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Hand-executed by Robert A. Myers of 73 E. Hazeltine Avenue, Kenmore, New York, the figures vary in height from 2.25 to 2.75 inches. The colors are absolutely brilliant and the detailing exquisite with the tiniest of details painted with superb precision, control and great artistry.
"HAND MADE, R. A. Myers, 72 E. Hazeltine Ave., Kenmore, NY" is clearly stamped on the soles of approximately 5 of the figures--yet there is no question that all were executed by the same hand, and it is likely that all figures at one time bore this stamp.
Little is known of Robert A. Myers other than the fact that the street address stamped on the soles of the figures' feet was a private residence, and Robert A. Myers was indeed listed as residing at this address in a 1930 Kenmore (a suburb of Buffalo) telephone directory.
The fabulous figures have been safely stored over these many years in a felt-lined, hardwood, hinged box which undoubtedly has contributed to their most excellent condition!
Truly a RARITY! These wonderful folk art figures would make an outstanding addition to the museum quality Black Memorabilia collection! Not to be missed--these are one-of-a-kind!
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The tin sports an early and original, hand-painted, mustard-colored surface, and it measures approximately 7 inches high x 4 inches wide x 5 inches deep (front to back including the distinctive front floral embellishment).
Structurally, the canister is a solidly crafted container, with a slanted, well-fitting, hinged cover that snaps into place when closed. The right top portion of container is slightly bent, and the finish shows modest wear and paint loss. The condition is commensurate with a 19th century well-loved and well-used, dispensary antique.
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The condition of the globe is very good with no damage to the plastic. There are some tiny white paint flecks to one side of the base otherwise the globe displays beautifully! Embossed “PRESCRIPTIONS” and “PARKE – DAVIS PHARMACEUTICALS” on the base.
A striking vintage advertising show globe ready for your collection.
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Early laboratory equipment is a challenge to find but search no more! Offered is an exceptional, very scarce, mid-Victorian, wooden, laboratory funnel stand. This circa 1870s funnel stand is constructed entirely of hardwood sporting a wonderful surface patina.
This fully-adjustable stand measures 17 inches high and can be completely disassembled for storage and transport. The base measures 9 inches long x 4.25 inches wide and has a beveled edge.
The condition of the stand and screw mechanism is very good with some stains and honorable wear commensurate with the age and use of a 150 year old, scientific antique.
*****PLEASE NOTE THAT THE EARLY GLASS FUNNEL PICTURED IS FOR DEMONSTRATION PURPOSES ONLY AND IS NOT INCLUDED IN THE OFFERING AND/OR SALE OF THIS LABORATORY FUNNEL STAND*****
SOLD
Some superficial scratches and rubs to the lithograph most notably on the back side of the tin above Mammy’s head. Structural integrity of the tin is quite sound with no holes, piercings, breaks, or dents, and only scarce, superficial rusting to base. See photos. (Please disregard any variation in surface color that may appear in some photos. Color is vivid and uniform throughout. Any color variation seen in photos is due to outdoor lighting conditions and light reflections, and not tin discoloration.)
This wonderful tin dates to the early 1920’s features a vivid graphic of "Mammy Serving Coffee". Processed and packaged by the C. D. Kenny Company of Baltimore, Maryland, this fabulous tin no longer retains its bail handle but does have its original cover!
In just wonderful condition with the front side displaying fabulously, this very difficult to find early coffee pail is an especially lovely and visually appealing piece of vintage Black Americana advertising!!!
SOLD
The sides of the rattle shackle are constructed of lateral “pockets” each containing one small, iron orb that would “rattle” when the wearer would move about.
Because this particular type of rattle shackle does not have iron loops or openings to “thread” iron chain through, it would have been attached to the ankle or wrist of a very young “house slave” who worked strictly inside the plantation house and thus was under very close supervision by the plantation owner and/or family members.
All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its very small size!
Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.
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A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two young daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was converted over time to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!
Condition is 8 out of 10. This book has seen careful but frequent use with moderate wear to book cover edges as well as the red cloth spine cover. While the binding remains quite tight, surface soiling to covers and some interior pages is evident. The inside front cover reveals a penned inscription from an aunt to her nephew at Christmas, 1937.
