Catalog: Popular Collectibles: Memorabilia (187)

Offered are two, VERY RARE, 1880's, Black Americana advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature African Americans- one showcasing a family of five out for a stroll in the park, and the other featuring a group of nine folks of varying ages playing musical instruments and dancing in celebration.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the strolling family measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the nine celebrators measures approximately 10.25 inches wide x 7.25 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, bend lines and light edge wear. The advertisement featuring the celebrators has significant edge wear and some paper loss along the horizontal top and bottom of the piece; however, with proper matting and framing, these imperfections can be easily and completely hidden.

The advertisements are PRICED EACH as follows: $35 for the family of five out for a stroll and $25 for the advertisement featuring the 9 celebrating and dancing folk.

Produced as a souvenir piece for the 1884 New Orleans Exposition, this diminutive, antique, metal match holder measures just 2.5 inches high!

Marked "Pat Applied For" on its base, this darling match holder features two small black boys playing around a rather large cotton bale (the bale is labeled "COTTON").

Well-executed detail! A lovely piece seldom found in today's collectible market!

Offered are a fabulous variety grouping of VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

The assortment features die cuts of musicians, jugglers, a boxer, actors, a bagpipe player, comically portrayed African natives, and die cut heads of adults as well as die cut heads of children. All but the four African die cuts remain connected as a grouping, just as they were when originally produced and shipped from the factory- a very rare find which increases each grouping's value.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping!

Approximate measurements are as follows:
The 2 standing, connected figures: 3.25" tall x 4.50" wide
Connected Adult Heads: 2.25" tall x 3.75" wide
Connected children Heads: .75" tall x 4.50" wide
4 African loose figures: 2" tall x 1" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there. The photo of the verso of all reveals that no repairs or restorations were made to any of the die cuts in this offering.

This entire grouping of die cuts is being sold as one single offering at $55.00.

Measuring 7 1/2 x 9 1/2, this lovely, 1920-30's, English or Continental origin, Black subject die cut features a very pretty, smiling young woman in a straw bonnet with unknown book in hand.

This die cut was manufactured to advertise a specific item, store or location but was never used for that purpose or otherwise personalized. Likely, this vintage advertising piece was discovered and then framed so that it could be enjoyed despite its anonymity.

This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone, oval decorative frame! The frame bears some minor veneer loss that does not impact the frame integrity, nor is it immediately noticeable.

A sweet piece!

An exceptional example of 19th century Folk Art-- a very rare needlework cross stitch sampler with Black Americana theme! This highly unusual example dates to circa 1880's and depicts two young girls on a primitive, “make-do” seesaw--- a wooden board placed over a log-- complete with a grapevine trellis in the background! This wonderful piece is accented with a multi-toned, Greek Key border design with fringe edging.

The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.

An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!

Offered is a very interesting, scarcely-seen, Black Americana child's toy from the 1930's era.

Measuring 7" long x 4.5" high x 4" wide, this colorful toy features two African-American boxers who are activated by jiggling the paddle which causes the boxer's arms and legs to freely fly about.

The boxers have painted wooden bodies with lithographed tin arms and legs. They are attached to the wooden paddle by a thin metal wire.

The toy is complete and in all-original condition and has not been subjected to any repair or repaint. Wear to the painted faces is evident as noted in the extreme close-up photos provided. No manufacture marking evident.

This seldom-found toy displays very nicely and would be a delightful addition to a Black Americana toy collection.

Offered is this 1959 copyright, LITTLE BLACK SAMBO TELL-A-TALE Book with illustrations by Violet LaMont. A Whitman Book publication, copyright by Western Publishing, Racine, Wisconsin. Hardcover, 28 pages.

A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two young daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was converted over time to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 9 out of 10! This book has seen little use with just a teeny bit of wear to book edge points as well as very minor wear in a couple of areas on the exterior binding. Otherwise, intact and tight with no tears, creases, pen/pencil markings or soiling!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 3 3/4 inches tall, this rarely found, bisque, black baby doll rests in a 6 inch long Peanut!

The little black doll retains its original cloth diaper and swaddling blanket with arm holes. The blanket shows spotted soiling. The baby doll features a nicely hand-painted face with the bisque in excellent condition with the exception of the right foot. The top front of the right foot appears to have been chipped during production as it retains the original paint that is applied over the white bisque during the manufacturing process. The doll is marked on its upper back: "made in Japan".

The 2 piece peanut shell is quite lightweight and appears to be made of layers of heat-pressed paper that was fashioned into a peanut via a mold. The two peanut shells retain the original hinges. A 1 inch long piece of the interior paper liner has separated from the peanut shell, but the separated piece remains (see photo). These delicate peanut shells are in fine condition overall!

Perhaps originally intended as an ornament, the peanut shell still retains a hanging string at its top edge. A rarely found piece of Black Memorabilia!

Measuring 13 inches in height, this vintage 1930's, Mammy Bottle Doll is in lovely condition, with nicely detailed clothing and a very darling face! Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

This mammy's cute face is completely hand-stitched and is accented by original celluloid hoop earrings. She wears a flowered bandanna, a cream colored flowered shawl, and an off white apron over her green and black mini-checked dress. She even has a cream colored petticoat underneath all! Her machine-stitched clothes are odor free and are nicely constructed, although her apron does have tiny age holes!

Although her bottle frame is covered by a black stocking, the stocking has risen up revealing her sand-filled milk bottle with red lettering from R.W. Tripp's Dairy, established 1889. The milk bottle lettering is in great shape and even features a graphic of a school boy and girl! Among milk bottle collectors, this particular milk bottle is quite rarely found and quite highly sought after, adding further collectible value to this sweet doll!

This great, early mammy bottle doll is one of 3 currently offered mammy bottle dolls --- rarely found in today's market and all priced separately.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin inkwell is constructed in solid brass and has a hole for both placement of pen and glass insert for ink. This piece is offered without the pen and glass ink insert.

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 6 inches long x 3.25 inches wide and 2 1/2 inches high. It does not retain any marking other than a mold number 4557.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 26.5" long x 13.75" wide, this fabulous, one-of-a-kind segregation sign is felt to be circa 1930s.

The sign with its flat black background, features a decorative free-hand, skill-fully executed, corner-looped edge design in old white paint advertising: SLEEPING ROOM FOR RENT.

