Catalog: Archives: Collectibles (190)

Offered is an 1809, Augusta, Georgia, slave document - a Bill of Sale between John Woolfolk of Edgefield District, South Carolina, to Thomas Cumming of Augusta for a total of three slaves, all of whom were related: an adult woman named Judy, who was a seamstress, and her two children, Eliza and Edward.

This document is quite unusual in that it was generally atypical that slave families were permitted to remain together when a slave sale was conducted, regardless of the age of any children involved.

The single page, 15.5" wide x 19" long document was folded in half by its author, and the bill of sale is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into thirds, and the title of the document was written out: "Bill of Sale John Woolfolk, Edgefield District. S.C. (South Carolina) for Judy- a Seamstress Edward (and) Eliza her children".

The text of the Bill of Sale reads as follows, First Paragraph:
"Augusta the 8th June 1809, Received from Thomas Cumming, Six hundred Dollars, being the consideration money infull for the following negro slaves sold and delivered to him this day. Judy a woman of about 21 years old Edward a Boy of about three years old and an infant female, named Eliza, Both Children of the said Woman Judy, which Said three negroes, Judy, Edward and Eliza, I do hereby warrant and defend against the claims of all persons whomsoever"

Second Paragraph:
"Given under my hand and seal the day and date first above written."
"John Woolfolk"

Condition of this slavery document is quite remarkable given its 213 years of age! Expected age-related discoloration of paper and slight (approx 3/4 inch)paper split at one end of one fold only. (see photos)

Offered is an extraordinarily rare, 1787, Fairfield, Connecticut, Bill of Sale for five SLAVES owned by Ephraim Willard of Fairfield, sold in November 1787 to two brothers, Ebenezer Whiting of Savannah, Georgia, and Bradford Whiting of Fairfield, Connecticut. The two Whiting brothers then resold these five slaves three months later in February 1788, to Thomas Cumming of Savannah, Georgia.

Also included with the 1787 Bill of Sale are three other Cumming's family documents, two measuring approximately 2"L x 8" W, and one 14"L x 8"W (see photos for condition). They are: an 1815 Receipt from Thomas Cumming to Richmond County, GA, for a $25 payment in taxes; a Dec 8, 1848, Receipt from Henry Cumming of Augusta, GA, a son of Thomas Cumming and a very prominent figure in 19th century Georgia politics, to George W. Crawford, Agent of the Bank of Augusta and Henry's law practice partner, a promise to pay on "the first day of January, 1849,"..."one hundred and three dollars for value received in house rent"; a 28 page 1812 Land Dispute document, Superior Court of Chatham County, GA, executed by Thomas Cumming btwn J. Knowle Fanning and the Joseph Clay Sr estate (Thomas Cumming's father-in-law).

The 1787 Bill of Sale is a single page, 7.5" wide x 12" long document, with text written on both sides of the document. Condition is quite remarkable given its 235 years of age!(see photos) Expected age-related discoloration of paper and some very slight paper loss in center of document ONLY noticeable when doc is held up to light.

The text of the 1787 document reads as follows, Paragraph one:
“Know all Men by these Presents that Ephraim Willard of Fairfield and State of Connecticut for and in Consideration of one Hundred and Sixty Eight Pounds Lawful Money Rec. (Received) to my full Satisfaction Of Eben,, (the double comma “,,”representing an abbreviation for Ebenezer) Whiting of Savannah of the State of Georgia & Bradford Whiting of Fairfield and the State of Connecticut do give, grant, bargain sell & Deliver unto them the said Eben,, Whiting and Bradford Whiting One Negro Man Named Peter Aged about Twenty one Years old, and his Wife Named Cate about Twenty Six years old, and her Two Children one a Girl about Five Years old, and the other a Boy about Eighteen Months old, and one other Negro Woman Named Vilot about Twenty One Years old.”

“To have and to hold the above granted the Bargainer Premises with the appurtenant thereof unto them the Said Eben,, & Bradford Whiting their Theirs Executors And Administrators and the Said Ephraim Willard do for myself my heirs Executors and Administrators Covenant with the Said Eben,, & Bradford Whiting their heirs Executors and Administrators that I am Now the Soul and Lawful Owner of the above Granted and Bargained Premises, and That I have said Right to Sell the Same as aforesaid, and that the same are free of all Incumbrances whatsoever -and I do by these Presents bind myself my Heirs Executors and administrators and assign forever against all claims and Demands whatsoever in Witness whereof I have hereunto Set my hand and Seal in Fairfield this Twenty first Day of Nov,, (November) in the Year of our Lord One Thousand Seven Hundred and Eighty Seven~ Ephraim Willard”
(Witnesses?)
Jonathan Mattbig
Ebenezer Dimon

“Savannah, February 23 1788. I have Sold the five Negroes, mentioned in this Bill of Sale to Thomas Cumming of Savannah, for which I have received a consideration to my satisfaction~”
Ebenezer Whiting
Bradford Whiting

A bit of History-
Slavery in Connecticut:Connecticut, in 1848, was the last New England state to abolish slavery. The state's city of New London was one of the New England port cities that was an integral trading partner in what is generally referred to as “The Triangle Trade”- between New England, the West Indies, and the African Gold Coast. In this triangular trade, molasses produced in the West Indies from sugar cane was sent to New England, New England sent rum made from this molasses to Africa in exchange for enslaved people, and the enslaved were sent to the West Indies to work the sugar cane plantations that produced the molasses, maintaining the prosperity of the northern colonies through the 18th century and into the 19th.

