Catalog: Popular Collectibles: Memorabilia (187)

Measuring approximately 23 inches high X 18 inches wide, this heavy cardboard restaurant menu from the 1940’s has never been used! This menu board was designed by the manufacturer to be a consumable, throw-away --- for jotting down the ever-changing, daily menu “Specials”!

Featuring a delightful, cartoon-like caricature of a black man, this board is in very good condition with minor edge wear, slight age-discoloration and a teeny missing piece of the front rim of the hat.

An interesting, seldom-found piece of Black Memorabilia!

Please disregard reflections in photos that are due to the presence of protective plastic wrap.

Offered is a scarce, C1930 era, laminated wood shafted, 3 iron golf club. The stamping on the back includes: "SPALDING KRO-FLITE" with the crow cleek mark plus "J.VICTOR EAST - LONGMEADOW C.C. - LONGMEADOW MASS." etc. The club is stamped "3" on the sole and measures 37 inches from the heel to the end of the straight shaft. The club is in very good condition with minimal wear, scratches and some finish loss to the shaft commensurate with age and use.

SOME HISTORY:
Spalding began making clubs in the USA in the mid 1890s. The most successful seller of all their clubs was the KRO-FLIGHT model, first introduced in 1927. This club's unusual features are: (1) A laminated shaft that was patent pending and (2) the club is endorsed by J.Victor East and identified by the country club in which he worked.
J.Victor East, at the age of only 14, became head golf professional at the Royal Sydney Golf Club, Sydney, Australia. He eventually immigrated to the USA and worked as a professional at various clubs including Longmeadow Country Club in 1924. He also was the chief club designer for Spalding until 1941, and later, worked as a consultant at Wilson Sporting Goods Company. His illustrious professional career also included being an author, educator and clubmaker.

Measuring 5 inches wide x 4.5 inches long, this 1920's, brass ashtray represents a very seldom-found offering of vintage Black Americana!

This piece was actually created to serve as an ashtray! It depicts a delightful image of a young black boy in a wide-brimmed straw hat!

In wonderful condition, this piece is stamped "LL" on back.

An uncommon piece of Black Americana that should not be overlooked!

A simply fabulous and extremely rare, circa 1870-1880's, solid brass, Black Americana SLAVE FACE BOWL!! A striking image!!

Prominent facial features- eyes and brows, nose, cheekbones, lips and teeth -and tight curly hair rise from the surface of the bowl. The bowl is rather heavy for its diminutive size and has no markings. Measures 4 inches in diameter and 1.5 inches high. Condition is excellent with some tarnishing that may be cleaned if desired; our preference was to offer this 140+ year old piece in as found condition.

A rare, outstanding and highly collectible offering to add to one's advanced Black Americana collection! I have only come upon 2 of these bowls in my 40+ years in the field.

Measuring nearly 8 inches tall, this fabulous and rarely found, early, lithographed, tin toy, No. 1750, retaining its original box, was made by the Lindstrom Tool & Toy Company of Bridgeport, Connecticut.

This late 1930's toy is the later version of the two Mammy walker toys produced by this company. It is marked on back just under the white apron tie, "Lindstrom Corporation Made in USA". The marking is very faint, and thus, difficult to read without scrutiny. The contrast in this photo has been enhanced so that the manufacturer labeling is easier to visualize online.

Mammy shuffles along quite vigorously via her original wind-up mechanism while she holds her broom and quickly "sweeps" back and forth.

Over 70 years old, Mammy is still quite sturdy as she was well made, but she does show some minor scratching and paint loss from play over the years as the photos indicate. Her coloring remains brilliant!

The box remains in very good condition with minimal wear to seams considering its age. Coloring is strong. One flap at the top of the box is detached but present.

Sweeping Mammy is a must-have addition to any Black Memorabilia Toy collection!

This delightful grouping of 3 black Aunt Jemima composition dolls from the 1930s enjoyed an interesting, more recent life as advertising display pieces in an old Vermont Country store!

The 3 dolls were grouped together in a creative display that supported the sale of Aunt Jemima Pancake products! Their costumes are all identical and were hand-stitched and made especially for the planned Aunt Jemima display.

Each of the dolls remain intact inside an encasement of glue and paper wrapping and are attached to home-made, plaster-of-Paris-based, rectangular platforms. The platforms were created in 1958 as is written on the bottom of each base, and the dolls remained in place until the store closed in the early 1980s.