This book retains outstanding, bold and brilliant coloring of all illustrations--- just fabulous---given its 89+ years of age!
There are small tears at the bottom of the following pages very near the bound side of the pages ranging from 1/2 to 1.5 inches long; some tears have old tape repairs: pages 9, 18, 19,20, 28, 33, 47, 49, 58.
A unique copy!
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The dolls were conceptualized as advertising pieces and were only obtainable from the Aunt Jemima Mills of St. Joseph, Missouri, in return of 25 cents in stamps or coins along with 4 box tops or backs from select Aunt Jemima products (proofs of purchase!). Dolls were then shipped promptly, postpaid upon receipt!
I have never come upon a complete, uncut set!!! Rather, these dolls are more typically found as "singletons" here and there by chance-- already cut, sewn, stuffed and played with as opposed to the pristine, complete, uncut versions offered here.
The set is in quite wonderful condition given its 93 years of age. The color of each doll remains amazingly crisp and brilliant! Mild foxing is noted here and there throughout. Fold lines are evident as well; HOWEVER, it must be noted that these fold marks are the result of ORIGINAL PACKAGING and SHIPMENT as these linen pieces were carefully folded to fit within a simple, small to medium-sized envelope when mailed out from the factory.
Additionally, a prior owner likely had framed these pieces as mild tape staining is noted on the backsides of each piece of linen, with some mild, tape-stain, bleed-through noted at the feet of Uncle Mose and Aunt Jemima on the front side. The set is truly in fine condition given its age and was obviously prized and very well cared for over the years.
Each figure is printed on its own, separate piece of linen. Aunt Jemima measures 10.5" wide by 35" long; Uncle Mose measures 10" wide by 35" long; Diana and Wade each measure 12.5" wide by 17.5" long.
A rare opportunity for the advanced collector to acquire an uncut, complete set of 1924, Aunt Jemima Family Advertising Rag Dolls!
This offering will be sold as a complete set ONLY; offers for individual pieces will not be entertained.
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The little boy shuffles along quite nicely via his original wind-up mechanism.
Over 80 years old, he is still quite sturdy as he was well made, but does show some superficial scratching from use over the years.
Of particular interest is the little boy's face which is highly exaggerated, a racist characterization that was unfortunately typical of the era when this toy was produced.
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Constructed of tin with a tin embossed and lithographed image and a glass cover, this game features a mirror on back. The puzzle is in all-original condition with the embossed graphic remaining free of scratches and abrasions. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Advertising or Toy Black Memorabilia!
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This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
This amazing club sports its original varnish surface and is offered in "as found" condition. The top of the club shows some loss of finish that is commensurate with an antique golf club. The darkening of the finish results a wonderful patina. The club displays a lovely elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 41 inches from the heel.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many years ago and has signs of gentle use.
A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!
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This document is quite unusual in that it was generally atypical that slave families were permitted to remain together when a slave sale was conducted, regardless of the age of any children involved.
The single page, 15.5" wide x 19" long document was folded in half by its author, and the bill of sale is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into thirds, and the title of the document was written out: "Bill of Sale John Woolfolk, Edgefield District. S.C. (South Carolina) for Judy- a Seamstress Edward (and) Eliza her children".
The text of the Bill of Sale reads as follows, First Paragraph:
"Augusta the 8th June 1809, Received from Thomas Cumming, Six hundred Dollars, being the consideration money infull for the following negro slaves sold and delivered to him this day. Judy a woman of about 21 years old Edward a Boy of about three years old and an infant female, named Eliza, Both Children of the said Woman Judy, which Said three negroes, Judy, Edward and Eliza, I do hereby warrant and defend against the claims of all persons whomsoever"
Second Paragraph:
"Given under my hand and seal the day and date first above written."
"John Woolfolk"
Condition of this slavery document is quite remarkable given its 213 years of age! Expected age-related discoloration of paper and slight (approx 3/4 inch)paper split at one end of one fold only. (see photos)
SOLD
In very nice condition with minor scratches to paint here and there as seen in photos, this wind-up toy works, but the mechanism does have the tendency to stick a little. Marked J. Chein.