Thomas Cumming: Thomas Cumming, to whom the above five slaves were sold in Savannah, Georgia, in 1788, was born in Frederick, Maryland, having moved to Georgia as an adult. In 1787, the year before this purchase, he married Ann Clay, the daughter of Joseph Clay, a wealthy owner of multiple Savannah-area rice plantations. It is hypothesized that Thomas purchased these slaves in conjunction with or for his father-in-law. At some point in the 1790s, he moved his wife and children to Augusta, and served as Augusta’s first mayor upon its incorporation in 1798. From 1819 until his death at age 68 in 1834, Thomas Cumming was President of the Bank of Augusta.

Offered is an incredibly RARE, undoubtedly one-of-a-kind, authentic, 19th century, slavery artifact!

This incredible slave collar speaks for itself, opening yet another small window into the history of African-American slavery. The collar is labeled with the enterprise's business name, Ross and Drum, out of Florence, South Carolina (SC), and is dated 1846. This enterprise was likely involved in the trading and auctioning of African-American slaves given its pronouncement of the phrasing "Negroes &" on the metal plate of the collar. The "&" likely implied the service of selling all "other" manner of estate "property" from land to livestock. Slaves- or Negroes as they were commonly referred to in the "slave states"- were considered "property", not human beings.

Measuring approximately 33 inches in length, the collar band is constructed of thick, sturdy leather, upon which is fastened a brass-appearing, engraved plaque, with ten, hand-forged, iron links forming the chain. Two circular, iron loops appear at either end of the leather collar. The collar weighs a hefty 1.6 lbs.

The slave collar plaque, ironically, is decoratively etched and features two crosses and two Masonry symbols, along with other symbolic engravings.

A stunning and important museum-quality offering without question!

Offered is an extremely RARE 1861 Slavery Manumission document from Norfolk, Virginia, executed for A. A. (Alexander Augustus) Cowdery and referencing his slave, George Danley.

Measuring approximately 10 inches long x 8 inches wide, this extraordinary and historical document is handwritten and was executed on April 29, 1861, just 12 days after Virginia chose to secede from the Union on April 17, 1861.

The document is in excellent condition save the fold marks; this document clearly has been stored in this folded state for the past 153 years. It is suitable and ready for archival preservation- appropriate acid-free backing and matting materials with framing. In the upper left hand corner, the local stationery store's embossed imprint is visible and reads: “S & P Lawrence Superfine”.

The text of the document is as follows:

“Know all men by these presents, that A A Cowdery, of the city of Norfolk, for and in consideration of the faithful services of my negro man George Danley, do hereby emancipate and set free the said negro man George Danley and absolve him from all claim to my service; and for the consideration aforesaid hereby warrant unto him his freedom against the claim of myself and of all persons whomsoever to witness my hand and seal at the city of Norfolk, this 29th day of April 1861.”
A A Cowdery (SEAL)

“City of Norfolk, to wit
Simon S. Stubbs (sp?) a Notary Public in the city aforesaid in the state of Virginia hereby certify, that A.A. Cowdery, whose name is signed to the writing above (?) bearing (?) date on the 29th day of April 1861, has acknowledged the same before me in the city aforesaid. Given under my hand this 29th day of April 1861.”
Simon. S. Stubbs
Notary Public

Truly an extraordinarily rare piece of historical ephemera documenting a tiny light shining within a very dark period in American history. If only the circumstances and "story" surrounding the execution of this document were known today!

Some relevant family history that was very kindly provided by extant Cowdery-Taylor family ancestors:
Alexander Augustus Cowdery was born May 11, 1817, in Norfolk, Virginia, the son of Jonathan Cowdery of Sandisfield, Berkshire County, Massachusetts, and Elizabeth Reddick of White Haven, England. Jonathan Cowdery was a career physician surgeon in the United States Navy, serving until his death in 1852.

Alexander Augustus Cowdery was uncle to Walter Herron Taylor, who served as Lieutenant Colonel in the Confederate Army as Aide-de-Camp and then Adjutant-General under General Robert E. Lee, becoming one of Lee's most trusted aides and an intimate friend. Taylor later authored two works documenting his wartime experiences: "Four Years With General Lee" and "General Lee, His Campaigns in Virginia, 1861-1865".

This very rarely found, 19th century, iron, hand-forged, Child SLAVE Rattle Shackle measures a diminutive 2 3/4" high x 2 1/2" wide. The interior diameter is only a tiny 2 inches wide, and thus able only to fit the wrist of a very young or tiny-framed child. This came from the collection of a Charleston, South Carolina, collector who purchased the artifact years ago out of a Charleston area estate that was once a thriving rice plantation in the 18th and 19th centuries.

The sides of the rattle shackle are constructed of lateral “pockets” each containing one small, iron orb that would “rattle” when the wearer would move about.

Because this particular type of rattle shackle does not have iron loops or openings to “thread” iron chain through, it would have been attached to the ankle or wrist of a very young “house slave” who worked strictly inside the plantation house and thus was under very close supervision by the plantation owner and/or family members.

All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its very small size!

Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.

Once part of the Middle Passage Museum benefactor's inventory, these authentic and extraordinarily RARE, Slave Ship shackles have been de-accessioned from the personal collection of the museum's anonymous Georgia benefactor who is cited below.

These iron, hand-forged, 19th century slave ship shackles were purchased back in the early 1960’s out of a family estate in New Orleans, Louisiana, whose 18th and 19th century ancestors were involved in the slave trade. The shackles remain all-original and untouched with fifteen very heavy chain links that vary in size, measuring a total of 40 inches in length when positioned in a straight line. The cuff size is enormous with diameter measurements of 4.75 and 4.25 inches each; the heft and weight of each cuff is quite impressive. This very weighty set was designed to immobilize when the two circular links were attached to another locking shackle on the interior wall of the ship. An utterly horrible, tangible testament to the malevolence of slavery.

