Catalog (183)

Offered is a near-mint, 1935, 2nd edition of Helen Bannerman's, original Little Black Sambo story, accompanied by five additional and delightful Little Black Sambo stories by noted author and illustrator Frank Ver Beck. Published by the Platt & Munk Company of New York which was renown for hiring highly talented artists and illustrators- of which Frank Ver Beck was one -all of whom contributed to the company's reputation for publishing exquisitely illustrated children's books.

The first story, illustrated by Frank Ver Beck, is the much-beloved children's classic written and illustrated in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

The following five stories written and illustrated by Frank Ver Beck follow Helen Bannerman's original tale, all featuring Little Black Sambo and his encounters with a variety of different animals, from a Baby Elephant and a Tiger Kitten, to Monkeys, Bears and Crocodiles! Each of Ver Beck's tales were originally published as individual mini-size books, which today, are extremely difficult to come by and are quite expensive to acquire if found. Ver Beck's stories are as delightful as Helen Bannerman's original, and publishing them all together in one single volume proved to be a successful marketing strategy for Platt & Munk. His illustrations are detailed, highly imaginative and just delightful! Representative photos are offered from each of the six stories.

De-accessioned from a school library (the name of the school inside the front cover is indecipherable), this 88 year old book is in wonderful, near mint condition! The only flaws are light soiling to the exterior covers, with subtle edge wear to cover end points and two, teeny indentations into the covers- one on the front cover at the middle top and the second to the back cover at the middle bottom. Both are quite unremarkable. Just fabulous condition!!! A must-have for the lover of Little Black Sambo stories!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 12.25 inches long x 8 inches in width, this two-sided, 19th century estate document listing all of the worldly goods of LEWIS MATTAIR is de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below). The document is undated but is estimated to be circa 1865-66 based on current research of federal and state archival documents.

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

A wonderful example of hand-crafted Black Americana Folk Art!

This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black girl with hand-painted smiling mouth and eyes! She is dressed in a hand-stitched cotton costume that has been stuffed with scrap fabric.

Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Her ears each have a punched out hole--whether this is functional or purely decorative remains a mystery. A small brass hoop threaded through a piece of fabric which was then tacked to the back of the girl's head facilitates hanging on a wall. Overall condition is fine with age-related soiling to the dress and minor paint wear typical of a 70 year-old-piece.

One of my favorite hand-made pieces with true folk art appeal!

Presented as a historical and cultural artifact, this seldom-found, vintage, 1942, Ten Little Colored Boys book illustrated by Emery I. Gondor and published by Howell, Soskin Publishers, New York, is in very good condition.

Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.

The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.

The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.

Measuring 6 inches high, this darling, mint condition, Black Memorabilia, pudgy, Boy Child Nodder was made in 1950’s Japan by the Ardalt China Company. Dressed up as a little clown, his arms are bent upright at his sides as if he were in the middle of a trick! Such a darling piece!

The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through his neck (see photos).

Condition is mint, and the piece is signed on the bottom of his right foot: “Hand Painted Lenwile China Ardalt Japan 6530 A”.

Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!

Please see the companion piece also available - the darling Black Girl Child Nodder by Ardalt, Japan. And an additional offering that is not part of the Ardalt Black Child Nodder series is the RARE 1950s Black Americana Sailor Nodder by UCAGCO,Japan.

Offered are five different, circa 1890-1901, Jim Crow era, stereoview cards, highlighting African-American history at the turn of the 20th century, some 120+ years ago. They feature: grueling rice field labor in South Carolina, a slave market in St. Augustine, Florida, a group of Florida sugar cane grinders, five English Springer Spaniels at U.S. Field Dog Trails being held at bay by a young black man, and seven very young black children seated on a mule awaiting orders for work in the fields.

The stereoview cards are titled: "Hoeing Rice, South Carolina", "Old Slave Market At St. Augustine, Florida", "Native Cane Grinders in Sunny Florida", "Who said quail?" (young man holding English Springer Spaniels) and "Waitin Fo De End Man" (7 Boys Sitting on a Mule).

The cards are priced at $35.00 each or all five cards for $140.00. All are in fine condition, and all but "Waitin Fo De End Man" and "Who said quail?" have a detailed, historical description on the reverse side.

As each is priced separately as stated, please specify which stereoview card(s) you wish to purchase so that we can customize your order form.

Measuring 11 inches tall, this wonderfully detailed, circa 1930's, gentleman, African-American doll is phenomenally well detailed!