A must-have for the avid Black Memorabilia Toy collector!
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To the collector of Helen Bannerman books, no collection is considered complete without a copy of each of the “Sambo” books:
Sambo and the Twins
The Story of Little Black Mingo
The Story of Little Black Quasha
The Story of Little Black Quibba
and in French, Histoire du Petit Negre Sambo.
All are quite difficult to find in any condition!
This 1936 copy of “Little Black Sambo and the Twins” published by Frederick A. Stokes of New York, is in quite fine condition with tight binding, tight pages, no rips or tears, minor edge wear to corners! Please view all photos for condition representation.
The story itself is truly quite violent and frightening in both text and in drawings- involving the kidnapping of the adorable twins, Woof and Moof, by very wicked monkeys!!! And this was bedtime reading for children!!!!
A very RARE book!!!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
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This 1920-30's toy is the earlier version of the two Mammy walker toys produced by this company, and as one of the early tin African-American-themed toys, it is considered an important addition to any vintage toy collection representing this genre.
Mammy shuffles along quite nicely via her original wind-up mechanism. Over 80 years old, Mammy is still quite sturdy as she was very well made, but she does show some expected scratching from use over the years, and she also has some very typical, superficial surface rusting- most notably at one side seam.
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The tin bears a copyright date of 1928, and given its fine condition, was obviously safely tucked away over the past 75+ years!
Processed and packaged by the William B. Reilly Company of New Orleans, Louisiana, and Baltimore, Maryland, this fabulous tin retains its original bail handle as well as its original cover! The tin features a vivid graphic of "Mammy Serving Coffee" which was the second style of Mammy graphic used by the company on its coffee tins. Additionally, this tin was part of a special sale promotion as evidenced by the advertising on the lid which is now partially worn off. The advertising reads: "Special 15 Cents Off Offer".
In marvelous condition- an especially lovely and visually appealing piece of vintage Black Americana advertising!!!
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The origin of this sign is unknown, but given its very substantial size and weight, it likely once hung as a directional sign in a major bus or railroad station, designating the "WHITES ONLY" area where African-Americans were not permitted to sit, stand, or otherwise, occupy.
The subtly convex sign has had no restoration and remains in all-original condition. It bears areas of paint loss, scratching and superficial rusting (some areas larger in scope than others) typical for its age and use as noted in photos. Please view photos for further assessment of the sign's condition. The age and use-related signs of wear do not impact the physical integrity of the sign and are more than appropriate to the age and purpose of the piece.
An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history!
Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.
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The leather case measures 6"L x 4"W x 1.5"H and the corked bottles are just about 3" without cork. No damage to the glass.
Withdrawn
Delightful item!
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Following the conclusion of World War II, the American Tobacco Company of Virginia changed its product name from Nigger Hair to Bigger Hair, seeking to broaden the product's marketing appeal as well as viewing the latter label as the more-socially acceptable one. (The earlier Nigger Hair moniker was used by the American Tobacco Company from the 1890's through the early, pre-WWII 1940s; the lithographed can was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.) Interestingly, the company DID NOT change the image of the African woman, but merely added the words Fiji Islander to the left of her face in its indifferent and weak attempt to move further away from the earlier, severely derogatory label.
Measuring 7 inches high x 5 3/4 inches wide, the photos provide a fine representation of condition. The container is in near-mint condition with a tiny rub here and there, and some very minor wear around the top of the container that likely occurred from simply taking the cover on and off. This wear is completely covered by the cover. The original orange color of the container remains consistent throughout, and the structural integrity of the cardboard is quite sturdy. The original wax bag which held the tobacco remains inside--highly unusual! The container retains most of its paper Federal Revenue Tobacco seal on either side and is dated February 26, 1926, Series 119, a tax stamp which was issued exclusively in 1949. Truly incredible condition given the age and material composition of this piece--- 69 years!!
This very rare tobacco container is just a wonderful example of latter Black Americana advertising and looks even better "in person" than the camera was able to capture with its lens!