The anonymous museum benefactor from Georgia kept this particular set aside from those items he had planned to donate to the Middle Passage Museum due to the rarity in opportunity of acquiring slave ship shackles---the only set he acquired in his many years of collecting which began in the early 1950's before the collectible field of Black Americana was popular or even socially or politically acceptable.

Also currently offered for sale and priced separately are a rarely found, 19thC Slave Rattle Shackle out of the Charleston, South Carolina area and a set of early 19th century, child/young adolescent - size, Slave Crab Rattle Shackles. Please type the word "shackles" in the search box on our home page to find these sets of shackles.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Offered is a very scarce, 1870s, Scotland Maker, Long Nose, Mid Spoon, Wood Golf Club with original finish!

This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!

This amazing club sports its original varnish surface and is offered in "as found" condition. The top of the club shows some loss of finish that is commensurate with an antique golf club. The darkening of the finish results a wonderful patina. The club displays a lovely elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 41 inches from the heel.

The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many years ago and has signs of gentle use.

A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!

Offered are an extraordinary and most rarely-found pair of early 19th century, child/young adolescent - size, Slave Rattle Shackles with one measuring approximately 4.75 inches tall by 7 3/8 inches wide and the other measuring 5.25 inches tall by 7.5 inches wide.

The oddly-shaped, hand-wrought shackles each have two lateral "pockets" that contain pieces of metal or balls that “rattle” as the wearer moves about, thus indicating the wearer's location. This type of shackle is noted in historical references as a Crab Rattler Shackle due to its visual similarity to that sea animal. Each shackle has a pair of small chain links attached at the top. One shackle would have been placed on each leg, and a metal chain would have then been threaded through the attached rings and secured with a lock.

The age of these shackles is formally listed as 19th century, but could very well be older, dating to the last quarter of the 18th century. Condition is quite good given age and use. Please note the small hole present on the side of one shackle as noted in photo. All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its small size!

Also currently offered for sale and priced separately is a very diminutive child rattle shackle in an unusual form out of a South Carolina estate. Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.

Offered is a VERY RARELY found, 1890's, Black Memorabilia-themed trade card advertising Welcome Soap, a product manufactured by Curtis Davis & Company.

The advertising card measures 2.75 inches x 4.50 inches and is entitled "Photography Under a Cloud". It features a fabulous litho of 5 African-American boys with exaggerated facial features who are attempting to take a photograph using an early camera. The litho is marked in the lower right corner "Bufford, Boston". The reverse side further advertises WELCOME SOAP and features two shaking hands.

The trade card is in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The card has no rips, bends, or fading, and would be lovely matted and framed!

An extraordinarily RARE 19th CENTURY piece of Black Americana advertising featuring a fabulous graphic of 2 young African American painters holding a "White-Wash Boy's Hydrated Lime" box.

This product was produced by the lime manufacturers, Hatmaker and Place, of Canaan, Connecticut, in the late 1800s. This small company was located within a large "lime belt" that stretched from Connecticut to Vermont. Back in the day, lime powder mixed with water was quite commonly used to "white wash" or paint numerous surfaces, and it was also used as a medicinal disinfectant! The manufacture of lime from marble was one of the earliest and most successful mineral industries in Connecticut, with historical records dating the establishment of the first CT lime manufactory to 1722.

Given its age and the fragility of paper, condition of this wonderful box is quite good. The lower portion of the back side of the box evidences light surface wear with some of the printing on the lower portion of the box worn away as a result. The front of the box has a 3.25 inch long tear which resulted in the loss of the lime powder from the box.

This early piece of Black Americana advertising is EXCEEDINGLY RARE and may well be a ONE-OF-A-Kind item! The Hatmaker and Place Company was one of a number of very small manufactories located within the "lime belt" that were ALL bought out and immediately closed down by a wealthy group of investors who then created and incorporated the mammoth monopoly, The New England Lime Company, early in 1902.

This fabulous piece of Black Americana is NOT to be missed by the serious collector!

Offered are four, VERY SELDOM found, 1880's & 1890's, Black Memorabilia-themed trade cards priced at $40.00 each or all 4 for $140.00.

The AYER'S Cathartic Pills card is copyrighted 1883 in the lower right front corner by the J.C. Ayer Company Company, Lowell, Massachusetts. This card is brilliantly colored with a phenomenal graphic of the Black "Country Doctor" holding a small child who clutches an Ayer's Pills advertisement in her hand. The reverse side carries a testimony to the wonder of the multitude of curative properties of Ayer's Pills. The card measures 2 5/8 inches x 4 3/4 inches.

The 1st J.P. Coat's Company card is not copyrighted but is at the latest, a circa 1890's card, and features a smiling African-American boy seated on a spool of Coat's thread tickling a bright yellow shining sun. The card measures 3 inches x 4.50 inches. The reverse side is an advertisement for J.P. Coat's Fast Black Spool Cotton thread.

The Clarke's Spool Cotton Thread advertising card featuring an African-American boy beating a drum is sold.

The 2nd J.P. Coat's Thread card depicts a humorous scene of an African-American couple attempting to move a very stubborn mule. The card measures 3 inches x 4.75 inches. It is copyrighted on the reverse 1881 by Auchincloss & Brothers, New York. The reverse side advertises the myriad of J.P. Coat's products.

The final card is another Clark's Mile-End Spool Cotton advertisement that features a humorous lithograph of a well-dressed African-American man being tripped by a young Caucasian boy holding Clark's super-strong thread, and measures 2.75 inches x 4.50 inches. The reverse side is a continuation of testimony and advertisement for the product.

