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To the collector of Helen Bannerman books, no collection is considered complete without a copy of each of the “Sambo” books:
Sambo and the Twins
The Story of Little Black Mingo
The Story of Little Black Quasha
The Story of Little Black Quibba
and in French, Histoire du Petit Negre Sambo.
All are quite difficult to find in any condition!
This 1936 copy of “Little Black Sambo and the Twins” published by Frederick A. Stokes of New York, is in quite fine condition with tight binding, tight pages, no rips or tears, minor edge wear to corners! Please view all photos for condition representation.
The story itself is truly quite violent and frightening in both text and in drawings- involving the kidnapping of the adorable twins, Woof and Moof, by very wicked monkeys!!! And this was bedtime reading for children!!!!
A very RARE book!!!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
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All three tins are in very fine condition with some very small spots of superficial rust and teeny superficial surface scratches here and there as would be expected of any item 70+ years of age. These were stored well over the years and their condition reflects this! The largest tin is in the most pristine. The two black, white and red tins are empty but the green and yellow tin still has a hardened lump of polish inside. The large tin measures 5 6/8 inches high, the small black tin measures 4 1/4 inches high, and the green tin measures 4 inches high.
These tins are not readily found on today’s market in this condition and would provide a handsome and visually striking display either as a group of 3 or as a single piece! A nice addition to the advanced Black Memorabilia collection!
As each tin is priced separately, please email us stating which tin you wish to purchase so that we can customize your order form.
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This fabulous toy is labeled on each side of the orange wagon as follows: "HAPPY HAM FARM PRODUCTS, Newton & Thompson MFG CO, Brandon, Vermont".
The wagon is being "driven" by a hand-painted black figure who moves forward and back again as the wagon is pulled along on its wooden wheels.
In wonderful, all-original condition--no repaint or replaced wooden pieces. One little staple holding the rear axle in place appears to have been replaced as well as the little metal rod which acts as the axle holding the black boy in proper position.
A fabulously RARE piece to embellish one's Black Memorabilia or Vintage Pull Toy collection.
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This sign was once bolted onto the inside of a railroad car, designating the line behind which African Americans must remain-- in the back of the car.
The sign is painted on both sides as follows: the back of the sign is painted with white lettering on a black background and reads, "THIS PART OF THE CAR FOR COLORED RACE". The front of the sign is painted with black lettering on a white background and reads, "THIS PART OF THE CAR FOR WHITE PEOPLE".
The sign is in all-original condition and has some paint loss and superficial rust as noted in photos that does not impact the integrity of the sign and is appropriate to the age and purpose of the piece. Wear to the "white side" of the sign has resulted in the removal of portions of the words "THIS PART".
An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history that may very well be the only one of its kind extant today!
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Printed in 1937, this delightful story of little Ezekial and his Florida family was both written and illustrated by Ms. Garner.
The book is tightly bound with some foxing at the front and back cover interior seams. The colors are much brighter and more vivid than they appear in my photos. No rips, tears, or repairs. Photos provide a representation of condition of interior pages, cover and dust cover. Excellent condition for its 70 years!
A very difficult to find Black Memorabilia children's story book!
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From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry of her famous father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been daily seen on the streets of the city.
While the majority of Vargas figures were sold exclusively through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, a small number of Vargas figures were also sold through Kate Latter's Candy Shop in New Orleans. The shop, opening during the Great Depression years, had significant financial difficulties and closed after only five years (1933-1938) in business. This particular Vargas figure was one that was sold there, and it retains a gold foil sticker advertising the shop underneath its wood base.
Vargas figures are completely hand-made, one-of-a-kind dolls that are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.
This figure, known as the Sugar Cane Seller, was recently de-accessioned from the Louisiana State University Rural Life Museum collection, Baton Rouge, LA, having been acquired by the museum from a private collector in January 1979.
The Sugar Cane Seller is one of the more difficult to find of the Vargas figures. In his right hand he holds three stalks of newly cut sugar cane, and in his left hand he holds a silver-colored, light-weight, metal machete.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentleman Sugar Cane Seller wears a red and yellow checked kerchief around his neck, a green shirt with yellow polka dots, black and tan striped pants, and black "leather" shoes. His costume is entirely constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. The Sugar Cane Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. Underneath the wood base is found the Kate Latter's Candy Store sticker as well as an inventory sticker from the LSU Rural Life Museum.
This wonderful figure is in fine condition for his 90+ years of age with the following minor restorations likely performed by the professionals at the LSU Rural Life Museum: a restored right hand (that is presently missing a thumb), and restoration to the back of the vendor's hat, noted by the lighter colored wax. The sugar cane stalks appear to have been reattached in place, and his left hand is also missing the thumb. Due to the fragility of the wax fingers, it is not uncommon to find them missing or partially present.
