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This rarely found copy was written and illustrated by the renowned author of a number of Raggedy Ann and Raggedy Andy stories of the period, Johnny Gruelle. The book was published in both the United States and Great Britain in 1926, by the P.F. Volland Company of Joliet, Illinois.
This copy has superficial scratches to the front and back covers, wear on book cover edges, inside cover has a small black marker smear, inside front & back covers have minor soiling here and there(see photos). The binding is super-tight and all pages remain very clean and present.
The book is eleven chapters in length, approximately 88 unnumbered pages. Book is filled with a variety of wonderful black-ink and full-color illustrations as represented in photos. PLEASE NOTE: in the photos, the printing seems somewhat light and faded- not so! It is merely the function of over-lighting or light reflection.
A wonderful and truly RARE book not to be missed--- it currently lists in Black Memorabilia books at $200-250!
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This circa 1920-30's Johnny Griffin item is constructed of cast iron and is a match holder! It remains functional for such use today or may be simply used as an attractive desk paperweight or perhaps as a wall ornament!
The match holder is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/4 inches long x 4 1/4 inches wide x 1 inch deep. It is unmarked and retains traces of original paint as well as some surface rusting which appears in some photos to be more significant than it is in actuality.
The Johnny Griffin image- in the arena of Black Americana collectibles - should form the cornerstone of any serious Black Memorabilia collection!
SOLD
In wonderful, all-original condition, the bank retains its original screw closure and the majority of its paint, with minor and insignificant paint loss as noted in photos.
A visually-appealing piece, a pleasing caricature! A fine addition to one's Black Memorabilia collection!
SOLD
In all original condition with absolutely no repainting, this delightful piece retains its brilliant coloration. The piece has appropriate wear to paint as noted in photographs and also shows superficial rusting here and there, again, as noted in photos.
A fabulous and seldom-found display piece, most visually charming to the eye!
SOLD
The little boy shuffles along quite nicely via his original wind-up mechanism.
Over 80 years old, he is still quite sturdy as he was well made, but does show some superficial scratching from use over the years.
Of particular interest is the little boy's face which is highly exaggerated, a racist characterization that was unfortunately typical of the era when this toy was produced.
SOLD
This particular specimen, unfortunately, was not stored with care, and it suffered exposure to dampness at some time during its 85 years. It is, thus, being offered at significant discount.
Measuring 10 3/4 inches tall x 7 1/4 inches wide, the game retains its cover with three of four sides present, the directions card, ALL FIVE original wooden throwing balls, and the game target board which features the five "piccaninnies".
The box bottom is missing as is some of the purple paper that decorated the sides of the target board and which also once framed the front cover. Remnants of this paper remain on two sides of the box cover.
The target board, despite its exposure to dampness, remains completely intact including the original metal guide pins that are located at the bottom of each piccaninny's open mouth and which would have helped to "guide" the target ball into the piccaninny's mouth during play. The target paper litho is somewhat loosened at the edges here and there, and foxing is present. The cover suffered the most exposure to dampness as is evident from viewing photos. There is foxing and some surface paper loss is evident as seen in photos.
The Spear Game Company designed the game, and it was manufactured in their facility in Bavaria, Germany. (This information was printed along the base of the game cover, although 50% of it is now no longer readable.) The Spear Works of Germany operated prolifically from the 1890s through the 1930's, and during this time period, it was recognized as the most well known, international manufacturer of games and children's activity kits. Publishing rights are noted on the direction page as J. W. Spear + Sons, New York City.
RARELY found!!
SOLD
From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry of her famous father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been daily seen on the streets of the city.
Sold exclusively at the time through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.
This figure, known as the Female Vegetable Seller Smoking a Pipe, was recently de-accessioned from the Louisiana State University Rural Life Museum collection, Baton Rouge, LA, having been acquired by the museum from a private collector in January 1979.
The Female Vegetable Seller Smoking a Pipe was one of the most popular of the renowned Vargas figures, highly sought after by visitors to the city of New Orleans. Her vegetables were hand-sculpted with exquisite detail and coloring, and her corncob pipe evens presents a red flame in the center of the pipe's bowl, adding to the superlative character authenticity of this Vargas street vendor.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentlewoman Vegetable Seller wears a yellow floral kerchief around her neck, a red patterned bandanna on her head, a red, blue, and yellow plaid shirt and skirt, a blue floral-patterned apron around her waist, and black "leather" shoes. Her costume is entirely constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. The Vegetable Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base which, underneath, still retains its original "Harriet's" sticker.