Beneath the words 'FOR RENT', the words "WHITE ONLY" have been covered over with a layer of similar-colored background paint. Both words are still visible beneath this layer of paint with the word "WHITE" being most readily visualized.

I believe that this "paint-over" can be easily, professionally removed, and I toyed with the idea of having this done, but then felt that I should offer the sign as it is in its current state, as it is reflective of a small yet positive progression in history, in the viewpoint of at least this proprietor in our society in this time period. What prompted this change of viewpoint, which obviously occurred decades before the Civil Rights Act of 1964, is forever lost to history. The place of origin of this sign is unknown.

The sign is hand-painted on Masonite, a smooth-faced, compressed wood hardboard that was invented in the 1920s and was in popular use during the Depression-ridden 1930s due to its relatively inexpensive price tag. The sign has nine holes to facilitate hanging: three on each end and three down the center of the sign. The sign retains an original surface patina with age-related crackling to the lettering. In addition to the words "White Only" being painted over, a decorative flourish centered between the words "Sleeping Room" and "For Rent" has also been painted over, reason unknown. Mild surface paint loss, scuff-marks, and edge wear are present, commensurate with a 90+year old sign.

An exquisite example of Segregation Era signage that tells a story of prejudice evolving to an acceptance of equality.

Offered are two, highly-collectible, circa 1860-70's, earthenware, pictorial plates featuring two scenes from the enormously popular, 1852, novel, Uncle Tom's Cabin by Harriet Beecher Stowe.

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

Each plate is priced separately at $195.00 each or both plates for $325.00.

One plate depicts the sale of slave, Uncle Tom, while the other plate depicts the death of little Eva. The text on each plate is in German: "Evas Todt" or in English, "The Death of Eva", and "Slavel Tom Von LeGree Gekauft" or in English, "The Slave Tom Purchased by (Simon} LeGree".

Produced for use by children as subtle educational tools, the plates measure 7 5/8 inches in diameter and are decorated with black transfer, printed, Uncle Tom vignettes.

The condition of both plates is quite superb with subtle crazing lightly evident on the backs of plates only. Also on the backs of each plate are tiny, factory-flaw imperfections where glazing failed to bind to the earthenware (represented in close-up photo). The "Sale of Uncle Tom" plate has three such imperfections on its back side along with a tiny area of bleeding of transfer color under the glaze (see close-up photo). The "Death of Eva" plate displays more evident crazing on the back as compared to the "Sale of Tom" plate along with three factory-flaw imperfections, as described above. The "Eva" plate also appears to have three, extremely fine, light, scratch lines running across the front of the plate that are most readily noticeable only in close-up photos; when one runs a finger along the lines, the imperfections are so fine that they cannot be felt and certainly represent no threat to structural integrity.

The plates were produced by the Schramberg Pottery of Baden-Wuerttemberg, Germany, founded in 1820 by stoneware expert, Isidor Faist. The plate featuring the sale of Uncle Tom is impressed "Schramberg" while the other plate has no marking. It is evident, however, that both plates were manufactured by the Schramberg factory.

Offered is this exceedingly rare and unusual, circa 1910, Dallas, Texas, 10 page, all-paper (including front and back covers), advertising "Give-Away" pamphlet which tells the complete story of LITTLE BLACK SAMBO, featuring both black line and color illustrations. I have not seen anything quite like this before!

On the back cover are the advertisements of six local, Dallas, Texas, merchants who joined together to produce this little pamphlet for children as an advertising promotion for each of their respective businesses. Named are the Stacey Baking Company, T.P. Hudson Kodak Picture Developer and Sundry Shop, Moore Brothers Laundry and Dye Works, Star Messenger Service, McKinney Furniture Company, and Thornton and Bracey Fine Stationery and School Supplies.

Such an unique and very exceptional piece of turn-of-the-20th-century, Dallas, Texas, historical ephemera!

The story of Little Black Sambo, of course, was to become a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending! Condition is an amazing 7.5 out of 10, remembering, of course, that this is an ALL PAPER PAMPHLET that is now approximately 110+ years of age! All pages have been photographed which clearly show condition throughout.

The pamphlet is bound together via two staples which remain intact and are firmly holding all pages and the covers together. The front and back covers have separated from one another at the top and bottom of the pamphlet up to each respective staple; however, the area between the two staples remains intact. A few tiny edge rips are present as noted in photos. The black line drawings have been "expertly" colored-in with crayon by a budding artist of long ago who carefully and very diligently stayed within the lines. As such, one tends not to even notice that this "artwork" was not original to the publication. Original in-color illustrations remain very bright and vibrant. Pages have darkened with age. Measures approximately 6.75 inches x 9.5 inches.

Interestingly, in addition to relating the complete tale of Little Black Sambo, four pages are devoted to illustrations that identify specific characters and situations within the story, all individually entitled such as "First Tiger", "Tigers Fighting", "Purple Shoes Gone", "Lucky Sambo", "Pancake Supper", etc.

Amazing condition for a 110+ year old advertising story pamphlet that was clearly enjoyed by at least one youngster long ago - and one that may very well be the only copy remaining in existence! For the collector and lover of the tale of Little Black Sambo, this is a must-have!

To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a wonderful 1934 edition of Topsy Turvy and the Tin Clown by Bernice G. Anderson and illustrated by Esther Friend.

This seldom found copy was originally published in 1932 by Rand McNally & Company of New York.

This copy has superficial scratches to the front and back covers, as well as surface soiling, and wear on book cover edges.(see photos). The front cover has a slight tear at the crease that does not effect strength or integrity of the cover board. A couple of pages have minor staining. The binding is super-tight and all pages remain present.

Topsy's adventures are divided into three chapters in length, approximately 59 numbered pages. Book is filled with a variety of black-ink and black and red illustrations as represented in photos. The story of Topsy was likely inspired by the Little Black Sambo stories which originated at the turn of the 20th century. PLEASE NOTE: in the photos, the printing seems light and faded- not so! It is merely the function of over-lighting or light reflection.

A wonderful and truly RARE book not to be missed!

Please see the other Topsy Turvy book available for separate purchase, a 1938 copy of Topsy Turvy's PigTails.