The Sugar Cane Seller's light-weight metal machete was once attached to the left hand. It is my opinion that this metal machete was fashioned by professionals at the museum to replace the original cardboard version. Its weight, however, appears to be too much for the wax hand to hold, and thus, it became unattached while still in the museum's collection. As seen in the photos, the machete can be successfully rested inside the hand provided it is placed so that it is balanced, with equal lengths of the machete in front of and behind the hand.
A true must-have, rarely-found piece for the ardent collector of New Orleans Black folk character figures!
Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.
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Measuring 6.75 inches wide x 8 inches long, the book is illustrated in both black silhouette and colored, line drawings. 16 pages long. Great condition-- tight binding, no tips or missing pages, clean. Cloth-bound hard covers.
A delightful addition to one's Black Memorabilia collector!!
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This 1920-30's toy is the earlier version of the two Mammy walker toys produced by this company, and as one of the early tin African-American-themed toys, it is considered an important addition to any vintage toy collection representing this genre.
Mammy shuffles along quite nicely via her original wind-up mechanism. Over 80 years old, Mammy is still quite sturdy as she was very well made, but she does show some expected scratching from use over the years, and she also has some very typical, superficial surface rusting- most notably at one side seam.
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American Beach was established in 1935 on Florida's east coast under the leadership of Abraham Lincoln Lewis, one of seven co-founders of the Afro-American Life Insurance Company, and one of Florida's first black millionaires. His vision was to create a beach resort as a benefit for company executives and as an incentive for employees.
In the era of Jim Crow segregation laws, few public places in Florida or the rest of the South were open to African Americans. From the Depression until well into the 1960's, American Beach served as a holiday and vacation destination for thousands of African Americans, and was a magnet for black celebrities such as entertainers Cab Calloway and Ray Charles, heavyweight boxing champion Joe Louis and writer Zora Neale Hurston.
But in 1964, the area began to decline. Hurricane Dora destroyed much of the beach, and passage of the Civil Rights Act meant that blacks were, finally, no longer restricted to segregated beaches and the businesses that catered to them.
A fabulous and historically relevant piece of Black Americana!
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This colorful paper broadside measures approximately 10.5 inches wide x 15.25 inches, and framed, measures 17 inches wide x 22 inches long. The poster or broadside is in excellent condition with the exception of a small, 1.5 inch long crease line above the top of the gray side of the model under the word "hair'. Otherwise wonderful!!
This piece has been matted and framed for some time and most recently hung on a wall in a Florida restaurant. To deter pilferage, the frame was actually screwed into the wall and as such, has evidence of minor puttying and repainting restoration where the two little screw holes were in the frame. The new owner may wish to continue restoration or simply leave the frame as is!
This poster is rarely found in the antiques market today, and due to its striking imagery and coloring, is destined to become a most delightful and decorative room focal point!!
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Entitled A New Story of Little Black Sambo, this tale picks up the story of the original Little Black Sambo tale with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. Two hungry tigers soon arrive threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Sambo's friend, Tusker the Elephant arrives, successfully chasing off the tigers, saving Sambo. Tusker carries Sambo back home, where his worried parents await him. Relieved that Sambo is finally safely home, Black Mumbo decides not to punish him too harshly by spanking him with a hairbrush for running off without permission and all alone. The conclusion of the tale then moves forward one month, one week and one day before Little Black Sambo is finally allowed to wear his fine clothes once again!
Although no author is attributed, it is thought by some that this continuation tale of Little Black Sambo was co-authored by Clara Bell Thurston and Earnest Vetsch, who illustrated Whitman Publisher's earliest and first known edition of this story version in 1926.
The hallmark of this version of A New Story of Little Black Sambo is the utterly fabulous illustrations that make this edition stand out. The vibrant colors used, the stunning detail applied, make each of the 12 full color plates simply gorgeous works of art! This softcover book is constructed of very sturdy, heavy, high quality stock which likely accounts for its very good condition. No fading of color, writing or missing pages. Binding is tight with all three original staples present although the cover pages have separated at the bottom to just above the lowest staple. Some page edges are subtly worn with minor creasing, and age-related, light soiling is present.
This very rarely found continuation of the original Little Black Sambo story is a must have addition for the collector of Little Black Sambo books! Given the extraordinary quality of the illustrations, this is a book that one will want to display- under protective cover, of course!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
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Sambo sits upon the belly of an alligator whose wide open jaws are ready to take a chomp!!
The piece is stamped “Japan” on the base and has wonderful detail! Even the alligator’s tongue has been painted in! Love that nubby, curly hair!
Please note that any white marks appearing in photos are glare from the flash and are not imperfections!
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It has been noted that their creation was encouraged through President Franklin Delano Roosevelt's Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943. The WPA was designed to provide jobs across the country during the Great Depression. While most jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP). The creation of these dolls fell under the WPA Federal Art Project, with the goal of representing the various aspects of the culture, work and lives of the Southern black community of this time period.