All trade cards are in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The cards have no rips, bends, or fading.

These seldom-found trade cards would look fabulous framed as a group!

As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.

Offered is an extremely RARE 1847 Slavery Manumission document from Knox County, Tennessee, executed for Richard Dunn and referencing his slave, Eliza, and her three children, William, Nancy, and Mary Elizabeth. Archived 1842 Tennessee Early Tax List records indicate that Richard Dunn owned 302 acres of land, was employed in agriculture and owned one slave valued at $400 in that year; perhaps this slave was Eliza (pre-children).

Measuring approximately 12.5 long x 7.75 wide, this extraordinary and historical document is handwritten and appears to have been scribed by an individual other than the slave owner, Richard Dunn, as Mr. Dunn's signature is simply a "mark" labeled as such with his first and last name scribed around his "mark". The document is in excellent condition save the fold marks; this document clearly has been stored in this folded state for the past 170 years. It is suitable and ready for archival preservation- appropriate acid-free backing and matting materials with framing.

The text of the document is as follows:

"Know all men by these present that whereas my negro woman named Eliza having a strong desire for freedom and so I Richard Dunn of the county of Knox and the state of Tennessee being in possession of said woman Eliza and three children named William, Nancy and Mary Elizabeth. Now this is to show that I the said Richard Dunn for and in consideration of a certain sum of money to me in hand paid to my full and perfect satisfaction do hereby renounce my own right the right of my heirs or the right or claim of all manner of persons whosoever the said Eliza and her heirs forever to have and enjoy all the rights and privileges of a free white citizen so far as the laws of the state will permit and with regard to the law in such case made and provided it is necessary to have such matters attended to in open court I hereby (if it should not be done in my lifetime) make it obligatory in my heirs executors or administrators (as the case may be) to have the freedom of the above named woman and her children secured to them forever so as to enjoy all the rights and privileges of free white citizens so far as the law of the land will permit."
"In witness whereof I have hereunto set my hand and seal this 7th day of Nov. one thousand eight hundred and forty nine."
Signed, sealed ?GC?.
in presence of us,
Andrew McCall
Elijah Dunn
Martha Dunn

Richard Dunn his mark

Truly an extraordinarily rare piece of historical ephemera documenting a tiny light shining within a very dark period in American history. One can only be hopeful that Eliza and her three children one day achieved the freedom that this document promised.

Once part of the Middle Passage Museum inventory, these authentic and extraordinarily RARE child’s slave shackles have been de-accessioned. These plantation-made, iron, 19th century shackles were once used on a Georgia plantation. They remain all-original and untouched with sixteen small chain links. These RARE shackles measure a total of 20 inches in length and retain their original iron key, a find that is virtually un-heard of! A horrible, tangible testament to the malevolence of slavery.

Also currently offered for sale and priced separately are a second set of rarely found, Georgia, child's, slave shackles (no key with this set) that is featured in the last photo. An additional set of ADULT shackles is also available. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered for sale.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Once part of the Middle Passage Museum inventory, these authentic and extraordinarily RARE adult’s slave shackles have been de-accessioned. These plantation-made, iron, 19th century shackles were once used on a Georgia plantation. They remain all-original and untouched with over 170 years of patina. Superficial rust is present with structural integrity unaffected. These RARE shackles measure a total of 29 inches in length with fourteen, worn, chain links. A horrible, tangible testament to the malevolence of slavery.

Also currently offered for sale and priced separately are two extraordinarily RARE sets of CHILD's slave shackles-- one set retaining the ORIGINAL KEY. This set of shackles is featured in the last photo. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Offered is a wonderful 19th century, antique, papier mache and wooden black mammy doll manufactured during the late 1800s. The doll has no markings to indicate the manufacturer, but it features a papier mache head with a wooden torso, arms, and legs. The face is hand-painted with wonderful detail, and it includes all of its original clothing which consists of a dress, apron, and kerchief. Overall the doll stands a diminutive 5 1/2" tall.

The overall condition of the doll is quite good. It remains in all original condition. The papier mache head is solid with no chips, cracks, or broken areas, and the hand-painted details are strong with little to no loss. The torso is solid and the arms are attached with no breaks. The legs have some damage to the wood. They have split near the top and have some small wood loss, thus, are held securely in place with a string that has been tied to them. The wooden center dowels are still present, however, and they can be repaired if so desired. The clothing is all original and is still in nice condition with no tears or holes, only some light fading and discoloration from age.

This fabulous later 19th century/early 20th century, wool, needlepoint sampler measures 19" wide by 17" long and contains many truly fascinating images that add to the mystery of the sampler’s origin: an American flag and a Royal crown, a Canadian maple leaf, numerous varieties of lovely flowers, two black children on a see-saw, a black girl with her hands on her hips, a center hall style colonial era home, a woman carrying a bag with her hand extended out to a little dog, "Jumbo" the elephant from the circus; a yellow Labrador Retriever, several cats, a rooster, horse, and winged bug, a doe and stag, a bird on a branch, 2 little children -- a girl and boy -- with their backs to us, the initial “S” repeated twice, what appears to be a Celtic design, and a cross with wreath.

One cannot help but wonder whether or not this sampler was completed by black female who was illustrating her life history which included involvement in the UNDERGROUND RAILROAD! The references to BOTH Canada (the maple leaf and the crown) and the US (the American Flag) along with the black images are rather curious, making this a very plausible theory! The sampler certainly depicts happy images of life within an affluent (Irish?) household. Hmmm…could this well-executed sampler have possibly been completed by an ex-slave?????

