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This neat toy features four adorable blinky-eyed Golliwogs that perform individual somersaults as the Merry Go Round spins round and the tiny bell rings! This toy works quite nicely and comes with its original, metal, wind-up key!
This sweet toy appears to have been virtually unused with no wear evident other than some slight superficial scratching to the base. While there are no manufacturer’s marks, this toy was made in post WWII West Germany, and it does retain a paper sticker on its base written in German. This toy, with its red house, is a bit rarer than the same-period-white-colored-house-version; relatively fewer were produced with the red house!!
On Hold
The overall condition of the doll is quite good. It remains in all original condition. The papier mache head is solid with no chips, cracks, or broken areas, and the hand-painted details are strong with little to no loss. The torso is solid and the arms are attached with no breaks. The legs have some damage to the wood. They have split near the top and have some small wood loss, thus, are held securely in place with a string that has been tied to them. The wooden center dowels are still present, however, and they can be repaired if so desired. The clothing is all original and is still in nice condition with no tears or holes, only some light fading and discoloration from age.
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Old Black Joe Axle Grease was manufactured by the John Hancock Oil Company of Minneapolis/St. Paul, Minnesota- the Twin Cities. The can was made by the St. Louis Can Company and is so labeled (see photos). Note the exaggerated facial features of OLD BLACK JOE---an unfortunate, but very typical depiction of African Americans during this time period.
A wonderful and scarce find Black Memorabilia collectible in near excellent condition!
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The game features a VERY brightly colored lithograph target in near mint, virtually unused condition, depicting "THE WHITE EYED COON" dressed as a clown with a nose mimicking that of a RHINOCEROS HORN! The rhinoceros horn nose serves as one of the game hooks.
The target is affixed to the box base interior and additionally retains its two original metal hooks placed on either side of the gent's large, polka dot, bow tie.
This brightly lithographed game retains 5 original, colored, pressed-cardboard throwing rings. The game directions, which are attached to the inside of the original cardboard cover, do not specify the number of rings originally included in the game.
Measuring 8 3/4 inches tall x 6 1/4 inches wide x 1 inch deep, the game cover as well as the target piece display absolutely wonderfully!
As evident in the photos, the box and box cover show expected wear given their 90-100+ years of age. The box cover shows evidence of exposure to dampness and or water, some small areas of missing paper and edge wear. The box base EXTERIOR shows edge wear, some creasing and some very small areas of missing paper. As stated earlier, the target, itself, looks as though it was never played with. Just fabulous!
The game does not retain a copyright year, but the Spear Works of Germany operated prolifically from the 1890s through the 1930's, and during this time period, it was recognized as the most well known, international manufacturer of games and children's activity kits.
The box cover is labeled "Spear's Games", "Manufactured at The Spear Works in Germany. Designed in England".
An EXTRAORDINARILY RARE find!!!
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The display is appealing with embossed and raised detailing featuring eye muscle anatomy!
The display dates to the 1950s and is in fine condition. It is complete with a fold-out display stand, measuring approximately 13 inches high x 8 inches wide.
Perfect for your collection or office.
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This doll depicts the black fisherman. He holds a bait pail and bunch of sticks tied together with string that has been flung under his right shoulder. In his left hand, he carries a wooden fishing pole from which a silver-colored, metal fish dangles (the fish appears to be newer than the doll and is likely a replacement). This is an older gentleman who wears a straw hat with gray hair and who has embroidered facial features –most characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This gent has lost his shingle stand but the remnants are still visible glued to the bottom of his left leather shoe. Clothing is machine-sewn cotton with careful detailing right down to the patches on his knees and the red hanker chief tied around his neck. His body is black cotton stuffed with cotton batting.
A very special doll that takes a snapshot of history in capturing the life of the poor southern black of the Depression era.
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This silly caricature bank features a black man's head mounted on two little feet- no body! He wears a red hat labeled, "Save and Smile Money Box" impressed across the front rim. This two piece mold has a coin slot on the top of the back of the head. The bank would have to be unscrewed to be emptied.
This all original still bank is in very fine condition with most of its paint remaining intact- no repaint!! A must-have for the serious still bank or Black Memorabilia collector!!
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The bodies are one single piece with one hand each on Mammy and the Chef that serve as stoppers for the two pouring spouts. The piece is marked with a "V" for Vinegar and an "O" for Oil on each arm. Very sweet faces!
