SOLD
Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia is in near mint condition with some light superficial scratching that is only visible when the box is held under bright lighting and angled to catch the light just right! A small paint rub to the tip of Aunt Jemima’s nose and some 1950’s dirt tucked into tiny crevices are the only other imperfections! The gold painted word, “RECIPES” , written on the lid is mint! Truly in very, very fine condition----- most fortuitous as these recipe boxes were usually well used!
A delightful and essential, vintage piece of early 50’s Black Americana for the serious collector!
SOLD
In very fine condition with the expected superficial scratches and rubs to the litho and some light rust spots on the inside bottom of the tin, the tin’s most endearing feature is the image of 3 adorable black children holding the brand name sign: MACHWITZ KAFFEE.
Brightly colored in orange, gold, black and cream, this darling tin is visually striking and displays very well!
SOLD
A brief history of the Negro League:
African Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African Americans from these teams by 1900, with black players left to form their own teams.
In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.
In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.
SOLD
In fabulous and complete, all-original condition with no repaint, replaced pieces or repairs, this rare piece is impressed on the underside of its wooden and metal dancing platform with patent date and manufacturer (see photos). The dancing man is constructed of painted wood with teeny metal nails holding his arms and legs in place; knees are jointed. Measures 7 inches tall x 7 inches in length.
An extremely rare piece of Black Americana!
SOLD
This document is quite unusual in that it was generally atypical that slave families were permitted to remain together when a slave sale was conducted, regardless of the age of any children involved.
The single page, 15.5" wide x 19" long document was folded in half by its author, and the bill of sale is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into thirds, and the title of the document was written out: "Bill of Sale John Woolfolk, Edgefield District. S.C. (South Carolina) for Judy- a Seamstress Edward (and) Eliza her children".
The text of the Bill of Sale reads as follows, First Paragraph:
"Augusta the 8th June 1809, Received from Thomas Cumming, Six hundred Dollars, being the consideration money infull for the following negro slaves sold and delivered to him this day. Judy a woman of about 21 years old Edward a Boy of about three years old and an infant female, named Eliza, Both Children of the said Woman Judy, which Said three negroes, Judy, Edward and Eliza, I do hereby warrant and defend against the claims of all persons whomsoever"
Second Paragraph:
"Given under my hand and seal the day and date first above written."
"John Woolfolk"
Condition of this slavery document is quite remarkable given its 213 years of age! Expected age-related discoloration of paper and slight (approx 3/4 inch)paper split at one end of one fold only. (see photos)
SOLD
These signs were found in March of 1971, inside the abandoned and decaying basement of the former Philadelphia Enameling Works factory at the corner of 13th and Vine Streets in Philadelphia, Pennsylvania. The gentleman from whom these signs were purchased, bought these segregation signs along with hundreds of others signs of all types found in the basement of this former factory (see last photo) and has very kindly written a letter of provenance which has been photographed here and which will be included with these signs upon their sale.
These historic signs are enameled on both sides, and on the front sides are written, "COLORED MEN" and "COLORED WOMEN". The signs feature black lettering on a white background.
The signs are in all-original condition with some very minor discoloration and very unobtrusive edge discoloration pinpoints and some enameling loss here and there as seen in photos.
Extremely RARE, UNUSED, one-of-a-kind, museum-worthy pieces of Black American history that are quite likely the only ones of their kind extant today! Condition is amazing!
Please take a moment to view additional segregation signs by simply by typing the word "segregation" into the SEARCH box on our homepage.
SOLD
Measuring 7 3/8 inches wide x 10 3/8 inches long, the book is illustrated in brilliant color with 8 full page chromolithographs. McLoughlin Brothers Publishers were re-known for fabulously-executed illustrations.
Condition: Good-- for its 134 years of age! Unpaginated. Paper covers. The book was stitched at the spine some time ago and this repaired binding remains tight. Several edge tears are present on the cover and to interior pages along with a heavy crease to the back page that is partially separated. These tears are evident in photographs. All original and complete--no missing pages.
Text: "One little nigger feeling rather blue, whistled out another nig and that made two. Three little niggers wanting one more, hadn't any trouble in getting number 4. Four little nigs not knowing how to drive, hired a colored coachman---that made 5. Five little niggers being calculating men, added one apiece, to make their number 10. Dis colored chile am done, dat sum; Five and five's ten---and now's gwine hum."
A must-have for the serious Black Memorabilia collector!!
SOLD
The String Holder is stamped "JAPAN" and “Theo Hinode” on the inside of the base (The Hinode Company is the Japanese Ceramic Company.). Mammy has a hole in the center of her chest area, just above her folded hands, to accommodate the string which would be pulled from the ball of string placed inside her body from the back of the piece. This wonderful piece even comes complete with vintage hanging string---Mammy has two holes at the back of her head to accommodate this! The entire piece is glazed with the exception of Mammy's red kerchief which is cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have some “bald areas” where the paint has come off her kerchief. Please take a moment to view all photos to ascertain condition and appeal of this fabulous and functional, vintage string holder!
A lovely and colorful piece that can be displayed on a shelf or hanging from the wall!
SOLD
Following the conclusion of World War II, the American Tobacco Company of Virginia changed its product name from Nigger Hair to Bigger Hair, seeking to broaden the product's marketing appeal as well as viewing the latter label as the more-socially acceptable one. (The earlier Nigger Hair moniker was used by the American Tobacco Company from the 1890's through the early, pre-WWII 1940s; the lithographed can was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.) Interestingly, the company DID NOT change the image of the African woman, but merely added the words Fiji Islander to the left of her face in its indifferent and weak attempt to move further away from the earlier, severely derogatory label.
Measuring 7 inches high x 5 3/4 inches wide, the photos provide a fine representation of condition. The container is in near-mint condition with a tiny rub here and there, and some very minor wear around the top of the container that likely occurred from simply taking the cover on and off. This wear is completely covered by the cover. The original orange color of the container remains consistent throughout, and the structural integrity of the cardboard is quite sturdy. The original wax bag which held the tobacco remains inside--highly unusual! The container retains most of its paper Federal Revenue Tobacco seal on either side and is dated February 26, 1926, Series 119, a tax stamp which was issued exclusively in 1949. Truly incredible condition given the age and material composition of this piece--- 69 years!!
This very rare tobacco container is just a wonderful example of latter Black Americana advertising and looks even better "in person" than the camera was able to capture with its lens!
If the Nigger Hair Tobacco container is currently in your collection, the addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective! The Nigger Hair Tobacco container featured in the last photo has been SOLD.