This magnificent sampler is in very good condition for its 100+ years of age. There is some running of the red wool yarns, most probably the result of a previous owner’s attempt to clean the piece. This likely can be removed professionally, although I do not feel it is a significant detraction and question the necessity of attempting to do so. The edges are a bit frayed, but there are no dirt stains, holes, tears, or repairs, and except for isolated areas, the needlepoint stitching remains in wonderful condition!

This colorful and mysterious sampler would be a thought-provoking addition to one’s Black Americana collection!

The 1852 publication of Harriet Beecher Stowe's, UNCLE TOM'S CABIN, caused an international sensation which prompted many potters in Great Britain to produce a plethora of objects depicting various scenes and sentiments from the novel.

One of the most distinctive pieces to be produced came from the Staffordshire pottery of Ridgway and Abingdon, and in time, came to be referred to as 'the slavery relief jug'.

The jug displays two very compelling scenes from the novel: the dreadful slave auction depicting a devastated and weeping, soon-to-be-separated slave family on one side, and on the other side, the fugitive slave, Eliza, fleeing north from enslavement with her baby in her arms across the ice floes of the Ohio River. A notable detail on the side of the jug depicting the auction- the broadside posted on the auctioneer's podium reads, "By Auction this Day a Prime Lot of Negroes".

In addition to these two scenes, the jug handle is decorated with the iconic image of the head and clasped hands of a slave (presumably Uncle Tom) in prayer.

The underside of the jug is stamped by the maker and is dated January 1, 1853, indicating that it was produced within just months of the 1852 publication of UNCLE TOM'S CABIN.

Made of Parian stoneware, the jug measures approximately 7 inches high, with an approximate 3.5 inch diameter mouth. The jug is in all-original and overall excellent condition. Two slight and tight hairline cracks are evident at the base and are best viewed by looking into the interior of the jug as their presence is much more subtle on the exterior and thus more difficult to photograph. One of these hairlines is present along the foot of the jug; the other occurs a bit higher up in acanthus leaves that border the baseline near the ice floes. A single, tight hairline is also present at the interior mouth near the handle (please refer to all photos). None of the hairlines affect structural integrity as they are quite tight; they are not atypical given the jug's 150+ years of age.

An exceptional and formidable piece of history, very rarely found in today's antiques market!

This stately, titled, English Staffordshire figure of a seated Uncle Tom and Little Eva was produced circa 1853-1855.

Inspired by Harriet Beecher Stowe’s 1853 publication of her controversial “Uncle Tom’s Cabin”, the figure depicts the gentle Uncle Tom holding his little mistress, Miss Eva, who is standing on his knee.

The figure is decorated in wonderfully vivid colors, measures 10.5 inches high, and is in very fine condition with the exception of expected and appropriate superficial crackling to the glaze.

It is titled “Uncle Tom” on the front base, and is referenced in Harding's Victorian Staffordshire Figures 1835-1875, figure 1090 (Book I).

An very exceptional piece of Black Memorabilia for the discriminating collector.

Offered is an extremely scarce, 1870s, Scotland Maker, Long Nose, Mid Spoon, Wood Golf Club with original finish!

This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!

This amazing club sports its original varnish surface and is offered in "as found" condition. The darkening of the finish results a wonderful patina. The club displays an enchanting elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 42 inches from the heel.

The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of gentle use.

A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!

Measuring just under 6.5 inches in width, this VERY RARE, 19th century, hand-forged iron, slave collar with unusual incised detailing was recently uncovered in Texas.

Complete with functional locking mechanism and -even more scarcely found- a working key, this seldom found piece remains in excellent, all-original condition and stands as a horrid, tangible testament to the malevolence of slavery.

The collar is constructed of two, hefty, separate, semi-circular pieces of iron that are hinged together via a thick iron pin that has a "head" on either end preventing the two pieces from separating. While the interior of the collar is plain, the exterior, very unusually, has been "decorated" with incised diagonal lines cut between horizontal, incised banding at the top and bottom of each piece (see photos). The collar, thus, opens and closes at only one end.

The collar is locked and unlocked via a hand-forged locking mechanism that, amazingly, retains its original key--- an extraordinarily rare occurrence today as typically the key has been long ago lost. The locking mechanism remains smooth and is readily operable. It is unlocked by fully inserting the key and slowly turning it to the right until the pin holding the lock in place is released. To lock, reinsert the open hinge into the lock and hold in place while turning the key to the left.

An excellent and rare example of an artifact of slavery- a material reminder of the malevolence and cruelty suffered by African-Americans in 17th, 18th, and 19th century America.

Those who are ardent collectors of the famed Florence Upton creation - the Golliwogg - recognize this 19th century, first edition, children's book as an extraordinarily RARE find indeed, very seldom available for purchase in today's market!

"The Golliwogg's Bicycle Club", published in 1896 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 2nd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.

This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 30 full-color illustrations and tells the story of Golly's world travels. Golly and his friends, suffering from boredom, create their very own bicycles out of tree-wood and then partake of marvelous adventures in Paris, Japan, Turkey and Africa!

The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

The book is in very fine but not perfect condition-- not surprising given the book's 114 years of age! Wear to hard-board-cover edges. Binding remains strong, but thread stitching securing pages to binding has weakened with the two, center-most pages separated from the others. Evidence of tape repair on these loosened pages present. Book is complete, with no missing pages.

Truly a fabulous find! The first time I have EVER had the pleasure of offering this wonderfully-rare children's book in my 26 years of dealing in Black Memorabilia!!

Measuring 4 1/4 inches in diameter x 1 1/8 inches high x 6 inches long, this fabulous, circa late 19th Century, solid brass Native American and African American SLAVE FACE Bowl is an extraordinarily RARE find! The craftsmanship and detailing of the bowl is superb!

