facial beard features prominently. His embroidered facial features, characteristic of these WPA dolls, are further accented with "steel-rimmed" style eye glasses. The 1.5 square inch bible actually has real pages! Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. The doll's body is well-stuffed with cotton batting and he stands freely.

The gray-hair and bearded, chicken-toting black country gent doll is also attired in machine-stitched clothing and additionally shares a cotton-bating stuffed body, embroidered facial features, and an asphalt shingle tile stand. He wears cotton britches detailed with double knee patches and suspenders along with a blue and cream striped cotton shirt and a red and white polka dot kerchief around his neck. His hat is constructed of black-colored felt. This country gent holds a finely crafted and detailed brown chicken under his right arm, while his left hand clutches a wooden walking stick.

Two very special dolls that represent a snapshot of history, capturing the lives of poor Southern black folk of the Depression era.

The dolls are priced at $295.00 each.

Offered are 3 nice hand forged golf clubs sporting hickory shafts. Included are clubs from Nicolls of Scotland, Hillerick and Bradbys Co. from the USA, and G. Schmidt. All 3 clubs date to the 1920s and are in good condition.

The first club is from George Nicolls and is stamped on back as follows: "HAND FORGED IN SCOTLAND" - '2 IRON' - 'CARRYING POWER 150/70Yds - and in a circular stamp 'NICOLLS INDICATOR'". The stamp of a hand palm also embellishes this nice Scotland created club. The INDICATOR model was introduced in 1926 and became very popular. The face is DOT stamped and there is a small ding on the leading edge close to the heel. Measures 36.5 inches from then end of shaft to the heel. There is slight gap between the hosel and shaft connection and ancient crimp marks on the hosel are noted. This may indicate that the shaft, while appearing period, may be an early replacement. The leather grip is in very good condition and overall the club sports a nice patina.

The second club is stamped on back with the following information: "Hillerick and Bradbys Co. Louisville, KY 'GRAND SLAM' and a stamp of a hand hold playing cards with an 'A' on the front. It is stamped with the number '5' on the sole. The 36.5 inch shaft is stamped "Made by Hillerick and Bradbys Co. Louisville, KY". A small gap is noted between the shaft and hosel. The club has a wonderful surface patina throughout and the grip is solid. The face sports a square stamped pattern.

Club number 3 is stamped on the back with the following: "G. Schmidt - NIBLICK - FORGED and the letter 'W'". The 'W' may be the owners mark. This 36.5 inch club sports a nice patina, and a good complete grip. The shaft has a barely noticeable split by the hosel. The large face has 'line' pattern stamping and the leading edge shows two honorable dings. A neat club to display!

This very rarely found, 19th century, iron, hand-forged, Child SLAVE Rattle Shackle measures a diminutive 2 3/4" high x 2 1/2" wide. The interior diameter is only a tiny 2 inches wide, and thus able only to fit the wrist of a very young or tiny-framed child. This came from the collection of a Charleston, South Carolina, collector who purchased the artifact years ago out of a Charleston area estate that was once a thriving rice plantation in the 18th and 19th centuries.

The sides of the rattle shackle are constructed of lateral “pockets” each containing one small, iron orb that would “rattle” when the wearer would move about.

Because this particular type of rattle shackle does not have iron loops or openings to “thread” iron chain through, it would have been attached to the ankle or wrist of a very young “house slave” who worked strictly inside the plantation house and thus was under very close supervision by the plantation owner and/or family members.

All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its very small size!

Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.

Offered is an incredibly RARE game, circa 1900-1920s, Spear Works, Germany, dexterity game very obtusely entitled "THE WHITE EYED COON".

The game features a VERY brightly colored lithograph target in near mint, virtually unused condition, depicting "THE WHITE EYED COON" dressed as a clown with a nose mimicking that of a RHINOCEROS HORN! The rhinoceros horn nose serves as one of the game hooks.

The target is affixed to the box base interior and additionally retains its two original metal hooks placed on either side of the gent's large, polka dot, bow tie.

This brightly lithographed game retains 5 original, colored, pressed-cardboard throwing rings. The game directions, which are attached to the inside of the original cardboard cover, do not specify the number of rings originally included in the game.