All original with no breaks, cracks, repaint or repairs, the cruet retains the original corks as well! In truly lovely condition with just one scrape to the red paint under the chef's left arm and some missing paint spots on his right arm. (see photos) Otherwise quite perfect, and displaying very, very well!!! An eye-catching piece!!!
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Constructed of tin with a tin embossed and lithographed image and a glass cover, this game features a mirror on back. The puzzle is in all-original condition with the embossed graphic remaining free of scratches and abrasions. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Advertising or Toy Black Memorabilia!
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This vibrant work, painted in June 2006, depicts a charming 1930's scene of a Southern cotton farm complete with log cabin, old stone wall, dilapidated truck, two big red barns, and two black women picking cotton in the fields. The leaves have turned the brilliant colors of autumn and some have fallen to the ground. The piece is signed in red in the lower left corner "Geraldine Smith June 2006".
(Please disregard any "shiny" or "white" areas in the painting; these are the result of camera flash glare ONLY and are not imperfections in this work. The colors in this painting are actually more vibrant and brilliant in tone than can be depicted in photos.)
Geraldine Smith, who is now in her late 50's, did not begin painting until the late 1980's when she saw the television painter, Bob Ross, and decided she wanted to give painting a try. "I don't know why," Ms. Smith said. "I couldn't draw a straight line. I'd sit up all night trying to paint. Lord help me. Something was driving me to learn to paint." Smith credits The Lord with providing her with the continued inspiration to paint, and states, "When the spirit is leading me, I can paint and paint."
Source for quotes and newspaper photo, The News, South Carolina.
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The very unusual piece is constructed entirely of (unidentified)wood with the tiny Blackamoor’s head separated from the length of the dice pusher by a teeny narrow metal band. It is unknown whether the dice pusher is carved from one single piece of wood or if the dice pusher and head are two distinct pieces.
Other than reasonable and minor wear to the very tip of the dice pusher as seen in photos, this incredible piece is in superb, all original condition !!
The Blackamoor's head is carved with remarkable expertise and attention to detail, which the photos, unfortunately, do not adequately represent; due to the diminutive size of this piece, sharp close-up photos were very difficult to attain- my apologies!
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This fabulous game features a brightly colored lithograph target depicting the dapper, banjo-playing, "Jolly Darkie" with a gigantic mouth.
The target box remains in very fine condition, appearing to have seen little, if any, use. It has four openings through which one was to toss the four wooden balls that the game originally came with, but which are no longer present. It measures 13 inches tall x 6 3/4 inches wide x 1.5 inches deep.
As evident in the photos, the side-less box cover shows expected wear given its 100+ years of age, with some pencil writing in the mouth and some surface soiling.
As indicated earlier, the extant game pieces do not retain a copyright year or maker name; however, this game is very similar to two other Milton Bradley Jolly Darkie Target games that were manufactured from 1890-1910, suggesting that this game was also manufactured during this era by Springfield, Massachusetts' Milton Bradley Company. The directions to this game are not present, and it is quite possible that the manufacturer and manufacture date both appeared on the direction card-- as has been found to be the case on other Milton Bradley games of this era.
The game cover as well as the JOLLY DARKIE target box display absolutely wonderfully and would be a colorful asset to one's vintage black Americana game collection!
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Little Black Sambo is the featured story in this book with the short stories, "The Gingerbread Man" and Titty Mouse and Tatty Mouse", added in as extras. While the illustrator in unnamed in the book's credits, all illustrations are executed by the same hand and are either initialed MEP" or signed "Margaret Evans Price".
A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was soon converted to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!
The book exterior has seen much wear as evidenced in the photos, with significant wear to all edges, which amazingly, has had no effect on the sturdy structure of this book! The interior of the book remains in absolutely perfect condition, with an undamaged, very tight binding, and not an imperfection to be found-- no rips, stains, creases--only the inked inscription of the last name, "Meyere" on the upper right corner of the title page (see photos).
Illustrations are lovely and have that timeless yet nostalgic look of fine work produced in the Art Deco era!
Little Black Sambo books from this period are infrequently found!
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This sign was found in storage inside of an old Austin, Texas, gas station and likely designated the COLORED ONLY entrance to a local public building or room within.
This historic sign is enameled on both sides with the word "COLORED" and a downward pointing arrow. Colors are blue with cream background.