The large doll is 11 inches tall and evidences age-crackling to her composition face and hands; her right hand is actually missing a small piece of composition (see photo). Black hair peeks out from inside her checkered head scarf framing her sweet face!

The doll on the left side is the shortest, measuring 5 3/4 inches high. She is in fine condition and her eyes are placed in an interesting sideward glance.

The doll on the right measures 6 1/4 inches tall. Her composition is in fine condition with the exception to some small loss at the very top of her head (see photo).

Certainly a very visually appealing trio, sold all together as a group of three!

Measuring 3 1/4 inches long, this circa 1920s, miniature, Black Mammy doll is unique in construction- its head and body have been fashioned from an old rubber baby nursing nipple!

Mammy’s sweet little face has been carefully hand-painted, and she has been nicely dressed in a red dress with blue oval designs, a linen apron and red and black head scarf.

Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has contorted a bit due to the ravages of time, she is in delightful condition!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin item is constructed in solid brass and is known as a document clip used to hold together important papers. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/8 inches long x 2 3/8 inches wide. It does not retain any marking other than a mold number 5241.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Offered is a near-mint, 1935, 2nd edition of Helen Bannerman's, original Little Black Sambo story, accompanied by five additional and delightful Little Black Sambo stories by noted author and illustrator Frank Ver Beck. Published by the Platt & Munk Company of New York which was renown for hiring highly talented artists and illustrators- of which Frank Ver Beck was one -all of whom contributed to the company's reputation for publishing exquisitely illustrated children's books.

The first story, illustrated by Frank Ver Beck, is the much-beloved children's classic written and illustrated in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

The following five stories written and illustrated by Frank Ver Beck follow Helen Bannerman's original tale, all featuring Little Black Sambo and his encounters with a variety of different animals, from a Baby Elephant and a Tiger Kitten, to Monkeys, Bears and Crocodiles! Each of Ver Beck's tales were originally published as individual mini-size books, which today, are extremely difficult to come by and are quite expensive to acquire if found. Ver Beck's stories are as delightful as Helen Bannerman's original, and publishing them all together in one single volume proved to be a successful marketing strategy for Platt & Munk. His illustrations are detailed, highly imaginative and just delightful! Representative photos are offered from each of the six stories.

De-accessioned from a school library (the name of the school inside the front cover is indecipherable), this 88 year old book is in wonderful, near mint condition! The only flaws are light soiling to the exterior covers, with subtle edge wear to cover end points and two, teeny indentations into the covers- one on the front cover at the middle top and the second to the back cover at the middle bottom. Both are quite unremarkable. Just fabulous condition!!! A must-have for the lover of Little Black Sambo stories!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This extremely rare cross stitch sampler of a young black boy with hands placed on his hips is dated to at least circa 1890, although it is quite likely an earlier example of 19th century needlework making it highly scarce and sought after.

Completed in silk thread on early, thick, pressed paper canvas, the diminutive, 1 5/8 x 2 3/4 inch piece of needlework remains stitched onto the original, 1 ¾ x 8 inch long, deep red satin banding. Standing on deep red ground, the black boy wears pale green and black striped clothing.

This wonderful, early piece of Black Americana needlework remains in excellent, original condition. At some point in time, a previous owner matted and framed the piece to allow for both ease of display and protection; however, to meet archival requirements, the piece requires a replacement of its current cardboard backing, and spacer bars separating the needlework from the glass should be added. Framed measurements are 4.5 inches wide x 11 inches long.

A phenomenally rare piece for the advanced Black Memorabilia collector!

It is difficult to photograph glass without reflection- please note that any aberrations are reflections only.

These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.

While the precise age of this late 18th to early 19th century old shackle is unknown, this type of ankle shackle has been documented to have been in use as far back as the 1780's by English slave traders, and was likely in continued use up until the 1860 onset of America's Civil War.

In 2015, the International Slavery Museum in Liverpool, England, acquired a set of ankle shackles very similar to the set offered here. In referring to the museum's acquisition, the museum's Head, Dr Richard Benjamin, related the following:

“A similar pair of shackles was purchased in Liverpool by the campaigner Thomas Clarkson in his antislavery crusade as evidence against the transatlantic slave trade. They were presented in front of Privy Council in 1788 as part of its enquiry into the transatlantic slave trade. An engraving of the shackles with a detailed description also appeared in Clarkson’s antislavery pamphlet."

