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Cheerily entitled, “Down Where The Cotton Blossoms Grow”, the scene encapsulates a moment in time in the life of poor, southern, Black folk living as part of a tenant farming family in a wooden cabin at the edge of a expansive cotton field. A young, barefoot black boy and his graying mama are caught in a happy moment smiling and dancing next to a freshly-picked burlap bag of cotton.
This artwork has been completed on a tightly woven piece of tan cotton, with the outline of the basic design either pre-stenciled or hand-painted with black India ink. (Without removing the piece from its frame and examining it under the stronger power of a microscope, this is difficult to determine.)
The artist then used watercolors to paint in the broad areas of color prior to using embroidery cotton and silk thread to stitch the title, and to outline the trees, the landscape, the wooden cabin, the two black figures and their clothing, etc. The final touch was to paint in the cotton blossoms and aspects of the folk’s facial features with a white oil paint. The result is a larger scale, utterly charming Folk Art Black Americana scene!
The condition of the piece, which is framed under glass, is excellent with no staining, tears, or other damage to the cotton fabric. The original solid oak frame shows some scuffing and subtle traces of paint. The original wood backing remains as well as several original square head nails.
This piece is truly a unique example of traditional, late 19th century, American Folk Art! Coupled with its Black Americana theme, this artistic rendering is a rare and precious offering!
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Also included with the 1787 Bill of Sale are three other Cumming's family documents, two measuring approximately 2"L x 8" W, and one 14"L x 8"W (see photos for condition). They are: an 1815 Receipt from Thomas Cumming to Richmond County, GA, for a $25 payment in taxes; a Dec 8, 1848, Receipt from Henry Cumming of Augusta, GA, a son of Thomas Cumming and a very prominent figure in 19th century Georgia politics, to George W. Crawford, Agent of the Bank of Augusta and Henry's law practice partner, a promise to pay on "the first day of January, 1849,"..."one hundred and three dollars for value received in house rent"; a 28 page 1812 Land Dispute document, Superior Court of Chatham County, GA, executed by Thomas Cumming btwn J. Knowle Fanning and the Joseph Clay Sr estate (Thomas Cumming's father-in-law).
The 1787 Bill of Sale is a single page, 7.5" wide x 12" long document, with text written on both sides of the document. Condition is quite remarkable given its 235 years of age!(see photos) Expected age-related discoloration of paper and some very slight paper loss in center of document ONLY noticeable when doc is held up to light.
The text of the 1787 document reads as follows, Paragraph one:
“Know all Men by these Presents that Ephraim Willard of Fairfield and State of Connecticut for and in Consideration of one Hundred and Sixty Eight Pounds Lawful Money Rec. (Received) to my full Satisfaction Of Eben,, (the double comma “,,”representing an abbreviation for Ebenezer) Whiting of Savannah of the State of Georgia & Bradford Whiting of Fairfield and the State of Connecticut do give, grant, bargain sell & Deliver unto them the said Eben,, Whiting and Bradford Whiting One Negro Man Named Peter Aged about Twenty one Years old, and his Wife Named Cate about Twenty Six years old, and her Two Children one a Girl about Five Years old, and the other a Boy about Eighteen Months old, and one other Negro Woman Named Vilot about Twenty One Years old.”
“To have and to hold the above granted the Bargainer Premises with the appurtenant thereof unto them the Said Eben,, & Bradford Whiting their Theirs Executors And Administrators and the Said Ephraim Willard do for myself my heirs Executors and Administrators Covenant with the Said Eben,, & Bradford Whiting their heirs Executors and Administrators that I am Now the Soul and Lawful Owner of the above Granted and Bargained Premises, and That I have said Right to Sell the Same as aforesaid, and that the same are free of all Incumbrances whatsoever -and I do by these Presents bind myself my Heirs Executors and administrators and assign forever against all claims and Demands whatsoever in Witness whereof I have hereunto Set my hand and Seal in Fairfield this Twenty first Day of Nov,, (November) in the Year of our Lord One Thousand Seven Hundred and Eighty Seven~ Ephraim Willard”
(Witnesses?)
Jonathan Mattbig
Ebenezer Dimon
“Savannah, February 23 1788. I have Sold the five Negroes, mentioned in this Bill of Sale to Thomas Cumming of Savannah, for which I have received a consideration to my satisfaction~”
Ebenezer Whiting
Bradford Whiting
A bit of History-
Slavery in Connecticut:Connecticut, in 1848, was the last New England state to abolish slavery. The state's city of New London was one of the New England port cities that was an integral trading partner in what is generally referred to as “The Triangle Trade”- between New England, the West Indies, and the African Gold Coast. In this triangular trade, molasses produced in the West Indies from sugar cane was sent to New England, New England sent rum made from this molasses to Africa in exchange for enslaved people, and the enslaved were sent to the West Indies to work the sugar cane plantations that produced the molasses, maintaining the prosperity of the northern colonies through the 18th century and into the 19th.