SOLD
Inspired by Harriet Beecher Stowe’s 1853 publication of her controversial “Uncle Tom’s Cabin”, the figure depicts the gentle Uncle Tom holding his little mistress, Miss Eva, who is standing on his knee.
The figure is decorated in wonderfully vivid colors, measures 10.5 inches high, and is in very fine condition with the exception of expected and appropriate superficial crackling to the glaze.
It is titled “Uncle Tom” on the front base, and is referenced in Harding's Victorian Staffordshire Figures 1835-1875, figure 1090 (Book I).
An very exceptional piece of Black Memorabilia for the discriminating collector.
SOLD
Measuring 6.75 inches wide x 8 inches long, the book is illustrated in both black silhouette and colored, line drawings. 16 pages long. Great condition-- tight binding, no tips or missing pages, clean. Cloth-bound hard covers.
A delightful addition to one's Black Memorabilia collector!!
SOLD
The game features a VERY brightly colored lithograph target in near mint, virtually unused condition, depicting "THE WHITE EYED COON" dressed as a clown with a nose mimicking that of a RHINOCEROS HORN! The rhinoceros horn nose serves as one of the game hooks.
The target is affixed to the box base interior and additionally retains its two original metal hooks placed on either side of the gent's large, polka dot, bow tie.
This brightly lithographed game retains 5 original, colored, pressed-cardboard throwing rings. The game directions, which are attached to the inside of the original cardboard cover, do not specify the number of rings originally included in the game.
Measuring 8 3/4 inches tall x 6 1/4 inches wide x 1 inch deep, the game cover as well as the target piece display absolutely wonderfully!
As evident in the photos, the box and box cover show expected wear given their 90-100+ years of age. The box cover shows evidence of exposure to dampness and or water, some small areas of missing paper and edge wear. The box base EXTERIOR shows edge wear, some creasing and some very small areas of missing paper. As stated earlier, the target, itself, looks as though it was never played with. Just fabulous!
The game does not retain a copyright year, but the Spear Works of Germany operated prolifically from the 1890s through the 1930's, and during this time period, it was recognized as the most well known, international manufacturer of games and children's activity kits.
The box cover is labeled "Spear's Games", "Manufactured at The Spear Works in Germany. Designed in England".
An EXTRAORDINARILY RARE find!!!
SOLD
Constructed of cardboard with black printing, this circa 1920-30s sign reads: " Coleman's Hotel Colored. Special Attention to Tourists. Ashland Virginia".
The sign remains in all-original condition inclusive of minor discoloration as noted in photos and small chips to the upper right and lower left corners. Print source is noted: "Herald-Progress Print, Ashland, VA".
This is NOT a reproduction, but rather a fortunate preservation. It is quite amazing that this sign has survived the many years being constructed out of cardboard. It was clearly stored away in such a manner that preserved its original condition.
Travel for African Americans during the Jim Crow period was difficult and complicated, with limited options for eating, sleeping, even procuring gasoline for the car. As a result, black-owned hotels and motels placed signs such as this one prominently in their windows. There were even special travel-guides to help African Americans plan their trips, hopefully, without incident. Victor Green's "Green Guide" provided state by state lists of colored hotels, motels and other travel-related businesses that catered to African-Americans.
Quite possibly the ONLY sign remaining extant from this particular, racially segregated establishment. An historically significant piece!
SOLD
Also included with the 1787 Bill of Sale are three other Cumming's family documents, two measuring approximately 2"L x 8" W, and one 14"L x 8"W (see photos for condition). They are: an 1815 Receipt from Thomas Cumming to Richmond County, GA, for a $25 payment in taxes; a Dec 8, 1848, Receipt from Henry Cumming of Augusta, GA, a son of Thomas Cumming and a very prominent figure in 19th century Georgia politics, to George W. Crawford, Agent of the Bank of Augusta and Henry's law practice partner, a promise to pay on "the first day of January, 1849,"..."one hundred and three dollars for value received in house rent"; a 28 page 1812 Land Dispute document, Superior Court of Chatham County, GA, executed by Thomas Cumming btwn J. Knowle Fanning and the Joseph Clay Sr estate (Thomas Cumming's father-in-law).
The 1787 Bill of Sale is a single page, 7.5" wide x 12" long document, with text written on both sides of the document. Condition is quite remarkable given its 235 years of age!(see photos) Expected age-related discoloration of paper and some very slight paper loss in center of document ONLY noticeable when doc is held up to light.
The text of the 1787 document reads as follows, Paragraph one:
“Know all Men by these Presents that Ephraim Willard of Fairfield and State of Connecticut for and in Consideration of one Hundred and Sixty Eight Pounds Lawful Money Rec. (Received) to my full Satisfaction Of Eben,, (the double comma “,,”representing an abbreviation for Ebenezer) Whiting of Savannah of the State of Georgia & Bradford Whiting of Fairfield and the State of Connecticut do give, grant, bargain sell & Deliver unto them the said Eben,, Whiting and Bradford Whiting One Negro Man Named Peter Aged about Twenty one Years old, and his Wife Named Cate about Twenty Six years old, and her Two Children one a Girl about Five Years old, and the other a Boy about Eighteen Months old, and one other Negro Woman Named Vilot about Twenty One Years old.”
“To have and to hold the above granted the Bargainer Premises with the appurtenant thereof unto them the Said Eben,, & Bradford Whiting their Theirs Executors And Administrators and the Said Ephraim Willard do for myself my heirs Executors and Administrators Covenant with the Said Eben,, & Bradford Whiting their heirs Executors and Administrators that I am Now the Soul and Lawful Owner of the above Granted and Bargained Premises, and That I have said Right to Sell the Same as aforesaid, and that the same are free of all Incumbrances whatsoever -and I do by these Presents bind myself my Heirs Executors and administrators and assign forever against all claims and Demands whatsoever in Witness whereof I have hereunto Set my hand and Seal in Fairfield this Twenty first Day of Nov,, (November) in the Year of our Lord One Thousand Seven Hundred and Eighty Seven~ Ephraim Willard”
(Witnesses?)