Offered is a fabulous grouping of 10, VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

The die cuts are a representation of every day European black folk of the 1880s- from a mother holding her infant to an officer in the army, these ten charming die cuts make for a thought-provoking display! Interestingly, yes, these die cuts do indeed have a bluish tinge to their skin color- an occurrence for which no explanation can be offered.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. This grouping would look fabulous framed!

Approximate measurements are as follows:
6 Musicians: 4.75" tall x 3.75" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the figures reveals that there are no restorations or repairs to any of the 6 figures whose verso can be viewed. Note that 4 of the figures remain loosely attached to the black construction paper; it will be left to the buyer to choose whether or not to detach them.

This entire grouping of die cuts is being sold as one single fabulous offering at $55.00.

Offered are three different 78 RPM records featuring JIM CROW era, minstrel music of the 1900-1920's. All three records come with their original paper jackets. They are priced at $30 each.

The records are in used condition with minor scuffing and/or scratching typical of used records of 80+ years of age. These records have not been recently played and are presented as historical artifacts, and as such, they are offered for sale without guarantee of "playing quality".

Offered are:

1) 1912 "I'se Gwine Back to Dixie" by the Haydn Quartet

2) 1923 "Two Black Crows Part 1 and Part 2" A Comedy Sketch by Moran and Mack

3) C1915 "No One Loves You Any Better Than Your Mammy" by Link-Nelson

As each is priced separately, please email us stating which item you wish to purchase so that we can customize your order form.

A wonderful and extremely RARE, 1st Edition, hard cover book by Carolyn Sherwin Bailey, copyrighted 1938 by Platt and Munk Publishers and measuring 6.50 x 8.25 inches. Platt and Munk Publishers, like McLoughlin Publishers, were widely known to employ the most talented illustrators of the time period. Platt and Munk books are highly sought after for this reason.

Fabulous colored and black and white illustrations (see photos) adorn this 26 page book! The book features the adventures of a little Southern boy who lives with his gran'mammy and gran'daddy in a log cabin set down in a cotton field.

Interior pages are in very nice, near mint condition, are clean and bright and are tightly bound together. The only intrusion is a former owner's name, "Weaver", written in blue ink on the interior cover page (see photo). The hard bound cloth covers are in fine condition, with very, very slight wear to cover spine edges and book corners typical of a book of its age. This is a verified first edition as later editions had the cloth board without the color pastedown. Illustrated on every page, alternating color and black and white. This copy includes a worn, tattered, but nearly complete dust cover, which accounts for the pristine condition of the front and back hardcovers.

A very charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!

Measuring 1 7/8 inches in diameter x 1/4 of an inch high, this seldom-found, circa 1920’s, dexterity game depicts a surprised or startled African baby. Likely German-made, the puzzle has no markings. It contains the 3 tiny metal balls, that with the proper manual dexterity, are to be placed in the baby’s mouth and two eyes. Two of the balls are currently fixed in place, likely due to the metal backing being very subtly pushed in.

Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Black Memorabilia!

This extremely colorful, lighthearted, and energetic, signed, fine quality, Limited Edition, giclee print depicts a lively outdoor dining scene full of gaiety and camaraderie.

The image, itself, measures 32" long x 24" wide, while the framed artwork in total measures 41" long x 32.5" wide. The giclee print was framed using museum-quality, acid-free double-mat board and backing materials, within a fine quality solid wood frame and topped with non-glare glass. This artwork was purchased directly from artist, Kelvin W. Henderson, it was signed by him at the time of our purchase, and it cheerily hung in our dining room for ten years!

The artwork is actually brighter in color than my camera was able to capture- closeups appear a bit "darker" than reality. Condition is absolutely perfect! And its presence---well, it will command one's attention hanging on an entire wall-space all by itself! It is, as stated earlier, a Limited Edition giclee lithograph-- Number 18 of a 150 Limited Edition series, with an additional 50 canvas editions. The provenance of this piece with all details is attached on the back side of the artwork as seen in one of our photos. A buoyant and effervescent piece of art!

As this piece exceeds typical shipping criteria in terms of dimensional size and weight, we regret that we cannot offer free shipping. We will provide a $25 shipping credit, but the remaining cost of shipping will rest upon the purchaser.

Offered is an exceedingly unique and unusual, 1939 copyright, Marine, Illinois, 10 page, all-paper (including front and back covers), advertising "Give-Away" pamphlet which tells the complete story of LITTLE BLACK SAMBO. It features both full color and black ink with red accent illustrations. In such near perfect condition, it must never have been read or played with!

The lower back exterior cover reads: "Remember Jos. Pohl & Sons, Inc. and J. I. Case Sales and Service, Marine, Illinois, Dial Phone 2501" as well as "No.528", "Made in USA". On the bottom of the first page, the publisher and copyright date are printed: "MCMXXXIX (1939) Sam'l Gabriel Sons & Company, New York".

Such an unique and very exceptional piece of early 20th-century, Marine, Illinois, historical ephemera!

The story of Little Black Sambo, of course, was to become a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is an amazing 9.5 out of 10, for this ALL PAPER PAMPHLET that is now approximately 85 years of age! All pages have been photographed which clearly show condition throughout. The pamphlet is bound together via two rusty staples which remain intact and are firmly holding all pages and the covers together. All of the very colorful illustrations remain quite bright and vibrant. Measures approximately 5.25 inches wide x 7.25 inches tall.

Amazing condition for an 85 year old, paper advertising story pamphlet that clearly was never enjoyed by a young child - and one that may very well be the only copy remaining in existence! For the collector and lover of the tale of Little Black Sambo, this is a must-have!

To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring 1 3/4 inches in diameter x 3/8 of an inch high, this circa 1920’s, dexterity game puzzle depicts a fancily dressed and top-hatted black man! Likely German-made, the puzzle is without markings. Vibrant color and detailing! The puzzle contains 4 tiny white balls, that with the proper manual dexterity, are to be placed in the gent’s mouth, eyes and bow tie!

Constructed of tin with a cardboard lithographed image and a glass cover, this game is backed with its original mirror. The puzzle is in all-original condition with the lithographed graphic remaining free of scratches and abrasions. The glass is rippled but is not damaged as it remains smooth to the touch. A "defective" piece of glass was likely just simply chosen for use in what was once an inexpensive penny game!. The mirror shows some tiny bits of loss to silvering as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Black Memorabilia!

