Catalog (183)

Offered is a rarely found, Ca 1890s, celluloid and brass mourning brooch featuring a handsome, young African American man.

Housed in an ornate, brass frame, the mourning pin measures 1 1/8th inch in diameter.

The celluloid image is quite crisp with some staining evident in left lower and side edges that do not obstruct the gentleman's image. The magnified photos emphasize this staining to a much greater degree than what is evident when viewed with just the naked eye. The brooch is missing its backside pin.

Offered is an extraordinarily rare, 1842, Warren County, Georgia, Apprehension Order for a SLAVE boy named Henry who is accused of committing a violent assault and battery with intent to kill.

The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page and then completed on the back of the same side of the page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "The State VS Henry Negro Boy Slave".

The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Matthew Sheilds a justice of the peace for said county, personally came Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a negro boy slave the property of the estate of Hardy Pitts late of said county deceased, did commit a violent assault and battery with intent to kill Deponent, with a heavy stick - and Deponent believes said stick was ferreled (an action suggestive of a wild beast)- upon the person of Deponent - on this night of the thirteenth of this Instant in said county of Warren to wit upon the plantation of Thomas Persons, near Warrenton.
Sworn to and subscribed before me this 14th March 1842."
"Matthew Sheilds JP"
"Stephen Blount"

Paragraph two:
"Georgia Warren County"
"By Matthew Sheilds one of the Justices To Sheriff the Constables of Said County and to all other lawful officers for as much as Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a Negro boy Slave the property of the estate of Hardy Pitts late of Said County deceased did commit a violent assault and battery with intent to kill Deponent - with a heavy stick and Deponent believes said stick was ferreled upon the person of Deponent on the night of the thirteenth of this Instant...." (continued next page)

Next Page:
"in Said County of Warren to wit on the plantation of Thomas Persons near Warrenton. These are therefore to Command you that you apprehend the Said Negro Boy Henry and bring him before me or some other Justice of the peace of Said County to Answer the said charge and to be further dealt with according to Law Herein fail not. Given under my hand and Seal this 14th day of March 1842."
"Matthew Sheilds JP" (JP written a second time and encircled in a squiggle to simulate a wax seal)

Condition of this very unique slavery document is quite fine given its 180 years of age. Expected aging of paper with insignificant and minor tears at creases. Also present are three long spillages of ink (as seen in photos) which likely occurred at the time this document was written out with, obviously, no intention of the author to start over again and rewrite!

An extraordinarily rare historical document that defines a specific slave-related incident.

Offered is this extremely RARE 1920's, cardboard, D.L. Clark Company, Pittsburgh, Pennsylvania, 120 count, BLACK JACK Caramel "PENNY CANDY" BOX which features a singing Black Dandy strumming a banjo.

Cardboard candy boxes with African-American themes remain EXTREMELY RARE finds in today's market due to their inherent fragile nature!!!

This wonderful piece is in very good condition with the expected aging, and edge and corner wear given its 100+ years of age.

The top left seam of the cover has the most edge wear of all areas of the box, and the bottom right seam of the cover has split (see photos for each), but otherwise, the box remains intact with no missing pieces! A very subtle crease runs along the top of the box cover above the word "CLARK", but it is indeed very obscure and difficult to photograph. Please note that the corner edge taping to all four corners of the box base is original manufacture meant to provide extra stability to that section of the box that held the weight of the candy. The box base is in near-perfect condition!

D. L. Clark Company History:

David L. Clark (1864-1939) was born in Ireland and came to America when he was eight years old. He entered the candy business working for a small manufacturer in New York. After three years as a salesman, he bought a wagon, horses and merchandise, and went into business for himself.

The D. L. Clark Company was founded in 1886 when Clark started manufacturing candy in two back rooms of a small house in Pittsburgh's North Side. He began selling his candy in the streets of Pittsburgh. During his lifetime, his company became a leading candy manufacturer.

By 1920, the D. L. Clark Company was making about 150 different types of candy, including several five-cent bars, specialty items and bulk candy. Clark was also manufacturing chewing gum in a building across the street from his candy factory. In 1921, they incorporated Clark Brothers Chewing Gum Company as a separate business.

By 1931, the candy bar business was so expansive that Clark decided to sell the gum company, and it was renamed the Clark Gum Company.

The D. L. Clark Company remained in the hands of the Clark family until it was sold in 1955 to the Beatrice Food Company who operated the company until 1983 when in turn, it was sold to the Pittsburgh Food and Beverage Company. In 1995, the Pittsburgh Food and Beverage was thrown into bankruptcy. The company was shut down for several months and its assets divested. Restructured as Clark Bar America, the company operated until May of 1999, when it was purchased by New England Confectionery Company (NECCO), the oldest candy manufacturer in the United States.

Offered is a rarely found, Ca 1890s, tintype mourning brooch featuring a young and attractive, African American woman.

Housed in an ornate, brass frame complete with backside pin to allow attachment to one's clothing, the mourning pin measures 1 3/16th inch in diameter.

The image is quite clean and crisp with a very tiny imperfection noted on the image just above the woman's head at the frame edge.

This rarely found, 1937, tin, wind-up, DOUBLE JITTER-BUG Mechanical Dancing Toy was made by the Buffalo Toy & Tool Works. The Buffalo Toy & Tools Works was located in Buffalo, New York, and was established in 1924.

The toy is in very fine, working condition. When wound, the black dancers bob up and down, moving their hinged legs about and swinging their arms. The dancer's heads, bodies, and arms are constructed of flat tin, while their legs and feet are three dimensional. Other than a few light scratches here and there, the surface lithography and paint is in fabulous condition.

The toy measures 8” tall and 5 ½” wide. Marked with “MADE IN U.S.A.” on the back of the dancer's jackets as well as "MADE IN USA" and "PAT 2072308" (Patent Year 1937) on the bottom of the toy base.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin tie rack is constructed in solid brass. It remains functional for such use today; however, only two of the five original tie hooks remain.

It is in all original condition with fabulous patina- not a reproduction- no replaced parts- and measures 13 inches long.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

This extremely rare cross stitch sampler of a young black boy with hands placed on his hips is dated to at least circa 1890, although it is quite likely an earlier example of 19th century needlework making it highly scarce and sought after.

