Catalog: Archives: Collectibles (190)

Measuring 9.5 x 11.5 inches framed, this lovely, circa 1950’s, multi-colored, cross stitch sampler is entitled, “Enough Is As Good As A Feast”. In excellent condition and appearing to have been recently re-framed, this lovely piece features a Mammy and child carrying meal-filled dishes, presumably, to the dinner table. The sampler also features pretty flowers, and appropriately, a knife and a fork! The tiniest trace of a stain is barely visible at the top of the fork, but truly, it is not readily noticeable and certainly does not detract from the marvelous visual appeal of this very sweet piece!

This vintage 1950s, utterly wonderful, little Black Girl Hand Puppet is in wonderful, never-used condition!

Rarely found in this pristine condition, the body of this 8 inch long puppet is constructed of a soft, cotton, flowered fabric, and her head and hands are constructed of a soft rubber. She still retains her "Hazelle" cloth label. Her face is very sweet in appearance!

Produced in the 1950's, the Hazelle Company was a puppet-making company located in Kansas City, Missouri. The company began making hand puppets and marionettes in 1932, and it continued operations for the next 43 years. The founder, Hazelle Rollins, passed away in 1984, nine years after the company closed its doors.

A unique opportunity to acquire a superb vintage puppet! Please see the companion Hazelle Little Black Boy Hand Puppet also offered!

Measuring 3 /12 inches high x 5 ¼ inches wide x 3 inches deep, this early 1950’s USA-made, plastic, RED Aunt Jemima Recipe Box has seen little, if any, use.

Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia is in near mint condition with some light superficial scratching that is only visible when the box is held under bright lighting and angled to catch the light just right! A small paint rub to the tip of Aunt Jemima’s nose and some 1950’s dirt tucked into tiny crevices are the only other imperfections! The gold painted word, “RECIPES” , written on the lid is mint! Truly in very, very fine condition----- most fortuitous as these recipe boxes were usually well used!

A delightful and essential, vintage piece of early 50’s Black Americana for the serious collector!

Measuring 3 /12 inches high x 5 ¼ inches wide x 3 inches deep, this early 1950’s, USA-made, plastic, RED Aunt Jemima Recipe Box has seen some use but remains quite visually striking and in very good condition!

Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia is in lovely, all-original condition with very light, superficial surface wear as seen in photos; this wear is reflective of less-than-typical use. A bonus--the original recipe cards remain inside! Fabulous color and condition contribute to the wonderful visual appeal of this delightful and essential, vintage piece of early 50’s Black Americana!

An absolutely RARE piece that crosses over many areas of collecting- Black Americana, Ye Old Country Shoppe, or Chocolate!!

"Twin Babies - The Best Choice Providing Quality Chocolate Since 1908!"

Measuring 7 inches in diameter x 7 inches high, this round, 2-piece-mold, clear glass, candy jar has a flattened base to allow the jar to sit on a shelf at angle that facilitates viewing of the both the chocolate advertising and the delightful, smiling Black Twins Chocolate logo graphic! The chocolate jar is in wonderful condition, free of chips or scratches.

The jar graphic and text are both done in black and remain in superb condition- as crisp and clear as the day the piece was first manufactured!

The jar has a 5 inch diameter opening with decorative edging that allows the chocolate jar to be easily filled and better yet, emptied!!

The jar also retains its original metal cover whose bright green painted surface is generally free of wear. The cover is completed by a black wooden knob. The underside of the cover has some very superficial rust staining that has not impacted the integrity of the lid.

A very, very RARE piece of Black Memorabilia that is both visually pleasing and continues to remain quite functional!

Offered is the fabulously RARE BIGGER HAIR Negro Tobacco container produced from the mid 1940's through the early 1960's. This container is actually constructed of cardboard with tin base, and is much less frequently found, and thus, much more rare than the earlier, all-metal, and scarce-in-its-own-right, Nigger Hair container due to the greater fragility of cardboard as compared to metal, as well as the fewer numbers of cardboard containers produced.

Following the conclusion of World War II, the American Tobacco Company of Virginia changed its product name from Nigger Hair to Bigger Hair, seeking to broaden the product's marketing appeal as well as viewing the latter label as the more-socially acceptable one. (The earlier Nigger Hair moniker was used by the American Tobacco Company from the 1890's through the early, pre-WWII 1940s; the lithographed can was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.) Interestingly, the company DID NOT change the image of the African woman, but merely added the words Fiji Islander to the left of her face in its indifferent and weak attempt to move further away from the earlier, severely derogatory label.

Measuring 7 inches high x 5 3/4 inches wide, the container is in good condition, perhaps a 7 out of 10, with one side exhibiting minor surface scuffing, while on the other side more scuffs and rubs are evident. Some minor wear around the edge of the top of the container likely occurred from simply taking the cover on and off; however, this is completely concealed by the cover. The original cardboard cover was lost with the passage of time; the replacement tin cover shown was in place when this container was acquired.