It is quite the extraordinary find to discover any Black Memorabilia item reflecting the common but not widely acknowledged practice of interracial marriage among the indigenous Native American and the freed/slave African American population in 18th and 19th century Southern New England coastal towns and cities that were part of the Slave/Sugar/Rum Trade Triangle of the era. Rightfully viewed as a museum piece, this finely-executed figural bowl is certainly reflective of a unique and little known aspect of African American as well as Native American History!

The bowl is in utterly pristine condition with no faults other than expected age patina to the surface. There are no markings on this piece which appears to be hand forged given the subtle asymmetry of the overall shape of the bowl as well as the detailing of the facial features.

This truly unique and rare item would be an important addition to the serious collector’s Black Americana collection!

This stately, titled, English Staffordshire figure of a seated Uncle Tom and Little Eva was produced circa 1855. Inspired by Harriet Beecher Stowe’s 1853 publication of her controversial “Uncle Tom’s Cabin”, the figure depicts the gentle Uncle Tom bouncing his little mistress, Miss Eva, on his knee.

The figure is decorated in underglaze black, measures 9 inches high, and is in perfect condition with the exception of expected and appropriate superficial crackling to the glaze, and a shallow and very tight, early hairline to the back of the figure at its base. It is titled “Uncle Tom & Eva” on the front base.

An very exceptional piece of Black Memorabilia for the discriminating collector.

Circa 1880’s, this extremely rare, Log Cabin Cigar Tobacco Box with its fabulous, all-original, color lithograph is in just wonderful condition given its 120++ years of age!

Missing is much of the green liner paper to the box interior as well as the lower portion of the exterior brass latch. Additionally, the cabin lid has detached from the base although all aspects of the brass hinges appear to remain intact. Otherwise, this rarely found Black Americana Log Cabin Cigar Box is in marvelous condition, and the fabulous color litho adds to this piece’s value!!!

The log cabin measures 8 inches long x 5 inches deep x 5.5 inches high.

The wonderful litho which served to advertise the cigars feature a jolly black family singing and dancing as they all – with the exception of the youngest child – enjoy a cigar! In the lower right corner of the litho “Neuman Publishers NY” is partially obscured; in the lower right corner the words “Trade Mark Frey Bros NY”.

An extremely RARE, high quality, Black Americana collectible for the distinguishing collector!

For those interested in collecting vintage school memorabilia, no such collection can be considered complete without the inclusion of the extremely RARE Silica Book Slate.

Bound just like a typical book, this slate was unique in that it was extremely lightweight and offered multiple surfaces on which to complete one's studies (a total of six writing surfaces including interior front and back covers and two interior pages!!). Due to the fragile nature of construction as well as the vigorous use all school slates experienced, not many of these rare slates survived.

Measuring 5 1/8 wide x 8 3/5 long (closed dimensions), the front and back boards are covered with fabric that is embossed with the name of the slate (Silica Book Slate Quartz Surface) and manufacturer info (New York Silicate Book Co).

The interior pages retain some writings that indicate that someone actually used this slate to record information as late as the 1970's!!

A simply wonderful gift for the educator!!

Offered is an extraordinarily RARE, pre-Civil War, Negro slave document from Decatur County, Georgia, dated May 1837.

This document is an exceptionally rare piece of historical ephemera in that it is the actual, formal and legal lawsuit filed by slave owner, Esther Miller, along with 25 other named male citizens of Decatur County, Georgia, against one Cader Powell for the "offense of beating, whipping, and assaulting a slave without sufficient provocation."

The document goes on to state that Cader Powell assaulted "a certain male slave named Issac (property of Esther Miller) with sticks, fists, cow pokins, and other dangerous weapons and then did unlawfully whip beat him, so that the healthy body of service of said slave was greatly injured without sufficient provocation being first given by said slave to the great annoyance of the said Esther Miller, the lawful owner of said slave..."

While one would like to think that this formal lawsuit was filed as a result of the tremendous outrage against humanity felt by the 26 parties bringing the suit, one has to consider that this lawsuit was more likely filed due to financial considerations--that the cruelly assaulted slave, Issac's, monetary value as owned, usable property was greatly diminished as a result of his beating. It is quite reasonable to infer that the slave, Isaac, suffered permanent physical injury as a result of his beating and that his monetary worth was thus, permanently devalued.

Regardless of the motivation behind the filing of the lawsuit, to find such extant documentation describing the conditions of southern slavery as well as the objection of slave-owners to the cruel and inhumane treatment of a slave is rare indeed.

The document remains in excellent, all-original condition. It measures 7.75 inches wide x 9.75 inches long.

Published in 1876, by McLoughlin Brothers, New York, this extremely rare publication in the Uncle John's Drolleries series is a variation on the Ten Little Niggers story. (Both tales are highly derogatory and quite politically incorrect!)

Measuring 7 3/8 inches wide x 10 3/8 inches long, the book is illustrated in brilliant color with 8 full page chromolithographs. McLoughlin Brothers Publishers were re-known for fabulously-executed illustrations.

Condition: Good-- for its 134 years of age! Unpaginated. Paper covers. The book was stitched at the spine some time ago and this repaired binding remains tight. Several edge tears are present on the cover and to interior pages along with a heavy crease to the back page that is partially separated. These tears are evident in photographs. All original and complete--no missing pages.

Text: "One little nigger feeling rather blue, whistled out another nig and that made two. Three little niggers wanting one more, hadn't any trouble in getting number 4. Four little nigs not knowing how to drive, hired a colored coachman---that made 5. Five little niggers being calculating men, added one apiece, to make their number 10. Dis colored chile am done, dat sum; Five and five's ten---and now's gwine hum."

A must-have for the serious Black Memorabilia collector!!