Thomas Cumming: Thomas Cumming, to whom the above five slaves were sold in Savannah, Georgia, in 1788, was born in Frederick, Maryland, having moved to Georgia as an adult. In 1787, the year before this purchase, he married Ann Clay, the daughter of Joseph Clay, a wealthy owner of multiple Savannah-area rice plantations. It is hypothesized that Thomas purchased these slaves in conjunction with or for his father-in-law. At some point in the 1790s, he moved his wife and children to Augusta, and served as Augusta’s first mayor upon its incorporation in 1798. From 1819 until his death at age 68 in 1834, Thomas Cumming was President of the Bank of Augusta.
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Measuring 6.75 inches wide x 8 inches long, the book is illustrated in both black silhouette and colored, line drawings. 16 pages long. Great condition-- tight binding, no tips or missing pages, clean. Cloth-bound hard covers.
A delightful addition to one's Black Memorabilia collector!!
On Hold
The overall condition of the doll is quite good. It remains in all original condition. The papier mache head is solid with no chips, cracks, or broken areas, and the hand-painted details are strong with little to no loss. The torso is solid and the arms are attached with no breaks. The legs have some damage to the wood. They have split near the top and have some small wood loss, thus, are held securely in place with a string that has been tied to them. The wooden center dowels are still present, however, and they can be repaired if so desired. The clothing is all original and is still in nice condition with no tears or holes, only some light fading and discoloration from age.
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In very fine condition with the expected superficial scratches and rubs to the litho and some light rust spots on the inside bottom of the tin, the tin’s most endearing feature is the image of 3 adorable black children holding the brand name sign: MACHWITZ KAFFEE.
Brightly colored in orange, gold, black and cream, this darling tin is visually striking and displays very well!
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This 1920-30's toy is the earlier version of the two Mammy walker toys produced by this company, and as one of the early tin African-American-themed toys, it is considered an important addition to any vintage toy collection representing this genre.
Mammy shuffles along quite nicely via her original wind-up mechanism. Over 80 years old, Mammy is still quite sturdy as she was very well made, but she does show some expected scratching from use over the years, and she also has some very typical, superficial surface rusting- most notably at one side seam.
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This circa 1920-30's Johnny Griffin item is constructed in solid brass and was designed for use as a pipe rack although it could hold spoons or even neckties.
It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 13 inches long x 6 1/2 inches high and 1 1/2 inches deep. It does not retain any marking other than a mold number 1592.
Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
The 8.25 inch tall bottle is marked on the base, “WN WALTON PAT. SEP 23 1862”, and is of early blown glass construction. The fancy, recessed applied label is complete and is in very nice condition. The stopper is of ground glass construction and is in very good order as well.
The inside of the bottle is 1/3 full of a light brown powder. Very nice indeed!
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The figure is decorated in underglaze black, measures 9 inches high, and is in perfect condition with the exception of expected and appropriate superficial crackling to the glaze, and a shallow and very tight, early hairline to the back of the figure at its base. It is titled “Uncle Tom & Eva” on the front base.
An very exceptional piece of Black Memorabilia for the discriminating collector.
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While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear! The two comical cartoon postcards are much more brightly and vividly colored than the photos depict. The eight photo postcards also feature titles describing their subjects.
A delightful grouping that would be much-appreciated framed!
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The origin of this sign is unknown, but it once hung on either the interior of a bus or railroad car designating the section of the bus or rail car where African-Americans were required to sit. One side reads “FOR WHITES” and the other side reads “FOR COLORED” thus separating the two races on public conveyance vehicles-- segregating the African-Americans to the back of the vehicle.
This historically significant sign retains its original metal hanger and is in all-original condition. It has had no restoration and bears some paint loss and scratching typical of its age and use as noted in photos. The “For White” side has significant paint loss from the actual lettering although this side of the sign is still quite "readable". The "For Colored" side is in very nice condition with very minimal paint loss to the actual lettering. This side of the sign displays exceedingly well! The age-related signs of wear do not impact the physical integrity of the sign and are more than appropriate to the age and purpose of the piece.
An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history!
Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.
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The pipe remains in wonderful condition. It appears to have had some very limited use based upon the slightly darkened condition of the interior bowl.
The pipe is French made and bears the following on either side of the pipe stem, "Bon Fumeur" (Good Smoking) and "Tabaco" (Tobacco). The pipe stem also retains an orange colored, Dutch paper label which reads, "Holland Goedewaagen's" advertising that this pipe was exported for sale in The Netherlands.
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Mammy or Aunt Jemima is wearing a white dress and head scarf with red trim. Her dark brown skin is flawless (any white spots or marks seen in photos are the result of light reflection and do not represent flaws of any kind.)
While she is unmarked, there is a very small black "X" on the bottom of the backside of her dress.
An incredibly hard to find piece! These very functional pieces were, more often than not, actually used in the home on ironing day, and thus were subject to damage or breakage and ended up in pieces at the local landfill! This wonderful Black American collectible was acquired from the original owner where it rested safely on a display shelf all these many years!
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Also currently offered for sale and priced separately are two extraordinarily RARE sets of CHILD's slave shackles-- one set retaining the ORIGINAL KEY. This set of shackles is featured in the last photo. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
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The case measures 16"H x 16"W x8”D. Displays wonderfully!