The sign is in all-original condition with several chips to the porcelain enamel as well as subtle edge wear. It likely was posted on the interior of a building as its overall condition is really quite fine and does not evidence any characteristics one would expect of a sign that was subject to the ravages of Mother Nature. Or...perhaps the sign was simply never used-- a mystery never to be solved!
An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history that is quite likely the only one of its kind extant today!
Please take a moment to view the second "Jim Crow" Segregationist Era sign I currently have the pleasure of offering.
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This document is quite unusual in that it was generally atypical that slave families were permitted to remain together when a slave sale was conducted, regardless of the age of any children involved.
The single page, 15.5" wide x 19" long document was folded in half by its author, and the bill of sale is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into thirds, and the title of the document was written out: "Bill of Sale John Woolfolk, Edgefield District. S.C. (South Carolina) for Judy- a Seamstress Edward (and) Eliza her children".
The text of the Bill of Sale reads as follows, First Paragraph:
"Augusta the 8th June 1809, Received from Thomas Cumming, Six hundred Dollars, being the consideration money infull for the following negro slaves sold and delivered to him this day. Judy a woman of about 21 years old Edward a Boy of about three years old and an infant female, named Eliza, Both Children of the said Woman Judy, which Said three negroes, Judy, Edward and Eliza, I do hereby warrant and defend against the claims of all persons whomsoever"
Second Paragraph:
"Given under my hand and seal the day and date first above written."
"John Woolfolk"
Condition of this slavery document is quite remarkable given its 213 years of age! Expected age-related discoloration of paper and slight (approx 3/4 inch)paper split at one end of one fold only. (see photos)
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These wonderful tools of the trade measure 12 inches for the capsule counter and 11.75 inches for the pill counter. The front of each device is tapered to facilitate the ability to "scoop" the pills from a tray.
Please note that there is some edge wear on each counter commensurate with age and use. The handles are painted and have evidence of appropriate wear. Overall, the counters sport perfect patina and offer stunning visual appeal!
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This sample size tin is in very fine condition with minimal surface wear as is evidenced by the photos. The yellow coloring is uniform--any white marks seen in photos are light reflection, not wear or damage.
This product was created by the Madam C J Walker Company of Indianapolis, Indiana, for the purpose of "brightening sallow or dark skin".
It is unknown whether the contents remain as the tin cover is tightly affixed and is immovable.
Madam C.J. Walker built a fortune in the early 1900s marketing hair care and beauty products to African-American women. Born in Sarah Breedlove 1867 Louisiana of parents who were former slaves, she moved her company to Indianapolis in 1910. When she died in 1919, Madam Walker was considered the wealthiest black woman in America. Her daughter, Lelia, succeeded her as president of the C. J. Walker Manufacturing Company.
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The case measures 16"H x 16"W x8”D. Displays wonderfully!
SOLD
THIS TOY WAS NEVER USED!!!
The Banjo / Ukulele face has fantastic and patriotic, red and blue graphics on white ground featuring a cute Black Minstrel dancer, a Caucasian Banjo/Uke player, 2 Southern Cotton Bolls, and a fab graphic of a Mississippi River boat christened the "Robert E. Lee"!
Even the original box features a delightful graphic of a Black Minstrel playing the banjo/uke!
Made in the USA by MASTRO, New York, no date of manufacture is imprinted; however, given the styling of the graphics on both the banjo face and in the instruction booklet, an early 1960's date of manufacture has been surmised. Additionally, Mastro Co. also made an identically styled early Beatles banjo- further evidence of an early 1960's manufacture date.
Banjo / Uke measures approximately 21 inches long x 9 inches wide x 3 inches deep. Box measures 23" x 9.50" x 3.75". Box has some very subtle edge wear to seams and corners and one of the cardboard carrying handles has ripped with a 1" handle segment missing. Toy is MINT!!! Photos speak for themselves!
A Pristine Piece of Vintage Black Americana!
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This Black Porter Pushing A Wheelbarrow amazingly still retains his original, red ribbon neckerchief. The windup mechanism is intact and holds a full wind...the man's legs are a little sluggish after 90+ years, but the toy does work.
This very difficult-to-find, Black Memorabilia toy measures 6" long, is approximately 2 3/4" wide and is 6" tall. Minor rubs to paint are present as noted in photos, but this paint loss is insignificant given the age of this toy.