A powerful piece of Black Americana, this original and seldom-found, 1897, photo lithograph entitled “Alligator Bait” is a stark reminder of the historic prejudice and racism suffered by Americans of African heritage.

Measuring 11 inches by 25 inches wide, the piece is signed in the lower right corner, "Copyright by McCrary & Branson 189_ Knoxville, Tenn.", with the numeral 7 gone due to missing bits of the paper edge. Research has documented the copyright date of 1897.

The condition is very fine and all-original including the wooden frame and wooden backing. The glass is a replacement. There is some minor water damage here and there along the lower edge as documented in photos which does not impact the image. Some minor paper edge loss is noted in photos.

Indeed, an extraordinarily powerful and historic piece!

Measuring 25.5 inches wide x 22 inches high in its original oak frame (the artwork itself measures 19.5 inches x 16.5 inches), this extremely rare, museum-quality example of American Folk Art with Deep South Black Americana theme, features the unusual combination of stenciled (?) cotton, crewel stitch-work, and oil and watercolor painting to achieve its phenomenal look!

Cheerily entitled, “Down Where The Cotton Blossoms Grow”, the scene encapsulates a moment in time in the life of poor, southern, Black folk living as part of a tenant farming family in a wooden cabin at the edge of a expansive cotton field. A young, barefoot black boy and his graying mama are caught in a happy moment smiling and dancing next to a freshly-picked burlap bag of cotton.

This artwork has been completed on a tightly woven piece of tan cotton, with the outline of the basic design either pre-stenciled or hand-painted with black India ink. (Without removing the piece from its frame and examining it under the stronger power of a microscope, this is difficult to determine.)

The artist then used watercolors to paint in the broad areas of color prior to using embroidery cotton and silk thread to stitch the title, and to outline the trees, the landscape, the wooden cabin, the two black figures and their clothing, etc. The final touch was to paint in the cotton blossoms and aspects of the folk’s facial features with a white oil paint. The result is a larger scale, utterly charming Folk Art Black Americana scene!

The condition of the piece, which is framed under glass, is excellent with no staining, tears, or other damage to the cotton fabric. The original solid oak frame shows some scuffing and subtle traces of paint. The original wood backing remains as well as several original square head nails.

This piece is truly a unique example of traditional, late 19th century, American Folk Art! Coupled with its Black Americana theme, this artistic rendering is a rare and precious offering!

Measuring 11 1/4 inches wide x 14 ¼ inches high, this wonderful, subtly colored, all original, Cream of Wheat puzzle featuring the ever-smiling Rastus holding a scythe in a wheat field is a based upon the 1907 advertising lithograph entitled, “What shall the Harvest be?”

The character of Rastus was based on an actual person- a black waiter from Chicago- who was paid $5 for the use of his image by Colonel Mapes, the General Manager of the Nabisco Company, the owner of Cream of Wheat. The company began using the waiter’s image in the early 1900’s, replacing the original woodcut of a black chef that appeared on the packaging from 1894 until that time. Interestingly from a social and historical perspective, the depiction of the ever-pleasant, always-smiling Rastus was both a subtle yet positive departure from the extremely derogatory advertising much more typical of the era- advertising that nearly always featured blacks with wildly contorted and exaggerated features most often in very undignified poses and predicaments.

This beautiful, rarely-found puzzle, which is in excellent condition, is attractively framed in a hardwood molding colored in walnut, ebony and gold. The puzzle frame is original to the puzzle, and it is contemporary to the production date of the puzzle as it still retains its original wood panel backing, a framing technique not typically found after 1910. The puzzle pieces, themselves, are very finely and delicately cut, and are of a much smaller size than what is typically found in puzzles dating from the 1920’s and beyond.

A phenomenal piece that would be a centerpiece to any serious Black Americana, Advertising, or Cream of Wheat collection!

PLEASE NOTE: Any discoloration, white spots, or other unnatural variances in color are due to the unavoidable light reflections caused by the glass in the framing. The presence of the glass made photography quite a challenge!

A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!

Measuring 13 inches tall, this fabulous, highly-detailed, circa 1900, folk art, cloth doll is reminiscent of William Shakespeare's era! Shall we call him Othello?

Dressed in a machine-stitched, worn-in-places (see photos), black velvet pants and shirt complete with red chain stitch accenting, the doll, Othello, also sports an original and very well-worn red velvet hat and a very frail, pair of original, black leather shoes.

Othello's face is interestingly expressive with hand-stitched black eyes and eye lashes, hand-sewn, red satin lips, and a three-dimensional nose! His hair is fashioned from wool yarn which has selectively faded in places resulting in a salt and pepper look of light tan and black.

Othello's body is fashioned of firm, cotton-batting-stuffed, black sateen cotton that has been machine stitched. As indicated earlier, Othello's red velvet gathered hat or beret is quite delicate in condition with wear, fading and splitting of the cloth quite evident (see photos). His right leather shoe remains firmly tied in place despite the wear evident to it (see photos) and only one half of the left shoe exists (again, see photos). Othello's neck has also experienced some loosening over time from the vicinity of his shoulders making his head wobbly when not supported. This can be repaired-- or not -- if desired by the new owner.

Despite his flaws, Othello, given his approximate 111 years of age, remains a beautifully-fashioned and an historically-interesting example of a folk-art-inspired, black cloth doll fashioned over a century ago to appeal to upper class clientele of the turn of the twentieth century, given the very fine attention to detailing evident in both his crafting and creation.

Measuring 10 inches long, this fabulous and rarely-found, all-original, C1900, cast iron, MAMMY Memo Board actually still retains its original pencil, which is labeled "MAMMY MEMO Made in USA No.370"!