Measuring 8 3/4 inches tall x 6 1/4 inches wide x 1 inch deep, the game cover as well as the target piece display absolutely wonderfully!

As evident in the photos, the box and box cover show expected wear given their 90-100+ years of age. The box cover shows evidence of exposure to dampness and or water, some small areas of missing paper and edge wear. The box base EXTERIOR shows edge wear, some creasing and some very small areas of missing paper. As stated earlier, the target, itself, looks as though it was never played with. Just fabulous!

The game does not retain a copyright year, but the Spear Works of Germany operated prolifically from the 1890s through the 1930's, and during this time period, it was recognized as the most well known, international manufacturer of games and children's activity kits.

The box cover is labeled "Spear's Games", "Manufactured at The Spear Works in Germany. Designed in England".

An EXTRAORDINARILY RARE find!!!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin item is constructed of cast iron and is a match holder! It remains functional for such use today or may be simply used as an attractive desk paperweight or perhaps as a wall ornament!

The match holder is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/4 inches long x 4 1/4 inches wide x 1 inch deep. It is unmarked and retains traces of original paint as well as some surface rusting which appears in some photos to be more significant than it is in actuality.

The Johnny Griffin image- in the arena of Black Americana collectibles - should form the cornerstone of any serious Black Memorabilia collection!

Measuring 11 1/4 inches wide x 14 ¼ inches high, this wonderful, subtly colored, all original, Cream of Wheat puzzle featuring the ever-smiling Rastus holding a scythe in a wheat field is a based upon the 1907 advertising lithograph entitled, “What shall the Harvest be?”

The character of Rastus was based on an actual person- a black waiter from Chicago- who was paid $5 for the use of his image by Colonel Mapes, the General Manager of the Nabisco Company, the owner of Cream of Wheat. The company began using the waiter’s image in the early 1900’s, replacing the original woodcut of a black chef that appeared on the packaging from 1894 until that time. Interestingly from a social and historical perspective, the depiction of the ever-pleasant, always-smiling Rastus was both a subtle yet positive departure from the extremely derogatory advertising much more typical of the era- advertising that nearly always featured blacks with wildly contorted and exaggerated features most often in very undignified poses and predicaments.

This beautiful, rarely-found puzzle, which is in excellent condition, is attractively framed in a hardwood molding colored in walnut, ebony and gold. The puzzle frame is original to the puzzle, and it is contemporary to the production date of the puzzle as it still retains its original wood panel backing, a framing technique not typically found after 1910. The puzzle pieces, themselves, are very finely and delicately cut, and are of a much smaller size than what is typically found in puzzles dating from the 1920’s and beyond.

A phenomenal piece that would be a centerpiece to any serious Black Americana, Advertising, or Cream of Wheat collection!

PLEASE NOTE: Any discoloration, white spots, or other unnatural variances in color are due to the unavoidable light reflections caused by the glass in the framing. The presence of the glass made photography quite a challenge!

A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!

Measuring a diminutive 1 5/8 inches in diameter x 1/4 inch high, this circa 1920s, Madam C J Walker "TAN-OFF" tin is a RARE find!

This sample size tin is in very fine condition with minimal surface wear as is evidenced by the photos. The yellow coloring is uniform--any white marks seen in photos are light reflection, not wear or damage.

This product was created by the Madam C J Walker Company of Indianapolis, Indiana, for the purpose of "brightening sallow or dark skin".

It is unknown whether the contents remain as the tin cover is tightly affixed and is immovable.

Madam C.J. Walker built a fortune in the early 1900s marketing hair care and beauty products to African-American women. Born in Sarah Breedlove 1867 Louisiana of parents who were former slaves, she moved her company to Indianapolis in 1910. When she died in 1919, Madam Walker was considered the wealthiest black woman in America. Her daughter, Lelia, succeeded her as president of the C. J. Walker Manufacturing Company.

Measuring 7 inches wide by 11 inches long by .25 inches thick, this wonderful wooden 1940's Mammy grocery memo board retains fourteen of its original multi-colored wooden pegs which, today, are very often found to be missing.