Completed in silk thread on early, thick, pressed paper canvas, the diminutive, 1 5/8 x 2 3/4 inch piece of needlework remains stitched onto the original, 1 ¾ x 8 inch long, deep red satin banding. Standing on deep red ground, the black boy wears pale green and black striped clothing.

This wonderful, early piece of Black Americana needlework remains in excellent, original condition. At some point in time, a previous owner matted and framed the piece to allow for both ease of display and protection; however, to meet archival requirements, the piece requires a replacement of its current cardboard backing, and spacer bars separating the needlework from the glass should be added. Framed measurements are 4.5 inches wide x 11 inches long.

A phenomenally rare piece for the advanced Black Memorabilia collector!

It is difficult to photograph glass without reflection- please note that any aberrations are reflections only.

This 1930s, Art Deco, VIGNY, 2 ounce, Golliwog Perfume Bottle is a rare find! This particular marketing of the very highly sought-after and well-known Paris Vigny Golliwogg perfume, was sold by the famous Fred Harvey stores which dotted the new railroad lines running through the American Southwest.

This 4 inch tall bottle retains the majority of its Fred Harvey price sticker on its base. Remnants of perfume are still visible, and the bottle's original paper labels remain in wonderful condition. This version of Vigny Golliwogg perfume is extraordinarily difficult to find as it was specifically marketed only in the Fred Harvey rail line stores.

A very scarce and delightful addition to one's Vigny Golliwogg Perfume collection!

A bit of Fred Harvey History:
Frederick Henry Harvey (June 27, 1835 – February 9, 1901) was a Liverpool, England-born entrepreneur who immigrated to the United States in 1853 at the age of 17. His first employment in the US was in a NYC restaurant where he quickly worked his way up from pot scrubber to waiter and line cook- an experience which later impacted his life choices.

In 1876 after working within a number of retail industries, Harvey returned to his first "love"- the restaurant business. As a result of his acquaintance with the superintendent of the Atchison, Topeka and Santa Fe Railroad, Harvey opened a very successful chain of "eating houses" all along the rail line. At its peak, a total of 84 Harvey Houses existed, all of which catered to wealthy and middle-class visitors alike. Souvenir shops and hotels were added by the innovative Harvey, and he became known as "the Civilizer of the West".

Fred Harvey is credited with creating the first restaurant chain in the United States, and he is also recognized as a leader in promoting tourism in the American Southwest in the late 19th century. Fred Harvey and his employees successfully brought unique and higher standards of both civility and dining to a region widely regarded in the era as "the Wild West."

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

Measuring 6 1/4 inches high x 5 3/4 inches wide, this circa 1930's, VERY RARE, Japan made, Polka Dot Kerchief, Mammy Head String Holder is in near mint condition with no chips, cracks, or hairlines! Mammy is the mate to the Maruhon Ware Mammy series--Cookie Jar, Basket Handle Biscuit Jar, Teapot and related kitchen items-- all made with this same Mammy's face.

The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!

Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.

A wonderful and quite rare piece of 1950's Black Memorabilia!!

This unique, Japanese made, 6" tall Black Sailor or Pirate ceramic nodder by UCAGCO is in mint condition--no cracks, chips, paint wear or repaint!!! Any white spots, etc in photos are purely the function of poor photography!

This interesting fellow wears blue and white striped pants, yellow and green shirt, and yellow jacket. His head nods "yes" and his flowered-painted fan can be made to wave in any direction.

Both head & fan have "Pat T.T." impressed on the weighted stem.

Truly a quite rarely-found piece of Black Americana with a book value exceeding $450.00.

Please see the two additional Black Memorabilia nodders also available by Ardalt Co., Japan - the darling Black Girl Child Nodder and her companion piece, the adorable Black Boy Child Clown Nodder.

The resplendent colors of this vintage, 1940's, all-hand-stitched, wool felt tote bag with rolled hand straps are pure eye candy!

This never-used tote bears the original paper tag which states, "Handmade by African Cripple; Ematupeni / Zimele Cripple Care Centers; Durban, England".

The artistry of the wool felt, hand-appliqued cut-outs featuring a mother and her three children is further enhanced by colorful bead work which was carefully placed for symmetry in design and form! A gorgeous piece of vintage African Artwork!

Measuring 14 long x 14 wide x 2 deep, the bag retains a "brand-new" appearance with no fading, rips, stains, or other blemishes.

Please see the companion "tea cozy" offered for sale and priced separately.

In lovely condition with the exception of subtle fading to Mammy's red head kerchief, this delightful 1940's pin cushion doll appears to have been unused! No pinholes can be seen!

Mammy's head and body are actually constructed of a single wooden clothespin that was then inserted into her cotton-batting-padded skirt. Her face is hand-painted, she has a tuft of white cotton batting hair peeking out from her kerchief, and her apron is stamped in black ink "Souvenir of New Orleans".

A very sweet piece to add to one's sewing or doll collection!

Measuring 2 1/8 inches in diameter x 3/8 of an inch high, this rarely-found, circa 1910, dexterity game depicts a smiling Top-Hatted Dandy! The puzzle is quite colorful and is very visually appealing! The puzzle contains the 3 tiny metal balls along with one white ball of unknown material, that, with the proper manual dexterity, are to be placed in the Dandy’s eyes and as buttons on his shirt!

Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the Dandy graphic remaining free of scratches and abrasions, and design typical of turn-of-the-century puzzles. The mirrored back shows evidence of 2 tiny areas of subtle, minor chipping along the perimeter edge, and the glass front has a small, very shallow surface chip at the base of the Dandy's shirt and an even tinier one to the left of the top hat. Unless one applies hard pressure to the surface of this glass, I cannot ever imagine this front glass breaking or shattering. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

A detailed image and a delightful piece of very early Black Memorabilia!

Presented as a historical and cultural artifact, this extraordinarily RARE, very, very scarcely found, cloth book entitled "Pickaninny ABC" was published in London, Patented March 7, 1905, Number 39, by Dean's Rag Book Co. Ltd. The book measures 8.50 inches long x 6.75 inches wide, and is the companion volume to the also exceedingly rare 1904 Dean's Rag Book, "Ten Little Indians" which I have had the pleasure to offer for sale only twice in my decades-long antiques career (see final photo for a cover shot of the companion Ten Little Indians book).