While the photo depicts a grouping of 3 different, vintage 1930-40's, French Rum labels, only the oval label is available at $14.00, as the other 2 have been sold.

The label is unused and is in excellent condition with wonderful, even coloring (any appearance of fading is due to light reflection only).

Approximate measurements: the oval label measures 4.50 x 3.50 inches.

Would look wonderful framed!!

Please take a moment to view my other grouping of vintage French rum labels!

Measuring just barely 6 inches in length, this fabulous example of 1920's folk art and hand craftsmanship exemplifies the stereotypical Mammy of the early 20th century.

Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.

A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!

In lovely condition with the exception of subtle fading to Mammy's red head kerchief, this delightful 1940's pin cushion doll appears to have been unused! No pinholes can be seen!

Mammy's head and body are actually constructed of a single wooden clothespin that was then inserted into her cotton-batting-padded skirt. Her face is hand-painted, she has a tuft of white cotton batting hair peeking out from her kerchief, and her apron is stamped in black ink "Souvenir of New Orleans".

A very sweet piece to add to one's sewing or doll collection!

Measuring 6.25 inches long x 5 inches wide, this rarely found and well detailed, circa 1910, brass ashtray depicts a smiling black male native reclining on a stylized seashell.

In fabulous condition with 100+ years of all original surface patina, this phenomenal piece is very highly detailed and displays wonderfully! It authentically depicts the highly fashionable Art Nouveau styling which was so wildly popular at the turn of the 20th century. This brass ashtray promotes the English settlement of the CONGO on the African continent, and thus, the words "CONGO" are impressed across the native's chest. The earliest version of this ashtray was crafted in BRONZE did not feature the Congo label across the native's chest.

A must-have piece for the sophisticated Black Americana collection!

Offered is an utterly fabulous, one-of-a-kind, 1880s, piece of original artwork by Edward West Merrill (1841-1910) of Concord, New Hampshire.

Merrill, known for creating extraordinary art collages of cut paper, cut birch bark, ink, and watercolor mounted on black construction weight paper, fashioned this particular piece depicting the fictional African-American Blackville Debating Society, by encompassing all of these preferred artistic mediums.

One can see the beautiful grain of the white birch bark Merrill used to execute each figure and form, which he then detailed using black ink and added depth and color by applying varying natural tones of watercolor. Merrill added additional elements of detail to the black mounting paper using a lighter toned ink, such as the entrance/exit door to the left of the moderator. The resulting work of art is simply exquisite!

Merrill's subject matter ranged from various genre pieces to racist scenes inspired by Solomon Eytinge, Jr.'s, (1833-1905) "Blackville" series that Eytinge created for Harper's Weekly in the 1870s. Merrill's artwork offered here was inspired by Solomom Eytinge's "Blackville" lithograph printed in the January 4, 1879, edition of Harper's Weekly. (A photo of Eytinge's litho is presented for client reference and comparison to E.W. Merrill's work and is not available for sale.) When comparing the two pieces, one will note that Merrill changed his artwork from that of Eytinge's by eliminating one of the "scorner's" in the right corner, many of the club members featured at the bottom Eytinge's litho as well as the signage above the debate moderator and by adding the 25 lb "Best Soap" box under the moderator's table leg.

At the base of this work reads the following: The Blackwell Debating Society- "Wedder Lord Dorwin Involved Hisself or Somebody Else." -The Scorner in the Corner Will Reply Drawn By E.W. Merrill Concord NH .

Measurements including the handsome, original oak frame are 26" wide x 18.5" in length. The original hanging eyelets have been removed for ease in shipping and are present under the tape as seen in the photo of the verso of the artwork.

Offered is a highly-collectible and seldom-found, circa 1850's, Staffordshire, England, earthenware, pictorial ABC plate featuring a Southern US slavery theme: slaves picking cotton.

Entitled "Gathering Cotton", the plate depicts eight slaves, including two children, picking cotton and placing it in woven straw baskets.

Plates such as this, particularly those with the alphabet embossed around the rim, were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery abolishing it in 1833, but continued to produce slavery-themed plates for the American market.

This plate measures only a diminutive 5 1/2 inches in diameter, and the interior is decorated with the black transfer-printed scene which was then hand-painted in colors prior to firing. The rim is embossed with decorative swirls as well as the alphabet in capital letters.

Condition of the plate is quite good. It has a use/age-related spider-crack that is visible on the backside of the plate and is also partially visible on the front side. (see photos) This spider-crack is quite tight and does not pose any concern to the structural integrity of the plate. Also noted is some subtle edge roughness which occurred during firing; hardly noticeable when the plate is displayed on a stand. This plate has graced my collection for the past 30 years!

Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.

Presented as a historical and cultural artifact, this seldom-found, vintage, 1942, Ten Little Colored Boys book illustrated by Emery I. Gondor and published by Howell, Soskin Publishers, New York, is in very good condition.

Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.

The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.

The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.

Entitled "A Little Colored Boy and Other Stories, this extremely scarce, small folio book was the property of Reverend J. H. Jackson, pastor of the Greenburg, Indiana, A.M.E. (African Methodist Episcopalian) Church.

The book contains lovely black ink line drawings and etchings which accompany a great variety of wonderful short stories for children designed to teach strong moral values, attitudes and behaviors. The story, A Little Colored Boy, is the first and the longest tale in the book. Undoubtedly, Reverend Jackson often used this book in teaching the congregation's children their Sunday school lessons.

The book is inscribed in faded blue ink inside the front cover as follows: "Rev. J. H. Jackson Book. Pastor Greenburg Indiana's A.M.E Church".

Published by the Abingdon Press of Cincinnati and New York, the book contains no publishing date. However, it was likely published in the late 1890's as one story references President Grover Cleveland's eldest child who was born in 1891: "Little Ruth Cleveland, when she was the baby of the White House,..."

President Cleveland served two separate presidential terms of four years each from 1885-1889 and again from 1893- 1897. It is highly likely that this book was published during Cleveland's 2nd term of office or shortly thereafter when the populace would have been well familiar with "Little Ruth", who was popularly known as "Baby Ruth".