ENTIRELY hand-stitched, this gent is dressed in fancy striped pants, straw shoes and hat, green belt, and in a navy blue and white polka dot shirt with a tiny breast pocket that holds a teeny pack of CAMEL cigarettes, labeled with a "C"! His outfit is topped off with a red tie that is held in place by a bean tie tack!

His face is hand-stitched with careful attention noted to the creation of his molded, 3-D nose. The weather must be warm as he wearily wipes his hot neck with a red and tan checked handkerchief!

A delightful African-American Southern character doll!

Offered are two, VERY RARE, 1880's, Black Americana advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature African Americans- one showcasing a family of five out for a stroll in the park, and the other featuring a group of nine folks of varying ages playing musical instruments and dancing in celebration.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the strolling family measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the nine celebrators measures approximately 10.25 inches wide x 7.25 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, bend lines and light edge wear. The advertisement featuring the celebrators has significant edge wear and some paper loss along the horizontal top and bottom of the piece; however, with proper matting and framing, these imperfections can be easily and completely hidden.

The advertisements are PRICED EACH as follows: $35 for the family of five out for a stroll and $25 for the advertisement featuring the 9 celebrating and dancing folk.

Offered is an authentic signed baseball from former Negro League player CLIFFORD LAYTON. The ball was signed for me at an autograph show and is dated 4-15-05.

Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.

A brief history of the Negro League:

African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin inkwell is constructed in solid brass and has a hole for both placement of pen and glass insert for ink. This piece is offered without the pen and glass ink insert.

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 6 inches long x 3.25 inches wide and 2 1/2 inches high. It does not retain any marking other than a mold number 4557.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.

This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.

The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.

A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!

To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

In lovely condition with the exception of subtle fading to Mammy's red head kerchief, this delightful 1940's pin cushion doll appears to have been unused! No pinholes can be seen!

Mammy's head and body are actually constructed of a single wooden clothespin that was then inserted into her cotton-batting-padded skirt. Her face is hand-painted, she has a tuft of white cotton batting hair peeking out from her kerchief, and her apron is stamped in black ink "Souvenir of New Orleans".

A very sweet piece to add to one's sewing or doll collection!

Measuring 15.5 inches long, this delightful, folk-art styled, cloth and stocking-constructed rag doll was made circa 1920's.

Detailing in construction sets this sweet black doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. She was lovingly dressed in machine-stitched clothing made from old red, pink, cream and rose-patterned scraps of cloth, while her body was hand-sewn and constructed of old, black stockings stuffed with cotton batting.

This young girl's nose and mouth are hand-embroidered, while her eyes are represented by small, black buttons. Her hand-applied and stitched hair is made of black wool yarn and has been fashioned into braided pigtails edged with faded red ribbon bows with fluffy bangs topping her forehead. Her hands are carefully hand-stitched to delineate fingers.

This sweetie is in near perfect condition with the exception of some fading to her clothing as well as two age-related, small holes to her stocking-constructed left foot and lower leg. (This wear and fading to the fabrics and stockings used in her construction may well be the very reason they were used, as they may have been discarded from personal use. Please refer to photos to view wear.)

Purchased in Charleston, South Carolina. Simply full of charm with lovely touches! A quite difficult-to-find-in-this condition, 90+-year-old, cloth rag doll!

Measuring approximately 11 inches tall, this wonderful, vintage 1940s, Black Americana Chef cookie jar, remains in all original condition-- no repairs or repaint-- and it is NOT a reproduction!

This wonderful piece is unmarked but is documented in numerous guides as the Black Chef cookie jar made in the 1940's by the National Silver Company. It likely once had a "NASCO" foil label on its base which dried up and fell off over the course of the jar's lifetime.

Fabulous cobalt blue accenting makes this cookie jar quite striking in its appearance. A great display piece!

As stated, the cookie jar remains in all original condition-- a rarity for a cookie jar of this vintage! Please take the time to view all photos as they represent condition quite nicely. Glaze crazing typical to the age of this 60+ year old piece is evident as well as small surface flakes present here and there along lid cover edge- a very common site for flakes/chips on any lidded ceramic piece given that the lid was continually taken on and off during use and thus easily subject to damage. A single superficial hairline occurring during firing can be seen on the interior base; it does not go through to the exterior.

It is quite rare to find a vintage cookie jar in such fine overall condition! Reproductions abound on today's market, but authentic pieces such as this are quite scarce and are truly collecting treasures when discovered!