Jonathan Mattbig
Ebenezer Dimon
“Savannah, February 23 1788. I have Sold the five Negroes, mentioned in this Bill of Sale to Thomas Cumming of Savannah, for which I have received a consideration to my satisfaction~”
Ebenezer Whiting
Bradford Whiting
A bit of History-
Slavery in Connecticut:Connecticut, in 1848, was the last New England state to abolish slavery. The state's city of New London was one of the New England port cities that was an integral trading partner in what is generally referred to as “The Triangle Trade”- between New England, the West Indies, and the African Gold Coast. In this triangular trade, molasses produced in the West Indies from sugar cane was sent to New England, New England sent rum made from this molasses to Africa in exchange for enslaved people, and the enslaved were sent to the West Indies to work the sugar cane plantations that produced the molasses, maintaining the prosperity of the northern colonies through the 18th century and into the 19th.
Thomas Cumming: Thomas Cumming, to whom the above five slaves were sold in Savannah, Georgia, in 1788, was born in Frederick, Maryland, having moved to Georgia as an adult. In 1787, the year before this purchase, he married Ann Clay, the daughter of Joseph Clay, a wealthy owner of multiple Savannah-area rice plantations. It is hypothesized that Thomas purchased these slaves in conjunction with or for his father-in-law. At some point in the 1790s, he moved his wife and children to Augusta, and served as Augusta’s first mayor upon its incorporation in 1798. From 1819 until his death at age 68 in 1834, Thomas Cumming was President of the Bank of Augusta.
SOLD
This Golly is in excellent condition with the exception of an old, small tear above his left eye that truly does little to detract from his overall outstanding appeal. His facial features are hand-stitched of silky embroidery thread, and his very soft curly hair has the luster and feel of a Persian lamb coat! His little hands have the thumbs delineated through careful stitching. On his feet are delicately-crafted, very supple, black leather boots! His body is constructed of a fine quality, soft, black cotton stuffed with cotton batting.
This Golly’s costume sets him apart from the vast majority of early vintage Golliwog dolls that are available on today’s market. His very formal, long-tailed wool mourning coat is a combination of hand and machine stitching and is accented with elegant silk lapels and stamp-designed silver buttons; the back detailing is completed with two cloth-covered buttons that show some minor age wear. Golly’s red and white, cotton striped pants are hand-hemmed and have been hand-stitched to his brown and white cotton checkered vest that features lapel detailing. (Please note: in some photos, a small brass safety pin is shown attached to Golly’s pants. This has since been removed as it was not original to the doll, and it served no function.) To complete his finely tailored outfit, Golly wears a most unique, very stiff (glossy cardboard perhaps?), high-collared, formal white shirt, accented with a wonderful little black silk bow tie and a Victorian era, onyx and gold-plated stickpin that is further emphasized with the central placement of a tiny diamond chip.
An exceptional, painstakingly-crafted Golly for the sophisticated doll collector!
SOLD
The figure is decorated in underglaze black, measures 9 inches high, and is in perfect condition with the exception of expected and appropriate superficial crackling to the glaze, and a shallow and very tight, early hairline to the back of the figure at its base. It is titled “Uncle Tom & Eva” on the front base.
An very exceptional piece of Black Memorabilia for the discriminating collector.
SOLD
On the back cover are the advertisements of six local, Dallas, Texas, merchants who joined together to produce this little pamphlet for children as an advertising promotion for each of their respective businesses. Named are the Stacey Baking Company, T.P. Hudson Kodak Picture Developer and Sundry Shop, Moore Brothers Laundry and Dye Works, Star Messenger Service, McKinney Furniture Company, and Thornton and Bracey Fine Stationery and School Supplies.
Such an unique and very exceptional piece of turn-of-the-20th-century, Dallas, Texas, historical ephemera!
The story of Little Black Sambo, of course, was to become a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending! Condition is an amazing 7.5 out of 10, remembering, of course, that this is an ALL PAPER PAMPHLET that is now approximately 110+ years of age! All pages have been photographed which clearly show condition throughout.
The pamphlet is bound together via two staples which remain intact and are firmly holding all pages and the covers together. The front and back covers have separated from one another at the top and bottom of the pamphlet up to each respective staple; however, the area between the two staples remains intact. A few tiny edge rips are present as noted in photos. The black line drawings have been "expertly" colored-in with crayon by a budding artist of long ago who carefully and very diligently stayed within the lines. As such, one tends not to even notice that this "artwork" was not original to the publication. Original in-color illustrations remain very bright and vibrant. Pages have darkened with age. Measures approximately 6.75 inches x 9.5 inches.
Interestingly, in addition to relating the complete tale of Little Black Sambo, four pages are devoted to illustrations that identify specific characters and situations within the story, all individually entitled such as "First Tiger", "Tigers Fighting", "Purple Shoes Gone", "Lucky Sambo", "Pancake Supper", etc.
Amazing condition for a 110+ year old advertising story pamphlet that was clearly enjoyed by at least one youngster long ago - and one that may very well be the only copy remaining in existence! For the collector and lover of the tale of Little Black Sambo, this is a must-have!
To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
Withdrawn
Delightful item!
SOLD
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
This particular figure is known as the Vegetable Seller.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. The Vegetable Seller wears a blue and yellow striped bandanna around his neck, dark pants, and an orange and yellow polka dot shirt- all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. He carries a straw basket containing three different types of vegetables in his right hand while holding a corn cob in his outstretched left hand. His wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base retains its original paper sticker which reads, "HARRIET'S, 318 Royal Street, New Orleans, LA". Harriet's Gift Shoppe was the exclusive retail outlet for the sale of Vargas figures to the public.
This wonderful figure is in mint condition for his 75+ years of age with no apparent or visible imperfections. Amazingly, all fingers and both thumbs remain perfectly intact! (The fingers are so very, very thin and fragile that they are quite easily broken.)
The Vegetable Seller is most delightful- a snapshot into 1920's New Orleans cultural history!
Please see the other Vargas figure that is currently available and priced separately--type "Vargas" in the search box to quickly locate them. A photo of the other Vargas figure currently available for purchase has been included, for the buyer's viewing convenience, in this listing.
Please note- any white or light spots noted in photos are a result of sun light glare and are not reflective or discoloration or fading.
SOLD
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
This particular figure is known as Ole Charley who, severely bent over with age, was once a well known figure in the Vieux Carre.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. Ole Charley wears a yellow hat with blue band, a red patterned neck scarf, a yellow flowered shirt and blue jeans- all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. He supports all of his weight with an actual stick cane! His wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base.
This wonderful figure is in very fine condition for his 75+ years of age with the following imperfections: missing left-hand fingers with present left thumb (an unfortunate, but extremely common consequence of time), a chip out of his yellow hat (which actually looks appropriate to the character!!) and a re-molded right hand- a repair made long ago. There is a spot of old glue on the base which suggests that something might be missing- a small stool perhaps? Regardless of his imperfections, his brilliantly executed face and his incredibly realistic pose is most delightful- a snapshot of New Orleans history!