The book measures 4.5"x 6.5" and contains over 30 little stories within its 64 pages. Hardcover, the book is in amazing condition for its age, an 8 out of 10. The cloth-bound cover has minimal wear with only one 1/4' long split on the rear binding and some staining certainly commensurate with its 120+ years of age. The binding and pages are tight. Some minor, age-related staining here and there throughout the book, with one page noted as having a tiny tear at its top.

A highly unusual find!

Offered is a colorful, 1883, lithographed, Lime Kiln Club, Black Americana, Cigar Label by Mensing & Stecher of Rochester, New York (company noted in the lower left corner). The lithographed 8" x 6" label would have been placed on the inside cover of the traditional wooden cigar box of that era. This highly detailed label features a caricature image of a very boisterous group of African Americans at a lodge meeting. The moderator is trying to get order while some of the members talk and fight amongst themselves with one even holding a pistol.

A trademark label affixed to the bottom of a sour mash whiskey barrel, "ICMCo" stands for the Ithaca (New York) Cigar Manufacturing Co. for whom the label was made.

Interestingly, this cigar label was based on a racial parody book featuring a fictitious fraternal organization of African-Americans, titled 'Brother Gardner's Lime-Kiln Club' by "M. Quad". Quad, in actuality, was noted newspaper columnist and satirist, Charles Bertrand Lewis, of the Detroit Free Press.

Framed in an 8.75" x 10.75" silver-toned wood frame, this Lime Kiln Club lithographed label is extraordinarily scarce and highly sought after. It is listed as one of the top 100 blue chip cigar labels by "InStone 100" (a cigar label rating organization). The lower right hand corner notes the US Patent Office Registry date of May 22nd 1883. This 19th century piece would benefit from professional framing using archival, acid-free materials to enhance its life for many more years to come.

Condition: The color remains as brilliant as the day this 140 year old label was produced! Four unobtrusive and minor tears are noted: two in the lower left corner area, one at the center top near the moderator's gavel, and one between the K and I in Kiln. A crease is noted in the white margin above the label title, and a water mark is present in the lower right side of the white margin. However, none of these blemishes detract from this highly intricate lithograph! Take a few moments to carefully study all of the activity and detailing in this colorful piece!

Measuring approximately 3 1/4 inches long x 2 1/4 inch wide x 1 1/8 inches deep, this vintage, sweetly depicted, steam-molded Brown Doll Face from the 1930’s has never been used! Eyes and lips are both hand-painted; condition is quite fine with no stains, tears, or discoloration—ready to be used!

Measuring 6 inches high, this darling, mint condition, Black Memorabilia, pudgy and naked, Girl Child Nodder was made in 1950’s Japan by the Ardalt China Company. She modestly attempts to conceal herself by holding a pair of pink and red polka dotted panties in front of her! Such a sweet piece!

The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through her neck (see photos).

Condition is mint, and the piece is signed on the bottom of her right foot: “Hand Painted Lenwile China Ardalt Japan 6530 B”.

Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!

Please see the equally-difficult-to-find companion piece also available - the Black Boy Child Clown Nodder. And an additional offering that is not part of the Ardalt Black Child Nodder series is the RARE 1950s Black Americana Sailor Nodder by UCAGCO, Japan.

Offered for your consideration is an appealing, circa late 1900s, deep aqua blue painted wood jewelers sign. The sign was acquired from a Columbia, South Carolina estate and measures approximately 63" long x 7" wide. It is in very nice overall condition except for areas of paint loss, some crackling and general wear of a vintage sign. An unobtrusive 4 inch split is noted near the left edge and some scattered paint flecks add to a wonderful patina. A modest scratch is apparent through the word "JEWELLER".

Lettering is original and in very good condition except for some unobtrusive scuffing and loss. Please note that the lettering is bordered with black enhancement. There are 2 holes, one on each side which were originally used for mounting on the building exterior.

Will make a great addition to your collection.

Measuring 2 1/8 inches in diameter x 3/8 of an inch high, this rarely-found, circa 1910, dexterity game depicts a smiling Top-Hatted Dandy! The puzzle is quite colorful and is very visually appealing! The puzzle contains the 3 tiny metal balls along with one white ball of unknown material, that, with the proper manual dexterity, are to be placed in the Dandy’s eyes and as buttons on his shirt!

Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the Dandy graphic remaining free of scratches and abrasions, and design typical of turn-of-the-century puzzles. The mirrored back shows evidence of 2 tiny areas of subtle, minor chipping along the perimeter edge, and the glass front has a small, very shallow surface chip at the base of the Dandy's shirt and an even tinier one to the left of the top hat. Unless one applies hard pressure to the surface of this glass, I cannot ever imagine this front glass breaking or shattering. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

A detailed image and a delightful piece of very early Black Memorabilia!

Offered is this wonderful, early 1940s, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book, and this edition was used over a period of ten years, with changes made only to the cover. The company's final publication of this story came before the onset of WWII, making this copy a very rare find.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All the wear on this cloth-bound hardcover book was absorbed by its cover with wear to book edge points and book cover edges. The interior binding is intact and tight as are all pages. No creasing or bends to pages. Illustrations remain very brightly colored and vibrant and are particularly notable for their fine artistry. A couple of very small page edge tears (less than 1/2") are present. A penned inscription is noted: "To Evelyn Field From Dorothy Field Christmas 1943".

Amazing condition for an 80 year M.A. Donohue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a beautiful variety grouping of VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

This offering features two lovely die cuts- one, a well-to-do Victorian era husband and wife sitting down to dinner, and the second, a colorfully dressed bride and groom at the altar about to take their wedding vows. The third offering is a glossy finish mini-size litho featuring three siblings arriving at school with book bags on their backs, and one sporting an umbrella in case it later rains. Three children peer out the school window awaiting their arrival.

The products for which these die cuts and litho were meant to endorse is unknown. The litho features a very glossy finish, and the die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping! Think gift!

Approximate measurements are as follows:
The dining couple & the Wedding: 4" tall x 5.75" wide
School children: 6" tall x 4.50" wide

Priced each at $45.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of all three pieces reveal that only the wedding die cut has a small restoration made to one of the altar candlesticks using archival quality tape. There have been no repairs or restorations made to either the school litho or the Dinner die cut.