These hand-forged, wrought iron ankle shackles remain in all-original and untouched condition, measuring approximately 11.75 inches in length. The cuff sizes vary slightly ranging from approximate lengths of 3.75 to 4 inches and approximate widths from 2.75 to 3 inches, a set likely used on a female slave. The shackles can be described as consisting of a wrought iron bolt with a pair of loops slid onto it via holes in both ends of each loop. One end of the iron bar is fixed closed by a triangular-shaped flange large enough to prevent the loops from being removed from the bar. The other end of the bar ends in a circular "eye" that is secured closed by a hand-wrought circular "lock washer" inserted at the time the shackles were applied.

An utterly gruesome, tangible testament to the malevolence and horrors of slavery and the transatlantic slave trade.

Offered for individual sale are two, circa 1960's, "Days of the Week", cotton muslin Hand Towels each featuring a cross-stitched Mammy hard at work tackling a different household chore on each day! The towels are priced at $38 each or both for $65. Please specify preference when making inquiries.

One of the hand towels, "Monday", is entirely hand-cross-stitched and hand-hemmed on a somewhat heavy-weight, cream-colored, cotton muslin. It measures approximately 36 inches square and features Mammy washing clothes using a washboard in a wooden barrel. Condition is quite good with small, scattered, stain spots here and there- none in the area of the cross-stitching.

The other hand towel, "Friday", is made of a slightly lighter weight and whiter-colored, cotton muslin. It measures 28 x 29 inches, and again, it has a tiny stain spot here and there away from the cross-stitched area. The hems are machine stitched while the cross-stitching is entirely hand-completed. This towel features a humorous scene of Mammy serving/making pancakes while a pitcher of milk or water unknowingly spills behind her!

These delightful towels would look charming folded and displayed on a kitchen wall rack or could even be framed - folded so that only the cross-stitched area is visible in the frame!

As the towels are priced both separately or as a pair, please email us stating whether you wish to purchase the pair or only one of the towels so that we can customize your order form.

Measuring 4.25 inches in diameter, this fabulous, circa 1920’s, metal tip or change tray advertising COTTOLENE shortening is in very fine condition!

The front side graphic showing an African American woman picking cotton with her little girl at her side retains its vivid coloring and is in near mint condition with very minor wear specs here and there visible along the black tray rim. The tray underside shows a bit more wear along the tray rim and around the tray base edge.

The front of the tray bears the advertisement, “ The Source of Cottolene- ‘Nature’s Gift From the Sunny South’”, and obviously refers to the cotton plant as the source of Cottolene Lard or shortening which was manufactured by the N.K. Fairbanks Company.

In extraordinarily microscopic-size lettering on the bottom front of the tray at the base of the cotton-picking scene can be read (with a super-magnifying glass), the name of the manufacturer of this metal tip tray: " Passaic Metal Ware Co. Litho. Passaic NJ".

The tray underside depicts a can of Cottolene lard which provides the backdrop for the Fairbanks Company product advertising. It advertising reads, "Way Down South in the Land of Cotton’ If you could see cotton growing in the fields in all its purity, could observe the skill and care used in extracting and refining the oil, you would appreciate while COTTOLENE- the perfect shortening- is so much purer and more healthful than lard could ever be. COTTOLENE is pure and wholesome as the finest olive oil; makes food palatable, digestible, healthful. COTTOLENE shortens your food- lengthens your life.” Wow, quite a testimony!!

A wonderful crossover piece that is becoming very difficult to find and is equally appropriate for one’s Advertising, Black Memorabilia, or Tip Tray collection!

Measuring 15 inches long by 13 inches wide, this delightful, unsigned, watercolor features a charming rendition of a young black boy straddling a fence while clutching a plump watermelon!

Remaining in its original frame with original wooden and paper backing, this watercolor retains its framer's identifying sticker which reads, "Staton's Art Shop 5409 Germantown Ave." Perhaps this Germantown address indicates Philadelphia area origin? In the interests of proper conservation, the new owner should re-frame this lovely piece with appropriate acid-free materials.

Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.