Offered are two, circa 1930's, Made in Japan, ceramic bisque, African-American, baby dolls. A very sweet pair, these dolls measure a diminutive 2.5 and 3.5 inches long. The larger doll is marked "Made in Japan", while the smaller is simply marked "JAPAN".

Both dolls retain their 3 original pigtails, all tied off with tiny pieces of string. Their hand-painted lips and eyes remain in excellent condition as is the dark brown paint which covers the bisque bodies which were originally white when manufactured (the white bisque coloring is visible at the joints).

Both dolls have jointed arms and legs which allow them to assume different positions. The string holding the larger doll's legs in place has stretched over these many years resulting in looser leg joints. (This can be repaired if so desired by the new owner.)

The larger doll is dressed in a hand-made outfit consisting of an ivory, yarn-knitted petticoat under a yellow crocheted dress while the smaller doll remains au naturalle! A darling, teeny tiny pair that display quite nicely!

Measuring 1 7/8 inches in diameter x 1/4 of an inch high, this seldom-found, circa 1920’s, dexterity game depicts a surprised or startled African baby. Likely German-made, the puzzle has no markings. It contains the 3 tiny metal balls, that with the proper manual dexterity, are to be placed in the baby’s mouth and two eyes. Two of the balls are currently fixed in place, likely due to the metal backing being very subtly pushed in.

Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Black Memorabilia!

Measuring 9 inches high, these delightful examples of Folk Art styling represent three of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women employed under President Franklin Delano Roosevelt's (FDR) Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The Country Preacher is fully decked out to conduct worship services, from his black, wide-brimmed top hat down to his leather shoes, the left one, unfortunately, showing a bit of wear with his socked big toe peeking out! His machine-stitched clothing is all in the color black with the exception of his white ministerial collar. The preacher holds his real-wood walking stick securely in his right hand while clutching the Holy Bible under his left arm. Note the colorful red handkerchief that was placed in a back pants pocket, peeking out between the tails of his suit coat. The fully bearded preacher wears silver, wire-rimmed spectacles surrounding his soft and compassionate eyes and offers an open smile showing his front two teeth!

The white haired, bearded male country gentleman doll is attired in machine-sewn cotton, blue-striped britches with a patch at the left knee, black suspenders and a tan striped cotton shirt with a red kerchief tied around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted fabric chicken that has sustained a tiny bit of fabric loss to its face, while his left arm holds a wooden walking stick. His complete asphalt shingle is missing, but remnants remain firmly attached on the soles of his shoes. He bears a very sweet, surprised expression on his face as evidenced by his slightly upturned eyebrows!

The female doll in this grouping is clad in a red and white checkered, machine-stitched dress topped over with a cream-colored linen apron which evidences, here and there, some very light, age-related discoloration. Her apron pocket displays a red and white polka-dotted hankie- a lovely detail-, while a bright, multi-colored head wrap protectively covers her graying hair from dust and grime while she completes household chores. Her outfit is fully completed with the cream-colored linen chemise and pantaloons underneath her dress, and she wears black leather shoes. Even though she is working at chores, as evidenced by the wicker-straw broom she holds in her right hand, she has not forgotten to wear her brass-toned, double hoop earrings! And she wears a pleasant expression on her hand-stitched face, showing a bit of a smile and her two front teeth.

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! The Preacher and Lady with the Broom are priced at $295.00 each, with the Country Gent Holding a Chicken priced at $275.00 to compensate for his incomplete asphalt shingle.

Offered is a circa 1910, original piece of art entitled "Who Said Watermelons". This captivating charcoal on paper portrait of a young African American boy, very much resembles the iconic, fictional figure painted by an unknown artist in the mid 1800's, a figure who has come to be known as 'Johnny Griffin' or the 'Young Black boy with the Torn Hat'.

Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth through the expert use of light and dark, while capturing the intriguing expression on this young boy's face. Just what is he thinking?

Was this enchanting charcoal portrait completed as a study in preparation for a final, more complex piece, or was it, indeed, the final execution of a subject caught in passing?

Condition is quite fine. Note the faint trace of the artist's title for this work done in a lighter charcoal hiding behind the darker, final printing of the title. Framed in an old black wooden frame, this intriguing charcoal portrait would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

Entitled "SLUGGER CHAMPIONS", this circa 1945-1949, tin windup BOXING Toy features the unusual pairing of Black and White boxers!

Made in post World War II, US Zone Germany, this tin toy measures 3.5" square, with the boxing figures measuring 2.25" tall. The toy retains its original box which measures 4" square, and features a start/stop lever on one side with the (original) key windup on another. Both the toy and the box are labeled "MADE IN US ZONE GERMANY".