The graphic of Mammy remains in very fine condition as are the painted list of groceries. Some old splintering of the wood on sides and edges add to the board's all original vintage patina! This memo board was once sold as a Canadian souvenir piece as it still retains its original "St Stephen Canada Maple Leaf" decal.

The white, shiny spots that may appear in the photos are the result of camera flash glare only and are not imperfections to this piece. Wood color is richer than photos could capture.

These pieces are heavily reproduced in today's market; however, it is quite uncommon to find a genuinely vintage, Mammy Memo Board with so many original pegs in such fine, vintage condition!!!

Measuring 13 x 13 inches, this terrific example of 1920’s American Folk Art, a Black Washerwoman Whirligig, is in superb, untouched, all-original, fully functional condition!

Painted in tones of red, green, black and white and showing expected and appropriate age wear to the paint, this delightful wooden sculpture has been mounted onto a simple, present-day, wooden display platform.

Turn the propellers, and Mammy bends forward and back again as she scrubs her clothes on a yellow and black painted washboard that sits in an authentic looking, tin wash tub!

A very rare piece of early 20th century Americana!

This rarely found, copyright 1921, target, dexterity, game entitled "SAMBO FIVE PINS", was manufactured by Parker Brothers out of Salem, Massachusetts. This game appears to have seen little, or more likely, NO use whatsoever, as the two, original, wooden bowling balls remain sealed in their original packaging.

The game is complete and features five, brightly colored, lithographed-cardboard, standing "Sambo" targets or "pins". The "Sambo pins" are in fine condition with minimal wear to edges and a few wrinkles here and there. One Sambo pin has an obviously creased neck and this is pictured in the last photo. During this time period, game directions were typically printed on the inside of box covers; there is no evidence that this was the case with "Sambo Five Pins". Perhaps the manufacturer felt that the game of bowling was self-explanatory!

Measuring 10 3/4 inches tall x 13 inches wide, the game cover as well as the SAMBO bowling pins display absolutely wonderfully! As evident in the photos, the box cover shows some minimal and expected wear given its 90+ years of age. The box cover has some missing spots of paper, some surface creases and is missing one of its four sides- the box side placed at the bottom of the cover. The box base has minimal edge wear and remains quite sturdy.

A RARELY found, quite visually captivating Black Memorabilia collectible that displays absolutely wonderfully!

Measuring 14" X 23", this vintage, Ca 1930's, "Little Black Sambo" metal game board bears the circular emblem mark of the Wyandotte Toy Company at bottom right, "Wyandotte Toys, Made in USA", attesting to its authenticity as a non-reproduction piece.

Colors are extraordinarily vivid, a fabulous display piece -retains original cardboard backing and original stand, but, alas, no game darts! The darts are extraordinarily rare and are seldom found!

Present are minor surface blemishes, surface scratches, some surface rust specks, as well as minor edge crimps that one would expect of a 90+ year old toy -all of which fail to detract from the fabulously bold visual imagery of this piece! (The most prominent scratch is on Sambo's target.)

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 14.50 inches high and standing on a 5.50 inch square base, this fabulous, vintage 1930's, chalkware statue of Louis "Satchmo" Armstrong holding his fabled cornet is quite heavy, weighing nearly 5 lbs!

Louis Armstrong (1901-1971) was the greatest Jazz musician of all time, defining what it was, what it meant to play Jazz. His incredible technical abilities, the joy and spontaneity felt in his works, and his amazingly quick, inventive, musical mind continues to dominate Jazz to this day.

This wonderful piece is a superb likeness of "Satchmo", and it remains in very fine, all-original condition! No chips, cracks, repairs or repainting! Minor and tiny, age-related flakes to the surface of this chalkware piece exist here and there and are entirely appropriate given the statue's 70+ years of age. No maker's mark--just a small encircled "C" for copyright on the back of the base. Bottom of base is covered in an original, soft, felt-like material to prevent statue from scratching display surfaces.

A fabulous piece of Louis Armstrong Memorabilia!!

Measuring 13 inches long x 6 inches wide, this untouched, all-original, double-sided heavy metal sign is an extraordinarily RARE piece of Black American history-- an artifact of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace.

This sign was once bolted onto the inside of a railroad car, designating the line behind which African Americans must remain-- in the back of the car.