Please see the other two Vargas figures that are currently available. One is depicted in the group photo and all are priced separately. Please note that the Vegetable Seller (with basket) has been sold.
Please note- photos were taken outside in natural sunlight. Any white or light spots on the figure are a result of sun glare and are not reflective or discoloration or fading.
SOLD
The banks may be purchased as a pair for $425.00, or they may be separately purchased as follows: Mammy with Spoon $295.00 and Black Man Darkey Sharecropper $225.
The Mammy with a Spoon measures 5 7/8 inches high and was produced between 1905 and 1930. She retains much of her original paint and exudes a warm, rich patina commensurate with a well-loved antique of approximately 100 years of age. She wears a blue dress, black shoes, a silver apron and a red kerchief that still retains some of its white polka dots. Mammy holds a gold-colored spoon in her right hand while placing her left hand firmly on her hip. Mammy means business!
The Black Man Darkey Sharecropper measures 5 1/2 inches high and was manufactured from 1901 to 1930. He retains most of his original paint showing less paint wear than Mammy and also exudes a very warm, rich patina. He wears black pants with red suspenders and a gold hat and gold shirt with red collar. He wears black shoes; however, his left black shoe is worn through at the toes, resulting in all five toes peeking out! He stands casually with his hands in his pocket. His back screw, while an old one, is a replacement.
Mammy and the Darkey Sharecropper were clearly manufactured as companion pieces given their similar size and stance. Both stand freely and would make wonderful additions to the well-curated, antique, Black Americana collection.
SOLD
The character of Rastus was based on an actual person- a black waiter from Chicago- who was paid $5 for the use of his image by Colonel Mapes, the General Manager of the Nabisco Company, the owner of Cream of Wheat. The company began using the waiter’s image in the early 1900’s, replacing the original woodcut of a black chef that appeared on the packaging from 1894 until that time. Interestingly from a social and historical perspective, the depiction of the ever-pleasant, always-smiling Rastus was both a subtle yet positive departure from the extremely derogatory advertising much more typical of the era- advertising that nearly always featured blacks with wildly contorted and exaggerated features most often in very undignified poses and predicaments.
This beautiful, rarely-found puzzle, which is in excellent condition, is attractively framed in a hardwood molding colored in walnut, ebony and gold. The puzzle frame is original to the puzzle, and it is contemporary to the production date of the puzzle as it still retains its original wood panel backing, a framing technique not typically found after 1910. The puzzle pieces, themselves, are very finely and delicately cut, and are of a much smaller size than what is typically found in puzzles dating from the 1920’s and beyond.
A phenomenal piece that would be a centerpiece to any serious Black Americana, Advertising, or Cream of Wheat collection!
PLEASE NOTE: Any discoloration, white spots, or other unnatural variances in color are due to the unavoidable light reflections caused by the glass in the framing. The presence of the glass made photography quite a challenge!
A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!
SOLD
This fabulous metal trunk display features the likeness of 4 Black Gentleman within its copper-toned, product advertisement appearing on the interior of the trunk lid! Product testimonials are written in English, French, German,& Spanish!
Measuring 13 inches long x 8 3/4 inches wide x 7 1/2 inches high, this wonderful early trunk is in remarkable, un-restored, all-original condition and retains its original, functional lock and key! Minor surface scratches are evident along edges where wear is generally expected in an item of this age. Such scratches are most evident on the rear panel. These imperfections do not detract from the striking visual appeal of the trunk! This trunk is actually in quite remarkable condition for its 90+ years of age!
A high quality item when originally produced, please note the trunk's wonderful exterior lithographed details which mimic the exterior of an actual trunk!
A fabulous and extremely RARE, early advertising piece that doubles as a unique and RARE BLACK AMERICANA COLLECTIBLE!
SOLD
Constructed of cotton-stuffed, brown stockinette, Sallie's finely detailed, molded, hand-embroidered face is absolutely priceless! Her painted ceramic button eyes gazing off to her left make her come alive and draw one to her! Sallie's fuzzy, black, real-wool hair further authenticates her look!
Sallie wears well-made, all-original, machine stitched clothing. Her dress and hat are a subtlely toned red, white, and blue plaid cotton. Her hat is lined with the same unbleached cotton muslin that both her double-pocketed apron and laced-trimmed pantaloons are constructed from. On her tiny feet, Sallie wears cream colored cotton stockings and sweet little leather shoes complete with tiny leather bows! Care was taken in the construction of her hands with each finger delineated through careful hand-stitching!
Other than 2 tiny rubs to the surface of her stockinette nose (which appear in photos as lighter-colored tiny dots), Sallie is in excellent condition! She is a very, very fine early cloth doll that should not be overlooked by the serious doll collector! Sallie comes from the same distinguished doll collection as the very rare, C1900, Old Black Granny SAMPLE doll made by Civil War author, Ruie Ann Park of Arkansas, that is also currently being offered.
SOLD
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
This figure, known as the Cotton Seller with Child, is most particularly hard to find and thus is quite highly sought after as it features a very young, female black child standing in a basket of newly-picked cotton. The Vargas family seldom included children or infants in their depictions of the numerous trades of black New Orleans folk, making any characterization featuring a child or an infant more than significantly rare.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This female, Mama, Cotton Seller wears a red and white kerchief on her head, a red and white checked scarf around her neck, and a yellow and white checked shirt and skirt with an apron that matches her head scarf - all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. At her feet is a very large, wax-constructed basket made to simulate wicker that is filled with cotton and within which her young female child stands. The Cotton Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base is stamped "Genuine VARGAS New Orleans, LA".
This wonderful figure is in amazing condition for her 75+ years of age with no apparent or visible imperfections other than some missing fingers, a condition which is quite commonly found among Vargas figures.
The Cotton Seller's young, female child also has some missing fingers, and additionally, her neck shows a contiguous crack all the way around. Because her structure is also supported by internal wiring, her head still remains securely attached to her body. Please note that the child is merely placed inside the cotton basket and was never securely glued into it. The wax cotton basket, which was originally glued to the wooden base, has become loosened from it; however, when positioned on the base, it will easily remain in place for display.
Vargas figures are becoming increasingly more difficult to find!