This cast iron piece retains a majority of its original paint, and the bug-eyed caricature of Mammy is suggestive of turn-of-the-century manufacture. This memo board is heavy and hefty and is, not unexpectedly, missing its paper pad. This wonderful piece also reveals its manufacture origin on the reverse side indicating Holyoke, Massachusetts, origin (see photo). Mammy may either be displayed propped up on a shelf, or she can be hung via the original hole in the top of her kerchief.

This cast iron Mammy memo board in such fine condition rarely surfaces in today's collecting market. It is the precursor to and model for all subsequent Mammy memo boards that were manufactured much later on in a variety of materials--plaster-of-Paris, wood, and plastic.

Truly a must-have for the collector of Mammy or Aunt Jemima collectibles!

This exceptional, one-of-a-kind, circa 1900, cloth doll was made and designed by Ruie Ann Park, a Van Buren, Arkansas, Civil War History author who wrote “Civil War Letters of the Shibley Brothers, Van Buren, Arkansas”.

This extremely rare SAMPLE doll was, at one time, exhibited by Mrs. Park at a Van Buren drug store for marketing purposes--orders would be taken at the drug store based upon her sample doll or dolls that were displayed.

This richly detailed, finely executed doll wears 2 authenticating cloth tags (see photos) that attest to this doll’s provenance; one tag is a hand-inked-in-script tag sewn to the base of the doll’s apron that reads “Sample”, and the other is a machine-printed tag that is stitched to the waist band of the apron and reads, “Designed by Ruie Ann Park, Van Buren, Ark., All Rights Reserved”.

This lovely, 13 ½ inch long, old black Granny doll has a delicately designed, serious looking face that has been carefully hand-etched in ink. Her curly gray hair pulled back into a bun at the nape of her neck is crafted from yarn, and she wears a small, proper brown cloth hat with pink banding. Her body is quite firmly stuffed with cotton, her hands are stitched to delineate her fingers and (separated) thumbs, and her outfit is machine-stitched and completely original. She wears unbleached, ruffle-edged, muslin pantaloons and underskirt. Her dress is cream colored cotton calico printed with black and pink flowers, and further accented with the most delicate, pink-trimmed, pink polka-dotted, lace cuffs and collar. Her unbleached muslin apron is trimmed with light pink ric-a-rac along its hem and single pocket. Her outfit is completed with black cotton stockings and authentically detailed black, lace-up leather boots.

This extraordinarily rare doll with her very unusual, documented provenance is in very, very fine condition! A truly superb Black doll beckoning to the most sophisticated of doll collectors! Also offered from the same wonderful doll collection is a circa 1920 black cloth doll named "Sallie"- another must-have!

Written by the author of "The Story of Little Black Sambo", Englishwoman, Helen Bannerman's publication of "The Story of Little Black Mingo" followed shortly thereafter, this time, featuring a brave and ingenuous female heroine. Little Mingo, with the help of a friendly mongoose, manages to outsmart both her guardian, an evil old woman who cares nothing for her, and a voracious alligator plotting to devour her! The story ends with Mingo and the mongoose living happily ever after in a nice little house by the riverside.

Helen Bannerman was inspired to write these stories for her two young daughters while the family lived in India; Mingo and Sambo were Indian children and not African-American. They were converted over time to this race, however, by subsequent story tellers and illustrators.

A mini book measuring 4" x 5.75", this cloth-bound hardcover was published by Frederick A. Stokes Company, New York, with 64 pages of vividly colored illustrations, and no copyright date. Research indicates this version was published circa 1902.

Condition is a 9 out of 10! This 120+ year old book has seen little use with just a teeny bit of wear to book edge points and age-related staining with some minor paper loss to the original, overlay-ed paper cover. Some soiling to interior pages here and there, but otherwise, intact and tight with no tears, creases, pen/pencil markings! Amazing condition for a book of this age!

A simply wonderful story, truly a fairy tale of sorts, that is seldom found in this lovely, original, early edition! To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Presented as an historical and cultural artifact, this extraordinarily RARE, very scarcely found, cloth book entitled Ten Little Niggers with Music was published in London, circa 1904, by Dean's Rag Book Co. Ltd. This registered issue is the very early No. 82 and was patented in Great Britain, Germany and the United States. The book measures 8.50 inches long x 6.75 inches wide.

The book tells the infamous story of ten little African-American boys who are gradually eliminated in number via one circumstance after another--most utterly horrid-- choking to death, chopping himself in half, being crushed by a bear, being swallowed by a red herring, etc, ending with the last boy sadly living all alone, a circumstance he happily remedies by getting married.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed, black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 113 year old book remains in all-original, very good condition with no alterations or repairs. Original binding and stitching remain quite tight and intact. Illustrated by R. J. (James) Williams, the interior illustrations remain very brightly colored. Pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. Some pages also show subtle water staining that has not impacted cloth integrity. No tears or rips to fabric.

This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is an absolute cornerstone piece in any serious Black Memorabilia collection!

To view other versions of this book presently available for separate purchase, please type the words "ten little" into the SEARCH box on our home page.

Measuring a diminutive 4.50 inches wide x 2.25 inches long x 1.5 inches high, this very early, metal, circa 1900, Diamond Match Co. box is very rarely found on today's market.

The box is in very good condition for its 100+ years of age with teeny tiny chips to the surface as noted in photos.

The box features an incredibly detailed graphic on its cover depicting an African-American family gathering around the patriarch as he readies to strike a match for the very first time.

Entitled "Their First Box of Drawing Room Matches. Paterfamilias: You chillin keep back deah! You want you heads blowed off'n you shouldus?"

A fabulously rare piece for the serious collector!