A lovely watercolor- nicely executed!

Measuring approximately 10.5 inches tall, these sweet, hand-made, circa 1930's, Great Depression era, Mammy and Pappy dolls feature dried apples as heads! Common household items such as chicken or turkey breast bones, dried corn cobs, old rubber baby bottle nipples, wooden clothespins and dried fruit were frequently employed to make play-dolls when money was tight and store-bought toys were beyond reach!

These two folk art pieces came straight from the 93 year old great grandma who played with them as a child!

While the heads were constructed from dried apples painted black, the bodies were cut from various pieces of sponge which were then hand-sewn together. Hands were cut from pink--- and not brown or black felt--very interesting---while the teeth were formed from tiny white beads, and the white fuzzy hair fashioned from nothing more than small, cotton batting pieces. Eyes are glued-on googly eyes.

The homemade clothing is nicely constructed via a combination of hand and machine sewing. Mammy's green, teal and rust flowered dress is embellished with a bit of lace at the sleeves, and she also wears a fancy, white eyelet petticoat and a soft pink crocheted shawl. She is barefoot. Pappy's light blue shirt features 3 button detailing, and he wears denim pants and black felt shoes and hat with a red felt vest.

Condition is quite fine with no observable issues! No odors, rips, stains or missing parts. A very sweet pair!

Measuring 14 inches in height, this vintage 1920's, 100 year old, Mammy Bottle Doll is in well-loved condition, with completely hand-stitched and highly detailed clothing that has been recently laundered and carefully pressed.

Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

Her interesting and expressive face is also completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, is presented in various shades of pink as Mammy's outfit must have been subjected to light over the years and is in places, quite faded. Despite the careful laundering, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.

Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.

This wonderful, early, one century old (!), mammy bottle doll is one of 3 currently offered mammy bottle dolls that have all come from the same estate. These dolls are very seldom found in today's collectible market. All three are are priced separately.

Utterly fabulous Black Mammy Half Doll or Platform Doll or Toaster Doll!

This circa 1940's (perhaps even earlier!) Mammy has a polished cotton half body firmly stuffed with cotton batting which is attached to a fabric-covered, cardboard platform that enables her to sit. Such a doll is often referred to as a platform or toaster doll as her voluminous skirt was designed to cover unsightly kitchen appliances - most commonly the toaster!

Most notable is this Mammy's exquisitely executed, hand-embroidered face, and her elaborate dangling beaded hoop earrings!

Mammy's clothing is machine stitched and is absent of holes, rips or repairs. While all her patterned clothing retains its original and uniform coloring, all of the purple cloth has faded- obviously a less stable dye used there. When one opens the folds of the cloth, one sees the rich, deep purple it once was!

An unusually well-detailed doll for its type!

Offered is a bucolic and beautifully-colored, medium-folio, copyrighted 1854, Nathaniel Currier, New York, lithograph entitled, "Catching A Trout". The image measures approximately 10" x 14", and depicts a fancily-dressed African-American man "netting" the trout caught by one of the two well-dressed gentleman enjoying a relaxing day of fishing. This Currier + Ives lithograph is infrequently found, and is quite highly collectible.

Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.

Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.

Measuring 12.25 inches long x 8 inches in width, this two-sided, 19th century estate document listing all of the worldly goods of LEWIS MATTAIR is de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below). The document is undated but is estimated to be circa 1865-66 based on current research of federal and state archival documents.

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring just 11 inches tall, this sweet cloth doll with a composition face may be placed in either a standing or sitting position.

Her composition face is in impeccable condition with sharp, well-drawn painted facial features. Her face is further accented by 3 darling curls peaking out from under her brightly colored cloth bandanna!

Her body is machine-stitched cotton fabric stuffed with sawdust. On the back of her right thigh, her place of origin is stamped: "POLAND". Her little flowered skirt is also machine stitched and is the only piece of clothing that may be removed.

Condition is superb with the exception of a hand-stitched repair to the seam line of her left foot where the foot is joined to the leg. Does not detract.

Offered is a rarely found, Ca 1920s, celluloid mourning pin back brooch featuring a young African American man.

Constructed of celluloid with a metal back and pin to allow attachment to one's clothing, this diminutive mourning pin measures just 7/8th inch in diameter.

