Catalog: Archives (250)

This signed, original artwork rendered in 2003 by the emerging, self-taught, New Orleans, Louisiana Folk Artist, L. Sister Raya, measures 11 X 14 inches.

The work is entitled, "Coffee With the Spirit World" and is done in acrylics on watercolor paper. It comes mounted on acid-free foam core which can continue to be used when the piece is framed.

Of this piece of artwork, Sister Raya says, “When peoples get up in the morning they slog on coffee and stumble round full of stress and worry, but they don’t be knowin that’s the time when the spirit folk be slippin round they heads. They be friendly folk and like you to say good morning to them. People go too fast today, slow down when you be drinkin yo coffee and say good mornin!”

The vibrant blues, yellows and reds make this art work tremendously visually appealing and thought-provoking!

Painted on a 16 inch x 20 inch artist canvas panel, this highly colorful acrylic painting was executed by Geraldine Smith, a self-taught, African-American, Southern, Folk Artist.

This vibrant work, painted in June 2006, depicts a charming 1930's scene of a Southern cotton farm complete with log cabin, old stone wall, dilapidated truck, two big red barns, and two black women picking cotton in the fields. The leaves have turned the brilliant colors of autumn and some have fallen to the ground. The piece is signed in red in the lower left corner "Geraldine Smith June 2006".

(Please disregard any "shiny" or "white" areas in the painting; these are the result of camera flash glare ONLY and are not imperfections in this work. The colors in this painting are actually more vibrant and brilliant in tone than can be depicted in photos.)

Geraldine Smith, who is now in her late 50's, did not begin painting until the late 1980's when she saw the television painter, Bob Ross, and decided she wanted to give painting a try. "I don't know why," Ms. Smith said. "I couldn't draw a straight line. I'd sit up all night trying to paint. Lord help me. Something was driving me to learn to paint." Smith credits The Lord with providing her with the continued inspiration to paint, and states, "When the spirit is leading me, I can paint and paint."

Source for quotes and newspaper photo, The News, South Carolina.

Offered is an absolutely wonderful, giant-sized, 1960's, dental toothbrush which once served as an advertising display piece for "DR. WEST'S MIRACLE TUFT" toothbrushes!!

It measures a mammoth 18 inches long and is perfect for display in any dental collection, including in the dentist's office!

The condition is very good with some scratches and unobtrusive bent bristles (perhaps it was slightly used by the Jolly Green Giant??).

A truly unique and quite amusing dental display piece!!! A terrific conversation starter or fun teaching tool!!!

Offered is a C1950-60s, vintage package of Zulu Lulu Swizzle Sticks, Novelty Party Bar-ware that has never been opened. The plastic swizzle sticks on a colorful cardboard display remain sealed within their original clear plastic packaging. Never Used! Perfect condition! Measures 11 inches wide x 8.5 inches high.

Offered for sale is a lovely apothecary show globe that was originally offered to druggists in the 1960s – 1970s by Parke-Davis pharmacy salesmen. This 19.5 inch beauty sports a deep red decorated globe set upon a gold and black pedestal. The globe sports advertising on two sides of the base and the “Rx” on the globe.

The condition of the globe is very good with no damage to the plastic. There are some tiny white paint flecks to one side of the base otherwise the globe displays beautifully! Embossed “PRESCRIPTIONS” and “PARKE – DAVIS PHARMACEUTICALS” on the base.

A striking vintage advertising show globe ready for your collection.

Purchased approximately ten years ago from the Estate Sale at the Greenwich, Connecticut, home of the very prominent, American, CBS Television Personality, GAYLE KING, this nostalgic watercolor, reminiscent of times past, features a young black girl attentively and carefully canning strawberries in the kitchen.

This unsigned and undated piece of art was executed with very soft lines whereby no edge seems sharp- not the counter edge, or the lids of the jars, or the heavy black iron grates of the gas stove. Painted in predominantly darkened hues of blues, silvery-whites and grays, pops of red appear in the freshly canned strawberries and hints of yellow emerge in the window curtain and in earthenware bowl that the young girl works out of, all culminating in the creation of an ethereal effect of calm and serenity.