A fine addition to one's Black Memorabilia collection!
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This cast iron piece retains a majority of its original paint, and the bug-eyed caricature of Mammy is suggestive of turn-of-the-century manufacture. This memo board is heavy and hefty and is, not unexpectedly, missing its paper pad. This wonderful piece also reveals its manufacture origin on the reverse side indicating Holyoke, Massachusetts, origin (see photo). Mammy may either be displayed propped up on a shelf, or she can be hung via the original hole in the top of her kerchief.
This cast iron Mammy memo board in such fine condition rarely surfaces in today's collecting market. It is the precursor to and model for all subsequent Mammy memo boards that were manufactured much later on in a variety of materials--plaster-of-Paris, wood, and plastic.
Truly a must-have for the collector of Mammy or Aunt Jemima collectibles!
SOLD
This is an investment caliber specimen in original packaging that is unopened, unused and full.
The contents include Extract Cannabis Indica and Chloroform and are clearly marked on the bottom of the packaging front. The FOOD & DRUG ACT of June 30, 1906, is noted on a side panel with information also printed in German on the opposite side panel.
The paper label packaging is mostly complete with some fading, wear, minor loss and aging commensurate with an antique bottle. It measures almost 6"H x 2"W x 1". There are no signs of content leakage or staining. The fancy Victorian images and script found on the label are more pronounced on the front panel. The top appears to sport a small tax stamp printed, "THE PISO COMPANY - WARREN, PENNA".
The last photo (photo #6) shows the back side of packaging.
This is an antique collectible item and contents are not for consumption.
SOLD
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
The female figure is known as the Praline Seller as her business was to sell freshly made Pralines, a candy confection composed of Louisiana cane sugar and pecans. Her straw, woven basket contains four Praline cookies or flatbreads.
The male figure is known as the grapevine and/or alligator seller. The grapevines are tied in a large bundle on his back which he also supports using the rope in his right hand, while leading a young alligator along in his left.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features.
The Praline Seller wears a vividly colorful array of different pattern fabrics which work to comprise her eye-catching costume. Atop her head, she wears a large, green and red polka dot bandanna that allows a bit of her wildly-curly, dark hair to peek through, with a solid yellow bandanna tied around her neck. Her her red, cream and blue patterned blouse and skirt are partially protected by a rather sedate, cream-colored apron. All of her clothing is constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen it. She carries her basket of pralines on her right arm, while holding a piece of paper in her right hand. A written price list, perhaps? In her left hand she carries a reed duster to keep the flies off of her confections!
The Grapevine/Alligator also wears fabric clothing coated in wax. His pink, white and blue patterned bandanna is tied around his neck and worn over a red, blue and yellow plaid shirt and blue denim pants. He is missing his hat-- perhaps, the alligator ate it?! He holds onto the gator's rope in his left hand while trying to balance the huge mound of grapevine on his back via a rope end clutched in his right hand.
The figures' wax bodies are internally supported by wire frames through which the figures are securely attached to the wooden base. The bottom of each base retains its original stamp which reads, "Genuine VARGAS New Orleans, LA".
These wonderful figures are in near mint condition for their 75+ years of age. The Praline Seller perhaps has lost a couple of her pralines from her basket over the years, an insignificant detail, or perhaps her basket was never meant to be filled to indicate that she had already successfully made some sales! The Grapevine/Alligator is missing his hat as noted earlier, as well as two of his fingers on his left hand, a common injury as they are so very, very thin and inherently fragile. The young Alligator is missing the tip of his tail and the tip of the top of his mouth, again, two very thin pieces of wax which were vulnerable to easily breaking off.
Please note that the Vargas figures are priced $795.00 EACH.
Withdrawn
This product was produced by the lime manufacturers, Hatmaker and Place, of Canaan, Connecticut, in the late 1800s. This small company was located within a large "lime belt" that stretched from Connecticut to Vermont. Back in the day, lime powder mixed with water was quite commonly used to "white wash" or paint numerous surfaces, and it was also used as a medicinal disinfectant! The manufacture of lime from marble was one of the earliest and most successful mineral industries in Connecticut, with historical records dating the establishment of the first CT lime manufactory to 1722.