This wonderful figure is in incredible condition for her 90+ years of age with, amazingly, only one minor restoration likely performed by the professionals at the LSU Rural Life Museum: a repaired carrot held in her right hand! It is a true rarity that the Vegetable Seller's corncob pipe and all fingers remain present given their highly delicate and fragile nature!
A true must-have piece for the ardent collector of New Orleans Black folk character figures!
Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.
SOLD
This darling, all-glass piece remains in superb condition-other than its missing front label. It does, however, retain its wonderful, original paper label at the base of the bottle that reads, “ Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Additionally, the perfume retains one half of its original and rarely-found, pink-satin-lined, cardboard box which is also labeled "Vigny, Paris" on one of its panels.
The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling/painting remains as clear and crisp as the day it was applied! Even his black furry hair retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with black polka dots and his feet are accented in black.
Along with photos of the Golliwog perfume is a photo of an original 1920’s magazine advertisement for Vigny Perfumes including “Le Golliwogg”. The magazine advertisement is not available for sale and is only presented to serve as an historical reference.
A very, very special piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!
Also pictured here and available for sale separately--- coming from the same estate--- is a 2.50 inch, Vigny, France, Golliwogg Perfume in Satin Camphor Glass dating post-WWI and priced at $425.00, as well as a second, 2.25 inch clear glass, 1920's, Golliwogg Perfume bottle complete with all paper labels (but without the box) and priced at $375.00. The satin camphor glass bottle was the VERY FIRST version of the Vigny "Le Golliwogg" perfume, and is much less-frequently found. The "Golly" brand continued to be sold through the 1920-30's. Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!
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The game features a VERY brightly colored lithograph target in near mint, virtually unused condition, depicting "THE WHITE EYED COON" dressed as a clown with a nose mimicking that of a RHINOCEROS HORN! The rhinoceros horn nose serves as one of the game hooks.
The target is affixed to the box base interior and additionally retains its two original metal hooks placed on either side of the gent's large, polka dot, bow tie.
This brightly lithographed game retains 5 original, colored, pressed-cardboard throwing rings. The game directions, which are attached to the inside of the original cardboard cover, do not specify the number of rings originally included in the game.
Measuring 8 3/4 inches tall x 6 1/4 inches wide x 1 inch deep, the game cover as well as the target piece display absolutely wonderfully!
As evident in the photos, the box and box cover show expected wear given their 90-100+ years of age. The box cover shows evidence of exposure to dampness and or water, some small areas of missing paper and edge wear. The box base EXTERIOR shows edge wear, some creasing and some very small areas of missing paper. As stated earlier, the target, itself, looks as though it was never played with. Just fabulous!
The game does not retain a copyright year, but the Spear Works of Germany operated prolifically from the 1890s through the 1930's, and during this time period, it was recognized as the most well known, international manufacturer of games and children's activity kits.
The box cover is labeled "Spear's Games", "Manufactured at The Spear Works in Germany. Designed in England".
An EXTRAORDINARILY RARE find!!!
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Offered is a fabulous and very seldom found World War I recruitment poster that honors the service of the African-American male Army Calvary soldier.
Tastefully rendered, this 17" x 20" paper lithographed poster on cardboard depicts a World War I African-American Calvary soldier bidding farewell to his proud sweetheart/wife as his regiment marches forward off to war in the background.
This rarely found poster is entitled, "COLORED MAN IS NO SLACKER". It was published in 1918 by S.G. Renesch of Chicago (thus printed in lower left hand corner), and is one of only two WWI recruitment posters that were published for the purpose of encouraging the enlistment of male African-Americans. The theme of the two different posters was to offer participation in the first World War as an opportunity for African Americans to demonstrate their patriotism and serve their country. (The second recruitment poster was entitled "True Sons of Freedom" and invoked the memory of Abraham Lincoln and the staunch bravery of black troops to inspire African Americans to enlist.)
The poster remains in its original, black-painted, wooden frame with glass, with original nails holding the poster in place in the back.