The sign is painted on both sides as follows: the back of the sign is painted with white lettering on a black background and reads, "THIS PART OF THE CAR FOR COLORED RACE". The front of the sign is painted with black lettering on a white background and reads, "THIS PART OF THE CAR FOR WHITE PEOPLE".

The sign is in all-original condition and has some paint loss and superficial rust as noted in photos that does not impact the integrity of the sign and is appropriate to the age and purpose of the piece. Wear to the "white side" of the sign has resulted in the removal of portions of the words "THIS PART".

An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history that may very well be the only one of its kind extant today!

If found in mint condition, this incredibly rare game, THE PICCANINNY BOWLING GAME, copyright 1928 and designed by the Spear's Game Company, Germany, retails at $525!

This particular specimen, unfortunately, was not stored with care, and it suffered exposure to dampness at some time during its 85 years. It is, thus, being offered at significant discount.

Measuring 10 3/4 inches tall x 7 1/4 inches wide, the game retains its cover with three of four sides present, the directions card, ALL FIVE original wooden throwing balls, and the game target board which features the five "piccaninnies".

The box bottom is missing as is some of the purple paper that decorated the sides of the target board and which also once framed the front cover. Remnants of this paper remain on two sides of the box cover.

The target board, despite its exposure to dampness, remains completely intact including the original metal guide pins that are located at the bottom of each piccaninny's open mouth and which would have helped to "guide" the target ball into the piccaninny's mouth during play. The target paper litho is somewhat loosened at the edges here and there, and foxing is present. The cover suffered the most exposure to dampness as is evident from viewing photos. There is foxing and some surface paper loss is evident as seen in photos.

The Spear Game Company designed the game, and it was manufactured in their facility in Bavaria, Germany. (This information was printed along the base of the game cover, although 50% of it is now no longer readable.) The Spear Works of Germany operated prolifically from the 1890s through the 1930's, and during this time period, it was recognized as the most well known, international manufacturer of games and children's activity kits. Publishing rights are noted on the direction page as J. W. Spear + Sons, New York City.

RARELY found!!

Measuring 6 1/4 inches high x 3 3/4 inches wide, this circa 1950's, Japan made, Polka Dot, Mammy String Holder is in very fine condition! Mammy has expected crazing to surface with two very tight hairlines that start at the backside of the piece and feather slightly toward Mammy’s two shoulders about ½ inch. At the lower base of the back is another tight hairline that remains on the back side of the piece only, not extending toward the front of the piece. It rests beside a tiny, darkened, superficial flake which also is not visible when Mammy is placed on a shelf or hung on the wall.

The String Holder is stamped "JAPAN" and “Theo Hinode” on the inside of the base (The Hinode Company is the Japanese Ceramic Company.). Mammy has a hole in the center of her chest area, just above her folded hands, to accommodate the string which would be pulled from the ball of string placed inside her body from the back of the piece. This wonderful piece even comes complete with vintage hanging string---Mammy has two holes at the back of her head to accommodate this! The entire piece is glazed with the exception of Mammy's red kerchief which is cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have some “bald areas” where the paint has come off her kerchief. Please take a moment to view all photos to ascertain condition and appeal of this fabulous and functional, vintage string holder!

A lovely and colorful piece that can be displayed on a shelf or hanging from the wall!

Measuring 8 inches long x 4 1/2 inches wide x 4 inches high, this colorful, 1920's, tin lithographed, wind-up toy featuring a Black Native Riding a Turtle is quite visually appealing!!

In very nice condition with minor scratches to paint here and there as seen in photos, this wind-up toy works, but the mechanism does have the tendency to stick a little. Marked J. Chein.

A must-have for the avid Black Memorabilia Toy collector!

Please note: This item was photographed under glass, and thus some photos depict unavoidable light reflection which distorts both color and condition. Coloring of poster is rich and is uniform throughout with consistent color and tone. Please view all photos for true representation of fine condition.

Offered is a fabulous and very seldom found World War I recruitment poster that honors the service of the African-American male Army Calvary soldier.

Tastefully rendered, this 17" x 20" paper lithographed poster on cardboard depicts a World War I African-American Calvary soldier bidding farewell to his proud sweetheart/wife as his regiment marches forward off to war in the background.