If the Nigger Hair Tobacco container is currently in your collection, the addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective! The Nigger Hair Tobacco container featured in the last photo has been SOLD.
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These mint condition, 1940s, PEARL CHINA Black Chef and Mammy salt and pepper shakers are simply outstanding!
Measuring a super-size 7.50 inches high, this exceptionally large salt and pepper pair are meant for stove-top and not table-top use, thus their robust dimensions!
The pair are in mint condition and likely were never used. They retain their original corks and are accented in 24KT GOLD-- on the black chef's lips, ladle, the kerchief in his back pocket, and his name, "SALTY" and on Mammy's name, "Peppy".
Rarely found in this condition, the pair displays simply beautifully!!!!
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The game features a wooden target with a brightly colored, paper lithograph depicting nine different male faces, including that of an African-American with exaggerated facial features. The target is in very good condition with some minimal surface soiling and paper loss. It retains its original, orange wooden stands.
Each gentleman sports a metal hook from his mouth upon which one is to attempt to toss a very small ring. NOT an easy task by any stretch!
This brightly lithographed game retains four, original, celluloid-like throwing rings. The game directions, which are printed on the back side of the box cover, do not specify the number of rings that were originally included in the game, so it is not known if four was the original number. The game box cover, featuring the original paper lithograph, no longer retains its sides. The cover lithograph is in good condition given its 103 years of age with small areas of surface loss, some tiny rips and missing paper segments, and some light pencil writing evident.
The game box measures 6 1/2 inches tall x 9 1/2 inches wide x 2 inches deep.
The game cover as well as the target piece displays absolutely wonderfully! A RARELY found, quite visually captivating, Black Memorabilia collectible!
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This extremely rare SAMPLE doll was, at one time, exhibited by Mrs. Park at a Van Buren drug store for marketing purposes--orders would be taken at the drug store based upon her sample doll or dolls that were displayed.
This richly detailed, finely executed doll wears 2 authenticating cloth tags (see photos) that attest to this doll’s provenance; one tag is a hand-inked-in-script tag sewn to the base of the doll’s apron that reads “Sample”, and the other is a machine-printed tag that is stitched to the waist band of the apron and reads, “Designed by Ruie Ann Park, Van Buren, Ark., All Rights Reserved”.
This lovely, 13 ½ inch long, old black Granny doll has a delicately designed, serious looking face that has been carefully hand-etched in ink. Her curly gray hair pulled back into a bun at the nape of her neck is crafted from yarn, and she wears a small, proper brown cloth hat with pink banding. Her body is quite firmly stuffed with cotton, her hands are stitched to delineate her fingers and (separated) thumbs, and her outfit is machine-stitched and completely original. She wears unbleached, ruffle-edged, muslin pantaloons and underskirt. Her dress is cream colored cotton calico printed with black and pink flowers, and further accented with the most delicate, pink-trimmed, pink polka-dotted, lace cuffs and collar. Her unbleached muslin apron is trimmed with light pink ric-a-rac along its hem and single pocket. Her outfit is completed with black cotton stockings and authentically detailed black, lace-up leather boots.
This extraordinarily rare doll with her very unusual, documented provenance is in very, very fine condition! A truly superb Black doll beckoning to the most sophisticated of doll collectors! Also offered from the same wonderful doll collection is a circa 1920 black cloth doll named "Sallie"- another must-have!
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This delightful toy dancer stands on the corner of 125th Street and Lenox Avenue, the Gateway to Harlem, New York City!
The toy is complete and is in excellent working condition. Wind him up and his arms go round and his feet tap frantically! Retains original key. The dancer's head and hat are celluloid. His red felt jacket is age-stained as seen in photos. The dancer's other clothes are in fine condition as are the tin and celluloid components.
The dancer measures 8 1/2" tall, with base 3" by 2 3/4" across. On the back of the platform, the toy is marked: MADE IN OCCUPIED JAPAN PATENT NO15139 DESIGN PATENT NO92497. Items marked "Occupied Japan" date from 1945-1952.
A delightful addition to one's Black Memorabilia collection!
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The now empty tin features the Banania brand trademark graphic of a smiling Blackamoor.
