Poster reads further: "Benefit- Pals Bible Club-Elm Street Baptist Church". "Directed by Churchill Traylor". Features a very sweet Black Minstrel caricature graphic! It is believed that this event took place in the Petersburg, Virginia area.
Fine condition!!! Would look just wonderful framed!!
In utterly excellent condition with the only flaws noted being subtle wear to the paper dust jacket and a past owner's name and address, this version of the Little Black Sambo story is highly collectible as any item produced by its publisher, Platt & Munk, is aggressively sought-after due to the company’s reputation for use of extraordinarily vivid graphics.
This mini book is sixty-two pages long with 29 vividly colored illustrations designed and executed by the author, Frank Ver Beck.
A must have edition for the collector of Little Black Sambo books!
Measuring approximately 10 inches long x 8 inches wide, this extraordinary and historical document is handwritten and was executed on April 29, 1861, just 12 days after Virginia chose to secede from the Union on April 17, 1861.
The document is in excellent condition save the fold marks; this document clearly has been stored in this folded state for the past 153 years. It is suitable and ready for archival preservation- appropriate acid-free backing and matting materials with framing. In the upper left hand corner, the local stationery store's embossed imprint is visible and reads: “S & P Lawrence Superfine”.
The text of the document is as follows:
“Know all men by these presents, that A A Cowdery, of the city of Norfolk, for and in consideration of the faithful services of my negro man George Danley, do hereby emancipate and set free the said negro man George Danley and absolve him from all claim to my service; and for the consideration aforesaid hereby warrant unto him his freedom against the claim of myself and of all persons whomsoever to witness my hand and seal at the city of Norfolk, this 29th day of April 1861.”
A A Cowdery (SEAL)
“City of Norfolk, to wit
Simon S. Stubbs (sp?) a Notary Public in the city aforesaid in the state of Virginia hereby certify, that A.A. Cowdery, whose name is signed to the writing above (?) bearing (?) date on the 29th day of April 1861, has acknowledged the same before me in the city aforesaid. Given under my hand this 29th day of April 1861.”
Simon. S. Stubbs
Truly an extraordinarily rare piece of historical ephemera documenting a tiny light shining within a very dark period in American history. If only the circumstances and "story" surrounding the execution of this document were known today!
Some relevant family history that was very kindly provided by extant Cowdery-Taylor family ancestors:
Alexander Augustus Cowdery was born May 11, 1817, in Norfolk, Virginia, the son of Jonathan Cowdery of Sandisfield, Berkshire County, Massachusetts, and Elizabeth Reddick of White Haven, England. Jonathan Cowdery was a career physician surgeon in the United States Navy, serving until his death in 1852.
Alexander Augustus Cowdery was uncle to Walter Herron Taylor, who served as Lieutenant Colonel in the Confederate Army as Aide-de-Camp and then Adjutant-General under General Robert E. Lee, becoming one of Lee's most trusted aides and an intimate friend. Taylor later authored two works documenting his wartime experiences: "Four Years With General Lee" and "General Lee, His Campaigns in Virginia, 1861-1865".
This circa 1900-1910 Johnny Griffin item is a double image still bank that features 2 images of Johnny's head placed back-to-back. It was manufactured by the A.C. Williams Company of Ravenna, Ohio, which at the turn of the 20th century and up until World War II, was the largest toy and still bank manufacturer in the world. (At the start of WWII, production declined sharply as iron was needed for military consumption, marking the end of an era.) The bank is constructed of cast iron in two pieces which unscrew to facilitate the emptying of coins. There is a coin slot at the top of Johnny's head for use in depositing the coins. This sweet bank remains functional for banking use today or may be simply used as an attractive desk paperweight!
It is in all original condition with delightful patina- not a reproduction- and measures 3 inches high x 2 1/2 inches wide. It retains traces of the original gold leaf paint and may (or may not!) have a replaced screw.
The Johnny Griffin image- in the arena of Black Americana collectibles- should form the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
The folder is undated and was never mailed. Some edge wear evident at corners and some slight separation at the seams of individual cards. While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear!
The Real Photo postcard folder features the lyrics of "Dixieland" and 18 full color scenes of industry common in the South during this period: cotton picking and production, tapping pine trees for turpentine production, watermelon farming, Razorback Hog farming and sugarcaning. All photos feature African-American laborers.
This seldom found copy was originally published in 1932 by Rand McNally & Company of New York.