Each of these rag books were published as alphabet and numerical teaching tools for the very young children of the wealthier class who could afford to purchase books to furnish their children's home library as well as to support their early home-tutorial education.

While clearly overtly racist in title (pickaninny) and conceptualization ("A" stands for Alabama Coon, "P" stands for Pickaninnies), the book also promotes age-old stereotypes as well ("W" stands for Watermelon, "U" stands for Uncle Tom, "H" stands for Hen-Roost, "C" stands for Cake Walk, etc) that were, unfortunately, acceptable societal references at the turn of the twentieth century.

This 116 year old book remains in all-original, very good condition with no alterations or repairs. While the front and back covers exhibit significant age-related staining, the interior pages are significantly "cleaner" and the illustrations remain very brightly colored. Interior pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. The exterior binding has teeny spots of wear to the first layer of binding fabric which do not impact binding integrity. Top and bottom edges are subtly frayed.

This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is the first I have ever had the pleasure of offering for sale in my nearly 40 years dealing in this field! This is an absolute cornerstone piece to any serious Black Memorabilia collection!

Measuring 3 1/4 inches long, this circa 1920s, miniature, Black Mammy doll is unique in construction- its head and body have been fashioned from an old rubber baby nursing nipple!

Mammy’s sweet little face has been carefully hand-painted, and she has been nicely dressed in a red dress with blue oval designs, a linen apron and red and black head scarf.

Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has contorted a bit due to the ravages of time, she is in delightful condition!

Measuring 12 inches in length, this circa 1930’s, Topsy Turvy Doll is in superb condition and is unusually and wonderfully appointed with great attention to detail! Both black and white sides of the doll have been very finely dressed with rose blossoms on their bandannas as well as at their waists- very, very rare for the “Black Topsy” to be so well attired!

”Black Topsy” is dressed in a striking pink, green, orange, and black cotton, geometric-patterned dress- very Art Deco! Her mouth and nostrils are stitched in red thread and she has white pearl button eyes.

The Caucasian doll is dressed in a cotton lavender dress- also with a geometric, Art Deco pattern in black, green and yellow. Her blouse and bandanna are lavender sateen. Her entire face has been finely stitched. She has pink nostrils and mouth, black eyebrows, and her black stitched eyes have pretty lashes that highlight her silvery gray irises! She has the very palest of staining to her face above her nostrils, but it is barely noticeable, and there is some light fading to her sateen bandanna.

Condition and detailing of both sides of this Topsy Turvy is really quite extraordinary, setting her apart from other Topsy’s!! A wonderful addition to one’s doll or Black Memorabilia collection!

Measuring 9 x 12 inches, this all original, 1930 Copyright sheet music features a fabulous cover graphic that would be magnificent framed!

Great condition with some corner wear, but please note that all pages have completely separated from the center seam so are no longer in "booklet" form. No missing pages though!

A difficult item to find in today's market!

Offered is a beautiful, C1930s, hand-woven basket plate or tray from the Hausa People of Nigeria, Africa, measuring approximately 13 inches in diameter.

Baskets such as these are made by the women in the Hausa tradition utilizing vegetable fiber, grasses and straw, all of which are typically harvested in the summer. The top of the basket is very smooth, while the base is rougher and unfinished in appearance.

These baskets are often given as wedding gifts and are traditionally used to store grain.

In addition to the natural color of straw, these baskets generally include the colors brown, red, and green, as does this one, which features two individuals joined together (celebrating marriage) as well as colorful triangular figures, one atop the other, representing the joining of two homes or families.

Condition is very good with just four single stitches missing along the basket rim (see photos).

A wonderful example of hand-crafted Black Americana Folk Art!

This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black girl with hand-painted smiling mouth and eyes! She is dressed in a hand-stitched cotton costume that has been stuffed with scrap fabric.

Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Her ears each have a punched out hole--whether this is functional or purely decorative remains a mystery. A small brass hoop threaded through a piece of fabric which was then tacked to the back of the girl's head facilitates hanging on a wall. Overall condition is fine with age-related soiling to the dress and minor paint wear typical of a 70 year-old-piece.

One of my favorite hand-made pieces with true folk art appeal!

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring 13 inches long, this very RARE, Ca 1910, Black, Composition Shoulder Head Doll is in wonderful condition!

She has a muslin, machine-stitched body which is stuffed with sawdust. Her feet are black cotton. Upper arms are also stuffed muslin with composition forearms.

Her curly-haired head is molded composition; eyes, nostrils, and lips are handpainted-- note the BLUE EYES!!

She wears a muslin slip under a Victorian styled, machine-stitched, tiered ruffled dress. Her clothing has been professionally laundered but does remain darkened with age in some areas- the photos make these dark areas appear more prominent than they are when viewed by the naked eye.

Condition: Difficult to photograph due to camera glare off the composition, her head remains in pristine, all original condition- no repaint- with just a couple of very teeny white flecks here and there! The breastplate has an old glue repair which appears to be quite solid. The repair is not visible unless the doll is undressed. Superficial wear to each thumb is evident as is seen in photos. No cracking or peeling to composition. She was very well cared for over the years!

A very lovely and rare Black doll!

Measuring 14 inches high x 8 inches wide, this early and VERY, VERY RARE, Circa 1890-1900, exotic Female Blackamoor, metal frame mirror is complete with all original parts including its original 8" x 10" beveled mirror which is in amazing condition!. An extraordinarily difficult to find, highly captivating piece! Unmarked.

This stunning, 125 year old+ example of statuesque Black Americana is in wonderful condition absent two very tiny areas of loss, not unexpected given the age and use of the piece. One area is at the extreme edge of the right tip of the base, and the other, very minor loss to the tips of the right thumb and index finger. Neither of these areas of loss are easily noticed, nor do they distract from the truly incredible rarity of this early piece.

Very well made, the frame easily comes apart into 3 pieces for safe shipping and/or storage.

An extraordinary opportunity to acquire an extremely RARE and highly coveted piece of turn-of-the-19th-into-20th-century Black Americana! One will be very hard-pressed to find another example!

This delightful Black Boy Rag Doll has a face with a story to tell! What an expression!

Measuring 13 inches tall, he is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive and are exceedingly well done. His hair has been styled in tightly wound little ringlets.

His brown-patterned, machine-stitched shirt and pants are also vintage 1930-40's fabric, accented with two miss-matched buttons holding up cute red suspenders.