The poster remains in very fine condition for its 90+ years of age, showing some subtle wrinkling of paper to the lower 1/5th of the poster, likely the result of subjection to dampness, although, please note, that NO water staining is present.
This poster is a credit to the service of the many African-American men who so faithfully served and died to protect the liberty of the United States of America.
A must-have addition to one's Black Memorabilia or Militaria collection!
SOLD
Remaining in its original frame, this watercolor retains its vibrant color. A lovely piece of Black Americana executed with some naivete!
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
SOLD
In fine condition considering its 90+ years of age with superficial scratches and light superficial rusting as seen in photos. The tin retains its interior paper lining as well as two paper labels on base.
A rarely found piece of Black Memorabilia!!!
SOLD
In very nice condition with minor scratches to paint here and there as seen in photos, this wind-up toy works, but can be a little fussy. Given its 100+ years of age, a bit of fussiness in the mechanism is not atypical or unexpected. Marked "TOMBO" Alabama Coon Jigger Trademark Strauss Mfg Co New York USA; US Patent May 24, 1910. The figure, itself, is 8.25 inches high.
This fabulous toy is a CLASSIC MUST-HAVE for the avid Black Memorabilia Toy collector!
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This circa 1910-30's Johnny Griffin item is exceedingly rare, being the only example of this form ever seen by this seller either in print, on the internet or “in person”. Clearly, very few of these smoking and/or tobacco stands were produced in comparison to other Johnny Griffin novelties!
The smoking stand is constructed of two different metals- from the intricately embossed “corn stalk” pot metal cigarette and cigar holders, to the brass plated tray, match holder, base and stand. It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 30 inches high x 9 inches wide at the tray. It does not retain any marking other than mold number 3104 located on the underside of the tray. This very unusual smoking and/or tobacco stand is a heavy, sturdy piece, and is well-made.
Johnny Griffin Black Americana collectibles are a very interesting and infrequently found collectible form, and they should rightfully constitute the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
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The game features a wooden target with a brightly colored, paper lithograph depicting nine different male faces, including that of an African-American with exaggerated facial features. The target is in very good condition with some minimal surface soiling and paper loss. It retains its original, orange wooden stands.
Each gentleman sports a metal hook from his mouth upon which one is to attempt to toss a very small ring. NOT an easy task by any stretch!
This brightly lithographed game retains four, original, celluloid-like throwing rings. The game directions, which are printed on the back side of the box cover, do not specify the number of rings that were originally included in the game, so it is not known if four was the original number. The game box cover, featuring the original paper lithograph, no longer retains its sides. The cover lithograph is in good condition given its 103 years of age with small areas of surface loss, some tiny rips and missing paper segments, and some light pencil writing evident.
The game box measures 6 1/2 inches tall x 9 1/2 inches wide x 2 inches deep.
The game cover as well as the target piece displays absolutely wonderfully! A RARELY found, quite visually captivating, Black Memorabilia collectible!
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This Black Porter Pushing A Wheelbarrow amazingly still retains his original, red ribbon neckerchief. The windup mechanism is intact and holds a full wind...the man's legs are a little sluggish after 90+ years, but the toy does work.
This very difficult-to-find, Black Memorabilia toy measures 6" long, is approximately 2 3/4" wide and is 6" tall. Minor rubs to paint are present as noted in photos, but this paint loss is insignificant given the age of this toy.
A fine addition to one's Black Memorabilia collection!
SOLD
This fabulous game features a brightly colored lithograph target depicting the dapper, banjo-playing, "Jolly Darkie" with a gigantic mouth.
The target box remains in very fine condition, appearing to have seen little, if any, use. It has four openings through which one was to toss the four wooden balls that the game originally came with, but which are no longer present. It measures 13 inches tall x 6 3/4 inches wide x 1.5 inches deep.
As evident in the photos, the side-less box cover shows expected wear given its 100+ years of age, with some pencil writing in the mouth and some surface soiling.
As indicated earlier, the extant game pieces do not retain a copyright year or maker name; however, this game is very similar to two other Milton Bradley Jolly Darkie Target games that were manufactured from 1890-1910, suggesting that this game was also manufactured during this era by Springfield, Massachusetts' Milton Bradley Company. The directions to this game are not present, and it is quite possible that the manufacturer and manufacture date both appeared on the direction card-- as has been found to be the case on other Milton Bradley games of this era.