This copy has superficial scratches to the front and back covers, as well as surface soiling, and wear on book cover edges.(see photos). The front cover has a slight tear at the crease that does not effect strength or integrity of the cover board. A couple of pages have minor staining. The binding is super-tight and all pages remain present.
Topsy's adventures are divided into three chapters in length, approximately 59 numbered pages. Book is filled with a variety of black-ink and black and red illustrations as represented in photos. The story of Topsy was likely inspired by the Little Black Sambo stories which originated at the turn of the 20th century. PLEASE NOTE: in the photos, the printing seems light and faded- not so! It is merely the function of over-lighting or light reflection.
A wonderful and truly RARE book not to be missed!
Please see the other Topsy Turvy book available for separate purchase, a 1938 copy of Topsy Turvy's PigTails.
This fabulous game features a brightly colored lithograph target depicting the dapper, banjo-playing, "Jolly Darkie" with a gigantic mouth.
The target box remains in very fine condition, appearing to have seen little, if any, use. It has four openings through which one was to toss the four wooden balls that the game originally came with, but which are no longer present. It measures 13 inches tall x 6 3/4 inches wide x 1.5 inches deep.
As evident in the photos, the box cover shows expected wear given its 100+ years of age, with some pencil writing in the mouth and some surface soiling.
As indicated earlier, the extant game pieces do not retain a copyright year or maker name; however, this game is very similar to two other Milton Bradley Jolly Darkie Target games that were manufactured from 1890-1910, suggesting that this game was also manufactured during this era by Springfield, Massachusetts' Milton Bradley Company. The directions to this game are not present, and it is quite possible that the manufacturer and manufacture date both appeared on the direction card-- as has been found to be the case on other Milton Bradley games of this era.
The game cover as well as the JOLLY DARKIE target box display absolutely wonderfully and would be a colorful asset to one's vintage black Americana game collection!
This wonderful piece is unmarked but is documented in numerous guides as the Black Chef cookie jar made in the 1940's by the National Silver Company. It likely once had a "NASCO" foil label on its base which dried up and fell off over the course of the jar's lifetime.
Fabulous cobalt blue accenting makes this cookie jar quite striking in its appearance. A great display piece!
As stated, the cookie jar remains in all original condition-- a rarity for a cookie jar of this vintage! Please take the time to view all photos as they represent condition quite nicely. Glaze crazing typical to the age of this 60+ year old piece is evident as well as small surface flakes present here and there along lid cover edge- a very common site for flakes/chips on any lidded ceramic piece given that the lid was continually taken on and off during use and thus easily subject to damage. A single superficial hairline occurring during firing can be seen on the interior base; it does not go through to the exterior.
It is quite rare to find a vintage cookie jar in such fine overall condition! Reproductions abound on today's market, but authentic pieces such as this are quite scarce and are truly collecting treasures when discovered!
Cleverly designed, the elephants themselves, serve as the body of each tea pot, while the turbaned Black Natives lift off the elephants' backs revealing their function as tea pot lids. A wicker handle facilitates handling on the two large tea pots. The base of all three pieces are marked "JAPAN".
The largest tea pot measures 7 inches high by 8 inches long; the middle-sized tea pot measures 6 inches high by 7 inches long; the tiny novelty piece measures a diminutive 3.25 inches long by 2.75 inches high.
Condition is excellent on all three pieces with the exception of the wicker handle on the middle-sized tea pot. One end of the handle is missing its looped section of the wicker that would have wrapped around the ceramic loop to secure the handle to the tea pot. As is noted in the photos, that end of the handle can be propped against the ceramic loop to maintain its proper appearance for display purposes.
Handsome and difficult-to-find pieces of vintage Black Memorabilia! All three Good Luck Elephant pieces are offered as a single group, priced at $245.00!
This pleasant diecut is in excellent condition and comes protected in an attractive, walnut-tone decorative frame!
A sweet piece!
This is a partial document missing its beginning and end pages, therefore, the name of the deceased slave owner and the date of the document is not known. HOWEVER, the document remains EXTRAORDINARILY RARE AND UNUSUAL as it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of Negroes, and secondly, proceeds to list the male slaves BY NAME, ALONG WITH NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00
Such documents listing ENTIRE SLAVE FAMILIES BY NAME is simply not found, as slaves were viewed as property, not individuals with rights and privileges who had wives and children, the whole of which, constituted a family. It would indeed be a phenomenal piece of history to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a listing makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.
The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.
The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
The origin of this sign is unknown, but given its very substantial size and weight, it likely once hung as a directional sign in a major bus or railroad station, designating the "WHITES ONLY" area where African-Americans were required to sit or stand.