This lovely piece is generous in size with the visual dimensions of the actual watercolor measuring 15" in height x 26.75" in length. The watercolor is double-matted with an 1/8" wide interior mat in a neutral earth-tone surrounded by a cream-colored, 2 3/4" wide mat that is further complemented with an etched, earth-tone, single line simulating the demarcations of a false third mat- very clever! (see photos) The extraordinarily sturdy, warm-toned, hardwood frame measures 1 3/4" wide with the total framed measurement of this piece approximately 25" in height x 36" wide. The backside of the frame features an Estate Sale, stringed-tag stating the provenance of this piece: "From the Greenwich CT home of Gayle King".

It must be noted that all photographs were taken through the glass of this framed piece, so multiple photographic angles are provided in the attempt to reduce distortion in the photos from light reflection off the glass. Please ignore any variations in color or shading - all are strictly the result of unavoidable light reflection.

Please also note that because this item would be classified as oversized by delivery carriers due to its weight (approx 11 lbs) and its length and width measurements, this item does not qualify for free shipping.

Measuring 4 inches in diameter x 2 inches in height, this colorful, French, LeBene wax tin dates to the 1950's. The lithographed tin still contains a bit of wax. It is in very fine condition with some very light superficial rubs and teeny scratches here and there to the surface of the tin. No rust! A very visually-appealing piece that displays quite well with its vivid black and yellow colors contrasting superbly with the background black.

Offered for your consideration is a very rarely found Bausch & Lomb eye muscles advertising and teaching display!

The display is appealing with embossed and raised detailing featuring eye muscle anatomy!

The display dates to the 1950s and is in fine condition. It is complete with a fold-out display stand, measuring approximately 13 inches high x 8 inches wide.

Perfect for your collection or office.

This darling, late 1950’s, foreign-made toy with gorgeous, colorful lithography measures approximately 10" tall and is in superb condition-- even retaining its original box!

This neat toy features four adorable blinky-eyed Golliwogs that perform individual somersaults as the Merry Go Round spins round and the tiny bell rings! This toy works quite nicely and comes with its original, metal, wind-up key!

This sweet toy appears to have been virtually unused with no wear evident other than some slight superficial scratching to the base. While there are no manufacturer’s marks, this toy was made in post WWII West Germany, and it does retain a paper sticker on its base written in German. This toy, with its red house, is a bit rarer than the same-period-white-colored-house-version; relatively fewer were produced with the red house!!

Measuring 3 /12 inches high x 5 ¼ inches wide x 3 inches deep, this early 1950’s USA-made, plastic, RED Aunt Jemima Recipe Box has seen little, if any, use.

Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia is in near mint condition with some light superficial scratching that is only visible when the box is held under bright lighting and angled to catch the light just right! A small paint rub to the tip of Aunt Jemima’s nose and some 1950’s dirt tucked into tiny crevices are the only other imperfections! The gold painted word, “RECIPES” , written on the lid is mint! Truly in very, very fine condition----- most fortuitous as these recipe boxes were usually well used!

A delightful and essential, vintage piece of early 50’s Black Americana for the serious collector!

Measuring 6 1/4 inches high x 3 3/4 inches wide, this circa 1950's, Japan made, Polka Dot, Mammy String Holder is in very fine condition! Mammy has expected crazing to surface with two very tight hairlines that start at the backside of the piece and feather slightly toward Mammy’s two shoulders about ½ inch. At the lower base of the back is another tight hairline that remains on the back side of the piece only, not extending toward the front of the piece. It rests beside a tiny, darkened, superficial flake which also is not visible when Mammy is placed on a shelf or hung on the wall.

The String Holder is stamped "JAPAN" and “Theo Hinode” on the inside of the base (The Hinode Company is the Japanese Ceramic Company.). Mammy has a hole in the center of her chest area, just above her folded hands, to accommodate the string which would be pulled from the ball of string placed inside her body from the back of the piece. This wonderful piece even comes complete with vintage hanging string---Mammy has two holes at the back of her head to accommodate this! The entire piece is glazed with the exception of Mammy's red kerchief which is cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have some “bald areas” where the paint has come off her kerchief. Please take a moment to view all photos to ascertain condition and appeal of this fabulous and functional, vintage string holder!

A lovely and colorful piece that can be displayed on a shelf or hanging from the wall!

Offered for your consideration is a very rarely found Bausch & Lomb advertising and teaching display!

The display is quite appealing with embossed and raised detailing featuring both the interior and exterior eye anatomy.

The sign dates to the 1950s and is in fine condition. It is complete with its original fold-out display stand, and it measures approximately 13 inches high x 8 inches wide.

