Catalog: Popular Collectibles: Memorabilia: Black Americana (181)

Measuring 5 3/4 x 7 3/4, this lovely, early, Pre-WWI, English or Continental origin, Black subject advertising die cut features two sweet, smiling, pretty young girls under a tattered umbrella.

This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone decorative frame! Likely originally produced to advertise a specific, product, store or location, but then was never utilized for that purpose.

A sweet piece, perhaps, one-of-a-kind!

Increasingly more and more difficult to find, this pot metal pencil sharpener was made in pre-WWII Germany in the 1930's.

Measuring 1.5 inches long x 1 inch wide, this sharpener depicts a derogatory caricature of a Black Man. The glaring eyes are painted a stark white with teeny black pupils, while the red painted lips surround the pencil sharpener blade which takes the place of the man's teeth. Curly molded hair and eyebrows are painted black, while the face is painted brown- inside and out.

The pencil sharpener is stamped GERMANY on the back inside.

Condition is very good with approximately 75% of the original paint remaining. There is no repaint! The paint is worn in expected areas, with the majority of paint wear seen on the sides of the face and bottom of the chin where one would grasp the sharpener. Facial feature paint is strong.

Germany apparently made a good steel blade as the sharpener still works!

Measuring 9 x 12 inches, this all original, 1930 Copyright sheet music features a fabulous cover graphic that would be magnificent framed!

Great condition with some corner wear, but please note that all pages have completely separated from the center seam so are no longer in "booklet" form. No missing pages though!

A difficult item to find in today's market!

A wonderful and extremely RARE, 1st Edition, hard cover book by Carolyn Sherwin Bailey, copyrighted 1938 by Platt and Munk Publishers and measuring 6.50 x 8.25 inches. Platt and Munk Publishers, like McLoughlin Publishers, were widely known to employ the most talented illustrators of the time period. Platt and Munk books are highly sought after for this reason.

Fabulous colored and black and white illustrations (see photos) adorn this 26 page book! The book features the adventures of a little Southern boy who lives with his gran'mammy and gran'daddy in a log cabin set down in a cotton field.

Interior pages are in very nice, near mint condition, are clean and bright and are tightly bound together. The only intrusion is a former owner's name, "Weaver", written in blue ink on the interior cover page (see photo). The hard bound cloth covers are in fine condition, with very, very slight wear to cover spine edges and book corners typical of a book of its age. This is a verified first edition as later editions had the cloth board without the color pastedown. Illustrated on every page, alternating color and black and white. This copy includes a worn, tattered, but nearly complete dust cover, which accounts for the pristine condition of the front and back hardcovers.

A very charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!

Offered is the extremely rare, circa 1930s, children's toy sand pail, marked "HappyNak Seaside Pail No4, Made in England" along the folded tin seam of the pail. This darling toy pail clearly had very limited production as it rarely appears on the antiques market for sale, nor can it be readily found in the many existing Black Americana or Black Memorabilia reference books or online sites.

Measuring a diminutive 3 1/2" high excluding the bale handle and 5.75" high including it, this adorable tin pail features colorful graphics of five little golliwoggs playing kickball! The interior and base are painted a bright sky blue while the interior base features a copper color finish over the tin.

The pail has with very minimal wear, with tiny bits of paint loss noted at each entry point of the bale handle into the pail. Some bits of paint loss are also noted on the rim, and there is crackle to the finish, rating it an 8 out of 10.

A very rarely found and quite visually appealing piece of Black Memorabilia!

To see other Golliwogg items currently being offered, enter "golliwogg" into the SEARCH box on our home page.

This wonderfully rare, 1920s piece of Black Memorabilia ephemera is in utterly fabulous condition!

Measuring 7.50 inches long x 3.25 inches wide, this Belgian cigarette or cigar, heavy paper/cardboard box features a fabulous litho of a very dapper Black Gentleman smoking one of the "JOHN" cigarettes. Its small size offers many options for display including framing for shelf or wall enjoyment.

A truly scarce find in phenomenal condition!

This unusually diminutive, vintage, C1920s, Black Valentine Cupid die cut is protected in a 4 x 6 inch, decorative wood frame, surrounded by a gold foil mat featuring white foil roses. Additional tiny die cuts of pink roses are placed at each corner.