The subtly convex sign has had no restoration and remains in all-original condition. It bears areas of paint loss, scratching and superficial rusting (some areas larger in scope than others) typical for its age and use as noted in photos. Please view photos for further assessment of the sign's condition. The age and use-related signs of wear do not impact the physical integrity of the sign and are more than appropriate to the age and purpose of the piece.
An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history!
Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.
The CZAR Baking Powder card is SOLD. It was printed by the Empire Lithography Company, Pearl Street, New York, and is so marked at the bottom of the front side. This card is brilliantly colored with a phenomenal graphic of a Mammy and her son admiring an utterly huge loaf of bread which presumably owes its immense size to CZAR Baking Powder. The reverse side carries a testimony by a Yale College professor attesting to the wonder of the CZAR product which is manufactured by Steele and Emery Company of New Haven, Connecticut. The card measures 3 inches x 4.75 inches.
The MISFIT Clothing Company card is copyrighted 1898 by J.H. Bufford Company in the lower right front corner. In the upper left corner, the card is entitled "In the Land of Cotton" and features a wonderfully detailed scene of African-American families working the cotton fields with a large cotton gin looming in the background. The card measures 2.75 inches x 4.50 inches. The reverse side is an advertisement for Misfit Clothing sold by the J. Bamott & Company of Washington Street, Boston.
The Welcome Soap advertising card also measures 2.75 inches x 4.50 inches and is entitled "Photography Under a Cloud". It features a fabulous litho of 5 African-American boys with exaggerated facial features who are attempting to take a photograph using an early camera. The litho is marked in the lower right corner "Bufford, Boston". The reverse side further advertises WELCOME SOAP and features two shaking hands.
All three trade cards are in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The cards have no rips, bends, or fading. The back sides of the Czar card and the MISFIT CLOTHING card have glue stains.
These rare trade cards would be stunning matted and framed as a group!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
GOLD DUST Trolley Signs are a very rare find in today’s market as they were made of cardboard, a material much less likely to withstand the test of time as opposed to tin advertising signs which were much sturdier!
This Gold Dust trolley sign features the Gold Dust Twins dressed in ruffled, red skirts emblazoned with the words “GOLD DUST”, busily scrubbing the front porch and the kitchen in a vigorous attempt at “Spring Cleaning”. The colors featured in this trolley sign are just stunning—greens, pale peachy-colored orange, pale blue, and yellows with white apple blossoms and red tulips flowering in profusion!! To the left of the Gold Dust Twin scrubbing the front porch, sits a large box of Gold Dust Washing Powder. The advertisement proclaims in black-outlined, peachy-orange lettering: “For Spring House Cleaning”.
The condition of this trolley sign is truly quite fine. Colors are very strong and consistent throughout; please ignore the various glass reflections seen in some of the photos- they were unavoidable and do appear to make the colors appear a bit faded—which is inaccurate! The sign is free of rips or tears although it does have two, early, fold-creases – one running from top to bottom of the sign along the left side of the pail and between the “O” and “L” in “GOLD” and the other vertical crease on the very right edge of the sign, running through the stove in the kitchen to the “T” in “DUST”. The creases are very unobtrusive and do not detract from the wonderful, colorful imagery this sign conveys.
An unusual opportunity to acquire a very RARE piece of Black Americana!!
The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through her neck (see photos).
Condition is mint, and the piece is signed on the bottom of her right foot: “Hand Painted Lenwile China Ardalt Japan 6530 B”.
Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!
Please see the equally-difficult-to-find companion piece also available - the Black Boy Child Clown Nodder by Ardalt, Japan!!!
Her cute face is composed of pearl button eyes with red fabric mouth. She wears a flowered bandanna and a pale blue apron over her pale blue patterned dress. Her clothes are odor and stain free and are nicely constructed--note fancy sleeve detail!
Just love her size!!! Odor-free---- ready to be displayed in your collection!! She is one of 3 offered bottle dolls all coming from the same estate--and all priced separately.
Measuring 5 1/8 inches tall with soap dish attached, Mammy's colors- her deep red dress, mustard yellow shawl, and yellow and red polka dot head scarf- remain vibrant and brilliant with a wonderful old patina! Her face features large, dark eyes and a smiling, red mouth.
The soap dish is designed to be removed, and its anchoring cast iron peg fits into a hole atop Mammy's head. The exterior of the soap dish is cast to resemble a wicker laundry basket and is painted a slightly lighter-toned, mustard yellow.
A delightful, vintage piece of early Black Americana in premium condition!