Measuring 5 inches long x 4 inches high, this wonderful 1950's George Lefton China BLACK CHEF Nodder Spoon Rest remains in fine vintage condition retaining its green ink manufacturing mark that reads as follows: "C"- in a circle (for copyright) "Geo. S. Lefton" "...13".

This great piece is in very nice condition with the exception of a light spider hairline to the GLAZE ONLY of the top of the chef hat. The spider does not penetrate to the ceramic. He also has two very tiny edge flea bites by his shoes. Other than these very minor obtrusions, this wonderful piece remains free of other fleabites or hairlines as well as free of repaint, paint wear, or repairs.

The chef's head "bobbles" or "nods" on a metal spring adding much whimsy to this piece! His face has wonderful detailing--as does his body, and he has a very pleasant facial expression!! His big wide smile accentuates his pearly whites! This cute chef holds a yellow wooden spoon in his right hand and wears an adorable red bowtie!

**PLEASE NOTE: ANY WHITE SPOTS ON THE CHEF'S FACE ARE THE RESULT OF CAMERA FLASH ONLY-- NOT PAINT IMPERFECTIONS!**

A delightful piece!!

If you are looking for a pharmacy sign that is nearly mint and sports great graphics, you can stop searching!

This awesome example dates to 1955, is painted and has a reflective finish on the large lettering. This sign is new-old-stock, was never used and was acquired directly from the family of the former proprietor of the now-defunct, Stanley, North Dakota, Rexall Pharmacy!!!

This beauty measures 36" long x 18" wide and was manufactured by the Continental Sign and Advertising Company of Minneapolis, Minnesota. It appears to be made of a galvanized metal, is pre-drilled for hanging and is in fine condition! There are a few faint manufacturing imperfections on the surface. The one worth mentioning is a 5 inch scratch by the letter "A" on the white painted word DAKOTA (the far right hand "A").

Ready for your collection! A fabulous, visually striking, pharmacy advertising piece!

Measuring 3 /12 inches high x 5 ¼ inches wide x 3 inches deep, this early 1950’s, USA-made, plastic, RED Aunt Jemima Recipe Box has seen some use but remains quite visually striking and in very good condition!

Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia is in lovely, all-original condition with very light, superficial surface wear as seen in photos; this wear is reflective of less-than-typical use. A bonus--the original recipe cards remain inside! Fabulous color and condition contribute to the wonderful visual appeal of this delightful and essential, vintage piece of early 50’s Black Americana!

Offered are a group of ten, Black Memorabilia postcards in wonderful, unused condition of 1930's through 1950's vintage, priced at $60.00 for the group of ten.

While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear! The two comical cartoon postcards are much more brightly and vividly colored than the photos depict. The eight photo postcards also feature titles describing their subjects.

A delightful grouping that would be much-appreciated framed!

This vintage 1950s, utterly wonderful, little Black Girl Hand Puppet is in wonderful, never-used condition!

Rarely found in this pristine condition, the body of this 8 inch long puppet is constructed of a soft, cotton, flowered fabric, and her head and hands are constructed of a soft rubber. She still retains her "Hazelle" cloth label. Her face is very sweet in appearance!

Produced in the 1950's, the Hazelle Company was a puppet-making company located in Kansas City, Missouri. The company began making hand puppets and marionettes in 1932, and it continued operations for the next 43 years. The founder, Hazelle Rollins, passed away in 1984, nine years after the company closed its doors.

A unique opportunity to acquire a superb vintage puppet! Please see the companion Hazelle Little Black Boy Hand Puppet also offered!

Measuring 9.5 x 11.5 inches framed, this lovely, circa 1950’s, multi-colored, cross stitch sampler is entitled, “Enough Is As Good As A Feast”. In excellent condition and appearing to have been recently re-framed, this lovely piece features a Mammy and child carrying meal-filled dishes, presumably, to the dinner table. The sampler also features pretty flowers, and appropriately, a knife and a fork! The tiniest trace of a stain is barely visible at the top of the fork, but truly, it is not readily noticeable and certainly does not detract from the marvelous visual appeal of this very sweet piece!

Offered is a VERY difficult to find, Mammy or Aunt Jemima ceramic Clothes Sprinkler Bottle measuring 7" tall. My references indicate that she was made in Japan in the 1950's. She is in absolutely PERFECT CONDITION (no chips, cracks, breaks or repaint) and is complete with her original rubber and metal sprinkler stopper! Clearly, she was never actually filled with water and used to sprinkle water on wrinkled clothing prior to ironing!