The image remains quite crisp with surface crackling of the celluloid that does not effect the integrity of the overall structure of the pin. In the highly magnified photos, the crackling appears much, much more intrusive to the eye than when viewed simply with one's eyes, alone.

The backside of the pin carries the maker's mark and manufacturing locations, some of which is partially obscured: "T. J. M..., Dearborn, Chicago".

Measuring just 4.5" wide x 5.5" long, this very rarely found, circa 1940's, metal mechanical toy features the beloved Golliwogg character!

Unmarked, this toy is in very good condition with tiny superficial surface scratches wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the clown to hit poor Golly on the head with a mallet!

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

Offered is a rarely found, Ca 1890s, tintype mourning brooch featuring a young and attractive, African American woman.

Housed in an ornate, brass frame complete with backside pin to allow attachment to one's clothing, the mourning pin measures 1 3/16th inch in diameter.

The image is quite clean and crisp with a very tiny imperfection noted on the image just above the woman's head at the frame edge.

Offered are two, highly-collectible, circa 1860-70's, earthenware, pictorial plates featuring two scenes from the enormously popular, 1852, novel, Uncle Tom's Cabin by Harriet Beecher Stowe.

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

Each plate is priced separately at $195.00 each or both plates for $325.00.

One plate depicts the sale of slave, Uncle Tom, while the other plate depicts the death of little Eva. The text on each plate is in German: "Evas Todt" or in English, "The Death of Eva", and "Slavel Tom Von LeGree Gekauft" or in English, "The Slave Tom Purchased by (Simon} LeGree".

Produced for use by children as subtle educational tools, the plates measure 7 5/8 inches in diameter and are decorated with black transfer, printed, Uncle Tom vignettes.

The condition of both plates is quite superb with subtle crazing lightly evident on the backs of plates only. Also on the backs of each plate are tiny, factory-flaw imperfections where glazing failed to bind to the earthenware (represented in close-up photo). The "Sale of Uncle Tom" plate has three such imperfections on its back side along with a tiny area of bleeding of transfer color under the glaze (see close-up photo). The "Death of Eva" plate displays more evident crazing on the back as compared to the "Sale of Tom" plate along with three factory-flaw imperfections, as described above. The "Eva" plate also appears to have three, extremely fine, light, scratch lines running across the front of the plate that are most readily noticeable only in close-up photos; when one runs a finger along the lines, the imperfections are so fine that they cannot be felt and certainly represent no threat to structural integrity.

The plates were produced by the Schramberg Pottery of Baden-Wuerttemberg, Germany, founded in 1820 by stoneware expert, Isidor Faist. The plate featuring the sale of Uncle Tom is impressed "Schramberg" while the other plate has no marking. It is evident, however, that both plates were manufactured by the Schramberg factory.

An exceptional example of 19th century Folk Art-- a very rare needlework cross stitch sampler with Black Americana theme! This highly unusual example dates to circa 1880's and depicts two young girls on a primitive, “make-do” seesaw--- a wooden board placed over a log-- complete with a grapevine trellis in the background! This wonderful piece is accented with a multi-toned, Greek Key border design with fringe edging.

The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.

An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!

This wonderfully rare, 1920s piece of Black Memorabilia ephemera is in utterly fabulous condition!

Measuring 7.50 inches long x 3.25 inches wide, this Belgian cigarette or cigar, heavy paper/cardboard box features a fabulous litho of a very dapper Black Gentleman smoking one of the "JOHN" cigarettes. Its small size offers many options for display including framing for shelf or wall enjoyment.

A truly scarce find in phenomenal condition!

Offered are a grouping of 11, circa 1920-30s, colorfully chromolithographed trade cards published by the Liebig Extract of Meat Company of London as well as a smattering of other French and Belgian producers of sweets and clothing for men and women.

"Picture cards" as they were called then, feature very colorful and highly detailed images on the front side with product advertising generally on the back side. For those with advertising on the backside, the advertising, in most cases, is written in French. These cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of the food stuff or article of clothing that had just been purchased.

All but one of the cards measure approximately 2.75 inches x 4.25 inches, with the remaining card measuring approximately 2.50 inches x 5 inches. All but two are in very good condition with no observable flaws or damage.