The game cover as well as the JOLLY DARKIE target box display absolutely wonderfully and would be a colorful asset to one's vintage black Americana game collection!
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This fabulous metal trunk display features the likeness of 4 Black Gentleman within its copper-toned, product advertisement appearing on the interior of the trunk lid! Product testimonials are written in English, French, German,& Spanish!
Measuring 13 inches long x 8 3/4 inches wide x 7 1/2 inches high, this wonderful early trunk is in remarkable, un-restored, all-original condition and retains its original, functional lock and key! Minor surface scratches are evident along edges where wear is generally expected in an item of this age. Such scratches are most evident on the rear panel. These imperfections do not detract from the striking visual appeal of the trunk! This trunk is actually in quite remarkable condition for its 90+ years of age!
A high quality item when originally produced, please note the trunk's wonderful exterior lithographed details which mimic the exterior of an actual trunk!
A fabulous and extremely RARE, early advertising piece that doubles as a unique and RARE BLACK AMERICANA COLLECTIBLE!
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The puzzle is constructed of a cardboard paper material with Aunt Jemima’s image lithographed on the front and product advertising on the back. This puzzle toy was a “give-away” item--- customers could write away for the “free” puzzle by sending two 2 cent stamps for a “set of Aunt Jemima and her Pickaninny Dolls”.
Aunt Jemima is in all ORIGINAL condition and has no age imperfection to speak of other than minor creasing near the three string holes, undoubtedly created when someone long ago attempted to solve the puzzle---“separate the two cardboard pieces without untying the string!”
This RARELY found piece of early Black Memorabilia and/or Aunt Jemima advertising would be fabulous framed between two pieces of glass! A must-have for the serious Black Americana collector! These Aunt Jemima paper string advertising puzzles are simply not seen anymore- they are very rarely found in today's market due to the fragile nature of their composition!
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In 1912, in a stroke of advertising genius, Mayo's Tobacco Company packaged their cut plug tobacco in round tins with a lithographed character. Each held 1 pound of tobacco. The tins were opened by removing the head!
These "Roly-Polys" were a unique shape that distinguished them from the rectangular and lunch box-shaped tins that surrounded them on store shelves. There were a number of different characters that were available, and smokers were encouraged to collect the entire set. The six original tins were the Satisfied Customer, the Storekeeper, the Singing Waiter, the Dutchman, Scotland Yard....and Mammy!
Mayo called this packaging a "Brownie" tin...apparently the company suggested that the tins be used as brownie containers after the tobacco was used, and designed them accordingly. They were never a plentiful tin, and today, are becoming increasingly more and more difficult to find.
The Mayo tobacco tins were distinguished by little packages of Mayo Cut Plug tobacco shown somewhere on the character. Notice that the Mammy tin has a tiny tobacco tin tucked into her front pocket.
Mammy's dimensions are 7"x7". She is in very good condition, as evidenced by the photos which clearly detail the very minor flaws she has acquired over her 100+ years of existence. Mammy's front side is nearly flawless, with just the teeniest paint rubs noted. **(Please note, that I was unable to avoid "white" glare in some of the photos which should not be misconstrued as damage.)**
Amazingly, Mammy still retains four separate remnants of the green US Internal Revenue paper tax stamp that are only rarely still found on Mayo Cut Plug "Brownies". They are noted on her back side on either side of the May Cut Plug tobacco package, as well as two smaller remnants directly below it. At first glance, these four tax remnants might be mistaken for areas of paint loss--not so!
Mammy's body has very, very minor, tiny spots of paint loss to the litho as seen in photos- primarily on her back side, and two small and subtle areas of denting on her front base that are noted via "touch" rather than visual appearance. The tin has no repaint. Some very light, superficial rusting is present inside the base.
The exterior base of the tin is labeled "made in factory # 42, in the 2nd District of Virginia".
**The depth of color is better viewed "in person" as opposed to what I was able to capture in a photo.**
A must-have addition to any SERIOUS Black Americana collection! This tin displays beautifully!!
SOLD
This darling, all-glass piece remains in superb condition-no damage of any kind! It retains its wonderful, original satin string around the neck as well as the paper label that reads, “ Le Golliwogg, Vigny, Paris France” and features a lithograph of the Golli’s 2 black hands, positioned in such a way as to suggest that he his holding onto his big round belly!