A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Artist who is now deceased.

Please take a moment to view his big sister by typing the words "Maine Doll" into the SEARCH box.

Entitled "SLUGGER CHAMPIONS", this circa 1945-1949, tin windup BOXING Toy features the unusual pairing of Black and White boxers!

Made in post World War II, US Zone Germany, this tin toy measures 3.5" square, with the boxing figures measuring 2.25" tall. The toy retains its original box which measures 4" square, and features a start/stop lever on one side with the (original) key windup on another. Both the toy and the box are labeled "MADE IN US ZONE GERMANY".

The toy still works! The boxers rock back and forth as they attempt to jab one another. The toy is designed to have the right arm on each boxer punch while the immobile left arm is molded into the body.

Condition is a 9/10 as can be seen in all photos. This toy appears to have seen minimal use as the condition of the paint is impeccable, with just a few teeny rubs to the toy base and the black boxer's legs here and there. The box shows minor wear on all edges as noted in photos. All box parts are present with the box cover flap remaining attached to the box by only about 1 inch in the center, and one box flap is completely detached but intact.

A tip for the new owner: to easily remove the toy from the box, open the BOTTOM flap instead of the top flap and simply slide the toy out of the box onto the palm of your hand.

Offered is an authentic signed baseball from former Negro League player CLIFFORD LAYTON. The ball was signed for me at an autograph show and is dated 4-15-05.

Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.

A brief history of the Negro League:

African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

In a frame measuring 7 3/4 inches wide x 9 1/2 inches long, this brightly colored, all original, circa 1920s, Little Black Sambo Puzzle is in near perfect condition! This very rarely-found puzzle (I've NEVER seen another one like this) attracts additional interest due to the whimsical cutting of some of the individual puzzle pieces- in the shape of a heart, a fish, a bird and a dog!

This puzzle features a rendition of Little Black Sambo depicting Sambo trying on his new red jacket---one presumably crafted by his Mama given the sewing pins she clutches between her lips. His Pappy is at the threshold holding in hands, a new blue umbrella as well as new purple slippers to complete Sambo's new outfit! A joyous moment before Sambo then ventures into the jungle dressed in his newly acquired ensemble-- soon to attract the attention of those nasty tigers!

The puzzle is in very fine condition, clearly having seen little play from children. A previous owner chose to enclose it in a frame that complements the teal border of the puzzle which is labeled at the base: "little Black Sambo". Coloring is true and quite lovely.

A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is this wonderful, early 1940s, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book, and this edition was used over a period of ten years, with changes made only to the cover. The company's final publication of this story came before the onset of WWII, making this copy a very rare find.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All the wear on this cloth-bound hardcover book was absorbed by its cover with wear to book edge points and book cover edges. The interior binding is intact and tight as are all pages. No creasing or bends to pages. Illustrations remain very brightly colored and vibrant and are particularly notable for their fine artistry. A couple of very small page edge tears (less than 1/2") are present. A penned inscription is noted: "To Evelyn Field From Dorothy Field Christmas 1943".

Amazing condition for an 80 year M.A. Donohue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered are two, VERY RARE, 1880's, romantically-themed advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature well-dressed African American gentlemen attempting to woo and capture the exclusive attentions of pretty young African-American ladies, one via a banjo serenade and the other via an offer of lovely flowers.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the banjo playing gent (with that snarling black dog in the lower right corner) measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the shy woman being presented with pretty flowers measures approximately 7.25 inches wide x 9 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, lines and light edge wear. The advertisements are priced at $35 each or two for $60.

Utterly fabulous Black Mammy Half Doll or Platform Doll or Toaster Doll!

This circa 1940's (perhaps even earlier!) Mammy has a polished cotton half body firmly stuffed with cotton batting which is attached to a fabric-covered, cardboard platform that enables her to sit. Such a doll is often referred to as a platform or toaster doll as her voluminous skirt was designed to cover unsightly kitchen appliances - most commonly the toaster!

Most notable is this Mammy's exquisitely executed, hand-embroidered face, and her elaborate dangling beaded hoop earrings!

Mammy's clothing is machine stitched and is absent of holes, rips or repairs. While all her patterned clothing retains its original and uniform coloring, all of the purple cloth has faded- obviously a less stable dye used there. When one opens the folds of the cloth, one sees the rich, deep purple it once was!

An unusually well-detailed doll for its type!

Measuring just 10 inches in height, this diminutive, vintage 1940's, Mammy Bottle Doll is in near mint condition, with nicely detailed, machine-stitched clothing and a very darling face! Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

Her cute face is composed of pearl button eyes with red fabric mouth. She wears a flowered bandanna and a pale blue apron over her pale blue patterned dress. Her clothes are stain free and are nicely constructed--note fancy sleeve detail!

This mammy bottle doll is one of 3 offered, all coming from the same estate--and all priced separately.

A wonderful and extremely RARE, 1st Edition, hard cover book by Carolyn Sherwin Bailey, copyrighted 1938 by Platt and Munk Publishers and measuring 6.50 x 8.25 inches. Platt and Munk Publishers, like McLoughlin Publishers, were widely known to employ the most talented illustrators of the time period. Platt and Munk books are highly sought after for this reason.

Fabulous colored and black and white illustrations (see photos) adorn this 26 page book! The book features the adventures of a little Southern boy who lives with his gran'mammy and gran'daddy in a log cabin set down in a cotton field.

Interior pages are in very nice, near mint condition, are clean and bright and are tightly bound together. The only intrusion is a former owner's name, "Weaver", written in blue ink on the interior cover page (see photo). The hard bound cloth covers are in fine condition, with very, very slight wear to cover spine edges and book corners typical of a book of its age. This is a verified first edition as later editions had the cloth board without the color pastedown. Illustrated on every page, alternating color and black and white. This copy includes a worn, tattered, but nearly complete dust cover, which accounts for the pristine condition of the front and back hardcovers.

A very charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!

Offered is a colorful, 1883, lithographed, Lime Kiln Club, Black Americana, Cigar Label by Mensing & Stecher of Rochester, New York (company noted in the lower left corner). The lithographed 8" x 6" label would have been placed on the inside cover of the traditional wooden cigar box of that era. This highly detailed label features a caricature image of a very boisterous group of African Americans at a lodge meeting. The moderator is trying to get order while some of the members talk and fight amongst themselves with one even holding a pistol.