Type "Vargas" into the SEARCH box to see the other Vargas figure currently available: 1920 New Orleans Vargas Wax Black Doll Female Vegetable Seller
SOLD
To the collector of Helen Bannerman books, no collection is considered complete without a copy of each of the “Sambo” books:
Sambo and the Twins
The Story of Little Black Mingo
The Story of Little Black Quasha
The Story of Little Black Quibba
and in French, Histoire du Petit Negre Sambo.
All are quite difficult to find in any condition!
This 1936 copy of “Little Black Sambo and the Twins” published by Frederick A. Stokes of New York, is in quite fine condition with tight binding, tight pages, no rips or tears, minor edge wear to corners! Please view all photos for condition representation.
The story itself is truly quite violent and frightening in both text and in drawings- involving the kidnapping of the adorable twins, Woof and Moof, by very wicked monkeys!!! And this was bedtime reading for children!!!!
A very RARE book!!!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
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This sample size tin is in very fine condition with minimal surface wear as is evidenced by the photos. The yellow coloring is uniform--any white marks seen in photos are light reflection, not wear or damage.
This product was created by the Madam C J Walker Company of Indianapolis, Indiana, for the purpose of "brightening sallow or dark skin".
It is unknown whether the contents remain as the tin cover is tightly affixed and is immovable.
Madam C.J. Walker built a fortune in the early 1900s marketing hair care and beauty products to African-American women. Born in Sarah Breedlove 1867 Louisiana of parents who were former slaves, she moved her company to Indianapolis in 1910. When she died in 1919, Madam Walker was considered the wealthiest black woman in America. Her daughter, Lelia, succeeded her as president of the C. J. Walker Manufacturing Company.
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The graphics on the cover of this box feature a smiling, happy, young African-American boy (the company's trademark) who is peering through a rip in the paper, unknowingly about to be pounced down upon by a very ugly and venomous-looking spider!
The box is in amazingly near-perfect condition despite its 100+ years of age with very insignificant soiling present as well as rubs and abrasions to box edges, all of which are more than perfectly reasonable given the age of the piece.
A very seldom-seen advertising piece featuring a Black Americana theme! The first that I have had from this company! is in excellent, all-original, perfect condition!
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Entitled A New Story of Little Black Sambo, this tale picks up the story of the original Little Black Sambo tale with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. Two hungry tigers soon arrive threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Sambo's friend, Tusker the Elephant arrives, successfully chasing off the tigers, saving Sambo. Tusker carries Sambo back home, where his worried parents await him. Relieved that Sambo is finally safely home, Black Mumbo decides not to punish him too harshly by spanking him with a hairbrush for running off without permission and all alone. The conclusion of the tale then moves forward one month, one week and one day before Little Black Sambo is finally allowed to wear his fine clothes once again!
Although no author is attributed, it is thought by some that this continuation tale of Little Black Sambo was co-authored by Clara Bell Thurston and Earnest Vetsch, who illustrated Whitman Publisher's earliest and first known edition of this story version in 1926.
The hallmark of this version of A New Story of Little Black Sambo is the utterly fabulous illustrations that make this edition stand out. The vibrant colors used, the stunning detail applied, make each of the 12 full color plates simply gorgeous works of art! This softcover book is constructed of very sturdy, heavy, high quality stock which likely accounts for its very good condition. No fading of color, writing or missing pages. Binding is tight with all three original staples present although the cover pages have separated at the bottom to just above the lowest staple. Some page edges are subtly worn with minor creasing, and age-related, light soiling is present.
This very rarely found continuation of the original Little Black Sambo story is a must have addition for the collector of Little Black Sambo books! Given the extraordinary quality of the illustrations, this is a book that one will want to display- under protective cover, of course!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
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The sides of the rattle shackle are constructed of lateral “pockets” each containing one small, iron orb that would “rattle” when the wearer would move about.
Because this particular type of rattle shackle does not have iron loops or openings to “thread” iron chain through, it would have been attached to the ankle or wrist of a very young “house slave” who worked strictly inside the plantation house and thus was under very close supervision by the plantation owner and/or family members.
All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its very small size!
Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.
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The tin bears a copyright date of 1928, and given its fine condition, was obviously safely tucked away over the past 75+ years!
Processed and packaged by the William B. Reilly Company of New Orleans, Louisiana, and Baltimore, Maryland, this fabulous tin retains its original bail handle as well as its original cover! The tin features a vivid graphic of "Mammy Serving Coffee" which was the second style of Mammy graphic used by the company on its coffee tins. Additionally, this tin was part of a special sale promotion as evidenced by the advertising on the lid which is now partially worn off. The advertising reads: "Special 15 Cents Off Offer".
In marvelous condition- an especially lovely and visually appealing piece of vintage Black Americana advertising!!!
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"The Golliwogg's Bicycle Club", published in 1896 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 2nd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.
This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 30 full-color illustrations and tells the story of Golly's world travels. Golly and his friends, suffering from boredom, create their very own bicycles out of tree-wood and then partake of marvelous adventures in Paris, Japan, Turkey and Africa!
The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
The book is in very fine but not perfect condition-- not surprising given the book's 114 years of age! Wear to hard-board-cover edges. Binding remains strong, but thread stitching securing pages to binding has weakened with the two, center-most pages separated from the others. Evidence of tape repair on these loosened pages present. Book is complete, with no missing pages.
Truly a fabulous find! The first time I have EVER had the pleasure of offering this wonderfully-rare children's book in my 26 years of dealing in Black Memorabilia!!
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From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry of her famous father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been daily seen on the streets of the city.
Sold exclusively at the time through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.
This figure, known as the Banana Seller, was recently de-accessioned from the Louisiana State University Rural Life Museum collection, Baton Rouge, LA, having been acquired by the museum from a private collector in January 1979.
The Banana Seller was one of the more difficult to find of the Vargas figures. In his right hand he holds a very large cluster of bananas that are all still attached to a tree branch, and in his left hand he holds a silver-colored, light-weight, cardboard-constructed machete. A single banana rests at his feet having fallen off the cluster.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentleman Banana Seller wears a red floral kerchief around his neck, a green flowered shirt, black and tan herringbone-patterned pants, and black "leather" shoes. His costume is entirely constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. The Banana Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. Underneath the wood base is stamped the following: "Genuine VARGAS New Orleans LA".
Quite interestingly, the Banana Seller is without a hat. He wears his hair very predominantly parted on one side suggesting that his carefully styled hair was meant to be displayed, and that this particular figure was never created wearing a hat.
This wonderful figure is in amazing condition for his 90+ years of age with one minor restoration likely performed by the professionals at the LSU Rural Life Museum: a repaired right hand. He appears to have lost a little bit of his hair in the back (see photo).