The Golliwogg’s head is the perfume stopper (which lifts easily out of the bottle), and the facial painting/enameling remains as clear and crisp as the day it was applied! His black furry hair retains most of its original dark tones infused with shades of dark gray! The Golly’s glass collar is painted/enameled white with black lollipops and his feet are accented in black. The original paper label is completely intact.
The base of the clear glass bottle is etched but a challenge to read except under magnification or if the bottle is held up to a light bulb at a given angle. The etching reads, “FRANCE”. This bottle no longer contains perfume.
Along with photos of the Golliwog perfume is also a photo of an original 1920’s magazine advertisement for Vigny Perfumes including “Le Golliwogg”. The magazine advertisement is not available for sale and is only presented to serve as an historical reference.
A very, very special piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!
Also pictured here and available for sale separately--- coming from the same estate--- is a 2.25 inch, Vigny, France, Golliwogg Perfume in Clear Glass dating post-WWI and priced at $375.00, as well as a second, 2.25 inch clear glass, 1920's, Golliwogg Perfume bottle complete with paper base label as well as a partial, original box and priced at $425.00. The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!
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Dressed in a machine-stitched, worn-in-places (see photos), black velvet pants and shirt complete with red chain stitch accenting, the doll, Othello, also sports an original and very well-worn red velvet hat and a very frail, pair of original, black leather shoes.
Othello's face is interestingly expressive with hand-stitched black eyes and eye lashes, hand-sewn, red satin lips, and a three-dimensional nose! His hair is fashioned from wool yarn which has selectively faded in places resulting in a salt and pepper look of light tan and black.
Othello's body is fashioned of firm, cotton-batting-stuffed, black sateen cotton that has been machine stitched. As indicated earlier, Othello's red velvet gathered hat or beret is quite delicate in condition with wear, fading and splitting of the cloth quite evident (see photos). His right leather shoe remains firmly tied in place despite the wear evident to it (see photos) and only one half of the left shoe exists (again, see photos). Othello's neck has also experienced some loosening over time from the vicinity of his shoulders making his head wobbly when not supported. This can be repaired-- or not -- if desired by the new owner.
Despite his flaws, Othello, given his approximate 111 years of age, remains a beautifully-fashioned and an historically-interesting example of a folk-art-inspired, black cloth doll fashioned over a century ago to appeal to upper class clientele of the turn of the twentieth century, given the very fine attention to detailing evident in both his crafting and creation.
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The Pore Lil' Mose series was created in 1900 by The New York Herald cartoonist, Richard F. Outcault, the creator of the more popularly known 'Yellow Kid' and 'Buster Brown' comic strips. Pore Lil' Mose was the first Black comic strip.
Measuring 14.75" x 11.75" framed, the comic remains in very fine condition with excellent, vivid color, and no rips or repairs. It is framed in an old black wooden frame with a heavy cardboard backing and would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.
Highly sought after among Black Americana collectors!
The history of the Pore lil' Mose comic strip:
In creating Pore Lil’ Mose, R.F. Outcault took an absurd concept of a 7 year old black kid living on his own in 1901 New York City with his monkey, bear, dog, and cat friends and was able to make people laugh and at times, take a critical look at themselves and the world they lived in.
The “Pore Lil’ Mose” series was far ahead of its time in social commentary and portrayal of blacks. Before he was a cartoonist, Outcault was a masterful illustrator working for Thomas Edison producing complex illustrations for Edison’s laboratories as well as illustrating for some of the largest newspapers and magazines of the late 1800’s. In the beginning, cartooning was just a way for Outcault to make additional income and have fun. Because of his experience as an illustrator, his early cartoons were drawn with more detail and skill than other cartoonist and are rich in artistic and historical detail.
What truly makes “Pore Lil’ Mose” stand out from other black cartoons of the period is Outcault’s portrayal of blacks. One should keep in mind that in 1900, the Civil War had only been over for 35 years, and the civil rights movement of the 1960’s was still over sixty years away. “Pore Lil’ Mose” was the first comic strip to have a black character as its main protagonist, and for over half a century, “Pore Lil’ Mose” was the only comic strip to have portrayed blacks as judges, teachers and other professionals. When one views the 70 plus “Pore Lil’ Mose” strips, one sees that Outcault created a character in Mose who was polite, kind, generous, accepting, intelligent and at times a deeply profound thinker who loved his family and friends. Pore Lil’ Mose can be viewed as a role model for every human being regardless of race or ethnicity.