This rarely found poster is entitled, "COLORED MAN IS NO SLACKER". It was published in 1918 by S.G. Renesch of Chicago (thus printed in lower left hand corner), and is one of only two WWI recruitment posters that were published for the purpose of encouraging the enlistment of male African-Americans. The theme of the two different posters was to offer participation in the first World War as an opportunity for African Americans to demonstrate their patriotism and serve their country. (The second recruitment poster was entitled "True Sons of Freedom" and invoked the memory of Abraham Lincoln and the staunch bravery of black troops to inspire African Americans to enlist.)

The poster remains in its original, black-painted, wooden frame with glass, with original nails holding the poster in place in the back.

The poster remains in very fine condition for its 90+ years of age, showing some subtle wrinkling of paper to the lower 1/5th of the poster, likely the result of subjection to dampness, although, please note, that NO water staining is present.

This poster is a credit to the service of the many African-American men who so faithfully served and died to protect the liberty of the United States of America.

A must-have addition to one's Black Memorabilia or Militaria collection!

Measuring 12 inches wide x 8 inches high, this untouched, all-original, double-sided, porcelain, circa 1930s sign is an extraordinarily RARE piece of Black American history-- an artifact of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace. The origin of this sign is unknown.

This historically significant sign features a white background with deep blue lettering. It remains in all-original condition with very few flaws: faint, superficial scratches and minute pitting to the porcelain here and there, with most on or near sign edges. The sign is equipped with two metal eyelets at the top which would facilitate hanging so that the double-sided lettering, "COLORED REST ROOM", could be viewed from two opposing directions.

A RARE, one-of-a-kind, museum-worthy piece of Black American history!

Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.

Measuring 5.25 inches high x 6.50 inches wide, this near mint, three piece, Black Mammy and Chef Oil and Vinegar Cruet was produced in 1940s Japan.

The bodies are one single piece with one hand each on Mammy and the Chef that serve as stoppers for the two pouring spouts. The piece is marked with a "V" for Vinegar and an "O" for Oil on each arm. Very sweet faces!

All original with no breaks, cracks, repaint or repairs, the cruet retains the original corks as well! In truly lovely condition with just one scrape to the red paint under the chef's left arm and some missing paint spots on his right arm. (see photos) Otherwise quite perfect, and displaying very, very well!!! An eye-catching piece!!!

Measuring just under 6.5 inches in width, this VERY RARE, 19th century, hand-forged iron, slave collar with unusual incised detailing was recently uncovered in Texas.

Complete with functional locking mechanism and -even more scarcely found- a working key, this seldom found piece remains in excellent, all-original condition and stands as a horrid, tangible testament to the malevolence of slavery.

The collar is constructed of two, hefty, separate, semi-circular pieces of iron that are hinged together via a thick iron pin that has a "head" on either end preventing the two pieces from separating. While the interior of the collar is plain, the exterior, very unusually, has been "decorated" with incised diagonal lines cut between horizontal, incised banding at the top and bottom of each piece (see photos). The collar, thus, opens and closes at only one end.

The collar is locked and unlocked via a hand-forged locking mechanism that, amazingly, retains its original key--- an extraordinarily rare occurrence today as typically the key has been long ago lost. The locking mechanism remains smooth and is readily operable. It is unlocked by fully inserting the key and slowly turning it to the right until the pin holding the lock in place is released. To lock, reinsert the open hinge into the lock and hold in place while turning the key to the left.

An excellent and rare example of an artifact of slavery- a material reminder of the malevolence and cruelty suffered by African-Americans in 17th, 18th, and 19th century America.

Measuring 4 inches tall x 3 inches at its widest point (the head), this cast iron, Circa 1920's, English, still bank is labeled on its back, "The Young Nigg*r Bank".

In wonderful, all-original condition, the bank retains its original screw closure and the majority of its paint, with minor and insignificant paint loss as noted in photos.

A visually-appealing piece, a pleasing caricature! A fine addition to one's Black Memorabilia collection!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1910-30's Johnny Griffin item is exceedingly rare, being the only example of this form ever seen by this seller either in print, on the internet or “in person”. Clearly, very few of these smoking and/or tobacco stands were produced in comparison to other Johnny Griffin novelties!