This adorable, smiling Valentine cupid die cut is in very good condition. Two very teeny fold lines are present that are very difficult to see unless using magnification (see closeup photo) - one in the left arm and another in the left wing. Otherwise, perfect!

A very unusual, vintage, Valentine's Day find!

Measuring 23 inches long x 4 inches wide, this circa 1960's, sweet, little black man, sewing caddy is constructed primarily of felt with metal and plastic decorative detailing.

Quite multi-purpose in nature, his legs hold spools of thread, and under his red vest, he hides a pincushion (his chest) along with 2 felt strips for needle and pin storage (his arms)! Four decorative plastic rings can be used to hold safety pins! He also sports a ring on the top of his hat to allow one to hang him on the wall.

Condition is quite fine! No rips, stains or tears with just some subtle fading to his green felt bowtie and black face and legs--all age-related. He has two, insignificant moth holes on the BACK of his red vest.

Handy to keep by the sewing machine, but also just a delightful, vintage, Black Memorabilia whimsy to decorate your sewing room!

Having conceived of the revolutionary idea of a lithographed, molded-mask doll face in 1901, New Yorker, Albert Bruckner applied for and was awarded the patent for his idea that same year. All Bruckner dolls were then stamped, "PAT'D JULY 8th 1901" on the lower right neck edge.

From 1901-1924, Bruckner produced this original, 12" Topsy Turvy doll for Horsman's Babyland Rag Doll line that features Caucasian, "Betty", on one end and African American, "Topsy", on the other. The inspiration for this doll is based on the character of Topsy in Harriet Beecher Stowe's classic 1852 novel, "Uncle Tom's Cabin".

The Bruckner Topsy Turvy doll was advertised in a 1907 Babyland Rag Doll catalog as follows:

"TOPSY-TURVY---What is this?
Looks like just a pretty miss.
But turn her over and you'll find,
She is quite another kind.
First she's White and then she's Black,
Turn her over and turn her back.
Topsy that side--Betty this--
Yet complete, each little Miss."

The detail on this hard to find classic doll is lovely. Both heads indeed have the pressed, molded mask faces with lithographed features. Topsy's face is in mint condition! Betty's face is also in excellent condition with no superficial rubs to the flesh-toned coating of her mask; her lithographed facial features remain just beautiful!! (Such rubs are not unexpected as these particular doll masks are, unfortunately, very prone to rubbing. To find one of these 100+ year old dolls without such rubbing is quite rare!)

Grinning Topsy has red bows tied to her black mohair braided pigtails which are tucked into her red headscarf. Her red blouse, which matches her head scarf, is trimmed with cream banding around the sleeve and neck edges. The cream scarf she wears around her shoulders tucks into her very full, red/cream checked, gingham skirt. Topsy’s cream banding is lightly soiled and there is also some subtle fading to her red head scarf, most notably in the back. Flip her over, and....

Betty's more subtle Anglo face and her hair are lithographed. She wears the same red/cream checked gingham fabric of which both her dress and ruffled bonnet are constructed. Over her very full gingham dress, Betty should also wear a sheer, ruffled, white pinafore, however, it has been lost over time. Betty’s cream banding around each sleeve is also lightly soiled as are her hands.

Both dolls have the typical "mitten" hands of the stuffed rag dolls of this era. There are no other difficulties to report other than some tiny, stray (original) glue spots here and there. No rips, tears, or odors, and she has been stored in a smoke-free home. The 1901 Patent Bruckner Topsy Turvy doll typically carries a $650+ dollar price tag, but deductions to price have been levied to account for the minor imperfections that are noted in this doll.

The photos show it all- these two girls are a charming pair! A very difficult to find doll in such wonderful condition!

Also offered for sale is a COMPLETE 1901 Patent Bruckner Topsy Turvy doll with absolutely no soiling or fading. To view, simply type Bruckner into the SEARCH box on our homepage.

Presented as a historical and cultural artifact, this extraordinarily RARE, very, very scarcely found, cloth book entitled "Pickaninny ABC" was published in London, Patented March 7, 1905, Number 39, by Dean's Rag Book Co. Ltd. The book measures 8.50 inches long x 6.75 inches wide, and is the companion volume to the also exceedingly rare 1904 Dean's Rag Book, "Ten Little Indians" which I have had the pleasure to offer for sale only twice in my decades-long antiques career (see final photo for a cover shot of the companion Ten Little Indians book).