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Helen Bannerman was inspired to write these stories for her two young daughters while the family lived in India; Mingo and Sambo were Indian children and not African-American. They were converted over time to this race, however, by subsequent story tellers and illustrators.
A mini book measuring 4" x 5.75", this cloth-bound hardcover was published by Frederick A. Stokes Company, New York, with 64 pages of vividly colored illustrations, and no copyright date. Research indicates this version was published circa 1902.
Condition is a 9 out of 10! This 120+ year old book has seen little use with just a teeny bit of wear to book edge points and age-related staining with some minor paper loss to the original, overlay-ed paper cover. Some soiling to interior pages here and there, but otherwise, intact and tight with no tears, creases, pen/pencil markings! Amazing condition for a book of this age!
A simply wonderful story, truly a fairy tale of sorts, that is seldom found in this lovely, original, early edition! To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
SOLD
The book tells the infamous story of ten little African-American boys who are gradually eliminated in number via one circumstance after another--most utterly horrid-- choking to death, chopping himself in half, being crushed by a bear, being swallowed by a red herring, etc, ending with the last boy sadly living all alone, a circumstance he happily remedies by getting married.
Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed, black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.
This 113 year old book remains in all-original, very good condition with no alterations or repairs. Original binding and stitching remain quite tight and intact. Illustrated by R. J. (James) Williams, the interior illustrations remain very brightly colored. Pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. Some pages also show subtle water staining that has not impacted cloth integrity. No tears or rips to fabric.
This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is an absolute cornerstone piece in any serious Black Memorabilia collection!
To view other versions of this book presently available for separate purchase, please type the words "ten little" into the SEARCH box on our home page.
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This extremely rare SAMPLE doll was, at one time, exhibited by Mrs. Park at a Van Buren drug store for marketing purposes--orders would be taken at the drug store based upon her sample doll or dolls that were displayed.
This richly detailed, finely executed doll wears 2 authenticating cloth tags (see photos) that attest to this doll’s provenance; one tag is a hand-inked-in-script tag sewn to the base of the doll’s apron that reads “Sample”, and the other is a machine-printed tag that is stitched to the waist band of the apron and reads, “Designed by Ruie Ann Park, Van Buren, Ark., All Rights Reserved”.
This lovely, 13 ½ inch long, old black Granny doll has a delicately designed, serious looking face that has been carefully hand-etched in ink. Her curly gray hair pulled back into a bun at the nape of her neck is crafted from yarn, and she wears a small, proper brown cloth hat with pink banding. Her body is quite firmly stuffed with cotton, her hands are stitched to delineate her fingers and (separated) thumbs, and her outfit is machine-stitched and completely original. She wears unbleached, ruffle-edged, muslin pantaloons and underskirt. Her dress is cream colored cotton calico printed with black and pink flowers, and further accented with the most delicate, pink-trimmed, pink polka-dotted, lace cuffs and collar. Her unbleached muslin apron is trimmed with light pink ric-a-rac along its hem and single pocket. Her outfit is completed with black cotton stockings and authentically detailed black, lace-up leather boots.
This extraordinarily rare doll with her very unusual, documented provenance is in very, very fine condition! A truly superb Black doll beckoning to the most sophisticated of doll collectors! Also offered from the same wonderful doll collection is a circa 1920 black cloth doll named "Sallie"- another must-have!
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This cast iron piece retains a majority of its original paint, and the bug-eyed caricature of Mammy is suggestive of turn-of-the-century manufacture. This memo board is heavy and hefty and is, not unexpectedly, missing its paper pad. This wonderful piece also reveals its manufacture origin on the reverse side indicating Holyoke, Massachusetts, origin (see photo). Mammy may either be displayed propped up on a shelf, or she can be hung via the original hole in the top of her kerchief.
This cast iron Mammy memo board in such fine condition rarely surfaces in today's collecting market. It is the precursor to and model for all subsequent Mammy memo boards that were manufactured much later on in a variety of materials--plaster-of-Paris, wood, and plastic.