The smoking stand is constructed of two different metals- from the intricately embossed “corn stalk” pot metal cigarette and cigar holders, to the brass plated tray, match holder, base and stand. It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 30 inches high x 9 inches wide at the tray. It does not retain any marking other than mold number 3104 located on the underside of the tray. This very unusual smoking and/or tobacco stand is a heavy, sturdy piece, and is well-made.

Johnny Griffin Black Americana collectibles are a very interesting and infrequently found collectible form, and they should rightfully constitute the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 15 ¾ x 19 ½ inches, this extraordinarily RARE, circa 1920’s (or earlier!), heavy painted cardboard, BIMBO RINGO Ring Toss game board is all original and complete. Included are 6 rubber toss rings that have the appearance of mason jar washers and which may or may not be original to this game board. At any rate, the previous owner had these rings displayed with the game board at the time of acquisition, and they will be passed along to the next owner.

This item has phenomenal visual appeal! The striking graphic of an African native holding a shield and spear has been completed in red, black, cream and green colors that show no evidence of fading over these many years. The native's facial features are exaggerated which is quite typical of early 20th century depiction of African Americans.

Manufactured by the G.H. Robinson Company of Chicago (the paper manufacturer’s label remains affixed to the back of the game), the game comes with an attached cardboard stand in back that allowed it to remain upright during play. The game board retains its 5 original metal ring hooks at the native’s ears, nose, shield and spear. The object of the game was to successfully toss and hook a ring onto each of the hooks, with different point values awarded to the various hooks. The first person to accumulate 200 points won the game!

As stated earlier, condition is quite fine with no fading of colors. The metal ring hooks have acquired a nice patina. This game was attentively cared for over the years and at one time was reinforced at each of the four corners with cotton stitching. There is some creasing to the upper right hand corner and a ½ inch long tear- as opposed to a missing piece- to the top border directly aligned with and above the right ear. The stand was also sewn and taped at one time, but remains intact.

This Black Memorabilia game is truly quite rare as it is not documented in any of the extant Black Memorabilia source guides! It is quite likely that not many of the Bimbo Ringo Ring Toss games have survived given the inherently fragile nature of a cardboard – as opposed to a metal- toy!

This is a fabulous and eye-appealing toy that should not be missed by the serious collector of Black Memorabilia!!!

Measuring approximately 7 inches high, this wonderful Black Americana Vargas wax figure is mounted on its original wooden platform and is one of a series of fascinating "street character wax dolls" conceived of and crafted by Mrs. Concepcion Vargas Alfonso, daughter of the world-renowned, turn-of-the-20th century, New Orleans, Spanish sculptor, Francisco Vargas.

From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry of her famous father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been daily seen on the streets of the city.

Sold exclusively at the time through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.

This figure, known as the Banana Seller, was recently de-accessioned from the Louisiana State University Rural Life Museum collection, Baton Rouge, LA, having been acquired by the museum from a private collector in January 1979.

The Banana Seller was one of the more difficult to find of the Vargas figures. In his right hand he holds a very large cluster of bananas that are all still attached to a tree branch, and in his left hand he holds a silver-colored, light-weight, cardboard-constructed machete. A single banana rests at his feet having fallen off the cluster.

Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentleman Banana Seller wears a red floral kerchief around his neck, a green flowered shirt, black and tan herringbone-patterned pants, and black "leather" shoes. His costume is entirely constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. The Banana Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. Underneath the wood base is stamped the following: "Genuine VARGAS New Orleans LA".

Quite interestingly, the Banana Seller is without a hat. He wears his hair very predominantly parted on one side suggesting that his carefully styled hair was meant to be displayed, and that this particular figure was never created wearing a hat.

This wonderful figure is in amazing condition for his 90+ years of age with one minor restoration likely performed by the professionals at the LSU Rural Life Museum: a repaired right hand. He appears to have lost a little bit of his hair in the back (see photo).

A true must-have piece for the ardent collector of New Orleans Black folk character figures!

Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.

Measuring approximately 5 3/8 inches in length, 4 3/4 inches in width, and 2 3/8" in depth, this wonderful, ceramic, Wide-Smiling Mammy Wall Pocket was made in Japan, circa 1940-50's.