A true must-have piece for the ardent collector of New Orleans Black folk character figures!
Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.
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Included are the original box, as well as the original paper instruction booklet that depicts the "thousands of tricks" the wooden acrobats can perform!
The set of 5 black character acrobats have detachable arms and legs with lithographed paper faces and clothing. All body parts have either notched edges or sides which allow the acrobats to assume all sorts of poses. The figures are free-standing once put together as the toy also comes with wooden bases or stands to mount then upon.
This toy was likely seldom played with as the figures and booklet are in superb condition for its age! The exterior of the box -particularly the cover- shows its 80+ years with expected wear to seam edges, but it remains in sturdy condition.
A very rare toy that displays quite well- has striking, visual appeal!
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A wonderful addition to any vintage toy or Black Memorabilia collection, this vividly colorful toy remains in great working condition. Wind up the alligator, and his mouth viciously snaps open and closed as he rolls along, with the black native balancing on his back! (Mr. Alligator is a bit fussy with regard to what type of surface he will roll upon, but the mechanism functions fine!)
Some missing paint here and there as would be expected given its 80+ years of age (please see photos), as well as some superficial scratches, and some crimping to the alligator's tail.
A seldom-found toy!
Please note that white spots in photos are the result of flash reflection and not imperfections to the toy.
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The work is entitled, "Coffee With the Spirit World" and is done in acrylics on watercolor paper. It comes mounted on acid-free foam core which can continue to be used when the piece is framed.
Of this piece of artwork, Sister Raya says, “When peoples get up in the morning they slog on coffee and stumble round full of stress and worry, but they don’t be knowin that’s the time when the spirit folk be slippin round they heads. They be friendly folk and like you to say good morning to them. People go too fast today, slow down when you be drinkin yo coffee and say good mornin!”
The vibrant blues, yellows and reds make this art work tremendously visually appealing and thought-provoking!
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From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry of her famous father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been daily seen on the streets of the city.
Sold exclusively at the time through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.
This figure, known as the Female Vegetable Seller Smoking a Pipe, was recently de-accessioned from the Louisiana State University Rural Life Museum collection, Baton Rouge, LA, having been acquired by the museum from a private collector in January 1979.
The Female Vegetable Seller Smoking a Pipe was one of the most popular of the renowned Vargas figures, highly sought after by visitors to the city of New Orleans. Her vegetables were hand-sculpted with exquisite detail and coloring, and her corncob pipe evens presents a red flame in the center of the pipe's bowl, adding to the superlative character authenticity of this Vargas street vendor.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentlewoman Vegetable Seller wears a yellow floral kerchief around her neck, a red patterned bandanna on her head, a red, blue, and yellow plaid shirt and skirt, a blue floral-patterned apron around her waist, and black "leather" shoes. Her costume is entirely constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. The Vegetable Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base which, underneath, still retains its original "Harriet's" sticker.
This wonderful figure is in incredible condition for her 90+ years of age with, amazingly, only one minor restoration likely performed by the professionals at the LSU Rural Life Museum: a repaired carrot held in her right hand! It is a true rarity that the Vegetable Seller's corncob pipe and all fingers remain present given their highly delicate and fragile nature!
A true must-have piece for the ardent collector of New Orleans Black folk character figures!
Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.
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Louis Armstrong (1901-1971) was the greatest Jazz musician of all time, defining what it was, what it meant to play Jazz. His incredible technical abilities, the joy and spontaneity felt in his works, and his amazingly quick, inventive, musical mind continues to dominate Jazz to this day.
This wonderful piece is a superb likeness of "Satchmo", and it remains in very fine, all-original condition! No chips, cracks, repairs or repainting! Minor and tiny, age-related flakes to the surface of this chalkware piece exist here and there and are entirely appropriate given the statue's 70+ years of age. No maker's mark--just a small encircled "C" for copyright on the back of the base. Bottom of base is covered in an original, soft, felt-like material to prevent statue from scratching display surfaces.
A fabulous piece of Louis Armstrong Memorabilia!!
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Colors are extraordinarily vivid, a fabulous display piece -retains original cardboard backing and original stand, but, alas, no game darts! The darts are extraordinarily rare and are seldom found!
Present are minor surface blemishes, surface scratches, some surface rust specks, as well as minor edge crimps that one would expect of a 90+ year old toy -all of which fail to detract from the fabulously bold visual imagery of this piece! (The most prominent scratch is on Sambo's target.)
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
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This sign was found in storage inside of an old Austin, Texas, gas station and likely designated the COLORED ONLY entrance to a local public building or room within.
This historic sign is enameled on both sides with the word "COLORED" and a downward pointing arrow. Colors are blue with cream background.
The sign is in all-original condition with several chips to the porcelain enamel as well as subtle edge wear. It likely was posted on the interior of a building as its overall condition is really quite fine and does not evidence any characteristics one would expect of a sign that was subject to the ravages of Mother Nature. Or...perhaps the sign was simply never used-- a mystery never to be solved!
An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history that is quite likely the only one of its kind extant today!
Please take a moment to view the second "Jim Crow" Segregationist Era sign I currently have the pleasure of offering.
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Measuring 4.75 inches high x approximately 3.25 inches in diameter, the container has slight scuffing to its paper cover and light rust to the base --which in the photo appears more significant than it actually is--- however, there is no problem with structural integrity to the base!
Eye-appealing with its classic "GOLD DUST TWINS" graphic!!
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From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the artistry of her father who also famously sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been seen on the streets of the city.
Sold exclusively at the time through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.
This figure, known as the Coal Seller, is most particularly hard to find, and thus, he is very seldom seen in today's collectible market.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentleman Coal Seller wears a red and yellow kerchief around his neck, a yellow shirt patterned with red flowers, green trousers and "leather" shoes- all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. At his feet is a very large, wax-coated burlap bag filled with small planks of wood, ready for burning. The Coal Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base features the original trade sticker advertising Harriet's. Remnants of an unreadable paper sticker are also noted on the front of the wooden base.
This wonderful figure is in amazing condition for his 90+ years of age with two imperfections: one missing finger on the right hand, and 3/4ths of the hat brim missing-- both conditions occurring due to the delicacy and fragility of the wax construction as both the hands and the hat are made solely from molded wax.
As a result, fingers are frequently found to be missing on Vargas figures, and hat brims often fall culprit to damage as well. The brimmed hats of Vargas male figures are the ONLY item of Vargas clothing that were never constructed of fabric first before being coated in wax- the only significant design flaw in the execution of these fabulous and iconic New Orleans Black Folk figures!
Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.
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Hand-executed by Robert A. Myers of 73 E. Hazeltine Avenue, Kenmore, New York, the figures vary in height from 2.25 to 2.75 inches. The colors are absolutely brilliant and the detailing exquisite with the tiniest of details painted with superb precision, control and great artistry.
"HAND MADE, R. A. Myers, 72 E. Hazeltine Ave., Kenmore, NY" is clearly stamped on the soles of approximately 5 of the figures--yet there is no question that all were executed by the same hand, and it is likely that all figures at one time bore this stamp.
Little is known of Robert A. Myers other than the fact that the street address stamped on the soles of the figures' feet was a private residence, and Robert A. Myers was indeed listed as residing at this address in a 1930 Kenmore (a suburb of Buffalo) telephone directory.
The fabulous figures have been safely stored over these many years in a felt-lined, hardwood, hinged box which undoubtedly has contributed to their most excellent condition!
Truly a RARITY! These wonderful folk art figures would make an outstanding addition to the museum quality Black Memorabilia collection! Not to be missed--these are one-of-a-kind!
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From 1901-1924, Bruckner produced this original, 12" Topsy Turvy doll for Horsman's Babyland Rag Doll line that features Caucasian, "Betty", on one end and African American, "Topsy", on the other. The inspiration for this doll is based on the character of Topsy in Harriet Beecher Stowe's classic 1852 novel, "Uncle Tom's Cabin".
The Bruckner Topsy Turvy doll was advertised in a 1907 Babyland Rag Doll catalog as follows:
"TOPSY-TURVY---What is this?
Looks like just a pretty miss.
But turn her over and you'll find,
She is quite another kind.
First she's White and then she's Black,
Turn her over and turn her back.
Topsy that side--Betty this--
Yet complete, each little Miss."
The detail on this hard to find classic doll is lovely. Both heads indeed have the pressed, molded mask faces with lithographed features. Topsy's face is in mint condition! Betty's face is very fine with superficial rubs to the flesh-toned coating of her mask; her lithographed facial features, however, remain beautiful. (Such rubs are not unexpected as these particular doll masks are, unfortunately, prone to rubbing.)
Grinning Topsy has red bows tied to her black mohair braided pigtails which are tucked into her red headscarf. Her red blouse, which matches her head scarf, is trimmed with cream banding around the sleeve and neck edges. The cream scarf she wears around her shoulders tucks into her very full, red/cream checked, gingham skirt. Flip her over, and....
Betty's more subtle Anglo face and her hair are lithographed. She wears the same red/cream checked gingham fabric of which both her dress and ruffled bonnet are constructed. Over her very full gingham dress, Betty also wears a sheer, ruffled pinafore.
Both dolls have the typical "mitten" hands of the stuffed rag dolls of this era. There are no other difficulties to report other than the rubs to Betty's face and some tiny, stray (original) glue spots here and there. No rips, tears, soiling, or odors, and she has been stored in a smoke-free home. The photos show it all- these two girls are a charming pair! A very difficult to find doll in near excellent condition!
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American Beach was established in 1935 on Florida's east coast under the leadership of Abraham Lincoln Lewis, one of seven co-founders of the Afro-American Life Insurance Company, and one of Florida's first black millionaires. His vision was to create a beach resort as a benefit for company executives and as an incentive for employees.
In the era of Jim Crow segregation laws, few public places in Florida or the rest of the South were open to African Americans. From the Depression until well into the 1960's, American Beach served as a holiday and vacation destination for thousands of African Americans, and was a magnet for black celebrities such as entertainers Cab Calloway and Ray Charles, heavyweight boxing champion Joe Louis and writer Zora Neale Hurston.
But in 1964, the area began to decline. Hurricane Dora destroyed much of the beach, and passage of the Civil Rights Act meant that blacks were, finally, no longer restricted to segregated beaches and the businesses that catered to them.
A fabulous and historically relevant piece of Black Americana!
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The AYER'S Cathartic Pills card is copyrighted 1883 in the lower right front corner by the J.C. Ayer Company Company, Lowell, Massachusetts. This card is brilliantly colored with a phenomenal graphic of the Black "Country Doctor" holding a small child who clutches an Ayer's Pills advertisement in her hand. The reverse side carries a testimony to the wonder of the multitude of curative properties of Ayer's Pills. The card measures 2 5/8 inches x 4 3/4 inches.
The 1st J.P. Coat's Company card is not copyrighted but is at the latest, a circa 1890's card, and features a smiling African-American boy seated on a spool of Coat's thread tickling a bright yellow shining sun. The card measures 3 inches x 4.50 inches. The reverse side is an advertisement for J.P. Coat's Fast Black Spool Cotton thread.
The Clarke's Spool Cotton Thread advertising card featuring an African-American boy beating a drum is sold.
The 2nd J.P. Coat's Thread card depicts a humorous scene of an African-American couple attempting to move a very stubborn mule. The card measures 3 inches x 4.75 inches. It is copyrighted on the reverse 1881 by Auchincloss & Brothers, New York. The reverse side advertises the myriad of J.P. Coat's products.
The final card is another Clark's Mile-End Spool Cotton advertisement that features a humorous lithograph of a well-dressed African-American man being tripped by a young Caucasian boy holding Clark's super-strong thread, and measures 2.75 inches x 4.50 inches. The reverse side is a continuation of testimony and advertisement for the product.
All trade cards are in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The cards have no rips, bends, or fading.
These seldom-found trade cards would look fabulous framed as a group!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
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Measuring 1.5 inches long x 1 inch wide, this sharpener depicts a derogatory caricature of a Black Man. The glaring eyes are painted a stark white with teeny black pupils, while the red painted lips surround the pencil sharpener blade which takes the place of the man's teeth. Curly molded hair and eyebrows are painted black, while the face is painted brown- inside and out.
The pencil sharpener is stamped GERMANY on the back inside.
Condition is very good with approximately 75% of the original paint remaining. There is no repaint! The paint is worn in expected areas, with the majority of paint wear seen on the sides of the face and bottom of the chin where one would grasp the sharpener. Facial feature paint is strong.
Germany apparently made a good steel blade as the sharpener still works!
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In very nice condition with minor scratches to paint here and there as seen in photos, this wind-up toy works, but the mechanism does have the tendency to stick a little. Marked J. Chein.
A must-have for the avid Black Memorabilia Toy collector!