Mammy or Aunt Jemima is wearing a white dress and head scarf with red trim. Her dark brown skin is flawless (any white spots or marks seen in photos are the result of light reflection and do not represent flaws of any kind.)

While she is unmarked, there is a very small black "X" on the bottom of the backside of her dress.

An incredibly hard to find piece! These very functional pieces were, more often than not, actually used in the home on ironing day, and thus were subject to damage or breakage and ended up in pieces at the local landfill! This wonderful Black American collectible was acquired from the original owner where it rested safely on a display shelf all these many years!

Measuring 8.25 inches long, this vintage, Black Chef Spoon rest was made in JAPAN in the 1950's. Along with its jolly, wide-eyed caricature, the spoon rest features a rose-colored tulip painted on both sides and reads “SPOON- REST” in partially worn, brown lettering at the top of the chef’s hat. Note small "hanging hole" in back for display on the kitchen wall!

Very few of these pieces survive due to the high level of use they encountered. This piece has obviously not seen any use at all as the paint remains absolutely perfect! No chips, cracks, breaks or repairs with very minor crazing and some very, very light beige discoloration at the outer edge of the handle bottom, this fine and very hard-to-find piece of Black Americana is an essential addition for the serious collector! Fabulous detailing!!

Please see the last photo for a companion piece-- an 6 inch Black MAMMY Spoon Rest, 1950's Japan-- also available for purchase and priced separately at $155.00.

An absolutely RARE piece that crosses over many areas of collecting- Black Americana, Ye Old Country Shoppe, or Chocolate!!

"Twin Babies - The Best Choice Providing Quality Chocolate Since 1908!"

Measuring 7 inches in diameter x 7 inches high, this round, 2-piece-mold, clear glass, candy jar has a flattened base to allow the jar to sit on a shelf at angle that facilitates viewing of the both the chocolate advertising and the delightful, smiling Black Twins Chocolate logo graphic! The chocolate jar is in wonderful condition, free of chips or scratches.

The jar graphic and text are both done in black and remain in superb condition- as crisp and clear as the day the piece was first manufactured!

The jar has a 5 inch diameter opening with decorative edging that allows the chocolate jar to be easily filled and better yet, emptied!!

The jar also retains its original metal cover whose bright green painted surface is generally free of wear. The cover is completed by a black wooden knob. The underside of the cover has some very superficial rust staining that has not impacted the integrity of the lid.

A very, very RARE piece of Black Memorabilia that is both visually pleasing and continues to remain quite functional!

Offered is an utterly fabulous, EXCELLENT CONDITION, MINT in ORIGINAL BOX, Black Memorabilia, Plastic Toy Banjo / Ukulele / Banjolele complete with original guitar pick, original protective plastic bag, original box cardboard inserts, and original paper booklet of playing instructions!

THIS TOY WAS NEVER USED!!!

The Banjo / Ukulele face has fantastic and patriotic, red and blue graphics on white ground featuring a cute Black Minstrel dancer, a Caucasian Banjo/Uke player, 2 Southern Cotton Bolls, and a fab graphic of a Mississippi River boat christened the "Robert E. Lee"!

Even the original box features a delightful graphic of a Black Minstrel playing the banjo/uke!

Made in the USA by MASTRO, New York, no date of manufacture is imprinted; however, given the styling of the graphics on both the banjo face and in the instruction booklet, an early 1960's date of manufacture has been surmised. Additionally, Mastro Co. also made an identically styled early Beatles banjo- further evidence of an early 1960's manufacture date.

Banjo / Uke measures approximately 21 inches long x 9 inches wide x 3 inches deep. Box measures 23" x 9.50" x 3.75". Box has some very subtle edge wear to seams and corners and one of the cardboard carrying handles has ripped with a 1" handle segment missing. Toy is MINT!!! Photos speak for themselves!

A Pristine Piece of Vintage Black Americana!

In absolutely MINT condition, this wonderful, 1950's era, 5 piece, ceramic Spice Set features either a cheerful Black Mammy or Pappy on each jar. The set accommodates the following spices: CINNAMON, NUTMEG, SALT, PEPPER, and ALLSPICE.