Coloring is quite brilliant, and the condition is very fine with appropriate age-related crazing and some tiny, circular, firing imperfections on Mammy's polka dotted scarf as noted in photos. Please note that white marks are flash reflections, not imperfections. Makers mark is noted on the back--- an "E" inside of a crown.

A delightful piece of Black Memorabilia that displays wonderfully on a wall or shelf!

Seldom found on today's collectible market, this all-original, Mayo’s Cut Plug Tobacco Roly Poly Mammy Tin dates to circa 1912.

In 1912, in a stroke of advertising genius, Mayo's Tobacco Company packaged their cut plug tobacco in round tins with a lithographed character. Each held 1 pound of tobacco. The tins were opened by removing the head!

These "Roly-Polys" were a unique shape that distinguished them from the rectangular and lunch box-shaped tins that surrounded them on store shelves. There were a number of different characters that were available, and smokers were encouraged to collect the entire set. The six original tins were the Satisfied Customer, the Storekeeper, the Singing Waiter, the Dutchman, Scotland Yard....and Mammy!

Mayo called this packaging a "Brownie" tin...apparently the company suggested that the tins be used as brownie containers after the tobacco was used, and designed them accordingly. They were never a plentiful tin, and today, are becoming increasingly more and more difficult to find.

The Mayo tobacco tins were distinguished by little packages of Mayo Cut Plug tobacco shown somewhere on the character. Notice that the Mammy tin has a tiny tobacco tin tucked into her front pocket.

Mammy's dimensions are 7"x7". She is in very good condition, as evidenced by the photos which clearly detail the very minor flaws she has acquired over her 100+ years of existence. Mammy's front side is nearly flawless, with just the teeniest paint rubs noted. **(Please note, that I was unable to avoid "white" glare in some of the photos which should not be misconstrued as damage.)**

Amazingly, Mammy still retains four separate remnants of the green US Internal Revenue paper tax stamp that are only rarely still found on Mayo Cut Plug "Brownies". They are noted on her back side on either side of the May Cut Plug tobacco package, as well as two smaller remnants directly below it. At first glance, these four tax remnants might be mistaken for areas of paint loss--not so!

Mammy's body has very, very minor, tiny spots of paint loss to the litho as seen in photos- primarily on her back side, and two small and subtle areas of denting on her front base that are noted via "touch" rather than visual appearance. The tin has no repaint. Some very light, superficial rusting is present inside the base.

The exterior base of the tin is labeled "made in factory # 42, in the 2nd District of Virginia".

**The depth of color is better viewed "in person" as opposed to what I was able to capture in a photo.**

A must-have addition to any SERIOUS Black Americana collection! This tin displays beautifully!!

Offered is an extremely scarce, 1870s, Scotland Maker, Long Nose, Mid Spoon, Wood Golf Club with original finish!

This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!

This amazing club sports its original varnish surface and is offered in "as found" condition. The darkening of the finish results a wonderful patina. The club displays an enchanting elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 42 inches from the heel.

The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of gentle use.

A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!

Offered is an 1809, Augusta, Georgia, slave document - a Bill of Sale between John Woolfolk of Edgefield District, South Carolina, to Thomas Cumming of Augusta for a total of three slaves, all of whom were related: an adult woman named Judy, who was a seamstress, and her two children, Eliza and Edward.

This document is quite unusual in that it was generally atypical that slave families were permitted to remain together when a slave sale was conducted, regardless of the age of any children involved.

The single page, 15.5" wide x 19" long document was folded in half by its author, and the bill of sale is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into thirds, and the title of the document was written out: "Bill of Sale John Woolfolk, Edgefield District. S.C. (South Carolina) for Judy- a Seamstress Edward (and) Eliza her children".

The text of the Bill of Sale reads as follows, First Paragraph:
"Augusta the 8th June 1809, Received from Thomas Cumming, Six hundred Dollars, being the consideration money infull for the following negro slaves sold and delivered to him this day. Judy a woman of about 21 years old Edward a Boy of about three years old and an infant female, named Eliza, Both Children of the said Woman Judy, which Said three negroes, Judy, Edward and Eliza, I do hereby warrant and defend against the claims of all persons whomsoever"

Second Paragraph:
"Given under my hand and seal the day and date first above written."
"John Woolfolk"

Condition of this slavery document is quite remarkable given its 213 years of age! Expected age-related discoloration of paper and slight (approx 3/4 inch)paper split at one end of one fold only. (see photos)

A very difficult to find Tin, Black Man dancing toy!