Truly a must-have for the collector of Mammy or Aunt Jemima collectibles!
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The character of Rastus was based on an actual person- a black waiter from Chicago- who was paid $5 for the use of his image by Colonel Mapes, the General Manager of the Nabisco Company, the owner of Cream of Wheat. The company began using the waiter’s image in the early 1900’s, replacing the original woodcut of a black chef that appeared on the packaging from 1894 until that time. Interestingly from a social and historical perspective, the depiction of the ever-pleasant, always-smiling Rastus was both a subtle yet positive departure from the extremely derogatory advertising much more typical of the era- advertising that nearly always featured blacks with wildly contorted and exaggerated features most often in very undignified poses and predicaments.
This beautiful, rarely-found puzzle, which is in excellent condition, is attractively framed in a hardwood molding colored in walnut, ebony and gold. The puzzle frame is original to the puzzle, and it is contemporary to the production date of the puzzle as it still retains its original wood panel backing, a framing technique not typically found after 1910. The puzzle pieces, themselves, are very finely and delicately cut, and are of a much smaller size than what is typically found in puzzles dating from the 1920’s and beyond.
A phenomenal piece that would be a centerpiece to any serious Black Americana, Advertising, or Cream of Wheat collection!
PLEASE NOTE: Any discoloration, white spots, or other unnatural variances in color are due to the unavoidable light reflections caused by the glass in the framing. The presence of the glass made photography quite a challenge!
A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!
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The box is in very good condition for its 100+ years of age with teeny tiny chips to the surface as noted in photos.
The box features an incredibly detailed graphic on its cover depicting an African-American family gathering around the patriarch as he readies to strike a match for the very first time.
Entitled "Their First Box of Drawing Room Matches. Paterfamilias: You chillin keep back deah! You want you heads blowed off'n you shouldus?"
A fabulously rare piece for the serious collector!
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One of the most distinctive pieces to be produced came from the Staffordshire pottery of Ridgway and Abingdon, and in time, came to be referred to as 'the slavery relief jug'.
The jug displays two very compelling scenes from the novel: the dreadful slave auction depicting a devastated and weeping, soon-to-be-separated slave family on one side, and on the other side, the fugitive slave, Eliza, fleeing north from enslavement with her baby in her arms across the ice floes of the Ohio River. A notable detail on the side of the jug depicting the auction- the broadside posted on the auctioneer's podium reads, "By Auction this Day a Prime Lot of Negroes".
In addition to these two scenes, the jug handle is decorated with the iconic image of the head and clasped hands of a slave (presumably Uncle Tom) in prayer.
The underside of the jug is stamped by the maker and is dated January 1, 1853, indicating that it was produced within just months of the 1852 publication of UNCLE TOM'S CABIN.
Made of Parian stoneware, the jug measures approximately 7 inches high, with an approximate 3.5 inch diameter mouth. The jug is in all-original and overall excellent condition. Two slight and tight hairline cracks are evident at the base and are best viewed by looking into the interior of the jug as their presence is much more subtle on the exterior and thus more difficult to photograph. One of these hairlines is present along the foot of the jug; the other occurs a bit higher up in acanthus leaves that border the baseline near the ice floes. A single, tight hairline is also present at the interior mouth near the handle (please refer to all photos). None of the hairlines affect structural integrity as they are quite tight; they are not atypical given the jug's 150+ years of age.
An exceptional and formidable piece of history, very rarely found in today's antiques market!
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Cheerily entitled, “Down Where The Cotton Blossoms Grow”, the scene encapsulates a moment in time in the life of poor, southern, Black folk living as part of a tenant farming family in a wooden cabin at the edge of a expansive cotton field. A young, barefoot black boy and his graying mama are caught in a happy moment smiling and dancing next to a freshly-picked burlap bag of cotton.
This artwork has been completed on a tightly woven piece of tan cotton, with the outline of the basic design either pre-stenciled or hand-painted with black India ink. (Without removing the piece from its frame and examining it under the stronger power of a microscope, this is difficult to determine.)
The artist then used watercolors to paint in the broad areas of color prior to using embroidery cotton and silk thread to stitch the title, and to outline the trees, the landscape, the wooden cabin, the two black figures and their clothing, etc. The final touch was to paint in the cotton blossoms and aspects of the folk’s facial features with a white oil paint. The result is a larger scale, utterly charming Folk Art Black Americana scene!