Given its age and the fragility of paper, condition of this wonderful box is quite good. The lower portion of the back side of the box evidences light surface wear with some of the printing on the lower portion of the box worn away as a result. The front of the box has a 3.25 inch long tear which resulted in the loss of the lime powder from the box.
This early piece of Black Americana advertising is EXCEEDINGLY RARE and may well be a ONE-OF-A-Kind item! The Hatmaker and Place Company was one of a number of very small manufactories located within the "lime belt" that were ALL bought out and immediately closed down by a wealthy group of investors who then created and incorporated the mammoth monopoly, The New England Lime Company, early in 1902.
This fabulous piece of Black Americana is NOT to be missed by the serious collector!
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This historically significant sign features a white background with deep blue lettering. It remains in all-original condition with very few flaws: faint, superficial scratches and minute pitting to the porcelain here and there, with most on or near sign edges. The sign is equipped with two metal eyelets at the top which would facilitate hanging so that the double-sided lettering, "COLORED REST ROOM", could be viewed from two opposing directions.
A RARE, one-of-a-kind, museum-worthy piece of Black American history!
Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.
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Also currently offered for sale and priced separately are a second set of rarely found, Georgia, child's, slave shackles (no key with this set) that is featured in the last photo. An additional set of ADULT shackles is also available. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered for sale.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
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From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the artistry of her father who also famously sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been seen on the streets of the city.
Sold exclusively at the time through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.
This figure, known as the Coal Seller, is most particularly hard to find, and thus, he is very seldom seen in today's collectible market.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentleman Coal Seller wears a red and yellow kerchief around his neck, a yellow shirt patterned with red flowers, green trousers and "leather" shoes- all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. At his feet is a very large, wax-coated burlap bag filled with small planks of wood, ready for burning. The Coal Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base features the original trade sticker advertising Harriet's. Remnants of an unreadable paper sticker are also noted on the front of the wooden base.
This wonderful figure is in amazing condition for his 90+ years of age with two imperfections: one missing finger on the right hand, and 3/4ths of the hat brim missing-- both conditions occurring due to the delicacy and fragility of the wax construction as both the hands and the hat are made solely from molded wax.
As a result, fingers are frequently found to be missing on Vargas figures, and hat brims often fall culprit to damage as well. The brimmed hats of Vargas male figures are the ONLY item of Vargas clothing that were never constructed of fabric first before being coated in wax- the only significant design flaw in the execution of these fabulous and iconic New Orleans Black Folk figures!
Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.
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This circa 1920-30's Johnny Griffin item is constructed in solid brass and was designed for use as a pipe rack although it could hold spoons or even neckties.
It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 13 inches long x 6 1/2 inches high and 1 1/2 inches deep. It does not retain any marking other than a mold number 1592.
Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
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Showglobes have a rather interesting history in the early drug store / apothecary shop and can be compared to the "Trade Sign" that was hung on the exterior of a business to advertise a product or service. Although there has been much debate over time as to their actual purpose, it has been long thought that the color of the water was symbolic...for example, red and blue water representing arterial and venous blood. Some historians have suggested that showglobes were used as visual communication tools with red water representing plague or disease present in the community, and green water signaling an "all is well" in the community to travelers wishing to stop overnight. It has also been said that show globes in New England apothecaries would be illuminated at night to warn ships in the harbor of sickness, plague, etc.
There are no chains with this 21" tall showglobe. Also note that a creative previous owner has adapted the collar with a hook (for hanging with a single chain) that can be removed if desired.
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The dolls were conceptualized as advertising pieces and were only obtainable from the Aunt Jemima Mills of St. Joseph, Missouri, in return of 25 cents in stamps or coins along with 4 box tops or backs from select Aunt Jemima products (proofs of purchase!). Dolls were then shipped promptly, postpaid upon receipt!
I have never come upon a complete, uncut set!!! Rather, these dolls are more typically found as "singletons" here and there by chance-- already cut, sewn, stuffed and played with as opposed to the pristine, complete, uncut versions offered here.
The set is in quite wonderful condition given its 93 years of age. The color of each doll remains amazingly crisp and brilliant! Mild foxing is noted here and there throughout. Fold lines are evident as well; HOWEVER, it must be noted that these fold marks are the result of ORIGINAL PACKAGING and SHIPMENT as these linen pieces were carefully folded to fit within a simple, small to medium-sized envelope when mailed out from the factory.