Offered is a beautiful, C1930s, hand-woven basket plate or tray from the Hausa People of Nigeria, Africa, measuring approximately 13 inches in diameter.

Baskets such as these are made by the women in the Hausa tradition utilizing vegetable fiber, grasses and straw, all of which are typically harvested in the summer. The top of the basket is very smooth, while the base is rougher and unfinished in appearance.

These baskets are often given as wedding gifts and are traditionally used to store grain.

In addition to the natural color of straw, these baskets generally include the colors brown, red, and green, as does this one, which features two individuals joined together (celebrating marriage) as well as colorful triangular figures, one atop the other, representing the joining of two homes or families.

Condition is very good with just four single stitches missing along the basket rim (see photos).

Measuring just 2.5" tall and wide, this diminutive, metal, Black Face, Googly Eye toy or game is all original and completely functional despite its near 100 years of age!

Pull the original string attached at the base, and Mr. Googly's eyes move into all sorts of silly positions! Three photos are included to demonstrate the variety of eye positions possible.

The paint is in wonderful condition with just the tiniest, pinprick size dots of loss noted here and there, and only well-seen under magnification. A small crease under the nose is present with no impact to the toy's integrity. This toy was also designed to be wearable, and on the backside one of the two original clothing pins remain.

The toy is marked "Made in Germany" on the reverse side. Two photos were taken in an attempt to clarify this marking, although the beginning and the end of the word "Germany" have worn away over time, making the task difficult!

A seldom found vintage toy in functional, all-original condition! Displays nicely!

Enter "Googly" into the SEARCH box to see our other Googly-Eye collectibles!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.

This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.

The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.

A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!

To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 8 3/4 inches long x 6 ½ inches wide, this very charming, circa 1920-1930’s key or pot holder hanger is entirely hand-made- and is a fabulous example of early American Folk Art!

Constructed of hand-cut, ¼ inch wide, black painted wood, this darling little black girl has hand-painted eyes and smiling lips, and is dressed in a hand and machine stitched, cloth-stuffed, one piece, black, tan and green dress! She has a hole in each ear, a metal hanging loop atop her head and one metal hook on each shoe for hanging keys or potholders!

She is in fine condition given her 70+ years of age and has great “patina”. Some minor paint loss, a few teeny holes in her outfit, but very visually appealing Black Americana Folk Art, none the less!

Measuring approximately 16 inches long, this wonderful, vintage 1950's, cloth Mammy Laundry bag is in wonderful condition! This bag features a curved wooden band at the base of the bag which allowed the bag to retain its form.

All cloth and done in a great, red paisley fabric, this darling Black Mammy bag features an interesting, smiling face! Due to its small size, this bag would have held undies or stockings or also may have been placed on one's bed and used to hold one's nightie during the day!

Very sweet and displays nicely!

Measuring approximately 3" x 3", this rarely found tin mechanical toy features a monkey at the unfortunate mercy of a black lady hitting him with a mallet!

Unmarked, the toy was likely produced in post WWII Germany. It is in wonderful, barely-used condition with just the tiniest degree of scratching wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the woman to hit the poor monkey on the head with a mallet!

A RARE toy with crisp color and which displays wonderfully!

Offered are two, VERY RARE, 1880's, romantically-themed advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature well-dressed African American gentlemen attempting to woo and capture the exclusive attentions of pretty young African-American ladies, one via a banjo serenade and the other via an offer of lovely flowers.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the banjo playing gent (with that snarling black dog in the lower right corner) measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the shy woman being presented with pretty flowers measures approximately 7.25 inches wide x 9 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, lines and light edge wear. The advertisements are priced at $35 each or two for $60.

An unusual piece, this delightful, cloth Mammy Broom Doll from the 1940's measures 12.5 inches high with a total height of 31 inches including the broom.

Mammy's wonderful, smiling face is all hand-stitched while her clothes are machine sewn. Her blouse is striped cotton, as are Mammy's head, arms, skirt, apron, and cap. Her head, arms, and upper torso have been stuffed with cotton batting. The natural bristle broom fills out both Mammy's torso and skirt & the wooden broom handle extends upward through her neck and head.

Mammy is in all original condition with no mends or repairs. The structural integrity of the broom remains quite sound. Mammy's white cotton apron and cap have been professionally cleaned, removing nearly all traces of old stains, dirt, and dust.

A fabulous piece of vintage Black Americana, and a seldom seen form of the Black Mammy Doll!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin item is constructed in solid brass and is known as a document clip used to hold together important papers. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/8 inches long x 2 3/8 inches wide. It does not retain any marking other than a mold number 5241.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 17 inches long, this delightful, folk-art styled, cloth, black Mammy doll was made circa 1920's.

Detailing in construction sets this mammy doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. Mammy was lovingly dressed in clothing made from old, red, black, and white-patterned handkerchiefs, while both her body and her interesting pair of black pantaloons were constructed of old, black stockings. Detailing was clearly important to the creator--an additional and elegant surprise is the cream-colored, cotton petticoat edged with lace!

Mammy's face is hand-embroidered, and she wears brass-colored, plain, hoop earrings. Her body is machine-stitched together and is stuffed with cotton batting.

Mammy is in near perfect condition with the exception of minor wear (not holes) to her stocking-constructed left foot as well as the underside of her right, stocking-constructed hand. (This wear to the fabric may well be the very reason the stockings were used to construct Mammy as they may have been discarded from personal use. Please refer to photos to view wear.)

Mammy is simply full of charm with lovely and creative detailing! A quite difficult-to-find-in-this condition, 80+-year-old, cloth mammy doll!

Measuring 9 inches high, these delightful examples of Folk Art styling represent three of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women employed under President Franklin Delano Roosevelt's (FDR) Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features, with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The gray-hair and bearded, chicken-toting black country gent on the left is attired in machine-stitched clothing wearing blue cotton britches with red suspenders along with a blue and cream striped cotton shirt and a red kerchief around his neck. His hat is constructed of navy blue-colored felt. This country gent holds a very finely-crafted and detailed brown chicken under his left arm, while his right hand clutches a wooden walking stick. Note the lustrous chicken feathers protruding under his arm when he is viewed from the back. He appears to be a bit disgruntled about something given those raised eyebrows!