The toy still works! The boxers rock back and forth as they attempt to jab one another. The toy is designed to have the right arm on each boxer punch while the immobile left arm is molded into the body.

Condition is a 9/10 as can be seen in all photos. This toy appears to have seen minimal use as the condition of the paint is impeccable, with just a few teeny rubs to the toy base and the black boxer's legs here and there. The box shows minor wear on all edges as noted in photos. All box parts are present with the box cover flap remaining attached to the box by only about 1 inch in the center, and one box flap is completely detached but intact.

A tip for the new owner: to easily remove the toy from the box, open the BOTTOM flap instead of the top flap and simply slide the toy out of the box onto the palm of your hand.

Offered is this wonderful, early 1940s, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book, and this edition was used over a period of ten years, with changes made only to the cover. The company's final publication of this story came before the onset of WWII, making this copy a very rare find.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All the wear on this cloth-bound hardcover book was absorbed by its cover with wear to book edge points and book cover edges. The interior binding is intact and tight as are all pages. No creasing or bends to pages. Illustrations remain very brightly colored and vibrant and are particularly notable for their fine artistry. A couple of very small page edge tears (less than 1/2") are present. A penned inscription is noted: "To Evelyn Field From Dorothy Field Christmas 1943".

Amazing condition for an 80 year M.A. Donohue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 23 3/4 inches long x 15 ¼ inches wide when completely opened, this very charming, circa 1940s, machine-stitched, linen towel bears a very delightful, colorful stencil of the well-known Black Memorabilia character, Little Brown Koko eating a watermelon!

The story book, Little Brown Koko, was first published in 1940 by author, Blance Seale Hunt, whose character became so popular that a series of Little Brown Koko story book adventures followed in quick succession!

In excellent, spotless condition, the towel may be folded and framed if desired! A great companion piece for those who collect Little Brown Koko books!

Measuring 3 inches high, this delightfully sweet, circa 1940’s, black bisque baby boy is in mint condition! Excellent paint, with not a chip or flake to be found! Dressed in painted blue shorts and white shirt, this little darling even retains his three, original yarn pigtails! Incised on back: JAPAN. A very, very charming piece of vintage Black Memorabilia!

Measuring 1 3/4 inches in diameter x 3/8 of an inch high, this circa 1920’s, dexterity game puzzle depicts a fancily dressed and top-hatted black man! Likely German-made, the puzzle is without markings. Vibrant color and detailing! The puzzle contains 4 tiny white balls, that with the proper manual dexterity, are to be placed in the gent’s mouth, eyes and bow tie!

Constructed of tin with a cardboard lithographed image and a glass cover, this game is backed with its original mirror. The puzzle is in all-original condition with the lithographed graphic remaining free of scratches and abrasions. The glass is rippled but is not damaged as it remains smooth to the touch. A "defective" piece of glass was likely just simply chosen for use in what was once an inexpensive penny game!. The mirror shows some tiny bits of loss to silvering as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Black Memorabilia!

Measuring 12 inches high x 9 3/4 inches long x 6 inches wide, this extraordinarily rare, circa 1920's, Black Americana, wooden pull toy is called Shufflin' Sam!

Demonstrating some degree of age-related paint loss as seen in photos, Shufflin' Sam remains fully functional, shuffling his feet and twirling his blue umbrella when he is gently pulled along a flat surface. His manufacturer is unknown. On his base is written in ink, a very OLD price of $22.00!

The paint loss imperfections do not interfere with the toy's overall charming visual appeal! This exceptional toy has never been repaired or repainted; it remains in all-original condition!

Wooden toys were produced with less frequency than their tin counterparts and also tended to be less hardy, and thus, a far fewer number of them survive today as compared to the more frequently discovered tin and metal toys of the same era.

"Shufflin' Sam" is very RARELY found (The FIRST time I have ever been able to offer him!!!), and the opportunity to acquire him should not be overlooked!

Measuring a total length of 26 inches including strings, this fabulous, late 1940's, black character marionette is in wonderful, never-played-with condition!

The puppet, itself, is 14 inches tall and is colorfully dressed in blue and white checked pants, red shoes, orange and whit polka dot shirt, straw hat and red patterned neck scarf.

The puppet's face is composition and bears evidence of some age-related crackling as noted in photos. He has a tiny piece if composition missing on the left side of his neck partially covered by his neck scarf, so it is very difficult to notice. He bears a manufacturer stamp on the bottom of his right foot, but it is partial and unreadable. His hands which hold colorful pink straw maracas are a heavy molded plastic.