A trademark label affixed to the bottom of a sour mash whiskey barrel, "ICMCo" stands for the Ithaca (New York) Cigar Manufacturing Co. for whom the label was made.

Interestingly, this cigar label was based on a racial parody book featuring a fictitious fraternal organization of African-Americans, titled 'Brother Gardner's Lime-Kiln Club' by "M. Quad". Quad, in actuality, was noted newspaper columnist and satirist, Charles Bertrand Lewis, of the Detroit Free Press.

Framed in an 8.75" x 10.75" silver-toned wood frame, this Lime Kiln Club lithographed label is extraordinarily scarce and highly sought after. It is listed as one of the top 100 blue chip cigar labels by "InStone 100" (a cigar label rating organization). The lower right hand corner notes the US Patent Office Registry date of May 22nd 1883. This 19th century piece would benefit from professional framing using archival, acid-free materials to enhance its life for many more years to come.

Condition: The color remains as brilliant as the day this 140 year old label was produced! Four unobtrusive and minor tears are noted: two in the lower left corner area, one at the center top near the moderator's gavel, and one between the K and I in Kiln. A crease is noted in the white margin above the label title, and a water mark is present in the lower right side of the white margin. However, none of these blemishes detract from this highly intricate lithograph! Take a few moments to carefully study all of the activity and detailing in this colorful piece!

Offered are two, VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

This offering features two lovely die cuts- one, a well-to-do Victorian era husband and wife out for a stroll, and the second, a colorfully dressed musical trio playing banjo, concertina (small accordion) and tambourine. The musical trio remains connected- adding to its value- and uncut, number 7568.

The products for which these die cuts were meant to endorse is unknown. The litho features a very glossy finish, and the die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Either would look fabulous framed- individually or as a grouping! Think gift!

Approximate measurements are as follows:
The Older Couple: 6" tall x 4.25" wide
The Musical Trio: 5" tall x 4.50" wide.

Priced each at $45.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the older couple reveal no restorations or repairs. The Trio of Musicians remain very loosely adhered to a piece of black construction paper so the verso cannot be viewed. (I leave removal to the buyer.) Inspection of the front side suggests no repair or restoration to this piece.

Measuring 5.50" in long x 8" wide, this delightful, C1910 cardboard box once held typewriter ribbons produced by the A.P. Little Company, manufacturer of typewriter ribbons and carbon paper.

The graphics on the cover of this box feature a smiling, happy, young African-American boy (the company's trademark) who is peering through a rip in the paper, unknowingly about to be pounced down upon by a very ugly and venomous-looking spider!

The box is in amazingly near-perfect condition despite its 100+ years of age with very insignificant soiling present as well as rubs and abrasions to box edges, all of which are more than perfectly reasonable given the age of the piece.

A very seldom-seen advertising piece featuring a Black Americana theme! The first that I have had from this company! is in excellent, all-original, perfect condition!

Offered are two, highly-collectible, circa 1860-70's, earthenware, pictorial plates featuring two scenes from the enormously popular, 1852, novel, Uncle Tom's Cabin by Harriet Beecher Stowe.

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

Each plate is priced separately at $195.00 each or both plates for $325.00.

One plate depicts the sale of slave, Uncle Tom, while the other plate depicts the death of little Eva. The text on each plate is in German: "Evas Todt" or in English, "The Death of Eva", and "Slavel Tom Von LeGree Gekauft" or in English, "The Slave Tom Purchased by (Simon} LeGree".

Produced for use by children as subtle educational tools, the plates measure 7 5/8 inches in diameter and are decorated with black transfer, printed, Uncle Tom vignettes.

The condition of both plates is quite superb with subtle crazing lightly evident on the backs of plates only. Also on the backs of each plate are tiny, factory-flaw imperfections where glazing failed to bind to the earthenware (represented in close-up photo). The "Sale of Uncle Tom" plate has three such imperfections on its back side along with a tiny area of bleeding of transfer color under the glaze (see close-up photo). The "Death of Eva" plate displays more evident crazing on the back as compared to the "Sale of Tom" plate along with three factory-flaw imperfections, as described above. The "Eva" plate also appears to have three, extremely fine, light, scratch lines running across the front of the plate that are most readily noticeable only in close-up photos; when one runs a finger along the lines, the imperfections are so fine that they cannot be felt and certainly represent no threat to structural integrity.

The plates were produced by the Schramberg Pottery of Baden-Wuerttemberg, Germany, founded in 1820 by stoneware expert, Isidor Faist. The plate featuring the sale of Uncle Tom is impressed "Schramberg" while the other plate has no marking. It is evident, however, that both plates were manufactured by the Schramberg factory.

Offered for purchase is a RARELY FOUND, salesman sample box of Sharpoint Black Face Wire Cobbler's Nails measuring a very diminutive 1.75" tall x 1" wide! (Please note: the larger box pictured in the photographs has been SOLD. This offer is for the smaller box.)

The trademark for Sharpoint is a cleverly-designed, eye-catching, broadly smiling image of an African American gent. If one looks closely, one can clearly see the words "Sharpoint Cobblers Nails" printed within the black space of the gent's mouth! A very "sharp" advertising strategy!

Sharpoint Wire Cobbler's Nails were manufactured by the Charles F. Baker Co, Boston, Massachusetts. This remaining smaller box retains its end flap which features both the manufacturing and patent information, with the patent number corresponding to a 1933 USA Patent date. Amazingly, the box still retains the original cobbler's nails!

The box is in very good condition considering its age and the fact that it has held tiny, sharp nails for over 80 years! The cover litho remains very crisp and clear. Typical, age-related edge wear is noted. Please peruse all photos for condition details. The box has been shrink-wrapped to protect the integrity of the cardboard, and again, it does contain the original nails.

This VERY, VERY RARELY FOUND SALESMAN SAMPLE size box WITH ORIGINAL NAILS is offered at $125.

Measuring approximately 16 inches long, this wonderful, vintage 1950's, cloth Mammy Laundry bag is in wonderful condition! This bag features a curved wooden band at the base of the bag which allowed the bag to retain its form.

All cloth and done in a great, red paisley fabric, this darling Black Mammy bag features an interesting, smiling face! Due to its small size, this bag would have held undies or stockings or also may have been placed on one's bed and used to hold one's nightie during the day!