Each ceramic jar measures approximately 3.25 inches high, and each is marked "JAPAN" on the bottom. They are of one-piece construction retaining the original corks in their bases. Each jar top features a different color which further adds to decorative appeal! Other than age-related crazing to the glaze, each jar is in perfect condition with no wear to the decorative paint!

The original wooden rack which- retains its original "MADE IN JAPAN" sticker on back- measures 9.50 inches long x 4.25 inches high x 2 inches deep and is in very fine condition. The rack features 2 holes for wall-mounting.

This delightful set has obviously seen little use in its 50+ years and would provide the collector with an interesting, visual kitchen display!

Measuring 3 /12 inches high x 5 ¼ inches wide x 3 inches deep, this early 1950’s, USA-made, plastic, Yellow Aunt Jemima Recipe Box has seen some use but remains quite visually striking and in very good condition!

Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia shows some wear to the gold lettered word, “RECIPES”, although the majority of the paint remains intact. Small paint rubs are present here and there on Aunt Jemima’s face as seen in photos. The tiny plastic knob on the left side of the box that acts as a hinge for the cover is missing, but this minor imperfection detracts little from the fabulous color contrast and visual appeal of this delightful and essential, vintage piece of early 50’s Black Americana!

Measuring 5 inches tall, this EXTREMELY RARE, "Little Black Girl" Thermometer was made in 1955, by Multi-Products Corporation, Chicago, as the companion piece to the earlier released Black Boy Thermometer, "Diaper Dan".

Only 500 of these "Little Girl" thermometers WERE EVER MADE as opposed to the 15,000 Diaper Dan thermometers that can still be readily found in today's collector's market.

Made of pressed fiberwood, she is in MINT condition, retaining her original paper-backed glass thermometer that continues to be quite functional.

This sweet-faced, "Little Girl" Thermometer is rarely seen in the antiques market and is a MUST-HAVE for the serious Black Memorabilia collector!

Offered is the fabulously RARE BIGGER HAIR Negro Tobacco container produced from the mid 1940's through the early 1960's. This container is actually constructed of cardboard with tin base, and is much less frequently found, and thus, much more rare than the earlier, all-metal, and scarce-in-its-own-right, Nigger Hair container due to the greater fragility of cardboard as compared to metal, as well as the fewer numbers of cardboard containers produced.

Following the conclusion of World War II, the American Tobacco Company of Virginia changed its product name from Nigger Hair to Bigger Hair, seeking to broaden the product's marketing appeal as well as viewing the latter label as the more-socially acceptable one. (The earlier Nigger Hair moniker was used by the American Tobacco Company from the 1890's through the early, pre-WWII 1940s; the lithographed can was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.) Interestingly, the company DID NOT change the image of the African woman, but merely added the words Fiji Islander to the left of her face in its indifferent and weak attempt to move further away from the earlier, severely derogatory label.

Measuring 7 inches high x 5 3/4 inches wide, the container is in good condition, perhaps a 7 out of 10, with one side exhibiting minor surface scuffing, while on the other side more scuffs and rubs are evident. Some minor wear around the edge of the top of the container likely occurred from simply taking the cover on and off; however, this is completely concealed by the cover. The original cardboard cover was lost with the passage of time; the replacement tin cover shown was in place when this container was acquired.

The original brownish orange color of the container remains consistent throughout, and the structural integrity of the cardboard is quite sturdy. Superficial rust is evident on the inside and outside of the metal base; this rust does not impact integrity of the tin base. The container retains partial remnants of its paper Federal Revenue Tobacco seal on both sides.

This very rare tobacco container is just a wonderful example of latter Black Americana advertising. The container looks better "in person" than in the photos as the camera actually accentuated the appearance of the scuffing, especially on the "better" side!

If the Nigger Hair Tobacco container is currently in your collection, the addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective!

Measuring approximately 10 inches long by 2.50 inches high, these untouched, unused, all-original, porcelain-enameled, 1940-50s, metal signs are extraordinarily RARE pieces of Black American history-- artifacts of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace.

These signs were found in March of 1971, inside the abandoned and decaying basement of the former Philadelphia Enameling Works factory at the corner of 13th and Vine Streets in Philadelphia, Pennsylvania. The gentleman from whom these signs were purchased, bought these segregation signs along with hundreds of others signs of all types found in the basement of this former factory (see last photo) and has very kindly written a letter of provenance which has been photographed here and which will be included with these signs upon their sale.