The puppet is free of stains, dirt and odor. He retains his original black strings and wooden airplane controller!

Measuring 7 1/2 x 9 1/2, this lovely, 1920-30's, English or Continental origin, Black subject die cut features a very pretty, smiling young woman in a straw bonnet with unknown book in hand.

This die cut was manufactured to advertise a specific item, store or location but was never used for that purpose or otherwise personalized. Likely, this vintage advertising piece was discovered and then framed so that it could be enjoyed despite its anonymity.

This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone, oval decorative frame! The frame bears some minor veneer loss that does not impact the frame integrity, nor is it immediately noticeable.

A sweet piece!

This wonderfully rare, 1920s piece of Black Memorabilia ephemera is in utterly fabulous condition!

Measuring 7.50 inches long x 3.25 inches wide, this Belgian cigarette or cigar, heavy paper/cardboard box features a fabulous litho of a very dapper Black Gentleman smoking one of the "JOHN" cigarettes. Its small size offers many options for display including framing for shelf or wall enjoyment.

A truly scarce find in phenomenal condition!

An exceptional example of 19th century Folk Art-- a very rare needlework cross stitch sampler with Black Americana theme! This highly unusual example dates to circa 1880's and depicts two young girls on a primitive, “make-do” seesaw--- a wooden board placed over a log-- complete with a grapevine trellis in the background! This wonderful piece is accented with a multi-toned, Greek Key border design with fringe edging.

The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.

An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!

Offered is this very rarely found, 1938, LITTLE BLACK SAMBO book with beautiful, full color illustrations by Hidegard Lupprian, a McLoughlin Brothers Inc, Springfield, Massachusetts, book publication. Hardcover, 53 unnumbered pages.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All wear on this brightly colored hardcover book was absorbed by its cover with minor wear to book edge points, book cover edges, and spine edges. Light scuffing to front and back covers. The interior binding is intact and tight as are all pages. No missing pages, rips, creasing, pen/pencil markings or bends to pages with one exception: the initial front blank page is missing its lower corner, and it also has five circular hole punches running at the bottom of the page. Child mischief, no doubt!

The fourteen colored illustrations remain very bright and vibrant with the McLoughlin Bros. well known for their very fine artistry. Three black ink illustrations. Pages printed with a larger font suitable for young readers. Subtle age discoloration to pages.

Wonderful condition for a nearly 90 year old book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply enter “Sambo” into the search box on our website homepage.

This vintage 1920's cast iron figure is an authentic piece that was carefully hand-painted long ago. The interesting little hooded drummer measures just 1.5 inches high and is in fine condition with paint scrapes here and there (see all photos). Great facial detail! An interesting figure that displays exceedingly well! Please see the other African-American cast iron figures available for purchase!

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Offered is a lovely and serene oil painting of an older black gentleman fishing by the riverside. The painting is done in a flowing, Impressionist style, with a masterful use of quick, loose brushstrokes and much natural light, which contributes to this peaceful scene. The artist then focuses on careful attention to detail in her execution of the lone fisherman.

The primary colors utilized are a tonal range of yellows, blues and greens suggesting a spring or early summer day. The gentleman is taking a quick look at his bait bucket as his fishing pole line rests on the river bottom.

The canvas measures 16 wide x 20 inches long, and is signed, "Marge Gartlan", an unknown artist. The back of the canvas shows some foxing, but none is present on the front, so the painting, itself, is not effected. In the lower left corner (see photo) a very faint and superficial line, beginning above the artist signature and extending toward the gentleman's right calf, is noted- perhaps a rub occurring during storage? It does not detract from the painting.

The painting will require re-framing as it is currently housed in a hastily and poorly painted frame- as it was found- but which, certainly, desires more.

Nonetheless, this oil, as it presently stands, radiates peace and tranquility in nature, and will grace any art or Black Americana collection!

Offered is the extremely rare, circa 1930s, children's toy sand pail, marked "HappyNak Seaside Pail No4, Made in England" along the folded tin seam of the pail. This darling toy pail clearly had very limited production as it rarely appears on the antiques market for sale, nor can it be readily found in the many existing Black Americana or Black Memorabilia reference books or online sites.

Measuring a diminutive 3 1/2" high excluding the bale handle and 5.75" high including it, this adorable tin pail features colorful graphics of five little golliwoggs playing kickball! The interior and base are painted a bright sky blue while the interior base features a copper color finish over the tin.