Very sweet and displays nicely!

An exceptional example of 19th century Folk Art-- a very rare needlework cross stitch sampler with Black Americana theme! This highly unusual example dates to circa 1880's and depicts two young girls on a primitive, “make-do” seesaw--- a wooden board placed over a log-- complete with a grapevine trellis in the background! This wonderful piece is accented with a multi-toned, Greek Key border design with fringe edging.

The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.

An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!

Offered are two, circa 1930's, Japan, colorfully decorated, Black Americana Tea Pots in pristine condition! A darling and diminutive, novelty elephant piece with riding black native completes the trio! All three elephants proudly point their trunks upward, awarding "Good Luck" (according to superstition) to anyone who displays them (or drinks their tea)!

Cleverly designed, the elephants themselves, serve as the body of each tea pot, while the turbaned Black Natives lift off the elephants' backs revealing their function as tea pot lids. A wicker handle facilitates handling on the two large tea pots. The base of all three pieces are marked "JAPAN".

The largest tea pot measures 7 inches high by 8 inches long; the middle-sized tea pot measures 6 inches high by 7 inches long; the tiny novelty piece measures a diminutive 3.25 inches long by 2.75 inches high.

Condition is excellent on all three pieces with the exception of the wicker handle on the middle-sized tea pot. One end of the handle is missing its looped section of the wicker that would have wrapped around the ceramic loop to secure the handle to the tea pot. As is noted in the photos, that end of the handle can be propped against the ceramic loop to maintain its proper appearance for display purposes.

Handsome and difficult-to-find pieces of vintage Black Memorabilia! All three Good Luck Elephant pieces are offered as a single group, priced at $245.00!

A simply fabulous and extremely rare, circa 1870-1880's, solid brass, Black Americana SLAVE FACE BOWL!! A striking image!!

Prominent facial features- eyes and brows, nose, cheekbones, lips and teeth -and tight curly hair rise from the surface of the bowl. The bowl is rather heavy for its diminutive size and has no markings. Measures 4 inches in diameter and 1.5 inches high. Condition is excellent with some tarnishing that may be cleaned if desired; our preference was to offer this 140+ year old piece in as found condition.

A rare, outstanding and highly collectible offering to add to one's advanced Black Americana collection! I have only come upon 2 of these bowls in my 40+ years in the field.

Measuring 4 inches long, this circa 1920s, miniature, Black Mammy doll is unique in construction- its head and body have been fashioned from an old rubber baby nursing nipple!

Mammy’s sweet little face has been carefully hand-painted, and she has been nicely dressed in a red dress featuring flowers and watering cans, a linen apron, a linen under-slip(not usually found on nipple dolls) and a red head scarf. Her apron is entirely hand-sewn as is the hem of her dress which is also atypical.

Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has dried out a bit due to the ravages of time making her look very much the old-aged mammy, she is in delightful condition!

(It was difficult to get a good photo of the nipple base due to the unusual addition of the linen under-skirt which made it impossible to turn the skirt completely inside out.)

Measuring just barely 6 inches in length, this fabulous example of 1920's folk art and hand craftsmanship exemplifies the stereotypical Mammy of the early 20th century.

Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.

A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!

Measuring a diminutive 1.5 inches wide x 2.5 inches tall x .5 inches deep, this darling, French, paper packet or package features African, Zoulou-tribe natives as advertising symbols on the packaging, making for a very picturesque graphic!

The paper package contains nearly all of its original powder, having never been opened; however, as noted in the second photo, the corner edge wear has resulted in some minor leakage of the powder. Because of this, the package has been shrink-wrapped to preserve the remainder of the product.

The shrink wrapping makes the package very difficult to photograph; additionally, some minor leakage of the powder under the shrink wrap also obscures viewing. The first two photos are of the actual package currently offered for sale--with shrink wrap on and minor leakage of powder under the shrink-wrap. The remaining photos clearly show the details of the Zoulou packaging using an undamaged, unshrink-wrapped package that has already been sold, no longer available for purchase. These photos are offered purely for the convenience of the viewer so that the details of the Zoulou package can be readily seen without the encumbrance of the shrink wrap blocking package details; these photos do not represent the condition of the package currently being offered for sale. The first two photos represent the condition of the actual Zoulou package currently offered for sale, with the pricing reflecting condition.

The manufacturers of the Zoulou powder claimed that healing properties were associated with the powder.

A well-detailed, rarely-found example of turn-of-the-century use of graphics in advertising!

Offered are two, VERY RARE, 1880's, Black Americana advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature African Americans- one showcasing a family of five out for a stroll in the park, and the other featuring a group of nine folks of varying ages playing musical instruments and dancing in celebration.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the strolling family measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the nine celebrators measures approximately 10.25 inches wide x 7.25 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, bend lines and light edge wear. The advertisement featuring the celebrators has significant edge wear and some paper loss along the horizontal top and bottom of the piece; however, with proper matting and framing, these imperfections can be easily and completely hidden.

The advertisements are PRICED EACH as follows: $35 for the family of five out for a stroll and $25 for the advertisement featuring the 9 celebrating and dancing folk.

Entitled "A Little Colored Boy and Other Stories, this extremely scarce, small folio book was the property of Reverend J. H. Jackson, pastor of the Greenburg, Indiana, A.M.E. (African Methodist Episcopalian) Church.

The book contains lovely black ink line drawings and etchings which accompany a great variety of wonderful short stories for children designed to teach strong moral values, attitudes and behaviors. The story, A Little Colored Boy, is the first and the longest tale in the book. Undoubtedly, Reverend Jackson often used this book in teaching the congregation's children their Sunday school lessons.

The book is inscribed in faded blue ink inside the front cover as follows: "Rev. J. H. Jackson Book. Pastor Greenburg Indiana's A.M.E Church".

Published by the Abingdon Press of Cincinnati and New York, the book contains no publishing date. However, it was likely published in the late 1890's as one story references President Grover Cleveland's eldest child who was born in 1891: "Little Ruth Cleveland, when she was the baby of the White House,..."

President Cleveland served two separate presidential terms of four years each from 1885-1889 and again from 1893- 1897. It is highly likely that this book was published during Cleveland's 2nd term of office or shortly thereafter when the populace would have been well familiar with "Little Ruth", who was popularly known as "Baby Ruth".