These historic signs are enameled on both sides, and on the front sides are written, "COLORED MEN" and "COLORED WOMEN". The signs feature black lettering on a white background.

The signs are in all-original condition with some very minor discoloration and very unobtrusive edge discoloration pinpoints and some enameling loss here and there as seen in photos.

Extremely RARE, UNUSED, one-of-a-kind, museum-worthy pieces of Black American history that are quite likely the only ones of their kind extant today! Condition is amazing!

Please take a moment to view additional segregation signs by simply by typing the word "segregation" into the SEARCH box on our homepage.

Measuring 5 inches tall x 4.5 inches wide, this delightful and quite colorful mechanical bank was manufactured by the Chad Valley Company, England, circa late 1940's.

The Chad Valley Company was the most well-known manufacturer of toys in the United Kingdom during the 20th century, beginning in the 1920s. Metal toys were first produced at their factory in 1945 at the end of World War II, which is likely the time frame for production of this bank.

The bank features a well-dressed, smiling black man attired in a black and white checkered jacket with white shirt and black and green striped tie.

To operate the bank, the gent's tongue pops out to receive a coin. When his tongue pops back into his mouth, a wide, toothy smile is revealed. The tongue apparatus is operated via a lever on the front of the bank that is positioned at the knot of the the tie. The gent's eyes jiggle in a silly matter when his tongue moves in and out.

The bank comes complete with the original key. It is in fine condition with expected, light, superficial rubs and scratches to case paint. The face is in quite wonderful condition as seen in photos.

A delightful collectible which displays absolutely fabulously!

Offered for your enjoyment is an absolutely wonderful, one-of-a-kind, hand-crafted, miniature, folk art dentist office display model from the 1950’s! The display has been artistically crafted and assembled of randomly selected materials and miscellaneous fabrics to create a miniature model of a dentist practicing his craft on a most distraught patient.

This imaginative work of art is best appreciated in person as it was difficult to photograph due to glare from both flash and natural sunlight. All colors are quite rich and not at all faded as they may appear in some photos.

This fabulous vignette captures the apprehension we all may have felt at one time or another as we lay in the dentist chair! The patient’s face and body language tell it all! (Take a look at those nasty teeth! This poor dentist truly has his work cut out for him!)

Quite diminutive, the base measures 6 X 7 inches and the dentist stands just over 7.5 inches high. The condition is very good with crisp painted colors. Please view all photos- the detailing is marvelous! The patient is missing his (R) arm and the dentist had a couple of broken ankles repaired at some point in his career perhaps by a quack orthopedist!! Neither imperfection is readily apparent, as one's eye is drawn to this miniature scene as a whole and the very human message it exudes.

An absolutely wonderful and unique example of folk art ready to display and enjoy in your home or office!

Measuring 5.25 inches high x 6.50 inches wide, this near mint, three piece, Black Mammy and Chef Oil and Vinegar Cruet was produced in 1940s Japan.

The bodies are one single piece with one hand each on Mammy and the Chef that serve as stoppers for the two pouring spouts. The piece is marked with a "V" for Vinegar and an "O" for Oil on each arm. Very sweet faces!

All original with no breaks, cracks, repaint or repairs, the cruet retains the original corks as well! In truly lovely condition with just one scrape to the red paint under the chef's left arm and some missing paint spots on his right arm. (see photos) Otherwise quite perfect, and displaying very, very well!!! An eye-catching piece!!!

Measuring approximately 12 inches in height, these vintage plastic dolls were offered as Aunt Jemima Company premiums in 1949! Purchase price was 25 cents each plus 3 box tops from any Aunt Jemima product! They were sold as cutouts for the buyer to sew together and then stuff as desired.

This pair was machine stitched and lightly stuffed with cotton batting. Aunt Jemima holds a stack of her famous pancakes while Uncle Mose politely holds his top hat in his hands.

Both dolls retain their vivid, brilliant color and are free of rips, tears, holes. Some teeny dirt spots/stains here and there, and Aunt Jemima has a little, 1 inch long, heat-related indentation in her apron--maybe from being stored in an attic and having something press into her? Not a big deal- no tear to plastic - just an impression into the plastic that does blend into the "wrinkliness" of her form anyway.....

A very colorful pair that displays quite nicely as seen in photos! **Please note that any white marks seen in photos are flash reflections only and are not damage to the dolls.**

Offered is a vintage, Occupied Japan, tin and celluloid, wind up toy depicting a dancing Black Man or Jigger with cane and hat.