In very fine condition, with faint, superficial scratches expected of a 70+ year old metal toy, this wonderful Tuxedoed Dancing Black Man is in working condition! He is stamped "Made in USA" on his back and was made by Buffalo Toy Works. It is operated via a small metal lever at the base that can be jiggled (thus, the name "Jigger" Toy) up and down and back and forth to make Dancing Sambo wave his arms and jiggle his legs!

Measures approximately 6.5 inches high. Maker unknown. Displays wonderfully!

Please note that any white spots appearing in photos are from the camera flash and are not imperfections!

Measuring 9 inches high, this delightful example of Folk Art styling, is one of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women. It has been speculated that their creation was encouraged through FDR’s Depression era program, the Work Projects Administration (WPA), in existence from 1936-1940.

This doll depicts the black stick or kindling gatherer. He holds a bunch of sticks tied together with string that has been flung over his right shoulder. In his left hand, he holds a wooden walking stick. This is an older gentleman who wears a straw hat, gray beard and hair and has embroidered facial features –most characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This gent has lost his shingle stand but the remnants are still visible glued to the bottom of his leather shoes. Clothing is machine-sewn cotton with careful detailing right down to the patch on his left knee and the red hanker chief poking out of his right pocket. His body is brown cotton stuffed with cotton batting.

A very special doll that takes a snapshot of history in capturing the life of the poor southern black of the Depression era.

Offered are an extraordinary and most rarely-found pair of early 19th century, child/young adolescent - size, Slave Rattle Shackles with one measuring approximately 4.75 inches tall by 7 3/8 inches wide and the other measuring 5.25 inches tall by 7.5 inches wide.

The oddly-shaped, hand-wrought shackles each have two lateral "pockets" that contain pieces of metal or balls that “rattle” as the wearer moves about, thus indicating the wearer's location. This type of shackle is noted in historical references as a Crab Rattler Shackle due to its visual similarity to that sea animal. Each shackle has a pair of small chain links attached at the top. One shackle would have been placed on each leg, and a metal chain would have then been threaded through the attached rings and secured with a lock.

The age of these shackles is formally listed as 19th century, but could very well be older, dating to the last quarter of the 18th century. Condition is quite good given age and use. Please note the small hole present on the side of one shackle as noted in photo. All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its small size!

Also currently offered for sale and priced separately is a very diminutive child rattle shackle in an unusual form out of a South Carolina estate. Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.

Measuring 6 inches high, this highly sought after Black wax figure which is mounted on its original wooden platform, is one of a series of fascinating "street character wax dolls" conceived of and crafted by Mrs. Conception Vargas Alfonso, daughter of the world-renowned, turn-of-the-century-New Orleans, Spanish sculptor, Francisco Vargas.

From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.

This particular figure is known as Ole Charley who, severely bent over with age, was once a well known figure in the Vieux Carre.

Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. Ole Charley wears a yellow hat with blue band, a red patterned neck scarf, a yellow flowered shirt and blue jeans- all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. He supports all of his weight with an actual stick cane! His wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base.

This wonderful figure is in very fine condition for his 75+ years of age with the following imperfections: missing left-hand fingers with present left thumb (an unfortunate, but extremely common consequence of time), a chip out of his yellow hat (which actually looks appropriate to the character!!) and a re-molded right hand- a repair made long ago. There is a spot of old glue on the base which suggests that something might be missing- a small stool perhaps? Regardless of his imperfections, his brilliantly executed face and his incredibly realistic pose is most delightful- a snapshot of New Orleans history!

Please see the other two Vargas figures that are currently available. One is depicted in the group photo and all are priced separately. Please note that the Vegetable Seller (with basket) has been sold.

Please note- photos were taken outside in natural sunlight. Any white or light spots on the figure are a result of sun glare and are not reflective or discoloration or fading.