The doll clad in all black depicts the VERY rarely-found, black country preacher out for an afternoon stroll with his wooden walking stick in one hand and the Holy Bible clutched in the other. The preacher wears a machine-stitched suit thoughtfully detailed with fine, white shirt cuffs poking out from beneath his jacket and the white Reverend's collar at his neck. His left shoe reveals a hole with a sock-covered toe poking through! The preacher's stove-pipe-style hat is placed snugly on his head covering most of his gray hair although his full gray facial beard features prominently. His embroidered facial features, characteristic of these WPA dolls, are further accented with "steel-rimmed" style eye glasses. The 1.5 square inch bible actually has real pages! Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. The doll's body is well-stuffed with cotton batting and he stands freely.
The gray-hair and bearded, chicken-toting black country gent doll is also attired in machine-stitched clothing and additionally shares a cotton-bating stuffed body, embroidered facial features, and an asphalt shingle tile stand. He wears cotton britches detailed with double knee patches and suspenders along with a blue and cream striped cotton shirt and a red and white polka dot kerchief around his neck. His hat is constructed of black-colored felt. This country gent holds a finely crafted and detailed brown chicken under his right arm, while his left hand clutches a wooden walking stick.
Two very special dolls that represent a snapshot of history, capturing the lives of poor Southern black folk of the Depression era.
The dolls are priced at $295.00 each.
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Louis Armstrong (1901-1971) was the greatest Jazz musician of all time, defining what it was, what it meant to play Jazz. His incredible technical abilities, the joy and spontaneity felt in his works, and his amazingly quick, inventive, musical mind continues to dominate Jazz to this day.
This wonderful piece is a superb likeness of "Satchmo", and it remains in very fine, all-original condition! No chips, cracks, repairs or repainting! Minor and tiny, age-related flakes to the surface of this chalkware piece exist here and there and are entirely appropriate given the statue's 70+ years of age. No maker's mark--just a small encircled "C" for copyright on the back of the base. Bottom of base is covered in an original, soft, felt-like material to prevent statue from scratching display surfaces.
A fabulous piece of Louis Armstrong Memorabilia!!
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A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two young daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was converted over time to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!
Condition is 8 out of 10. This book has seen careful but frequent use with moderate wear to book cover edges as well as the red cloth spine cover. While the binding remains quite tight, surface soiling to covers and some interior pages is evident. The inside front cover reveals a penned inscription from an aunt to her nephew at Christmas, 1937.
This book retains outstanding, bold and brilliant coloring of all illustrations--- just fabulous---given its 89+ years of age!
There are small tears at the bottom of the following pages very near the bound side of the pages ranging from 1/2 to 1.5 inches long; some tears have old tape repairs: pages 9, 18, 19,20, 28, 33, 47, 49, 58.
A unique copy!
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When the toy is pulled, the wheels rotate and the horse's head bobs up and down! Just adorable!
This 75 year old toy is in very good condition with very minimal and expected, normal wear from light playing to appropriate areas (see photos).
All original including very aged (!)string, with no breaks and no repairs or replacements to either wooden or metal parts. There is evidence of repaint to the green platform and the red wheels only; however this was done a very, very long time ago as the repainted areas show old wear! The horse's black cloth ears are worn-looking but still intact!
A very charming old toy with fabulous, visual "shelf appeal"! Perfect for either the Early Toy or Black Memorabilia collection!
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Author: Heyward, DuBose.
Title: JASBO BROWN AND SELECTED POEMS.
Subject: African-American Experience and Culture of Charleston, South Carolina
Publication: New York: Farrar & Rinehart, (1931)
Edition: First Edition
Description: First edition. Hardcover, gilt-stamped brown cloth. First printing. 96 pages. A tight very good plus copy with a partial, former ownership bookplate with minor writing, some tiny chipping to the spine ends. No dust jacket.
Farrar & Rinehart, Inc. indicated their First Editions by the small oval logo forming the letters F an R immediately above the copyright line on the back of the title page.
The 1924 date is for the copyright date of the poetry, the 1931 is the date of first publication in book form.
Edwin DuBose Heyward (August 31, 1885 – June 16, 1940) was an American author who was born and raised in Charleston, South Carolina. He is best known for his 1925 novel Porgy. He and his wife Dorothy, a playwright, adapted it as a 1927 play of the same name. The couple worked with composer George Gershwin to adapt the work as the 1935 opera Porgy and Bess. It was later adapted as a 1959 film of the same name. Heyward also wrote poetry and other novels and plays, and this book of selected poems reflected his observations of and experiences with black culture in Charleston during his childhood.
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The origin of this sign is unknown, but given its very substantial size and weight, it likely once hung as a directional sign in a major bus or railroad station, designating the "WHITES ONLY" area where African-Americans were not permitted to sit, stand, or otherwise, occupy.
The subtly convex sign has had no restoration and remains in all-original condition. It bears areas of paint loss, scratching and superficial rusting (some areas larger in scope than others) typical for its age and use as noted in photos. Please view photos for further assessment of the sign's condition. The age and use-related signs of wear do not impact the physical integrity of the sign and are more than appropriate to the age and purpose of the piece.
An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history!
Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.