Condition is all-original with some wear to tin from use as seen in photos. Light superficial rusting present here and there that does not affect tin integrity and is mostly noted on interior surfaces.
This tin is widely reproduced today, with the original tin very, very difficult to find. A fabulous opportunity to add an authentic vintage BANANIA collectible to one's Black Memorabilia collection!
***Please view the smaller, vintage, BANANIA tin currently available as well as an exceedingly rare, vintage, Banania dexterity puzzle***.
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American Beach was established in 1935 on Florida's east coast under the leadership of Abraham Lincoln Lewis, one of seven co-founders of the Afro-American Life Insurance Company, and one of Florida's first black millionaires. His vision was to create a beach resort as a benefit for company executives and as an incentive for employees.
In the era of Jim Crow segregation laws, few public places in Florida or the rest of the South were open to African Americans. From the Depression until well into the 1960's, American Beach served as a holiday and vacation destination for thousands of African Americans, and was a magnet for black celebrities such as entertainers Cab Calloway and Ray Charles, heavyweight boxing champion Joe Louis and writer Zora Neale Hurston.
But in 1964, the area began to decline. Hurricane Dora destroyed much of the beach, and passage of the Civil Rights Act meant that blacks were, finally, no longer restricted to segregated beaches and the businesses that catered to them.
A fabulous and historically relevant piece of Black Americana!
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This incredible slave collar speaks for itself, opening yet another small window into the history of African-American slavery. The collar is labeled with the enterprise's business name, Ross and Drum, out of Florence, South Carolina (SC), and is dated 1846. This enterprise was likely involved in the trading and auctioning of African-American slaves given its pronouncement of the phrasing "Negroes &" on the metal plate of the collar. The "&" likely implied the service of selling all "other" manner of estate "property" from land to livestock. Slaves- or Negroes as they were commonly referred to in the "slave states"- were considered "property", not human beings.
Measuring approximately 33 inches in length, the collar band is constructed of thick, sturdy leather, upon which is fastened a brass-appearing, engraved plaque, with ten, hand-forged, iron links forming the chain. Two circular, iron loops appear at either end of the leather collar. The collar weighs a hefty 1.6 lbs.
The slave collar plaque, ironically, is decoratively etched and features two crosses and two Masonry symbols, along with other symbolic engravings.
A stunning and important museum-quality offering without question!
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Author: Heyward, DuBose.
Title: JASBO BROWN AND SELECTED POEMS.
Subject: African-American Experience and Culture of Charleston, South Carolina
Publication: New York: Farrar & Rinehart, (1931)
Edition: First Edition
Description: First edition. Hardcover, gilt-stamped brown cloth. First printing. 96 pages. A tight very good plus copy with a partial, former ownership bookplate with minor writing, some tiny chipping to the spine ends. No dust jacket.
Farrar & Rinehart, Inc. indicated their First Editions by the small oval logo forming the letters F an R immediately above the copyright line on the back of the title page.
The 1924 date is for the copyright date of the poetry, the 1931 is the date of first publication in book form.
Edwin DuBose Heyward (August 31, 1885 – June 16, 1940) was an American author who was born and raised in Charleston, South Carolina. He is best known for his 1925 novel Porgy. He and his wife Dorothy, a playwright, adapted it as a 1927 play of the same name. The couple worked with composer George Gershwin to adapt the work as the 1935 opera Porgy and Bess. It was later adapted as a 1959 film of the same name. Heyward also wrote poetry and other novels and plays, and this book of selected poems reflected his observations of and experiences with black culture in Charleston during his childhood.
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Showglobes have a rather interesting history in the early drug store / apothecary shop and can be compared to the "Trade Sign" that was hung on the exterior of a business to advertise a product or service. Although there has been much debate over time as to their actual purpose, it has been long thought that the color of the water was symbolic...for example, red and blue water representing arterial and venous blood. Some historians have suggested that showglobes were used as visual communication tools with red water representing plague or disease present in the community, and green water signaling an "all is well" in the community to travelers wishing to stop overnight. It has also been said that show globes in New England apothecaries would be illuminated at night to warn ships in the harbor of sickness, plague, etc.