The two exceptions:
-the 2.50 inch x 5 inch card- which has been scissor-trimmed, has a fold line down the center, and was pulled from a scrap book obscuring some of the printing on the backside-
-and one Liebig card which is missing one corner edge.
Condition quite remarkable given their 80-100+ years of age.

A nice early collection of trade cards!

Entitled "A Chip O' The Old Block", the theme of this 1906 copyrighted lithograph features a derogatory stereotype not recognized as such when it was published 115 years ago. A very young African American toddler, bare-bottomed and still just crawling, is attempting to catch a fleeing hen - the caption implying, just as would his parent. The great irony here is that the artwork is quite skillfully and beautifully executed.

Measuring 8.5" wide x 6.6" long, the original frame is unusually embellished in the lower left hand corner with a very detailed, three-dimensional image of a wicker baby carriage fashioned from an unidentifiable medium. The carriage is missing part of the handle, part of one carriage wheel, and a teeny bit has also been lost on the upper part of that same wheel, but these missing pieces do little to take away from this embellishment's unique character. This is a unique and interesting piece, indeed!

The lithograph measures 5.5" wide x 3.5" long and is signed "Wall" in the grass under the toddler's left foot. The copyright date, 1906, and the publisher, The Ullman Mfg. Co. of New York, appear in the lower right corner. The original backside paper liner is missing.

Offered is an authentic signed baseball from former Negro League player CLIFFORD LAYTON. The ball was signed for me at an autograph show and is dated 4-15-05.

Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.

A brief history of the Negro League:

African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

Measuring 13 inches long, this very RARE, Ca 1910, Black, Composition Shoulder Head Doll is in wonderful condition!

She has a muslin, machine-stitched body which is stuffed with sawdust. Her feet are black cotton. Upper arms are also stuffed muslin with composition forearms.

Her curly-haired head is molded composition; eyes, nostrils, and lips are handpainted-- note the BLUE EYES!!

She wears a muslin slip under a Victorian styled, machine-stitched, tiered ruffled dress. Her clothing has been professionally laundered but does remain darkened with age in some areas- the photos make these dark areas appear more prominent than they are when viewed by the naked eye.

Condition: Difficult to photograph due to camera glare off the composition, her head remains in pristine, all original condition- no repaint- with just a couple of very teeny white flecks here and there! The breastplate has an old glue repair which appears to be quite solid. The repair is not visible unless the doll is undressed. Superficial wear to each thumb is evident as is seen in photos. No cracking or peeling to composition. She was very well cared for over the years!

A very lovely and rare Black doll!

Offered is a highly-collectible and seldom-found, circa 1850's, Staffordshire, England, earthenware, pictorial ABC plate featuring a Southern US slavery theme: slaves picking cotton.

Entitled "Gathering Cotton", the plate depicts eight slaves, including two children, picking cotton and placing it in woven straw baskets.

Plates such as this, particularly those with the alphabet embossed around the rim, were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery abolishing it in 1833, but continued to produce slavery-themed plates for the American market.

This plate measures only a diminutive 5 1/2 inches in diameter, and the interior is decorated with the black transfer-printed scene which was then hand-painted in colors prior to firing. The rim is embossed with decorative swirls as well as the alphabet in capital letters.

Condition of the plate is quite good. It has a use/age-related spider-crack that is visible on the backside of the plate and is also partially visible on the front side. (see photos) This spider-crack is quite tight and does not pose any concern to the structural integrity of the plate. Also noted is some subtle edge roughness which occurred during firing; hardly noticeable when the plate is displayed on a stand. This plate has graced my collection for the past 30 years!

Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.

Measuring 9 1/2 inches wide x 13 inches long, this brightly colored, copyright 1931, Little Black Sambo, large softcover book illustrated by acclaimed American children's illustrator, Fern Bisel Peat, is very rarely found!

(Also currently available is Fern Bisel Peat's companion Little Black Sambo Puzzle!)

Published by The Harter Publishing Company, Educational Publishers, Cleveland Ohio, this book along with a companion puzzle which features one of the illustrations from this book, were likely released to the public at the same time. Both the book and puzzle were intended for use in the school setting, grades K-2, as well as in the home. The aforementioned Little Black Sambo puzzle is also available for purchase on this website (type Sambo into the SEARCH box).