The pail has with very minimal wear, with tiny bits of paint loss noted at each entry point of the bale handle into the pail. Some bits of paint loss are also noted on the rim, and there is crackle to the finish, rating it an 8 out of 10.

A very rarely found and quite visually appealing piece of Black Memorabilia!

To see other Golliwogg items currently being offered, enter "golliwogg" into the SEARCH box on our home page.

Offered is an exceedingly unique and unusual, 1939 copyright, Marine, Illinois, 10 page, all-paper (including front and back covers), advertising "Give-Away" pamphlet which tells the complete story of LITTLE BLACK SAMBO. It features both full color and black ink with red accent illustrations. In such near perfect condition, it must never have been read or played with!

The lower back exterior cover reads: "Remember Jos. Pohl & Sons, Inc. and J. I. Case Sales and Service, Marine, Illinois, Dial Phone 2501" as well as "No.528", "Made in USA". On the bottom of the first page, the publisher and copyright date are printed: "MCMXXXIX (1939) Sam'l Gabriel Sons & Company, New York".

Such an unique and very exceptional piece of early 20th-century, Marine, Illinois, historical ephemera!

The story of Little Black Sambo, of course, was to become a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is an amazing 9.5 out of 10, for this ALL PAPER PAMPHLET that is now approximately 85 years of age! All pages have been photographed which clearly show condition throughout. The pamphlet is bound together via two rusty staples which remain intact and are firmly holding all pages and the covers together. All of the very colorful illustrations remain quite bright and vibrant. Measures approximately 5.25 inches wide x 7.25 inches tall.

Amazing condition for an 85 year old, paper advertising story pamphlet that clearly was never enjoyed by a young child - and one that may very well be the only copy remaining in existence! For the collector and lover of the tale of Little Black Sambo, this is a must-have!

To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is an extraordinarily rare, 1842, Warren County, Georgia, Apprehension Order for a SLAVE boy named Henry who is accused of committing a violent assault and battery with intent to kill.

The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page and then completed on the back of the same side of the page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "The State VS Henry Negro Boy Slave".

The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Matthew Sheilds a justice of the peace for said county, personally came Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a negro boy slave the property of the estate of Hardy Pitts late of said county deceased, did commit a violent assault and battery with intent to kill Deponent, with a heavy stick - and Deponent believes said stick was ferreled (an action suggestive of a wild beast)- upon the person of Deponent - on this night of the thirteenth of this Instant in said county of Warren to wit upon the plantation of Thomas Persons, near Warrenton.
Sworn to and subscribed before me this 14th March 1842."
"Matthew Sheilds JP"
"Stephen Blount"

Paragraph two:
"Georgia Warren County"
"By Matthew Sheilds one of the Justices To Sheriff the Constables of Said County and to all other lawful officers for as much as Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a Negro boy Slave the property of the estate of Hardy Pitts late of Said County deceased did commit a violent assault and battery with intent to kill Deponent - with a heavy stick and Deponent believes said stick was ferreled upon the person of Deponent on the night of the thirteenth of this Instant...." (continued next page)

Next Page:
"in Said County of Warren to wit on the plantation of Thomas Persons near Warrenton. These are therefore to Command you that you apprehend the Said Negro Boy Henry and bring him before me or some other Justice of the peace of Said County to Answer the said charge and to be further dealt with according to Law Herein fail not. Given under my hand and Seal this 14th day of March 1842."
"Matthew Sheilds JP" (JP written a second time and encircled in a squiggle to simulate a wax seal)

Condition of this very unique slavery document is quite fine given its 180 years of age. Expected aging of paper with insignificant and minor tears at creases. Also present are three long spillages of ink (as seen in photos) which likely occurred at the time this document was written out with, obviously, no intention of the author to start over again and rewrite!

An extraordinarily rare historical document that defines a specific slave-related incident.

This artisan-made, vintage 1950s, utterly delightful, little Black Boy Hand Puppet is in wonderful, minimally-played-with condition!

This sweet little pop-eyed character was recently acquired from the artist's daughter who stated that her mother made the puppet for her in the late 1950's.

With hands and head constructed of papier mache and a machine-stitched cotton body, this 10.50 inch long puppet sat for years in a doll cabinet seeing minimal childhood play. The body is very lightly soiled from dust with some seam separation at each shoulder (see photo). The hands and head have acquired a bit of a crackled look due to age; however, there are no flakes or missing pieces.

He has a darling "look" and would make a whimsical addition to one's folk art, puppet or doll collection. This hand-made piece is a truly one-of-a-kind creation!