This delightful toy dancer stands on the corner of 125th Street and Lenox Avenue, the Gateway to Harlem, New York City!

The toy is complete and is in excellent working condition. Wind him up and his arms go round and his feet tap frantically! Retains original key. The dancer's head and hat are celluloid. His red felt jacket is age-stained as seen in photos. The dancer's other clothes are in fine condition as are the tin and celluloid components.

The dancer measures 8 1/2" tall, with base 3" by 2 3/4" across. On the back of the platform, the toy is marked: MADE IN OCCUPIED JAPAN PATENT NO15139 DESIGN PATENT NO92497. Items marked "Occupied Japan" date from 1945-1952.

A delightful addition to one's Black Memorabilia collection!

A wonderful and extremely RARE hard cover book with original paper dust cover by Kate Gambold Dyer, copyrighted 1942 by Platt and Munk Publishers and measuring 8 x 9.25 inches.

Fabulous black and red line illustrations as represented by photos adorn this 38 page book! The book features the Christmas-time adventures of eight year old Turquoise "Turky" Trott, one of six of Mammy Trott's children. Featured in the book is a Black Santa!

Interior pages are in fine condition--they are tightly bound together; front and back covers are also tight. The hard bound covers appear to be in mint condition, having remained protected by the original dust cover which has remarkably minimal wear to its edges and retains its brilliant coloration. A penciled in number has been written on the interior front of the book. Stamped on the edge of the interior of the paper dust cover is the original 1942 selling price of 85 cents!

A charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!

Measuring approximately 6.25 inches high and 7 inches wide, this extraordinarily rare, 1930-40's Japan, Black Butler Cracker Jar is complete with original bamboo and wicker bail handle!

Stamped "MADE IN JAPAN" on base, this piece is in near perfect condition with no repairs or cracks. Flaws are as follows: there are some very small paint flakes to the jar base primarily on the back of the black coat as seen in photos. The lid has one very faint flake to the upper forehead that is very difficult to see. There is one small (1/4 inch) surface chip to the very edge of the butler's lower right collar near the bottom of the lid cover. The previous owner colored this in so it is quite hard to see on casual inspection. The coloring actually blends in with the unglazed black paint that lines the rim edges of both the base and the lid. Lastly, there are superficial craze lines visible inside the jar and on its base that do not affect structural integrity. The white spot on the butler's blue pants under his hands is not a paint flake but is a manufacturer's paint omission as it is glazed-covered.

This piece presents and displays very, very well. It is eye-catching and rather visually stunning!

This piece is very rare in today's collectible market, and when found, it frequently is missing the handle! 2005 Book Value for the Black Butler cracker jar in this condition is $850.00.

This is an authentic signed baseball from former Negro League baseball player Luther "Luke" Atkinson. The ball was signed at an autograph show in March 2006. Luther "Luke" Atkinson was #20, a stand-out performer for the Wilson, North Carolina All Stars, the Carolina Tigers, and the Satchel Paige All-Stars, who played baseball in the Negro Leagues from 1955 to 1960, starting his career right out of high school. As of spring 2018, Mr. Atkinson, who lives in Maryland, remains an active volunteer in the newly opened, Hubert V. Simmons Museum of Negro Leagues Baseball, Inc., at the new Owings Mills Metro Centre Complex.

A brief history of the Negro League:

African Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

Measuring 19 inches long by 3.5 inches wide, this untouched, all-original, double-sided, porcelain-enameled, 1930-40s, metal sign is an extraordinarily RARE piece of Black American history-- an artifact of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace.

This sign was found in storage inside of an old Austin, Texas, gas station and likely designated the COLORED ONLY entrance to a local public building or room within.

This historic sign is enameled on both sides with the word "COLORED" and a downward pointing arrow. Colors are blue with cream background.

The sign is in all-original condition with several chips to the porcelain enamel as well as subtle edge wear. It likely was posted on the interior of a building as its overall condition is really quite fine and does not evidence any characteristics one would expect of a sign that was subject to the ravages of Mother Nature. Or...perhaps the sign was simply never used-- a mystery never to be solved!

An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history that is quite likely the only one of its kind extant today!

Please take a moment to view the second "Jim Crow" Segregationist Era sign I currently have the pleasure of offering.