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is an 8.5 out of 10! This unnumbered, softcover book has seen little use with just a teeny bit of wear to book edges and very small creases here and there on the covers which do not effect structural integrity. The eight large folio, color illustrations retain their intensely vibrant hues and are simply just spectacular, and they alternate with lovely black ink line drawings. (My camera did not do justice to the intensity of color, washing it out.) An inked inscription is present on the inside front cover. The front and back covers have separated completely from the staple binding; there is separation of book pages only at the following point: below the lower of the two remaining staples. The third and lowest staple is missing.

Despite these imperfections, this rarely found,soft-cover, children's book is in amazing condition given its 90 years of age!

Fern Bisel Peat, 1893-1971, was born in in Erie, Pennsylvania, and went to public schools in Elyria. She attended Ohio Wesleyan University in Delaware, graduating with a degree in fine arts. Marrying Frank Peat in 1917 and settling in northern Ohio, Fern soon began painting children’s murals in both public and private venues.

As her work grew in popularity in the 1920's, she was asked to design children's wallpaper for a Cleveland company, designing a set of Mother Goose wall panels that sold widely. She soon was approached by the Saalfield Publishing Company where she went on to illustrate over 60 children's books!

From 1933 to 1955 she was editor and chief illustrator for Children’s Play Mate magazine, published in Cleveland, and nearly all of the covers during that time period feature her illustrations.

As the major breadwinner for the Bisel Peat family, Fern found every way possible to market her work to publishers, advertising firms and toy makers during the lean years of the American Depression and World War II. As a result, her distinctive children's illustrations can not only be found within children's books of the era, but also on holiday decorations, paper fans, playing cards, rag dolls, tin toys…not to mention coloring books, puzzles, paper doll books, and greeting cards!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 8 3/4 inches long x 6 ½ inches wide, this very charming, circa 1920-1930’s key or pot holder hanger is entirely hand-made- and is a fabulous example of early American Folk Art!

Constructed of hand-cut, ¼ inch wide, black painted wood, this darling little black girl has hand-painted eyes and smiling lips, and is dressed in a hand and machine stitched, cloth-stuffed, one piece, black, tan and green dress! She has a hole in each ear, a metal hanging loop atop her head and one metal hook on each shoe for hanging keys or potholders!

She is in fine condition given her 70+ years of age and has great “patina”. Some minor paint loss, a few teeny holes in her outfit, but very visually appealing Black Americana Folk Art, none the less!

Offered are two, VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

This offering features two lovely die cuts- one, a well-to-do Victorian era husband and wife out for a stroll, and the second, a colorfully dressed musical trio playing banjo, concertina (small accordion) and tambourine. The musical trio remains connected- adding to its value- and uncut, number 7568.

The products for which these die cuts were meant to endorse is unknown. The litho features a very glossy finish, and the die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Either would look fabulous framed- individually or as a grouping! Think gift!

Approximate measurements are as follows:
The Older Couple: 6" tall x 4.25" wide
The Musical Trio: 5" tall x 4.50" wide.

Priced each at $45.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the older couple reveal no restorations or repairs. The Trio of Musicians remain very loosely adhered to a piece of black construction paper so the verso cannot be viewed. (I leave removal to the buyer.) Inspection of the front side suggests no repair or restoration to this piece.

Offered is a circa 1910, original piece of art entitled "Who Said Watermelons". This captivating charcoal on paper portrait of a young African American boy, very much resembles the iconic, fictional figure painted by an unknown artist in the mid 1800's, a figure who has come to be known as 'Johnny Griffin' or the 'Young Black boy with the Torn Hat'.

Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth through the expert use of light and dark, while capturing the intriguing expression on this young boy's face. Just what is he thinking?

Was this enchanting charcoal portrait completed as a study in preparation for a final, more complex piece, or was it, indeed, the final execution of a subject caught in passing?

Condition is quite fine. Note the faint trace of the artist's title for this work done in a lighter charcoal hiding behind the darker, final printing of the title. Framed in an old black wooden frame, this intriguing charcoal portrait would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

Wonderful vintage 1940s hand-made sewing needle case of a little black girl with yellow bows in her braided hair and a pumpkin colored dress. Front of dress lifts up and there are two flaps for storing sewing needles. Very nicely made with fine detailing to face and hair construction--her little curls are tiny French knots. Excellent condition. Measures 6" long by 3" at the widest.