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Remaining in its original frame, this watercolor retains its vibrant color. A lovely piece of Black Americana executed with some naivete!
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
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From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
This figure, known as the Female Vegetable Seller, is one of the more difficult to find of the New Orleans street character wax dolls. Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This female Vegetable Seller wears a multi-colored kerchief on her head, a red and cream polka dot scarf around her neck, a cream shirt decorated with red flowers, a blue and white polka dot apron and pale blue skirt decorated with a sea of multi-colored flowers - all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. Balanced on her arm is a removable, wax, wicker-look basket filled with cabbage, carrots and rhubarb. The Vegetable Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base.
This wonderful figure is in amazing condition for her 75+ years of age with no apparent or visible imperfections other than two missing fingers on her left hand, a condition which is quite commonly found in Vargas figures. A highly collectible piece representing 1920s New Orleans's African American culture. Vargas figures are becoming increasingly more difficult to find!!
Type "Vargas" into the SEARCH box to see the other Vargas figure currently available: 1920 RARE New Orleans Vargas Wax Black Doll Female Cotton Seller+Child
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This wonderful piece is unmarked but is documented in numerous guides as the Black Chef cookie jar made in the 1940's by the National Silver Company. It likely once had a "NASCO" foil label on its base which dried up and fell off over the course of the jar's lifetime.
Fabulous cobalt blue accenting makes this cookie jar quite striking in its appearance. A great display piece!
As stated, the cookie jar remains in all original condition-- a rarity for a cookie jar of this vintage! Please take the time to view all photos as they represent condition quite nicely. Glaze crazing typical to the age of this 60+ year old piece is evident as well as small surface flakes present here and there along lid cover edge- a very common site for flakes/chips on any lidded ceramic piece given that the lid was continually taken on and off during use and thus easily subject to damage. A single superficial hairline occurring during firing can be seen on the interior base; it does not go through to the exterior.
It is quite rare to find a vintage cookie jar in such fine overall condition! Reproductions abound on today's market, but authentic pieces such as this are quite scarce and are truly collecting treasures when discovered!
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The Chad Valley Company was the most well-known manufacturer of toys in the United Kingdom during the 20th century, beginning in the 1920s. Metal toys were first produced at their factory in 1945 at the end of World War II, which is likely the time frame for production of this bank.
The bank features a well-dressed, smiling black man attired in a black and white checkered jacket with white shirt and black and green striped tie.
To operate the bank, the gent's tongue pops out to receive a coin. When his tongue pops back into his mouth, a wide, toothy smile is revealed. The tongue apparatus is operated via a lever on the front of the bank that is positioned at the knot of the the tie. The gent's eyes jiggle in a silly matter when his tongue moves in and out.
The bank comes complete with the original key. It is in fine condition with expected, light, superficial rubs and scratches to case paint. The face is in quite wonderful condition as seen in photos.
A delightful collectible which displays absolutely fabulously!
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In wonderful, all-original condition, the bank retains its original screw closure and the majority of its paint, with minor and insignificant paint loss as noted in photos.
A visually-appealing piece, a pleasing caricature! A fine addition to one's Black Memorabilia collection!
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In very fine condition, with faint, superficial scratches expected of a 70+ year old metal toy, this wonderful Tuxedoed Dancing Black Man is in working condition! He is stamped "Made in USA" on his back and was made by Buffalo Toy Works. It is operated via a small metal lever at the base that can be jiggled (thus, the name "Jigger" Toy) up and down and back and forth to make Dancing Sambo wave his arms and jiggle his legs!
Measures approximately 6.5 inches high. Maker unknown. Displays wonderfully!
Please note that any white spots appearing in photos are from the camera flash and are not imperfections!
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Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the graphic remaining in bright color and free of scratches and abrasions. Although the glass front is somewhat cloudy, as one can see in photos, the image is readily visualized. The mirrored back shows significant loss of silvering due to its 110+ years of age. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
A delightful piece of early, pocket-toy, Black Memorabilia!
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I have never seen this piece before, nor have I seen it pictured in any Black Memorabilia Reference books!
Circa 1940's, this hefty and very well-constructed piece is made of solid wood and measures 14 inches high x 9.25 inches wide x 3 inches deep. It weighs nearly 4 lbs!
This wonderful piece of Black Memorabilia may be displayed as a free standing shelf piece or may be hung (original hanging hole present!).
The condition and visual clarity of the Mammy graphic (Mammy scratching her head in her attempt to remember her grocery list!) as well as the grocery list text remains superb and vibrant! This graphic is printed on a solid, 5/8 inch thick, wooden board that slides up and out of the red frame to reveal the 5 slot knife box interior! The box also has a single hole beside the knife slots presumably to hold a wooden spoon! Turn the wooden grocery list board over and one finds a cutting board!!! How very, very clever! The grocery list peg holes are found within the frame of the knife box as opposed to the common placement on the grocery list board; one original wooden peg remains.
The piece is in very fine condition with some superficial wear to the red paint in appropriate locations, some old grime, and a few white paint spatters at the top of the box where the knife slots are located (all of which will be left to the new owner to clean or retain!) No manufacturer's mark.
Truly a fabulous and most RARE piece of Black Americana!
SOLD
Printed in 1937, this delightful story of little Ezekial and his Florida family was both written and illustrated by Ms. Garner.
The book is tightly bound with some foxing at the front and back cover interior seams. The colors are much brighter and more vivid than they appear in my photos. No rips, tears, or repairs. Photos provide a representation of condition of interior pages, cover and dust cover. Excellent condition for its 70 years!
A very difficult to find Black Memorabilia children's story book!
SOLD
The game is complete and features five, brightly colored, lithographed-cardboard, standing "Sambo" targets or "pins". The "Sambo pins" are in fine condition with minimal wear to edges and a few wrinkles here and there. One Sambo pin has an obviously creased neck and this is pictured in the last photo. During this time period, game directions were typically printed on the inside of box covers; there is no evidence that this was the case with "Sambo Five Pins". Perhaps the manufacturer felt that the game of bowling was self-explanatory!
Measuring 10 3/4 inches tall x 13 inches wide, the game cover as well as the SAMBO bowling pins display absolutely wonderfully! As evident in the photos, the box cover shows some minimal and expected wear given its 90+ years of age. The box cover has some missing spots of paper, some surface creases and is missing one of its four sides- the box side placed at the bottom of the cover. The box base has minimal edge wear and remains quite sturdy.
A RARELY found, quite visually captivating Black Memorabilia collectible that displays absolutely wonderfully!