Each of these rag books were published as alphabet and numerical teaching tools for the very young children of the wealthier class who could afford to purchase books to furnish their children's home library as well as to support their early home-tutorial education.

While clearly overtly racist in title (pickaninny) and conceptualization ("A" stands for Alabama Coon, "P" stands for Pickaninnies), the book also promotes age-old stereotypes as well ("W" stands for Watermelon, "U" stands for Uncle Tom, "H" stands for Hen-Roost, "C" stands for Cake Walk, etc) that were, unfortunately, acceptable societal references at the turn of the twentieth century.

This 116 year old book remains in all-original, very good condition with no alterations or repairs. While the front and back covers exhibit significant age-related staining, the interior pages are significantly "cleaner" and the illustrations remain very brightly colored. Interior pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. The exterior binding has teeny spots of wear to the first layer of binding fabric which do not impact binding integrity. Top and bottom edges are subtly frayed.

This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is the first I have ever had the pleasure of offering for sale in my nearly 40 years dealing in this field! This is an absolute cornerstone piece to any serious Black Memorabilia collection!

Offered is a colorful, 1883, lithographed, Lime Kiln Club, Black Americana, Cigar Label by Mensing & Stecher of Rochester, New York (company noted in the lower left corner). The lithographed 8" x 6" label would have been placed on the inside cover of the traditional wooden cigar box of that era. This highly detailed label features a caricature image of a very boisterous group of African Americans at a lodge meeting. The moderator is trying to get order while some of the members talk and fight amongst themselves with one even holding a pistol.

A trademark label affixed to the bottom of a sour mash whiskey barrel, "ICMCo" stands for the Ithaca (New York) Cigar Manufacturing Co. for whom the label was made.

Interestingly, this cigar label was based on a racial parody book featuring a fictitious fraternal organization of African-Americans, titled 'Brother Gardner's Lime-Kiln Club' by "M. Quad". Quad, in actuality, was noted newspaper columnist and satirist, Charles Bertrand Lewis, of the Detroit Free Press.

Framed in an 8.75" x 10.75" silver-toned wood frame, this Lime Kiln Club lithographed label is extraordinarily scarce and highly sought after. It is listed as one of the top 100 blue chip cigar labels by "InStone 100" (a cigar label rating organization). The lower right hand corner notes the US Patent Office Registry date of May 22nd 1883. This 19th century piece would benefit from professional framing using archival, acid-free materials to enhance its life for many more years to come.

Condition: The color remains as brilliant as the day this 140 year old label was produced! Four unobtrusive and minor tears are noted: two in the lower left corner area, one at the center top near the moderator's gavel, and one between the K and I in Kiln. A crease is noted in the white margin above the label title, and a water mark is present in the lower right side of the white margin. However, none of these blemishes detract from this highly intricate lithograph! Take a few moments to carefully study all of the activity and detailing in this colorful piece!

Offered is this extremely RARE 1920's, cardboard, D.L. Clark Company, Pittsburgh, Pennsylvania, 120 count, BLACK JACK Caramel "PENNY CANDY" BOX which features a singing Black Dandy strumming a banjo.

Cardboard candy boxes with African-American themes remain EXTREMELY RARE finds in today's market due to their inherent fragile nature!!!

This wonderful piece is in very good condition with the expected aging, and edge and corner wear given its 100+ years of age.

The top left seam of the cover has the most edge wear of all areas of the box, and the bottom right seam of the cover has split (see photos for each), but otherwise, the box remains intact with no missing pieces! A very subtle crease runs along the top of the box cover above the word "CLARK", but it is indeed very obscure and difficult to photograph. Please note that the corner edge taping to all four corners of the box base is original manufacture meant to provide extra stability to that section of the box that held the weight of the candy. The box base is in near-perfect condition!

D. L. Clark Company History:

David L. Clark (1864-1939) was born in Ireland and came to America when he was eight years old. He entered the candy business working for a small manufacturer in New York. After three years as a salesman, he bought a wagon, horses and merchandise, and went into business for himself.