The female doll depicts a lady out for a stroll with her black umbrella in hand. This sweet gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features. Her head is turned to her right as if to see who had just called out her name. This gentlewoman's clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. topping off her outfit are a pair of gold hoop earrings!

The gray-hair, bearded, chicken-toting black country gent doll on the right, is also attired in machine-stitched clothing wearing brown cotton britches with a patch on the left leg, and a bright red hankie protruding from the right pocket. His matching brown suspenders along with a red and cream striped cotton shirt and a red kerchief around his neck complete his outfit, while his brown felt hat tops it all off. This country gent also holds a very finely-crafted and detailed brown fabric chicken with lustrous feathers under his left arm, while his right hand clutches a wooden walking stick. This gent, however, is in much finer spirits than his male companion is, wearing a very pleasant expression on his face!

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! All three in perfect condition and priced at $295.00 each.

Measuring 4.25 inches in diameter, this fabulous, circa 1920’s, metal tip or change tray advertising COTTOLENE shortening is in very fine condition!

The front side graphic showing an African American woman picking cotton with her little girl at her side retains its vivid coloring and is in near mint condition with very minor wear specs here and there visible along the black tray rim. The tray underside shows a bit more wear along the tray rim and around the tray base edge.

The front of the tray bears the advertisement, “ The Source of Cottolene- ‘Nature’s Gift From the Sunny South’”, and obviously refers to the cotton plant as the source of Cottolene Lard or shortening which was manufactured by the N.K. Fairbanks Company.

In extraordinarily microscopic-size lettering on the bottom front of the tray at the base of the cotton-picking scene can be read (with a super-magnifying glass), the name of the manufacturer of this metal tip tray: " Passaic Metal Ware Co. Litho. Passaic NJ".

The tray underside depicts a can of Cottolene lard which provides the backdrop for the Fairbanks Company product advertising. It advertising reads, "Way Down South in the Land of Cotton’ If you could see cotton growing in the fields in all its purity, could observe the skill and care used in extracting and refining the oil, you would appreciate while COTTOLENE- the perfect shortening- is so much purer and more healthful than lard could ever be. COTTOLENE is pure and wholesome as the finest olive oil; makes food palatable, digestible, healthful. COTTOLENE shortens your food- lengthens your life.” Wow, quite a testimony!!

A wonderful crossover piece that is becoming very difficult to find and is equally appropriate for one’s Advertising, Black Memorabilia, or Tip Tray collection!

Measuring 3 1/4 inches long, this circa 1920s, miniature, Black Mammy doll is unique in construction- its head and body have been fashioned from an old rubber baby nursing nipple!

Mammy’s sweet little face has been carefully hand-painted, and she has been nicely dressed in a red dress with blue oval designs, a linen apron and red and black head scarf.

Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has contorted a bit due to the ravages of time, she is in delightful condition!

Measuring 9 inches high, these delightful examples of Folk Art styling represent three of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women employed under President Franklin Delano Roosevelt's (FDR) Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The Country Preacher is fully decked out to conduct worship services, from his black, wide-brimmed top hat down to his leather shoes, the left one, unfortunately, showing a bit of wear with his socked big toe peeking out! His machine-stitched clothing is all in the color black with the exception of his white ministerial collar. The preacher holds his real-wood walking stick securely in his right hand while clutching the Holy Bible under his left arm. Note the colorful red handkerchief that was placed in a back pants pocket, peeking out between the tails of his suit coat. The fully bearded preacher wears silver, wire-rimmed spectacles surrounding his soft and compassionate eyes and offers an open smile showing his front two teeth!

The white haired, bearded male country gentleman doll is attired in machine-sewn cotton, blue-striped britches with a patch at the left knee, black suspenders and a tan striped cotton shirt with a red kerchief tied around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted fabric chicken that has sustained a tiny bit of fabric loss to its face, while his left arm holds a wooden walking stick. His complete asphalt shingle is missing, but remnants remain firmly attached on the soles of his shoes. He bears a very sweet, surprised expression on his face as evidenced by his slightly upturned eyebrows!

The female doll in this grouping is clad in a red and white checkered, machine-stitched dress topped over with a cream-colored linen apron which evidences, here and there, some very light, age-related discoloration. Her apron pocket displays a red and white polka-dotted hankie- a lovely detail-, while a bright, multi-colored head wrap protectively covers her graying hair from dust and grime while she completes household chores. Her outfit is fully completed with the cream-colored linen chemise and pantaloons underneath her dress, and she wears black leather shoes. Even though she is working at chores, as evidenced by the wicker-straw broom she holds in her right hand, she has not forgotten to wear her brass-toned, double hoop earrings! And she wears a pleasant expression on her hand-stitched face, showing a bit of a smile and her two front teeth.

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! The Preacher and Lady with the Broom are priced at $295.00 each, with the Country Gent Holding a Chicken priced at $275.00 to compensate for his incomplete asphalt shingle.

Offered is the extremely rare, circa 1930s, children's toy sand pail, marked "HappyNak Seaside Pail No4, Made in England" along the folded tin seam of the pail. This darling toy pail clearly had very limited production as it rarely appears on the antiques market for sale, nor can it be readily found in the many existing Black Americana or Black Memorabilia reference books or online sites.

Measuring a diminutive 3 1/2" high excluding the bale handle and 5.75" high including it, this adorable tin pail features colorful graphics of five little golliwoggs playing kickball! The interior and base are painted a bright sky blue while the interior base features a copper color finish over the tin.

The pail has with very minimal wear, with tiny bits of paint loss noted at each entry point of the bale handle into the pail. Some bits of paint loss are also noted on the rim, and there is crackle to the finish, rating it an 8 out of 10.

A very rarely found and quite visually appealing piece of Black Memorabilia!

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Measuring 21 inches in length, this very handsomely attired, gentleman golliwog doll hails from the early 1950's and remains in near pristine condition. Displayed under glass all of these years, his clothing retains good color and is free of soiling with the exception of his white cotton vest which has one small spot on either side that are both nicely concealed when his jacket is set properly in place. (Clothing is removable if the new owner wishes to launder.)

The golly's clothing is machine stitched; his red mouth and white eyeballs are constructed of felt. His body is tightly stuffed with cotton batting allowing him to be displayed either in a sitting position or standing with the support of a doll stand.