The book measures 4.5"x 6.5" and contains over 30 little stories within its 64 pages. Hardcover, the book is in amazing condition for its age, an 8 out of 10. The cloth-bound cover has minimal wear with only one 1/4' long split on the rear binding and some staining certainly commensurate with its 120+ years of age. The binding and pages are tight. Some minor, age-related staining here and there throughout the book, with one page noted as having a tiny tear at its top.

A highly unusual find!

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

Measuring 9 inches high, these delightful examples of Folk Art styling represent three of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women employed under President Franklin Delano Roosevelt's (FDR) Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The Country Preacher is fully decked out to conduct worship services, from his black, wide-brimmed top hat down to his leather shoes, the left one, unfortunately, showing a bit of wear with his socked big toe peeking out! His machine-stitched clothing is all in the color black with the exception of his white ministerial collar. The preacher holds his real-wood walking stick securely in his right hand while clutching the Holy Bible under his left arm. Note the colorful red handkerchief that was placed in a back pants pocket, peeking out between the tails of his suit coat. The fully bearded preacher wears silver, wire-rimmed spectacles surrounding his soft and compassionate eyes and offers an open smile showing his front two teeth!

The white haired, bearded male country gentleman doll is attired in machine-sewn cotton, blue-striped britches with a patch at the left knee, black suspenders and a tan striped cotton shirt with a red kerchief tied around his neck. His hat is constructed of cranberry-colored felt. Under his right arm, he holds a nicely crafted fabric chicken that has sustained a tiny bit of fabric loss to its face, while his left arm holds a wooden walking stick. His complete asphalt shingle is missing, but remnants remain firmly attached on the soles of his shoes. He bears a very sweet, surprised expression on his face as evidenced by his slightly upturned eyebrows!

The female doll in this grouping is clad in a red and white checkered, machine-stitched dress topped over with a cream-colored linen apron which evidences, here and there, some very light, age-related discoloration. Her apron pocket displays a red and white polka-dotted hankie- a lovely detail-, while a bright, multi-colored head wrap protectively covers her graying hair from dust and grime while she completes household chores. Her outfit is fully completed with the cream-colored linen chemise and pantaloons underneath her dress, and she wears black leather shoes. Even though she is working at chores, as evidenced by the wicker-straw broom she holds in her right hand, she has not forgotten to wear her brass-toned, double hoop earrings! And she wears a pleasant expression on her hand-stitched face, showing a bit of a smile and her two front teeth.

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! The Preacher and Lady with the Broom are priced at $295.00 each, with the Country Gent Holding a Chicken priced at $275.00 to compensate for his incomplete asphalt shingle.

Measuring 6.5 inches long and approximately 4 inches in both width and depth, this wonderfully RARE, Black Americana, Red Cap, Railroad Porter, pottery string holder is in very fine condition with just a sprinkling of white speckling where the black cold paint has worn away.

A stunning and very visually striking piece, it is labeled on back, "Fredericksburg Art Pottery USA", a pottery once located in Fredericksburg, Ohio, manufacturing between 1939-49. The back has 2 original hanging holes for placement on a wall.

Truly in wonderful, vintage condition with no cracks, chips, repairs or repaint! A fabulous addition to one's Black Americana collection!

Please note that the natural outdoor lighting used to photograph this piece has amplified the white paint flecking --the teeny white spots really show up more in these photos than on the actual piece in an indoor setting--- photo number one gives an accurate depiction of appearance.

Measuring 14 inches in height, this vintage 1920's, 100 year old, Mammy Bottle Doll is in well-loved condition, with completely hand-stitched and highly detailed clothing that has been recently laundered and carefully pressed.

Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

Her interesting and expressive face is also completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, is presented in various shades of pink as Mammy's outfit must have been subjected to light over the years and is in places, quite faded. Despite the careful laundering, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.

Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.

This wonderful, early, one century old (!), mammy bottle doll is one of 3 currently offered mammy bottle dolls that have all come from the same estate. These dolls are very seldom found in today's collectible market. All three are are priced separately.

Measuring approximately 10.5 inches tall, these sweet, hand-made, circa 1930's, Great Depression era, Mammy and Pappy dolls feature dried apples as heads! Common household items such as chicken or turkey breast bones, dried corn cobs, old rubber baby bottle nipples, wooden clothespins and dried fruit were frequently employed to make play-dolls when money was tight and store-bought toys were beyond reach!

These two folk art pieces came straight from the 93 year old great grandma who played with them as a child!

While the heads were constructed from dried apples painted black, the bodies were cut from various pieces of sponge which were then hand-sewn together. Hands were cut from pink--- and not brown or black felt--very interesting---while the teeth were formed from tiny white beads, and the white fuzzy hair fashioned from nothing more than small, cotton batting pieces. Eyes are glued-on googly eyes.

The homemade clothing is nicely constructed via a combination of hand and machine sewing. Mammy's green, teal and rust flowered dress is embellished with a bit of lace at the sleeves, and she also wears a fancy, white eyelet petticoat and a soft pink crocheted shawl. She is barefoot. Pappy's light blue shirt features 3 button detailing, and he wears denim pants and black felt shoes and hat with a red felt vest.

Condition is quite fine with no observable issues! No odors, rips, stains or missing parts. A very sweet pair!

Offered is this early 1930's, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book. It is believed that this edition was the company's final publication of this story which was used over a period of ten years up until WWII, with changes only to the cover design. M.A. Donohue's Little Black Sambo books, today, are a very rare find!

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! All the wear on this brightly colored hardcover book was absorbed by its cover with wear to book edge points, book cover edges, and splits to the exterior spine. The interior binding is intact and tight as are all pages. No rips, creasing or bends to pages or pen/pencil markings. Illustrations remain very brightly colored and vibrant and are known for their very fine artistry. There is a small spot of brown paint that likely dropped onto the book while it was closed because a tiny remnant of this paint appears on the very edge of each page approximately one inch from the top of the pages (as seen in photos). Interestingly, both the front and back covers are identical in design!

Amazing condition for a nearly 90 year M.A. Donahue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Produced as a souvenir piece for the 1884 New Orleans Exposition, this diminutive, antique, metal match holder measures just 2.5 inches high!

Marked "Pat Applied For" on its base, this darling match holder features two small black boys playing around a rather large cotton bale (the bale is labeled "COTTON").