Additionally, a prior owner likely had framed these pieces as mild tape staining is noted on the backsides of each piece of linen, with some mild, tape-stain, bleed-through noted at the feet of Uncle Mose and Aunt Jemima on the front side. The set is truly in fine condition given its age and was obviously prized and very well cared for over the years.
Each figure is printed on its own, separate piece of linen. Aunt Jemima measures 10.5" wide by 35" long; Uncle Mose measures 10" wide by 35" long; Diana and Wade each measure 12.5" wide by 17.5" long.
A rare opportunity for the advanced collector to acquire an uncut, complete set of 1924, Aunt Jemima Family Advertising Rag Dolls!
This offering will be sold as a complete set ONLY; offers for individual pieces will not be entertained.
SOLD
The condition of the globe is very good with no damage to the plastic. There are some tiny white paint flecks to one side of the base otherwise the globe displays beautifully! Embossed “PRESCRIPTIONS” and “PARKE – DAVIS PHARMACEUTICALS” on the base.
A striking vintage advertising show globe ready for your collection.
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The little boy shuffles along quite nicely via his original wind-up mechanism.
Over 80 years old, he is still quite sturdy as he was well made, but does show some superficial scratching from use over the years.
Of particular interest is the little boy's face which is highly exaggerated, a racist characterization that was unfortunately typical of the era when this toy was produced.
SOLD
From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry of her father who also famously sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been daily seen on the streets of the city.
Sold exclusively at the time through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.
This figure, known as the Praline Seller, was recently de-accessioned from the Louisiana State University Rural Life Museum collection, Baton Rouge, LA, having been acquired by the museum from a private collector in January 1979.
The Praline Seller was one of the most popular of the renowned Vargas figures, highly sought after by visitors to the city of New Orleans. She holds a wicker basket in her right arm that contains five incredibly realistic praline cakes, and tucked under her left arm is a paper "fan" used to ward off any flies from landing upon her delicious pralines.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentlewoman Praline Seller wears a yellow floral kerchief around her neck, a red, yellow and blue bandanna on her head, a red and yellow plaid shirt, an ecru linen waist apron, and a delightful yellow skirt patterned all over with whimsical bunny rabbits, which nearly conceals her black "leather" shoes. Her costume is entirely constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them.
The Praline Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base has the word "Praline" scripted on it.
This wonderful figure is in amazing condition for her 90+ years of age with one imperfection: a missing thumb on her left hand- a common condition occurring due to the extreme delicacy and fragility of the wax. At very close inspection, it appears that her right forearm may have been professionally repaired some many years ago, likely by professional staff at the museum.
A true must-have piece for the ardent collector of New Orleans Black folk character figures!
Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.
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I have never seen this piece before, nor have I seen it pictured in any Black Memorabilia Reference books!
Circa 1940's, this hefty and very well-constructed piece is made of solid wood and measures 14 inches high x 9.25 inches wide x 3 inches deep. It weighs nearly 4 lbs!
This wonderful piece of Black Memorabilia may be displayed as a free standing shelf piece or may be hung (original hanging hole present!).
The condition and visual clarity of the Mammy graphic (Mammy scratching her head in her attempt to remember her grocery list!) as well as the grocery list text remains superb and vibrant! This graphic is printed on a solid, 5/8 inch thick, wooden board that slides up and out of the red frame to reveal the 5 slot knife box interior! The box also has a single hole beside the knife slots presumably to hold a wooden spoon! Turn the wooden grocery list board over and one finds a cutting board!!! How very, very clever! The grocery list peg holes are found within the frame of the knife box as opposed to the common placement on the grocery list board; one original wooden peg remains.
The piece is in very fine condition with some superficial wear to the red paint in appropriate locations, some old grime, and a few white paint spatters at the top of the box where the knife slots are located (all of which will be left to the new owner to clean or retain!) No manufacturer's mark.
Truly a fabulous and most RARE piece of Black Americana!
SOLD
The handle of the spoon is engraved "D & G DRUG STORE" and in the bowl of the spoon are the graduation marks for 1 and 1/2 teaspoons.
Very nice advertising / drug store collectible.
SOLD
In wonderful, working condition, the black man's head is attached to his body via the original, flexible, metal rod which allows the head to bob back and forth when jiggled.
Marked on the base of the ashtray "Made in Austria". Paint loss as seen in photos with no repairs or repainting!
An interesting character!