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

A very sweet piece!

An unusual piece, this delightful, cloth Mammy Broom Doll from the 1940's measures 12.5 inches high with a total height of 31 inches including the broom.

Mammy's wonderful, smiling face is hand-stitched and her clothes are machine sewn. Her blouse is seersucker, and her head, arms, skirt, apron, and cap are cotton. Her head, arms, and upper torso are stuffed with cotton batting. The natural bristle broom fills out both Mammy's torso and skirt & the wooden broom handle extends upward through her neck and head.

Mammy is in all original condition with no mends or repairs. The structural integrity of the broom remains quite sound, and Mammy, herself, is free of holes and tears. Her once-red skirt has now faded to pink. Her white cotton apron and cap have been cleaned removing nearly all traces of old stains, dirt, and dust. Photo number 2 shows her outfit BEFORE cleaning; all other photos reflect her appearance after cleaning.

A fabulous piece of vintage Black Americana, and a seldom seen form of the Black Mammy Doll!

A simply fabulous and extremely rare, circa 1870-1880's, solid brass, Black Americana SLAVE FACE BOWL!! A striking image!!

Prominent facial features- eyes and brows, nose, cheekbones, lips and teeth -and tight curly hair rise from the surface of the bowl. The bowl is rather heavy for its diminutive size and has no markings. Measures 4 inches in diameter and 1.5 inches high. Condition is excellent with some tarnishing that may be cleaned if desired; our preference was to offer this 140+ year old piece in as found condition.

A rare, outstanding and highly collectible offering to add to one's advanced Black Americana collection! I have only come upon 2 of these bowls in my 40+ years in the field.

Measuring a diminutive 2.5 inches tall, this darling pair of Black Memorabilia, ceramic, boy and girl dolls remain in perfect, all-original condition. They remain housed in their original box complete with cardboard divider, and still retain the tiny ribbon bows tied on each of their six pigtails. Both the dolls and their box appear to have been safely tucked away unused and untouched in a drawer all of these years, the condition is that wonderful! The boy is incised "JAPAN" on the back of his white shirt while the girl's "JAPAN" marking appears on the back of her neck. The bottom of the box is stamped in ink, "237 2 PCS JAPAN". Not to be missed---- fabulous new-old stock!

Offered are two utterly fabulous, one-of-a-kind, DOUBLE-SIDED, hand-painted signs that hung at Joe's "Colored Only" fish shack near Albany, Georgia, on the Flint River during the years that segregation was still enforced in the South. These signs were created by the black folks who owned the fish shack which closed in the early 1960s. Visitors had an area to eat in and were served pig ears and fish-- and the shack owners also caught, cleaned and sold fish.

The signs were purchased directly from the fish shack owners, and were, thirty-something years later, sold out of that purchaser's estate sale. During the purchaser's lifetime, the signs hung, one-over-the-other above the fireplace in the purchaser's den. They have been in my personal collection since 2003.

These signs have a very colorful, folk-art appeal and are certainly utterly unique! They very much fit into the American, Southern "Outsider Art" collecting genre, a genre which highlights the work of self-taught, rural area artists who create fabulous and highly expressive art using the media and materials that they have at hand and which reflects the world that they know and live in.

The signs are quite heavy as each is painted on a solid wood board. The signs are nearly identical in size and measure approximately 25 1/2 inches wide x 14 5/8 high x 3/4ths of an inch thick. One of the signs has very, very slight warping, but the warping is not readily evident as seen in pictures. Each sign has 2 holes from which to hang them, and the old rusted hanging wire which is seen in the photos has been replaced with new wire.

The book, THOMPSON IN AFRICA or AN ACCOUNT OF THE MISSIONARY LABORS, SUFFERINGS, TRAVELS, AND OBSERVATIONS is the compilation of the journal kept by missionary George Thompson while working at the Mendi Mission in Sierra Leone, Africa, during the period 1848-1851. This is a second edition published in 1852, printed for the author by William Harned, 48 Beekman Street, New York City (the first edition was published in 1851).

George Thompson’s missionary service to Africa occurs approximately 7 years after the MENDI natives of the AMISTAD were accompanied by missionaries on their return to Africa. He serves this very same mission, now in the of colony Sierra Leone, a colony which was established to serve as refuge for the liberated Africans taken from slave ships.

356 pages long, this journal provides a fascinating account of all aspects of the Mendi culture seen through the eyes, however biased in his mission to convert the Africans to Christianity, of a genuinely well-meaning gentleman of his time. Condition: complete, tight binding, foxing throughout, spine wear as shown in picture.

Thompson states, “It is hoped that the following narrative may, in the hands of GOD, awaken a desire in many hearts to go to Africa, for the purposes of preaching, teaching, farming, building houses, mills, manufactories, etc., and thus assist in making long despised and neglected AFRICA, what it is capable of becoming, THE GARDEN OF THE WORLD.”

A wonderful example of hand-crafted Black Americana Folk Art!

This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black girl with hand-painted smiling mouth and eyes! She is dressed in a hand-stitched cotton costume that has been stuffed with scrap fabric.

Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Her ears each have a punched out hole--whether this is functional or purely decorative remains a mystery. A small brass hoop threaded through a piece of fabric which was then tacked to the back of the girl's head facilitates hanging on a wall. Overall condition is fine with age-related soiling to the dress and minor paint wear typical of a 70 year-old-piece.

One of my favorite hand-made pieces with true folk art appeal!

Utterly fabulous Black Mammy Half Doll or Platform Doll or Toaster Doll!

This circa 1940's (perhaps even earlier!) Mammy has a polished cotton half body firmly stuffed with cotton batting which is attached to a fabric-covered, cardboard platform that enables her to sit. Such a doll is often referred to as a platform or toaster doll as her voluminous skirt was designed to cover unsightly kitchen appliances - most commonly the toaster!

Most notable is this Mammy's exquisitely executed, hand-embroidered face, and her elaborate dangling beaded hoop earrings!

Mammy's clothing is machine stitched and is absent of holes, rips or repairs. While all her patterned clothing retains its original and uniform coloring, all of the purple cloth has faded- obviously a less stable dye used there. When one opens the folds of the cloth, one sees the rich, deep purple it once was!

An unusually well-detailed doll for its type!