Well-executed detail! A lovely piece seldom found in today's collectible market!

Measuring 6 inches high, this darling, mint condition, Black Memorabilia, pudgy, Boy Child Nodder was made in 1950’s Japan by the Ardalt China Company. Dressed up as a little clown, his arms are bent upright at his sides as if he were in the middle of a trick! Such a darling piece!

The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through his neck (see photos).

Condition is mint, and the piece is signed on the bottom of his right foot: “Hand Painted Lenwile China Ardalt Japan 6530 A”.

Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!

Please see the companion piece also available - the darling Black Girl Child Nodder by Ardalt, Japan. And an additional offering that is not part of the Ardalt Black Child Nodder series is the RARE 1950s Black Americana Sailor Nodder by UCAGCO,Japan.

Measuring 1 7/8 inches in diameter x 1/4 of an inch high, this seldom-found, circa 1920’s, dexterity game depicts a surprised or startled African baby. Likely German-made, the puzzle has no markings. It contains the 3 tiny metal balls, that with the proper manual dexterity, are to be placed in the baby’s mouth and two eyes. Two of the balls are currently fixed in place, likely due to the metal backing being very subtly pushed in.

Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Black Memorabilia!

Offered is a near-mint, 1935, 2nd edition of Helen Bannerman's, original Little Black Sambo story, accompanied by five additional and delightful Little Black Sambo stories by noted author and illustrator Frank Ver Beck. Published by the Platt & Munk Company of New York which was renown for hiring highly talented artists and illustrators- of which Frank Ver Beck was one -all of whom contributed to the company's reputation for publishing exquisitely illustrated children's books.

The first story, illustrated by Frank Ver Beck, is the much-beloved children's classic written and illustrated in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

The following five stories written and illustrated by Frank Ver Beck follow Helen Bannerman's original tale, all featuring Little Black Sambo and his encounters with a variety of different animals, from a Baby Elephant and a Tiger Kitten, to Monkeys, Bears and Crocodiles! Each of Ver Beck's tales were originally published as individual mini-size books, which today, are extremely difficult to come by and are quite expensive to acquire if found. Ver Beck's stories are as delightful as Helen Bannerman's original, and publishing them all together in one single volume proved to be a successful marketing strategy for Platt & Munk. His illustrations are detailed, highly imaginative and just delightful! Representative photos are offered from each of the six stories.

De-accessioned from a school library (the name of the school inside the front cover is indecipherable), this 88 year old book is in wonderful, near mint condition! The only flaws are light soiling to the exterior covers, with subtle edge wear to cover end points and two, teeny indentations into the covers- one on the front cover at the middle top and the second to the back cover at the middle bottom. Both are quite unremarkable. Just fabulous condition!!! A must-have for the lover of Little Black Sambo stories!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 11 inches tall, this wonderfully detailed, circa 1930's, gentleman, African-American doll is phenomenally well detailed!

ENTIRELY hand-stitched, this gent is dressed in fancy striped pants, straw shoes and hat, green belt, and in a navy blue and white polka dot shirt with a tiny breast pocket that holds a teeny pack of CAMEL cigarettes, labeled with a "C"! His outfit is topped off with a red tie that is held in place by a bean tie tack!

His face is hand-stitched with careful attention noted to the creation of his molded, 3-D nose. The weather must be warm as he wearily wipes his hot neck with a red and tan checked handkerchief!

A delightful African-American Southern character doll!

Offered is a circa 1910, original piece of art entitled "Who Said Watermelons". This captivating charcoal on paper portrait of a young African American boy, very much resembles the iconic, fictional figure painted by an unknown artist in the mid 1800's, a figure who has come to be known as 'Johnny Griffin' or the 'Young Black boy with the Torn Hat'.

Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth through the expert use of light and dark, while capturing the intriguing expression on this young boy's face. Just what is he thinking?

Was this enchanting charcoal portrait completed as a study in preparation for a final, more complex piece, or was it, indeed, the final execution of a subject caught in passing?

Condition is quite fine. Note the faint trace of the artist's title for this work done in a lighter charcoal hiding behind the darker, final printing of the title. Framed in an old black wooden frame, this intriguing charcoal portrait would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

Measuring 11.75 inches high x 8 inches wide, this striking 1950's, ceramic, Black African in a Sea Shell, hanging wall planter is marked on back "House of Venice California".

In lovely condition with age crackling to the backside of the seashell, this stunning piece appears to have never been used for its original purpose as a hanging wall planter. The black paint is in impeccable condition and any white dots that appear in photos are the result of light reflection off of teeny glaze imperfections and are NOT chips, rubs or scratches to the surface. The gold stippling to the seashell is perfect!

The piece has a hole in the back to facilitate wall-mounting or it may be easily displayed on a shelf.

A very seldom found piece of vintage Black Memorabilia that is truly stunning in appearance!

Measuring a diminutive 4.50 inches long x 2.50 inches high, this very unusual tin and pot metal piece features a small black shoe shine boy with shoe polishing brush in hand, about to polish a giant ladies lace-up shoe!!

The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.

Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.

Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.

Offered is a highly-collectible, circa 1860's, Staffordshire earthenware, pictorial plate featuring a scene from the enormously popular, 1852 novel, "Uncle Tom's Cabin" by Harriet Beecher Stowe.

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

The plate depicts Uncle Tom seated in a horse-drawn wagon while heavy iron shackles are being clamped around each of his ankles. The text on the plate reads: "Uncle Tom packed up for the 'Down South' Market. Haley made fast a heavy pair of shackles to Tom's ankles".

Plates such as this were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery, abolishing it in 1833.

The plate measures 8 1/2 inches in diameter and the interior is decorated with the black transfer-printed, Uncle Tom vignette. The rim is quite beautifully embossed with highly decorative swirls which encase two different flying birds- one clutching an olive branch in its beak and the other chasing after a butterfly.

The plate is of great interest due to its slavery-related subject matter and its high degree of rim decoration. Condition of the plate is fair to good due to the numerous edge flakes present along the rim and the two tiny ones within the transfer. The plate has a use-related age crack that is clearly visible on the backside of the plate and which is also partially visible on the front side. This crack is quite tight and does not pose any concern to the structural integrity of the plate.

Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.

This lovely and historic plate has been priced to reflect its blemishes.