There are no chains with this 21" tall showglobe. Also note that a creative previous owner has adapted the collar with a hook (for hanging with a single chain) that can be removed if desired.
SOLD
The handle of the spoon is engraved "D & G DRUG STORE" and in the bowl of the spoon are the graduation marks for 1 and 1/2 teaspoons.
Very nice advertising / drug store collectible.
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In utterly excellent condition with the only flaws noted being very subtle wear to spine edges and book cover tips, this version of Little Black Sambo is highly collectible as any item produced by its publisher, McLoughlin Brothers, is aggressively sought due to the company’s reputation for use of extraordinarily vivid graphics.
Thirty pages long with 14 vividly colored illustrations and 4 completed in black and white by Hildegard Lupprian. A must have edition for the collector of Little Black Sambo books!
SOLD
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This beautiful pharmacy display is in very nice, all-original condition including the lovely sculptured glass finial with stopper!
The show globe measures about 21 inches high and and is capable of holding the colored water if so desired! The finial's ground stopper retains its original rubber cork and smoothly fits into the ground neck of the globe. Very minor interior hazing of the finial is present.
The sleek architectural lines of the show globe's stunning aluminum stand exemplifies the epitome of Art Deco design! Some very faint wear and use imperfections commensurate with its age are noted. Slight interior blue haze line noted by the upper portion of globe.
So very difficult to find in this all-original condition complete with finial and stand. A simply gorgeous and iconic Art Deco drug store advertising display piece!
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This unsigned and undated piece of art was executed with very soft lines whereby no edge seems sharp- not the counter edge, or the lids of the jars, or the heavy black iron grates of the gas stove. Painted in predominantly darkened hues of blues, silvery-whites and grays, pops of red appear in the freshly canned strawberries and hints of yellow emerge in the window curtain and in earthenware bowl that the young girl works out of, all culminating in the creation of an ethereal effect of calm and serenity.
This lovely piece is generous in size with the visual dimensions of the actual watercolor measuring 15" in height x 26.75" in length. The watercolor is double-matted with an 1/8" wide interior mat in a neutral earth-tone surrounded by a cream-colored, 2 3/4" wide mat that is further complemented with an etched, earth-tone, single line simulating the demarcations of a false third mat- very clever! (see photos) The extraordinarily sturdy, warm-toned, hardwood frame measures 1 3/4" wide with the total framed measurement of this piece approximately 25" in height x 36" wide. The backside of the frame features an Estate Sale, stringed-tag stating the provenance of this piece: "From the Greenwich CT home of Gayle King".
It must be noted that all photographs were taken through the glass of this framed piece, so multiple photographic angles are provided in the attempt to reduce distortion in the photos from light reflection off the glass. Please ignore any variations in color or shading - all are strictly the result of unavoidable light reflection.
Please also note that because this item would be classified as oversized by delivery carriers due to its weight (approx 11 lbs) and its length and width measurements, this item does not qualify for free shipping.
SOLD
The two hickory smooth face clubs are each stamped "ST ANDREWS", "Wright Ditson & Makers". Each shaft is stamped "Wright & Ditson" just below the grip and sport a nice aged patina.
The first hickory club appears to be an unmarked putter, and the iron club head portion is in very nice condition. Measures 33.5 inches from heel to top of shaft.
The second hickory club is essentially a 5 iron (MASHIE) although it is not marked as such. There are two small leading edge dings and is otherwise a nice example.
The third club, is a steel club, is marked "5 and MASHIE" on the base and dates to the 1930 era. The painted metal shaft sports a nice dark brown leather grip. The head of the iron is stamped "PARAMOUNT REG.U.S. PAT. OFF. - GRADUATED IRONS 'WRIGHT & DITSON' U.S.A. MILD STEEL". The club head is in good condition with various mild leading edge dings.
All clubs ready to play!
SOLD
Measures 9.75 inches high x 6.25 inches wide x 4.25 inches deep. Condition is quite fine with superficial scratches and minor surface rust near the base and on some seams--see photos--no problems to structural integrity!