The original brownish orange color of the container remains consistent throughout, and the structural integrity of the cardboard is quite sturdy. Superficial rust is evident on the inside and outside of the metal base; this rust does not impact integrity of the tin base. The container retains partial remnants of its paper Federal Revenue Tobacco seal on both sides.

This very rare tobacco container is just a wonderful example of latter Black Americana advertising. The container looks better "in person" than in the photos as the camera actually accentuated the appearance of the scuffing, especially on the "better" side!

If the Nigger Hair Tobacco container is currently in your collection, the addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective!

Purchased approximately ten years ago from the Estate Sale at the Greenwich, Connecticut, home of the very prominent, American, CBS Television Personality, GAYLE KING, this nostalgic watercolor, reminiscent of times past, features a young black girl attentively and carefully canning strawberries in the kitchen.

This unsigned and undated piece of art was executed with very soft lines whereby no edge seems sharp- not the counter edge, or the lids of the jars, or the heavy black iron grates of the gas stove. Painted in predominantly darkened hues of blues, silvery-whites and grays, pops of red appear in the freshly canned strawberries and hints of yellow emerge in the window curtain and in earthenware bowl that the young girl works out of, all culminating in the creation of an ethereal effect of calm and serenity.

This lovely piece is generous in size with the visual dimensions of the actual watercolor measuring 15" in height x 26.75" in length. The watercolor is double-matted with an 1/8" wide interior mat in a neutral earth-tone surrounded by a cream-colored, 2 3/4" wide mat that is further complemented with an etched, earth-tone, single line simulating the demarcations of a false third mat- very clever! (see photos) The extraordinarily sturdy, warm-toned, hardwood frame measures 1 3/4" wide with the total framed measurement of this piece approximately 25" in height x 36" wide. The backside of the frame features an Estate Sale, stringed-tag stating the provenance of this piece: "From the Greenwich CT home of Gayle King".

It must be noted that all photographs were taken through the glass of this framed piece, so multiple photographic angles are provided in the attempt to reduce distortion in the photos from light reflection off the glass. Please ignore any variations in color or shading - all are strictly the result of unavoidable light reflection.

Please also note that because this item would be classified as oversized by delivery carriers due to its weight (approx 11 lbs) and its length and width measurements, this item does not qualify for free shipping.

Offered is a C1950-60s, vintage package of Zulu Lulu Swizzle Sticks, Novelty Party Bar-ware that has never been opened. The plastic swizzle sticks on a colorful cardboard display remain sealed within their original clear plastic packaging. Never Used! Perfect condition! Measures 11 inches wide x 8.5 inches high.

Painted on a 16 inch x 20 inch artist canvas panel, this highly colorful acrylic painting was executed by Geraldine Smith, a self-taught, African-American, Southern, Folk Artist.

This vibrant work, painted in June 2006, depicts a charming 1930's scene of a Southern cotton farm complete with log cabin, old stone wall, dilapidated truck, two big red barns, and two black women picking cotton in the fields. The leaves have turned the brilliant colors of autumn and some have fallen to the ground. The piece is signed in red in the lower left corner "Geraldine Smith June 2006".

(Please disregard any "shiny" or "white" areas in the painting; these are the result of camera flash glare ONLY and are not imperfections in this work. The colors in this painting are actually more vibrant and brilliant in tone than can be depicted in photos.)

Geraldine Smith, who is now in her late 50's, did not begin painting until the late 1980's when she saw the television painter, Bob Ross, and decided she wanted to give painting a try. "I don't know why," Ms. Smith said. "I couldn't draw a straight line. I'd sit up all night trying to paint. Lord help me. Something was driving me to learn to paint." Smith credits The Lord with providing her with the continued inspiration to paint, and states, "When the spirit is leading me, I can paint and paint."

Source for quotes and newspaper photo, The News, South Carolina.

This signed, original artwork rendered in 2003 by the emerging, self-taught, New Orleans, Louisiana Folk Artist, L. Sister Raya, measures 11 X 14 inches.

The work is entitled, "Coffee With the Spirit World" and is done in acrylics on watercolor paper. It comes mounted on acid-free foam core which can continue to be used when the piece is framed.

Of this piece of artwork, Sister Raya says, “When peoples get up in the morning they slog on coffee and stumble round full of stress and worry, but they don’t be knowin that’s the time when the spirit folk be slippin round they heads. They be friendly folk and like you to say good morning to them. People go too fast today, slow down when you be drinkin yo coffee and say good mornin!”

The vibrant blues, yellows and reds make this art work tremendously visually appealing and thought-provoking!