The condition of the piece, which is framed under glass, is excellent with no staining, tears, or other damage to the cotton fabric. The original solid oak frame shows some scuffing and subtle traces of paint. The original wood backing remains as well as several original square head nails.
This piece is truly a unique example of traditional, late 19th century, American Folk Art! Coupled with its Black Americana theme, this artistic rendering is a rare and precious offering!
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It is quite the extraordinary find to discover any Black Memorabilia item reflecting the common but not widely acknowledged practice of interracial marriage among the indigenous Native American and the freed/slave African American population in 18th and 19th century Southern New England coastal towns and cities that were part of the Slave/Sugar/Rum Trade Triangle of the era. Rightfully viewed as a museum piece, this finely-executed figural bowl is certainly reflective of a unique and little known aspect of African American as well as Native American History!
The bowl is in utterly pristine condition with no faults other than expected age patina to the surface. There are no markings on this piece which appears to be hand forged given the subtle asymmetry of the overall shape of the bowl as well as the detailing of the facial features.
This truly unique and rare item would be an important addition to the serious collector’s Black Americana collection!
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This incredible slave collar speaks for itself, opening yet another small window into the history of African-American slavery. The collar is labeled with the enterprise's business name, Ross and Drum, out of Florence, South Carolina (SC), and is dated 1846. This enterprise was likely involved in the trading and auctioning of African-American slaves given its pronouncement of the phrasing "Negroes &" on the metal plate of the collar. The "&" likely implied the service of selling all "other" manner of estate "property" from land to livestock. Slaves- or Negroes as they were commonly referred to in the "slave states"- were considered "property", not human beings.
Measuring approximately 33 inches in length, the collar band is constructed of thick, sturdy leather, upon which is fastened a brass-appearing, engraved plaque, with ten, hand-forged, iron links forming the chain. Two circular, iron loops appear at either end of the leather collar. The collar weighs a hefty 1.6 lbs.
The slave collar plaque, ironically, is decoratively etched and features two crosses and two Masonry symbols, along with other symbolic engravings.
A stunning and important museum-quality offering without question!
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Missing is much of the green liner paper to the box interior as well as the lower portion of the exterior brass latch. Additionally, the cabin lid has detached from the base although all aspects of the brass hinges appear to remain intact. Otherwise, this rarely found Black Americana Log Cabin Cigar Box is in marvelous condition, and the fabulous color litho adds to this piece’s value!!!
The log cabin measures 8 inches long x 5 inches deep x 5.5 inches high.
The wonderful litho which served to advertise the cigars feature a jolly black family singing and dancing as they all – with the exception of the youngest child – enjoy a cigar! In the lower right corner of the litho “Neuman Publishers NY” is partially obscured; in the lower right corner the words “Trade Mark Frey Bros NY”.
An extremely RARE, high quality, Black Americana collectible for the distinguishing collector!
On Hold
The overall condition of the doll is quite good. It remains in all original condition. The papier mache head is solid with no chips, cracks, or broken areas, and the hand-painted details are strong with little to no loss. The torso is solid and the arms are attached with no breaks. The legs have some damage to the wood. They have split near the top and have some small wood loss, thus, are held securely in place with a string that has been tied to them. The wooden center dowels are still present, however, and they can be repaired if so desired. The clothing is all original and is still in nice condition with no tears or holes, only some light fading and discoloration from age.
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"The Golliwogg's Bicycle Club", published in 1896 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 2nd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.
This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 30 full-color illustrations and tells the story of Golly's world travels. Golly and his friends, suffering from boredom, create their very own bicycles out of tree-wood and then partake of marvelous adventures in Paris, Japan, Turkey and Africa!
The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
The book is in very fine but not perfect condition-- not surprising given the book's 114 years of age! Wear to hard-board-cover edges. Binding remains strong, but thread stitching securing pages to binding has weakened with the two, center-most pages separated from the others. Evidence of tape repair on these loosened pages present. Book is complete, with no missing pages.
Truly a fabulous find! The first time I have EVER had the pleasure of offering this wonderfully-rare children's book in my 26 years of dealing in Black Memorabilia!!