The D. L. Clark Company was founded in 1886 when Clark started manufacturing candy in two back rooms of a small house in Pittsburgh's North Side. He began selling his candy in the streets of Pittsburgh. During his lifetime, his company became a leading candy manufacturer.

By 1920, the D. L. Clark Company was making about 150 different types of candy, including several five-cent bars, specialty items and bulk candy. Clark was also manufacturing chewing gum in a building across the street from his candy factory. In 1921, they incorporated Clark Brothers Chewing Gum Company as a separate business.

By 1931, the candy bar business was so expansive that Clark decided to sell the gum company, and it was renamed the Clark Gum Company.

The D. L. Clark Company remained in the hands of the Clark family until it was sold in 1955 to the Beatrice Food Company who operated the company until 1983 when in turn, it was sold to the Pittsburgh Food and Beverage Company. In 1995, the Pittsburgh Food and Beverage was thrown into bankruptcy. The company was shut down for several months and its assets divested. Restructured as Clark Bar America, the company operated until May of 1999, when it was purchased by New England Confectionery Company (NECCO), the oldest candy manufacturer in the United States.

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring 8 3/4 inches long x 6 ½ inches wide, this very charming, circa 1920-1930’s key or pot holder hanger is entirely hand-made- and is a fabulous example of early American Folk Art!

Constructed of hand-cut, ¼ inch wide, black painted wood, this darling little black girl has hand-painted eyes and smiling lips, and is dressed in a hand and machine stitched, cloth-stuffed, one piece, black, tan and green dress! She has a hole in each ear, a metal hanging loop atop her head and one metal hook on each shoe for hanging keys or potholders!

She is in fine condition given her 70+ years of age and has great “patina”. Some minor paint loss, a few teeny holes in her outfit, but very visually appealing Black Americana Folk Art, none the less!

Measuring 6 1/4 inches high x 5 3/4 inches wide, this circa 1930's, VERY RARE, Japan made, Polka Dot Kerchief, Mammy Head String Holder is in near mint condition with no chips, cracks, or hairlines! Mammy is the mate to the Maruhon Ware Mammy series--Cookie Jar, Basket Handle Biscuit Jar, Teapot and related kitchen items-- all made with this same Mammy's face.

The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!

Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.

Measuring approximately 4 1/2 inches in length, this wonderful pair of hard plastic African Native dolls are dressed in highly detailed and decorated costumes. Circa 1940s, these all-original dolls with hand-painted faces are in very fine condition and make a striking pair when displayed!

The female is clothed in a green felt dress and head piece that are decorated with tiny blue and white beads. She wears double strand white beaded bracelets and anklets and also wears a double stranded white beaded necklace with a large red bead center. Underneath her dress in back a tiny head peeks out- a little plastic baby that she is carrying!

The male is clothed in a brown and red polka dotted skirt with 2 fur pouches, and a fur headdress. He is swathed in longer strings of beads that encircle his waist and also run diagonally across his chest. He, too, wears a double stranded beaded anklet and necklace. Larger Red beads hang from the sides of his dress as well as from the 2nd fur pouch that hangs behind him.

The arms and legs are movable at hip and shoulder joints of each doll. The Male has the following in raised lettering on his back: P. M. and J. H. B. The remainder of the marking is obscured by beading and clothing. No other markings are visible.

A visually striking pair!

Measuring 12.25 inches long x 8 inches in width, this two-sided, 19th century estate document listing all of the worldly goods of LEWIS MATTAIR is de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below). The document is undated but is estimated to be circa 1865-66 based on current research of federal and state archival documents.

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

A simply fabulous and extremely rare, circa 1870-1880's, solid brass, Black Americana SLAVE FACE BOWL!! A striking image!!

Prominent facial features- eyes and brows, nose, cheekbones, lips and teeth -and tight curly hair rise from the surface of the bowl. The bowl is rather heavy for its diminutive size and has no markings. Measures 4 inches in diameter and 1.5 inches high. Condition is excellent with some tarnishing that may be cleaned if desired; our preference was to offer this 140+ year old piece in as found condition.

A rare, outstanding and highly collectible offering to add to one's advanced Black Americana collection! I have only come upon 2 of these bowls in my 40+ years in the field.